Written by
Raymond Carver |
It's what the kids nowadays call weed.
And it drifts
like clouds from his lips.
He hopes no one
comes along tonight, or calls to ask for help.
Help is what he's most short on tonight.
A storm thrashes outside.
Heavy seas
with gale winds from the west.
The table he sits at
is, say, two cubits long and one wide.
The darkness in the room teems with insight.
Could be he'll write an adventure novel.
Or else
a children's story.
A play for two female characters,
one of whom is blind.
Cutthroat should be coming
into the river.
One thing he'll do is learn
to tie his own flies.
Maybe he should give
more money to each of his surviving
family members.
The ones who already expect a little
something in the mail first of each month.
Every time they write they tell him
they're coming up short.
He counts heads on his fingers
and finds they're all survivng.
So what
if he'd rather be remembered in the dreams of strangers?
He raises his eyes to the skylights where rain
hammers on.
After a while --
who knows how long? -- his eyes ask
that they be closed.
And he closes them.
But the rain keeps hammering.
Is this a cloudburst?
Should he do something? Secure the house
in some way? Uncle Bo stayed married to Aunt Ruby for 47 years.
Then hanged himself.
He opens his eyes again.
Nothing adds up.
It all adds up.
How long will this storm go on?
|
Written by
Charles Simic |
A New Version: 1980
What is that little black thing I see there
in the white?
Walt Whitman
One
Out of poverty
To begin again:
With the color of the bride
And that of blindness,
Touch what I can
Of the quick,
Speak and then wait,
As if this light
Will continue to linger
On the threshold.
All that is near,
I no longer give it a name.
Once a stone hard of hearing,
Once sharpened into a knife.
.
.
Now only a chill
Slipping through.
Enough glow to kneel by and ask
To be tied to its tail
When it goes marrying
Its cousins, the stars.
Is it a cloud?
If it's a cloud it will move on.
The true shape of this thought,
Migrant, waning.
Something seeks someone,
It bears him a gift
Of himself, a bit
Of snow to taste,
Glimpse of his own nakedness
By which to imagine the face.
On a late afternoon of snow
In a dim badly-aired grocery,
Where a door has just rung
With a short, shrill echo,
A little boy hands the old,
Hard-faced woman
Bending low over the counter,
A shiny nickel for a cupcake.
Now only that shine, now
Only that lull abides.
That your gaze
Be merciful,
Sister, bride
Of my first hopeless insomnia.
Kind nurse, show me
The place of salves.
Teach me the song
That makes a man rise
His glass at dusk
Until a star dances in it.
Who are you? Are you anybody
A moonrock would recognize?
There are words I need.
They are not near men.
I went searching.
Is this a deathmarch?
You bend me, bend me,
Oh toward what flower!
Little-known vowel,
Noose big for us all.
As strange as a shepherd
In the Arctic Circle.
Someone like Bo-peep.
All his sheep are white
And he can't get any sleep
Over lost sheep.
And he's got a flute
Which says Bo-peep,
Which says Poor boy,
Take care of your snow-sheep.
to A.
S.
Hamilton
Then all's well and white,
And no more than white.
Illinois snowbound.
Indiana with one bare tree.
Michigan a storm-cloud.
Wisconsin empty of men.
There's a trap on the ice
Laid there centuries ago.
The bait is still fresh.
The metal glitters as the night descends.
Woe, woe, it sings from the bough.
Our Lady, etc.
.
.
You had me hoodwinked.
I see your brand new claws.
Praying, what do I betray
By desiring your purity?
There are old men and women,
All bandaged up, waiting
At the spiked, wrought-iron gate
Of the Great Eye and Ear Infirmery.
We haven't gone far.
.
.
Fear lives there too.
Five ears of my fingertips
Against the white page.
What do you hear?
We hear holy nothing
Blindfolding itself.
It touched you once, twice,
And tore like a stitch
Out of a new wound.
Two
What are you up to son of a gun?
I roast on my heart's dark side.
What do you use as a skewer sweetheart?
I use my own crooked backbone.
What do you salt yourself with loverboy?
