Written by
Robert Lowell |
My whole eye was sunset red,
the old cut cornea throbbed,
I saw things darkly,
as through an unwashed goldfish globe.
I lay all day on my bed.
I chain-smoked through the night,
learning to flinch
at the flash of the matchlight.
Outside, the summer rain,
a simmer of rot and renewal,
fell in pinpricks.
Even new life is fuel.
My eyes throb.
Nothing can dislodge
the house with my first tooth
noosed in a knot to the doorknob.
Nothing can dislodge
the triangular blotch
of rot on the red roof,
a cedar hedge, or the shade of a hedge.
No ease from the eye
of the sharp-shinned hawk in the birdbook there,
with reddish-brown buffalo hair
on its shanks, one asectic talon
clasping the abstract imperial sky.
It says:
an eye for an eye,
a tooth for a tooth.
No ease for the boy at the keyhole,
his telescope,
when the women's white bodies flashed
in the bathroom. Young, my eyes began to fail.
Nothing! No oil
for the eye, nothing to pour
on those waters or flames.
I am tired. Everyone's tired of my turmoil.
|
Written by
Mark Doty |
Because the road to our house
is a back road, meadowlands punctuated
by gravel quarry and lumberyard,
there are unexpected travelers
some nights on our way home from work.
Once, on the lawn of the Tool
and Die Company, a swan;
the word doesn't convey the shock
of the thing, white architecture
rippling like a pond's rain-pocked skin,
beak lifting to hiss at my approach.
Magisterial, set down in elegant authority,
he let us know exactly how close we might come.
After a week of long rains
that filled the marsh until it poured
across the road to make in low woods
a new heaven for toads,
a snapping turtle lumbered down the center
of the asphalt like an ambulatory helmet.
His long tail dragged, blunt head jutting out
of the lapidary prehistoric sleep of shell.
We'd have lifted him from the road
but thought he might bend his long neck back
to snap. I tried herding him; he rushed,
though we didn't think those blocky legs
could hurry-- then ambled back
to the center of the road, a target
for kids who'd delight in the crush
of something slow with the look
of primeval invulnerability. He turned
the blunt spear point of his jaws,
puffing his undermouth like a bullfrog,
and snapped at your shoe,
vising a beakful of-- thank God--
leather. You had to shake him loose. We left him
to his own devices, talked on the way home
of what must lead him to new marsh
or old home ground. The next day you saw,
one town over, remains of shell
in front of the little liquor store. I argued
it was too far from where we'd seen him,
too small to be his... though who could tell
what the day's heat might have taken
from his body. For days he became a stain,
a blotch that could have been merely
oil. I did not want to believe that
was what we saw alive in the firm center
of his authority and right
to walk the center of the road,
head up like a missionary moving certainly
into the country of his hopes.
In the movies in this small town
I stopped for popcorn while you went ahead
to claim seats. When I entered the cool dark
I saw straight couples everywhere,
no single silhouette who might be you.
I walked those two aisles too small
to lose anyone and thought of a book
I read in seventh grade, "Stranger Than Science,"
in which a man simply walked away,
at a picnic, and was,
in the act of striding forward
to examine a flower, gone.
By the time the previews ended
I was nearly in tears-- then realized
the head of one-half the couple in the first row
was only your leather jacket propped in the seat
that would be mine. I don't think I remember
anything of the first half of the movie.
I don't know what happened to the swan. I read
every week of some man's lover showing
the first symptoms, the night sweat
or casual flu, and then the wasting begins
and the disappearance a day at a time.
I don't know what happened to the swan;
I don't know if the stain on the street
was our turtle or some other. I don't know
where these things we meet and know briefly,
as well as we can or they will let us,
go. I only know that I do not want you
--you with your white and muscular wings
that rise and ripple beneath or above me,
your magnificent neck, eyes the deep mottled autumnal colors
of polished tortoise-- I do not want you ever to die.
|
Written by
Sidney Lanier |
Sometimes in morning sunlights by the river
Where in the early fall long grasses wave,
Light winds from over the moorland sink and shiver
And sigh as if just blown across a grave.
And then I pause and listen to this sighing.
I look with strange eyes on the well-known stream.
I hear wild birth-cries uttered by the dying.
I know men waking who appear to dream.
Then from the water-lilies slow uprises
The still vast face of all the life I know,
Changed now, and full of wonders and surprises,
With fire in eyes that once were glazed with snow.
Fair now the brows old Pain had erewhile wrinkled,
And peace and strength about the calm mouth dwell.
Clean of the ashes that Repentance sprinkled,
The meek head poises like a flower-bell.
All the old scars of wanton wars are vanished;
And what blue bruises grappling Sense had left
And sad remains of redder stains are banished,
And the dim blotch of heart-committed theft.
O still vast vision of transfigured features
Unvisited by secret crimes or dooms,
Remain, remain amid these water-creatures,
Stand, shine among yon water-lily blooms.
