Written by
Sarojini Naidu |
Jaya Surya
GOLDEN sun of victory, born
In my life's unclouded morn,
In my lambent sky of love,
May your growing glory prove
Sacred to your consecration,
To my heart and to my nation.
Sun of victory, may you be
Sun of song and liberty.
Padmaja
Lotus-maiden, you who claim
All the sweetness of your name,
Lakshmi, fortune's queen, defend you,
Lotus-born like you, and send you
Balmy moons of love to bless you,
Gentle joy-winds to caress you.
Lotus-maiden, may you be
Fragrant of all ecstasy.
Ranadheera
Little lord of battle, hail
In your newly-tempered mail!
Learn to conquer, learn to fight
In the foremost flanks of right,
Like Valmiki's heroes bold,
Rubies girt in epic gold.
Lord of battle, may you be,
Lord of love and chivalry.
Lilamani
Limpid jewel of delight
Severed from the tender night
Of your sheltering mother-mine,
Leap and sparkle, dance and shine,
Blithely and securely set
In love's magic coronet.
Living jewel, may you be
Laughter-bound and sorrow-free.
|
Written by
Emily Brontë |
On a sunny brae, alone I lay
One summer afternoon;
It was the marriage-time of May
With her young lover, June.
From her mother's heart, seemed loath to part
That queen of bridal charms,
But her father smiled on the fairest child
He ever held in his arms.
The trees did wave their plumy crests,
The glad birds caroled clear;
And I, of all the wedding guests,
Was only sullen there!
There was not one, but wished to shun
My aspect void of cheer;
The very grey rocks, looking on,
Asked, "What do you here?"
And I could utter no reply;
In sooth, I did not know
Why I had brought a clouded eye
To greet the general glow.
So, resting on a heathy bank,
I took my heart to me;
And we together sadly sank
Into a reverie.
We thought, "When winter comes again,
Where will these bright things be?
All vanished, like a vision vain,
An unreal mockery!
The birds that now so blithely sing,
Through deserts, frozen dry,
Poor spectres of the perished spring,
In famished troops, will fly.
And why should we be glad at all?
The leaf is hardly green,
Before a token of its fall
Is on the surface seen!"
Now, whether it were really so,
I never could be sure;
But as in fit of peevish woe,
I stretched me on the moor.
A thousand thousand gleaming fires
Seemed kindling in the air;
A thousand thousand silvery lyres
Resounded far and near:
Methought, the very breath I breathed
Was full of sparks divine,
And all my heather-couch was wreathed
By that celestial shine!
And, while the wide earth echoing rung
To their strange minstrelsy,
The little glittering spirits sung,
Or seemed to sing, to me.
"O mortal! mortal! let them die;
Let time and tears destroy,
That we may overflow the sky
With universal joy!
Let grief distract the sufferer's breast,
And night obscure his way;
They hasten him to endless rest,
And everlasting day.
To thee the world is like a tomb,
A desert's naked shore;
To us, in unimagined bloom,
It brightens more and more!
And could we lift the veil, and give
One brief glimpse to thine eye,
Thou wouldst rejoice for those that live,
Because they live to die.
"
The music ceased; the noonday dream,
Like dream of night, withdrew;
But Fancy, still, will sometimes deem
Her fond creation true.
|
Written by
Billy Collins |
They say you can jinx a poem
if you talk about it before it is done.
If you let it out too early, they warn,
your poem will fly away,
and this time they are absolutely right.
Take the night I mentioned to you
I wanted to write about the madmen,
as the newspapers so blithely call them,
who attack art, not in reviews,
but with breadknives and hammers
in the quiet museums of Prague and Amsterdam.
Actually, they are the real artists,
you said, spinning the ice in your glass.
The screwdriver is their brush.
The real vandals are the restorers,
you went on, slowly turning me upside-down,
the ones in the white doctor's smocks
who close the wound in the landscape,
and thus ruin the true art of the mad.
I watched my poem fly down to the front
of the bar and hover there
until the next customer walked in--
then I watched it fly out the open door into the night
and sail away, I could only imagine,
over the dark tenements of the city.
All I had wished to say
was that art was also short,
as a razor can teach with a slash or two,
that it only seems long compared to life,
but that night, I drove home alone
with nothing swinging in the cage of my heart
except the faint hope that I might
catch a glimpse of the thing
in the fan of my headlights,
maybe perched on a road sign or a street lamp,
poor unwritten bird, its wings folded,
staring down at me with tiny illuminated eyes.
|
Written by
Dorothy Parker |
Oh, I can smile for you, and tilt my head,
And drink your rushing words with eager lips,
And paint my mouth for you a fragrant red,
And trace your brows with tutored finger-tips.
When you rehearse your list of loves to me,
Oh, I can laugh and marvel, rapturous-eyed.
And you laugh back, nor can you ever see
The thousand little deaths my heart has died.
And you believe, so well I know my part,
That I am gay as morning, light as snow,
And all the straining things within my heart
You'll never know.