I grind the words out of my spittle.
And how will you know when you're done chump?
When the half-moons on my fingernails set.
With what knife will you carve yourself smartass?
The one I hide in my tongue's black boot.
Well, you can't call me a wrestler
If my own dead weight has me pinned down.
Well, you can't call me a cook
If the pot's got me under its cover.
Well, you can't call me a king
if the flies hang their hats in my mouth.
Well, you can't call me smart,
When the rain's falling my cup's in the cupboard.
Nor can you call me a saint,
If I didn't err, there wouldn't be these smudges.
One has to manage as best as one can.
The poppies ate the sunset for supper.
One has to manage as best as one can.
Who stole my blue thread, the one
I tied around my pinky to remember?
One has to manage as best as one can.
The flea I was standing on, jumped.
One has to manage as best as one can.
I think my head went out for a walk.
One has to manage as best as one can.
This is breath, only breath,
Think it over midnight!
A fly weighs twice as much.
The struck match nods as it passes,
But when I shout,
Its true name sticks in my throat.
It has to be cold
So the breath turns white,
And then mother, who's fast enough
To write his life on it?
A song in prison
And for prisoners,
Made of what the condemned
Have hidden from the jailers.
White--let me step aside
So that the future may see you,
For when this sheet is blown away,
What else is left
But to set the food on the table,
To cut oneself a slice of bread?
In an unknown year
Of an algebraic century,
An obscure widow
Wrapped in the colors of widowhood,
Met a true-blue orphan
On an indeterminate street-corner.
She offered him
A tiny sugar cube
In the hand so wizened
All the lines said: fate.
Do you take this line
Stretching to infinity?
I take this chipped tooth
On which to cut it in half.
Do you take this circle
Bounded by a single curved line?
I take this breath
That it cannot capture.
Then you may kiss the spot
Where her bridal train last rustled.
Winter can come now,
The earth narrow to a ditch--
And the sky with its castles and stone lions
Above the empty plains.
The snow can fall.
.
.
What other perennials would you plant,
My prodigals, my explorers
Tossing and turning in the dark
For those remote, finely honed bees,
The December stars?
Had to get through me elsewhere.
Woe to bone
That stood in their way.
Woe to each morsel of flesh.
White ants
In a white anthill.
The rustle of their many feet
Scurrying--tiptoing too.
Gravedigger ants.
Village-idiot ants.
This is the last summoning.
Solitude--as in the beginning.
A zero burped by a bigger zero--
It's an awful licking I got.
And fear--that dead letter office.
And doubt--that Chinese shadow play.
Does anyone still say a prayer
Before going to bed?
White sleeplessness.
No one knows its weight.
What The White Had To Say
For how could anything white be distinct
from or divided from whiteness?
Meister Eckhart
Because I am the bullet
That has gone through everyone already,
I thought of you long before you thought of me.
Each one of you still keeps a blood-stained handkerchief
In which to swaddle me, but it stays empty
And even the wind won't remain in it long.
Cleverly you've invented name after name for me,
Mixed the riddles, garbled the proverbs,
Shook you loaded dice in a tin cup,
But I do not answer back even to your curses,
For I am nearer to you than your breath.
One sun shines on us both through a crack in the roof.
A spoon brings me through the window at dawn.
A plate shows me off to the four walls
While with my tail I swing at the flies.
But there's no tail and the flies are your thoughts.
Steadily, patiently I life your arms.
I arrange them in the posture of someone drowning,
And yet the sea in which you are sinking,
And even this night above it, is myself.
Because I am the bullet
That has baptized each one of your senses,
Poems are made of our lusty wedding nights.
.
.
The joy of words as they are written.
The ear that got up at four in the morning
To hear the grass grow inside a word.
Still, the most beautiful riddle has no answer.
I am the emptiness that tucks you in like a
mockingbird's nest,
The fingernail that scratched on your sleep's
blackboard.
Take a letter: From cloud to onion.
Say: There was never any real choice.
One gaunt shadowy mother wiped our asses,
The same old orphanage taught us loneliness.