For eighteen centuries ripple down the river,
And windy times the stalks of empires wave,
-- Let the winds come from the moor and sigh and shiver,
Fain, fain am I, O Christ, to pass the grave.
|
Written by
William Ernest Henley |
Out of the poisonous East,
Over a continent of blight,
Like a maleficent Influence released
From the most squalid cellerage of hell,
The Wind-Fiend, the abominable--
The Hangman Wind that tortures temper and light--
Comes slouching, sullen and obscene,
Hard on the skirts of the embittered night;
And in a cloud unclean
Of excremental humours, roused to strife
By the operation of some ruinous change,
Wherever his evil mandate run and range,
Into a dire intensity of life,
A craftsman at his bench, he settles down
To the grim job of throttling London Town.
So, by a jealous lightlessness beset
That might have oppressed the dragons of old time
Crunching and groping in the abysmal slime,
A cave of cut-throat thoughts and villainous dreams,
Hag-rid and crying with cold and dirt and wet,
The afflicted City. prone from mark to mark
In shameful occultation, seems
A nightmare labryrinthine, dim and drifting,
With wavering gulfs and antic heights, and shifting,
Rent in the stuff of a material dark,
Wherein the lamplight, scattered and sick and pale,
Shows like the leper's living blotch of bale:
Uncoiling monstrous into street on street
Paven with perils, teeming with mischance,
Where man and beast go blindfold and in dread,
Working with oaths and threats and faltering feet
Somewhither in the hideousness ahead;
Working through wicked airs and deadly dews
That make the laden robber grin askance
At the good places in his black romance,
And the poor, loitering harlot rather choose
Go pinched and pined to bed
Than lurk and shiver and curse her wretched way
From arch to arch, scouting some threepenny prey.
Forgot his dawns and far-flushed afterglows,
His green garlands and windy eyots forgot,
The old Father-River flows,
His watchfires cores of menace in the gloom,
As he came oozing from the Pit, and bore,
Sunk in his filthily transfigured sides,
Shoals of dishonoured dead to tumble and rot
In the squalor of the universal shore:
His voices sounding through the gruesome air
As from the Ferry where the Boat of Doom
With her blaspheming cargo reels and rides:
The while his children, the brave ships,
No more adventurous and fair,
Nor tripping it light of heel as home-bound brides,
But infamously enchanted,
Huddle together in the foul eclipse,
Or feel their course by inches desperately,
As through a tangle of alleys murder-haunted,
From sinister reach to reach out -- out -- to sea.
And Death the while --
Death with his well-worn, lean, professional smile,
Death in his threadbare working trim--
Comes to your bedside, unannounced and bland,
And with expert, inevitable hand
Feels at your windpipe, fingers you in the lung,
Or flicks the clot well into the labouring heart:
Thus signifying unto old and young,
However hard of mouth or wild of whim,
'Tis time -- 'tis time by his ancient watch -- to part
From books and women and talk and drink and art.
And you go humbly after him
To a mean suburban lodging: on the way
To what or where
Not Death, who is old and very wise, can say:
And you -- how should you care
So long as, unreclaimed of hell,
The Wind-Fiend, the insufferable,
Thus vicious and thus patient, sits him down
To the black job of burking London Town?
|
Written by
Sylvia Plath |
With white frost gone
And all green dreams not worth much,
After a lean day's work
Time comes round for that foul ****:
Mere bruit of her takes our street
Until every man,
Red, pale or dark,
Veers to her slouch.
Mark, I cry, that mouth
Made to do violence on,
That seamed face
Askew with blotch, dint, scar
Struck by each dour year.
Walks there not some such one man
As can spare breath
To patch with brand of love this rank grimace
Which out from black tarn, ditch and cup
Into my most chaste own eyes
Looks up.
|
Written by
Walt Whitman |
1
O sight of shame, and pain, and dole!
O fearful thought—a convict Soul!
RANG the refrain along the hall, the prison,
Rose to the roof, the vaults of heaven above,
Pouring in floods of melody, in tones so pensive, sweet and strong, the like whereof was
never
heard,
Reaching the far-off sentry, and the armed guards, who ceas’d their pacing,
Making the hearer’s pulses stop for extasy and awe.
2 O sight of pity, gloom, and dole!
O pardon me, a hapless Soul!
The sun was low in the west one winter day,
When down a narrow aisle, amid the thieves and outlaws of the land,
(There by the hundreds seated, sear-faced murderers, wily counterfeiters,
Gather’d to Sunday church in prison walls—the keepers round,
Plenteous, well-arm’d, watching, with vigilant eyes,)
All that dark, cankerous blotch, a nation’s criminal mass,
Calmly a Lady walk’d, holding a little innocent child by either hand,
Whom, seating on their stools beside her on the platform,
She, first preluding with the instrument, a low and musical prelude,
In voice surpassing all, sang forth a quaint old hymn.
3THE HYMN.A Soul, confined by bars and bands,
Cries, Help! O help! and wrings her hands;
Blinded her eyes—bleeding her breast,
Nor pardon finds, nor balm of rest.