Oh, I can laugh and listen, when we meet,
And you bring tales of fresh adventurings, --
Of ladies delicately indiscreet,
Of lingering hands, and gently whispered things.
And you are pleased with me, and strive anew
To sing me sagas of your late delights.
Thus do you want me -- marveling, gay, and true,
Nor do you see my staring eyes of nights.
And when, in search of novelty, you stray,
Oh, I can kiss you blithely as you go .
.
.
.
And what goes on, my love, while you're away,
You'll never know.
|
Written by
Johann Wolfgang von Goethe |
A village Chorus is supposed to be assembled, and about to
commence its festive procession.
[Written for the birthday of the Duchess Louisa of Weimar.
]
CHORUS.
THE festal day hail ye
With garlands of pleasure,
And dances' soft measure,
With rapture commingled
And sweet choral song.
DAMON.
Oh, how I yearn from out the crowd to flee!
What joy a secret glade would give to me!
Amid the throng, the turmoil here,
Confined the plain, the breezes e'en appear.
CHORUS.
Now order it truly,
That ev'ry one duly
May roam and may wander,
Now here, and now yonder,
The meadows along.
[The Chorus retreats gradually, and the song becomes fainter and
fainter, till it dies away in the distance.
]
DAMON.
In vain ye call, in vain would lure me on;
True my heart speaks,--but with itself alone.
And if I may view
A blessing-fraught land,
The heaven's clear blue,
And the plain's verdant hue,
Alone I'll rejoice,
Undisturbed by man's voice.
And there I'll pay homage
To womanly merit,
Observe it in spirit,
In spirit pay homage;
To echo alone
Shall my secret be known.
CHORUS.
[Faintly mingling with Damon's song in the distance.
]
To echo--alone--
Shall my secret--be known.
--
MENALCAS.
My friend, why meet I here with thee?
Thou hast'nest not to join the festal throng?
No longer stay, but come with me,
And mingle in the dance and song.
DAMON.
Thou'rt welcome, friend! but suffer me to roam
Where these old beeches hide me from man's view:
Love seeks in solitude a home,
And homage may retreat there too.
MENALCAS.
Thou seekest here a spurious fame,
And hast a mind to-day to grieve me.
Love as thy portion thou mayst claim
But homage thou must share with all, believe me!
When their voices thousands raise,
And the dawn of morning praise,
Rapture bringing,
Blithely singing
On before us,
Heart and ear in pleasure vie;
And when thousands join in chorus,
With the feelings brightly glowing,
And the wishes overflowing,
Forcibly they'll bear thee high.
[The Chorus gradually approaches, from the distance.
]
DAMON.
Distant strains are hither wending,
And I'm gladden'd by the throng;
Yes, they're coming,--yes, descending
To the valley from the height,
MENALCAS.
Let us haste, our footsteps blending
With the rhythm of the song!
Yes, they come; their course they're bending
Tow'rd the wood's green sward so bright.
CHORUS.
[Gradually becoming louder.
]
Yes, we hither come, attending
With the harmony of song,
As the hours their race are ending
On this day of blest delight.
ALL.
Let none reveal
The thoughts we feel,
The aims we own!
Let joy alone
Disclose the story!
She'll prove it right
And her delight
Includes the glory,
Includes the bliss
Of days like this!
1813.
|
Written by
Robert William Service |
"Hullo, young Jones! with your tie so gay
And your pen behind your ear;
Will you mark my cheque in the usual way?
For I'm overdrawn, I fear.
"
Then you look at me in a manner bland,
As you turn your ledger's leaves,
And you hand it back with a soft white hand,
And the air of a man who grieves.
.
.
.
"Was it you, young Jones, was it you I saw
(And I think I see you yet)
With a live bomb gripped in your grimy paw
And your face to the parapet?
With your lips asnarl and your eyes gone mad
With a fury that thrilled you through.
.
.
.
Oh, I look at you now and I think, my lad,
Was it you, young Jones, was it you?
"Hullo, young Smith, with your well-fed look
And your coat of dapper fit,
Will you recommend me a decent book
With nothing of War in it?"
Then you smile as you polish a finger-nail,
And your eyes serenely roam,
And you suavely hand me a thrilling tale
By a man who stayed at home.
"Was it you, young Smith, was it you I saw
In the battle's storm and stench,
With a roar of rage and a wound red-raw
Leap into the reeking trench?
As you stood like a fiend on the firing-shelf
And you stabbed and hacked and slew.
.
.
.
Oh, I look at you and I ask myself,
Was it you, young Smith, was it you?
"Hullo, old Brown, with your ruddy cheek
And your tummy's rounded swell,
Your garden's looking jolly chic
And your kiddies awf'ly well.
Then you beam at me in your cheery way
As you swing your water-can;
And you mop your brow and you blithely say:
`What about golf, old man?'
"Was it you, old Brown, was it you I saw
Like a bull-dog stick to your gun,
A cursing devil of fang and claw
When the rest were on the run?
Your eyes aflame with the battle-hate.