Street-organ full of blue notes,
I am the monkey dancing to your grinding--
And still you are afraid-and so,
It's as if we had not budged from the beginning.
Time slopes.
We are falling head over heels
At the speed of night.
That milk tooth
You left under the pillow, it's grinning.
1970-1980
This currently out-of-print edition:
Copyright ©1980 Logbridge-Rhodes, Inc.
An earlier version of White was first published
by New Rivers Press in 1972.
|
Written by
Allen Ginsberg |
"Soyez muette pour moi, Idole contemplative.
.
.
"
I came home and found a lion in my living room
Rushed out on the fire escape screaming Lion! Lion!
Two stenographers pulled their brunnette hair and banged the window shut
I hurried home to Patterson and stayed two days
Called up old Reichian analyst
who'd kicked me out of therapy for smoking marijuana
'It's happened' I panted 'There's a Lion in my living room'
'I'm afraid any discussion would have no value' he hung up
I went to my old boyfriend we got drunk with his girlfriend
I kissed him and announced I had a lion with a mad gleam in my eye
We wound up fighting on the floor I bit his eyebrow he kicked me out
I ended up masturbating in his jeep parked in the street moaning 'Lion.
'
Found Joey my novelist friend and roared at him 'Lion!'
He looked at me interested and read me his spontaneous ignu high poetries
I listened for lions all I heard was Elephant Tiglon Hippogriff Unicorn
Ants
But figured he really understood me when we made it in Ignaz Wisdom's
bathroom.
But next day he sent me a leaf from his Smoky Mountain retreat
'I love you little Bo-Bo with your delicate golden lions
But there being no Self and No Bars therefore the Zoo of your dear Father
hath no lion
You said your mother was mad don't expect me to produce the Monster for
your Bridegroom.
'
Confused dazed and exalted bethought me of real lion starved in his stink
in Harlem
Opened the door the room was filled with the bomb blast of his anger
He roaring hungrily at the plaster walls but nobody could hear outside
thru the window
My eye caught the edge of the red neighbor apartment building standing in
deafening stillness
We gazed at each other his implacable yellow eye in the red halo of fur
Waxed rhuemy on my own but he stopped roaring and bared a fang
greeting.
I turned my back and cooked broccoli for supper on an iron gas stove
boilt water and took a hot bath in the old tup under the sink board.
He didn't eat me, tho I regretted him starving in my presence.
Next week he wasted away a sick rug full of bones wheaten hair falling out
enraged and reddening eye as he lay aching huge hairy head on his paws
by the egg-crate bookcase filled up with thin volumes of Plato, & Buddha.
Sat by his side every night averting my eyes from his hungry motheaten
face
stopped eating myself he got weaker and roared at night while I had
nightmares
Eaten by lion in bookstore on Cosmic Campus, a lion myself starved by
Professor Kandisky, dying in a lion's flophouse circus,
I woke up mornings the lion still added dying on the floor--'Terrible
Presence!'I cried'Eat me or die!'
It got up that afternoon--walked to the door with its paw on the south wall to
steady its trembling body
Let out a soul-rending creak from the bottomless roof of his mouth
thundering from my floor to heaven heavier than a volcano at night in
Mexico
Pushed the door open and said in a gravelly voice "Not this time Baby--
but I will be back again.
"
Lion that eats my mind now for a decade knowing only your hunger
Not the bliss of your satisfaction O roar of the universe how am I chosen
In this life I have heard your promise I am ready to die I have served
Your starved and ancient Presence O Lord I wait in my room at your
Mercy.
Paris, March 1958
|
Written by
Edward Lear |
They went to sea in a Sieve, they did,
In a Sieve they went to sea:
In spite of all their friends could say,
On a winter's morn, on a stormy day,
In a Sieve they went to sea!
And when the Sieve turned round and round,
And every one cried, `You'll all be drowned!'
They called aloud, `Our Sieve ain't big,
But we don't care a button! we don't care a fig!
In a Sieve we'll go to sea!'