O sight of shame, and pain, and dole!
O fearful thought—a convict Soul!
Ceaseless, she paces to and fro;
O heart-sick days! O nights of wo!
Nor hand of friend, nor loving face;
Nor favor comes, nor word of grace.
O sight of pity, gloom, and dole!
O pardon me, a hapless Soul!
It was not I that sinn’d the sin,
The ruthless Body dragg’d me in;
Though long I strove courageously,
The Body was too much for me.
O Life! no life, but bitter dole!
O burning, beaten, baffled Soul!
(Dear prison’d Soul, bear up a space,
For soon or late the certain grace;
To set thee free, and bear thee home,
The Heavenly Pardoner, Death shall come.
Convict no more—nor shame, nor dole!
Depart! a God-enfranchis’d Soul!)
4The singer ceas’d;
One glance swept from her clear, calm eyes, o’er all those upturn’d faces;
Strange sea of prison faces—a thousand varied, crafty, brutal, seam’d and
beauteous
faces;
Then rising, passing back along the narrow aisle between them,
While her gown touch’d them, rustling in the silence,
She vanish’d with her children in the dusk.
5While upon all, convicts and armed keepers, ere they stirr’d,
(Convict forgetting prison, keeper his loaded pistol,)
A hush and pause fell down, a wondrous minute,
With deep, half-stifled sobs, and sound of bad men bow’d, and moved to weeping,
And youth’s convulsive breathings, memories of home,
The mother’s voice in lullaby, the sister’s care, the happy childhood,
The long-pent spirit rous’d to reminiscence;
—A wondrous minute then—But after, in the solitary night, to many, many there,
Years after—even in the hour of death—the sad refrain—the tune, the voice,
the
words,
Resumed—the large, calm Lady walks the narrow aisle,
The wailing melody again—the singer in the prison sings:
O sight of shame, and pain, and dole!
O fearful thought—a convict Soul!
|
Written by
Thomas Hardy |
"The quay recedes. Hurrah! Ahead we go! . . .
It's true I've been accustomed now to home,
And joints get rusty, and one's limbs may grow
More fit to rest than roam.
"But I can stand as yet fair stress and strain;
There's not a little steel beneath the rust;
My years mount somewhat, but here's to't again!
And if I fall, I must.
"God knows that for myself I've scanty care;
Past scrimmages have proved as much to all;
In Eastern lands and South I've had my share
Both of the blade and ball.
"And where those villains ripped me in the flitch
With their old iron in my early time,
I'm apt at change of wind to feel a twitch,
Or at a change of clime.
"And what my mirror shows me in the morning
Has more of blotch and wrinkle than of bloom;
My eyes, too, heretofore all glasses scorning,
Have just a touch of rheum . . .
"Now sounds 'The Girl I've left behind me,'--Ah,
The years, the ardours, wakened by that tune!
Time was when, with the crowd's farewell 'Hurrah!'
'Twould lift me to the moon.
"But now it's late to leave behind me one
Who if, poor soul, her man goes underground,
Will not recover as she might have done
In days when hopes abound.
"She's waving from the wharfside, palely grieving,
As down we draw . . . Her tears make little show,
Yet now she suffers more than at my leaving
Some twenty years ago.
"I pray those left at home will care for her!
I shall come back; I have before; though when
The Girl you leave behind you is a grandmother,
Things may not be as then."
|
Written by
D. H. Lawrence |
Do you remember
How night after night swept level and low
Overhead, at home, and had not one star,
Nor one narrow gate for the moon to go
Forth to her field of November.
And you remember,
How towards the north a red blot on the sky
Burns like a blotch of anxiety
Over the forges, and small flames ply
Like ghosts the shadow of the ember.
Those were the days
When it was awful autumn to me,
When only there glowed on the dark of the sky
The red reflection of her agony,
My beloved smelting down in the blaze
Of death--my dearest
Love who had borne, and was now leaving me.
And I at the foot of her cross did suffer
My own gethsemane.
So I came to you,
And twice, after great kisses, I saw
The rim of the moon divinely rise
And strive to detach herself from the raw
Blackened edge of the skies.
Strive to escape;
With her whiteness revealing my sunken world
Tall and loftily shadowed. But the moon
Never magnolia-like unfurled
Her white, her lamp-like shape.
For you told me no,
And bade me not to ask for the dour
Communion, offering--"a better thing."
So I lay on your breast for an obscure hour
Feeling your fingers go
Like a rhythmic breeze
Over my hair, and tracing my brows,
Till I knew you not from a little wind:
--I wonder now if God allows
Us only one moment his keys.
If only then
You could have unlocked the moon on the night,
And I baptized myself in the light
Of your love; we both have entered then the white
Pure passion, and never again.
I wonder if only
You had taken me then, how different
Life would have been: should I have spent
Myself in waste, and you have bent
Your pride, through being lonely?
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