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
They sailed away in a Sieve, they did,
In a Sieve they sailed so fast,
With only a beautiful pea-green veil
Tied with a riband by way of a sail,
To a small tobacco-pipe mast;
And every one said, who saw them go,
`O won't they be soon upset, you know!
For the sky is dark, and the voyage is long,
And happen what may, it's extremely wrong
In a Sieve to sail so fast!'
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
The water it soon came in, it did,
The water it soon came in;
So to keep them dry, they wrapped their feet
In a pinky paper all folded neat,
And they fastened it down with a pin.
And they passed the night in a crockery-jar,
And each of them said, `How wise we are!
Though the sky be dark, and the voyage be long,
Yet we never can think we were rash or wrong,
While round in our Sieve we spin!'
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
And all night long they sailed away;
And when the sun went down,
They whistled and warbled a moony song
To the echoing sound of a coppery gong,
In the shade of the mountains brown.
`O Timballo! How happy we are,
When we live in a Sieve and a crockery-jar,
And all night long in the moonlight pale,
We sail away with a pea-green sail,
In the shade of the mountains brown!'
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
They sailed to the Western Sea, they did,
To a land all covered with trees,
And they bought an Owl, and a useful Cart,
And a pound of Rice, and a Cranberry Tart,
And a hive of silvery Bees.
And they bought a Pig, and some green Jack-daws,
And a lovely Monkey with lollipop paws,
And forty bottles of Ring-Bo-Ree,
And no end of Stilton Cheese.
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
And in twenty years they all came back,
In twenty years or more,
And every one said, `How tall they've grown!
For they've been to the Lakes, and the Torrible Zone,
And the hills of the Chankly Bore!'
And they drank their health, and gave them a feast
Of dumplings made of beautiful yeast;
And every one said, `If we only live,
We too will go to sea in a Sieve,---
To the hills of the Chankly Bore!'
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
|
Written by
Rudyard Kipling |
If you wake at midnight, and hear a horse's feet,
Don't go drawing back the blind, or looking in the street.
Them that ask no questions isn't told a lie.
Watch the wall, my darling, while the Gentlemen go by!
Five and twenty ponies,
Trotting through the dark --
Brandy for the Parson,
'Baccy for the Clerk;
Laces for a lady, letters for a spy,
And watch the wall, my darling, while the Gentlemen go by!
Running round the woodlump if you chance to find
Little barrels, roped and tarred, all full of brandy-wine,
Don't you shout to come and look, nor use 'em for your play.
Put the brishwood back again -- and they'll be gone next day!
If you see the stable-door setting open wide;
If you see a tired horse lying down inside;
If your mother mends a coat cut about and tore;
If the lining's wet and warm -- don't you ask no more!
If you meet King George's men, dressed in blue and red,
You be carefull what you say, and mindful what is said.
If they call you "pretty maid," and chuck you 'neath the chin,
Don't you tell where no one is, nor yet where no one's been!
Knocks and footsteps round the house -- whistles after dark --
You've no call for running out till the house-dogs bark.
Trusty's here, and Pincher's here, and see how dumb they lie --
They don't fret to follow when the Gentlemen go by!
If you do as you've been told, 'likely there's a chance,
You'll be given a dainty doll, all the way from France,
With a cap of Valenciennes, and a velvet hood --
A present from the Gentlemen, along o' being good!
Five and twenty ponies,
Trotting through the dark --
Brandy for the Parson,
'Baccy for the Clerk;
Them that asks no questions isn't told a lie --
Watch the wall, my darling, while the Gentlemen bo by!
|
Written by
Ezra Pound |
Kung walked
by the dynastic temple
and into the cedar grove,
and then out by the lower river,
And with him Khieu Tchi
and Tian the low speaking
And "we are unknown," said Kung,
"You will take up charioteering?
"Then you will become known,
"Or perhaps I should take up charioterring, or archery?
"Or the practice of public speaking?"
And Tseu-lou said, "I would put the defences in order,"
And Khieu said, "If I were lord of a province
"I would put it in better order than this is.
"
And Tchi said, "I would prefer a small mountain temple,
"With order in the observances,
with a suitable performance of the ritual,"
And Tian said, with his hand on the strings of his lute
The low sounds continuing
after his hand left the strings,
And the sound went up like smoke, under the leaves,
And he looked after the sound:
"The old swimming hole,
"And the boys flopping off the planks,
"Or sitting in the underbrush playing mandolins.
"
And Kung smiled upon all of them equally.
And Thseng-sie desired to know:
"Which had answered correctly?"
And Kung said, "They have all answered correctly,
"That is to say, each in his nature.
"
And Kung raised his cane against Yuan Jang,
Yuan Jang being his elder,
or Yuan Jang sat by the roadside pretending to
be receiving wisdom.
And Kung said
"You old fool, come out of it,
"Get up and do something useful.
"
And Kung said
"Respect a child's faculties
"From the moment it inhales the clear air,
"But a man of fifty who knows nothing
Is worthy of no respect.
"
And "When the prince has gathered about him
"All the savants and artists, his riches will be fully employed.
"
And Kung said, and wrote on the bo leaves:
If a man have not order within him
He can not spread order about him;
And if a man have not order within him
His family will not act with due order;
And if the prince have not order within him
He can not put order in his dominions.
And Kung gave the words "order"
and "brotherly deference"
And said nothing of the "life after death.
"
And he said
"Anyone can run to excesses,
"It is easy to shoot past the mark,
"It is hard to stand firm in the middle.
"
And they said: If a man commit murder
Should his father protect him, and hide him?
And Kung said:
He should hide him.
And Kung gave his daughter to Kong-Tchang
Although Kong-Tchang was in prison.
And he gave his niece to Nan-Young
although Nan-Young was out of office.
And Kung said "Wan ruled with moderation,
"In his day the State was well kept,
"And even I can remember
"A day when the historians left blanks in their writings,
"I mean, for things they didn't know,
"But that time seems to be passing.
A day when the historians left blanks in their writings,
But that time seems to be passing.
"
And Kung said, "Without character you will
"be unable to play on that instrument
"Or to execute the music fit for the Odes.
"The blossoms of the apricot
"blow from the east to the west,
"And I have tried to keep them from falling.
"
|
Written by
Carl Sandburg |
(For S.
A.
)TO write one book in five years
or five books in one year,
to be the painter and the thing painted,
… where are we, bo?
Wait—get his number.
The barber shop handling is here
and the tweeds, the cheviot, the Scotch Mist,
and the flame orange scarf.
Yet there is more—he sleeps under bridges
with lonely crazy men; he sits in country
jails with bootleggers; he adopts the children
of broken-down burlesque actresses; he has
cried a heart of tears for Windy MacPherson’s
father; he pencils wrists of lonely women.
Can a man sit at a desk in a skyscraper in Chicago
and be a harnessmaker in a corn town in Iowa
and feel the tall grass coming up in June
and the ache of the cottonwood trees
singing with the prairie wind?
|
Written by
James A Emanuel |
There ain't NO-BO-DY
can dance like THAT, 'cept them twins
Jazzlene and Jazzphat.
|
Written by
Edward Lear |
I
On the Coast of Coromandel
Where the early pumpkins blow,
In the middle of the woods
Lived the Yonghy-Bonghy-B?.
Two old chairs, and half a candle,--
One old jug without a handle,--
These were all his worldly goods:
In the middle of the woods,
These were all the worldly goods,
Of the Yonghy-Bonghy-B?,
Of the Yonghy-Bonghy-B?.
II
Once, among the Bong-trees walking
Where the early pumpkins blow,
To a little heap of stones
Came the Yonghy-Bonghy-B?.
There he heard a Lady talking,
To some milk-white Hens of Dorking,--
''Tis the lady Jingly Jones!
'On that little heap of stones
'Sits the Lady Jingly Jones!'
Said the Yonghy-Bonghy-B?,
Said the Yonghy-Bonghy-B?.
III
'Lady Jingly! Lady Jingly!
'Sitting where the pumpkins blow,
'Will you come and be my wife?'
Said the Yonghy-Bonghy-B?.
'I am tired of living singly,--
'On this coast so wild and shingly,--
'I'm a-weary of my life:
'If you'll come and be my wife,
'Quite serene would be my life!'--
Said the Yonghy-Bonghy-B?,
Said the Yonghy-Bonghy-B?.
IV
'On this Coast of Coromandel,
'Shrimps and watercresses grow,
'Prawns are plentiful and cheap,'
Said the Yonghy-Bonghy-B?.
'You shall have my chairs and candle,
'And my jug without a handle!--
'Gaze upon the rolling deep
('Fish is plentiful and cheap)
'As the sea, my love is deep!'
Said the Yonghy-Bonghy-B?,
Said the Yonghy-Bonghy-B?.
V
Lady Jingly answered sadly,
And her tears began to flow,--
'Your proposal comes too late,
'Mr.
Yonghy-Bonghy-B?!
'I would be your wife most gladly!'
(Here she twirled her fingers madly,)
'But in England I've a mate!
'Yes! you've asked me far too late,
'For in England I've a mate,
'Mr.
Yonghy-Bonghy-B?!
'Mr.
Yonghy-Bonghy-B?!'
VI
'Mr.
Jones -- (his name is Handel,--
'Handel Jones, Esquire, & Co.
)
'Dorking fowls delights to send,
'Mr.
Yonghy-Bonghy-B?!
'Keep, oh! keep your chairs and candle,
'And your jug without a handle,--
'I can merely be your friend!
'-- Should my Jones more Dorkings send,
'I will give you three, my friend!
'Mr.
Yonghy-Bonghy-B?!
'Mr.
Yonghy-Bonghy-B?!'
VII
'Though you've such a tiny body,
'And your head so large doth grow,--
'Though your hat may blow away,
'Mr.
Yonghy-Bonghy-B?!
'Though you're such a Hoddy Doddy--
'Yet a wish that I could modi-
'fy the words I needs must say!
'Will you please to go away?
'That is all I have to say--
'Mr.
Yonghy-Bonghy-B?!
'Mr.
Yonghy-Bonghy-B?!'.
VIII
Down the slippery slopes of Myrtle,
Where the early pumpkins blow,
To the calm and silent sea
Fled the Yonghy-Bonghy-B?.
There, beyond the Bay of Gurtle,
Lay a large and lively Turtle,--
'You're the Cove,' he said, 'for me
'On your back beyond the sea,
'Turtle, you shall carry me!'
Said the Yonghy-Bonghy-B?,
Said the Yonghy-Bonghy-B?.
IX
Through the silent-roaring ocean
Did the Turtle swiftly go;
Holding fast upon his shell
Rode the Yonghy-Bonghy-B?.
With a sad prim?val motion
Towards the sunset isles of Boshen
Still the Turtle bore him well.
Holding fast upon his shell,
'Lady Jingly Jones, farewell!'
Sang the Yonghy-Bonghy-B?,
Sang the Yonghy-Bonghy-B?.
X
From the Coast of Coromandel,
Did that Lady never go;
On that heap of stones she mourns
For the Yonghy-Bonghy-B?.
On that Coast of Coromandel,
In his jug without a handle
Still she weeps, and daily moans;
On that little hep of stones
To her Dorking Hens she moans,
For the Yonghy-Bonghy-B?,
For the Yonghy-Bonghy-B?.
|
Written by
John Berryman |
Henry of Donnybrook bred like a pig,
bred when he was brittle, bred when big,
how he's sweating to support them.
Which birthday of the brighter darker man,
the Goya of the Globe & Blackfriars, whom—
our full earth smiled on him
squeezing his old heart with a daughter loose
(hostages they áre)—the world's produced,
so far, alarms, alarms.
Fancy the chill & fatigue four hundred years
award a warm one.
All we know is ears.
My slab lifts up its arms
in a solicitude entire, too late.
Of brutal revelry gap your mouth to state:
Front back & backside go bare!
Cats' blackness, booze,blows, grunts, grand groans.
Yo-bad yõm i-oowaled bo v'ha'l lail awmer h're gawber!
—Now, now, poor Bones.
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