.
.
.
As you sit in the family pew,
And I see you rising to pass the plate,
I ask: Old Brown, was it you?
"Was it me and you? Was it you and me?
(Is that grammar, or is it not?)
Who groveled in filth and misery,
Who gloried and groused and fought?
Which is the wrong and which is the right?
Which is the false and the true?
The man of peace or the man of fight?
Which is the ME and the YOU?"
|
Written by
Rg Gregory |
18
if you want a revolution attack
symbols not systems - the simple forms
that (blithely) give the truth away
tying down millions to their terms
quietly with no one answering back
where the stage is makes the play
keeps actors (meanings) to those norms
stability requires - change tack
(remove the stage) violent storms
will sweep the old regime away
eventually there'll be no going back
once new symbols breed new germs
and strange hopes redesign the day
29
fresh hope stems from a dead conclusion
high art is a fraud - a provider of pap
for suckers happy to give up their own
longings to beauty in a cellophane wrap
spending their rights for a rich illusion
people demean themselves before a throne
but sooner or later have to let the sap
earthed in them rise to a new extrusion
art's not in the show (a lovely touch of clap)
but in the tough fusion of blood and bone
dreams may be soured in the drab confusion
but everywhere's the making of a map
charting today's unimaginable zone
42
what appals me daily is the unintelligence of those
who sit on the commodes of power debowelling scented ****
public- and grammar-school yokels wet-nursed oxbridge bums
(meet them where your own world breathes you'd have the urge to spit)
their great debates are full of puff their insights comatose
but they concoct the standards in their painted kingdom-comes
they pass down the judgments draped in tongues of holy writ
the people are a mass disease an untissued runny nose
disdained (but somehow soared above) as they subscribe their wit
to the culture of the stately tree (and to pilfering its plums)
they've got there by a rancid myth - that a nation's wisdom blows
from the arseholes of the clever (the odiferously fit)
as they guzzle in their spotlit windows tossing off the crumbs
65
far deeper than the wounds on egdon heath
its proud moroseness scales across the time
tinting all after-thought - where hardy gloomed
(wringing ironic bloodtones from sublime)
a host of worms have nibbled through belief
faith-riddled souls have other faiths exhumed
a pagan dissonance has reached for rhyme
a void (dismissed) has sprouted from the wreath
that science laid - a self-inflicted crime
unknifes itself and bleaker hope has bloomed
what hardy touched on sombre egdon heath
the wasted world now touches - midnights prime
the last condition be frugal or be doomed
|
Written by
Walt Whitman |
AFTER the Sea-Ship—after the whistling winds;
After the white-gray sails, taut to their spars and ropes,
Below, a myriad, myriad waves, hastening, lifting up their necks,
Tending in ceaseless flow toward the track of the ship:
Waves of the ocean, bubbling and gurgling, blithely prying,
Waves, undulating waves—liquid, uneven, emulous waves,
Toward that whirling current, laughing and buoyant, with curves,
Where the great Vessel, sailing and tacking, displaced the surface;
Larger and smaller waves, in the spread of the ocean, yearnfully flowing;
The wake of the Sea-Ship, after she passes—flashing and frolicsome, under the sun,
A motley procession, with many a fleck of foam, and many fragments,
Following the stately and rapid Ship—in the wake following.
|
Written by
Robert William Service |
The Greatest Writer of to-day
(With Maupassant I almost set him)
Said to me in a weary way,
The last occasion that I met him:
"Old chap, this world is more and more
Becoming bourgeois, blasé, blousy:
Thank God I've lived so long before
It got so definitely lousy.
"
Said I: "Old chap, I don't agree.
Why should one so dispraise the present?
For gainful guys like you and me,
It still can be extremely pleasant.
Have we not Women, Wine and Song -
A gleeful trio to my thinking;
So blithely we can get along
With laughing, loving, eating, drinking.
"
Said he: "Dear Boy, it may be so,
But I'm fed up with war and worry;
I would escape this world of woe,
Of wrath and wrong, of hate and hurry.
I fain would gain the peace of mind
Of Lamas on Thibetan highlands,
Or maybe sanctuary find
With beach-combers on coral islands.
"
Said I: "Dear Boy, don't go so far:
Just live a life of simple being;
Forgetting all the ills that are,
Be satisfied with hearing, seeing.
The sense of smell and taste and touch
Can bring you bliss in ample measure:
If only you don't think too much,
Your programme can be packed with pleasure.
"But do not try to probe below
This fairy film of Nature's screening;
Look on it as a surface show,
Without a purpose of a meaning.
Take no account of social strife,
And dread no coming cataclysm:
Let your philosophy of life
Be what I call: EXTERNALISM.
The moon shines down with borrowed light,
So savants say - I do not doubt it.
Suffice its silver trance my sight,
That's all I want to know about it.
A fig for science - 'how' and 'why'
Distract me in my happy dreaming:
Through line and form and colour I
Am all content with outward seeming.
.
.
.
"
The Greatest Writer of to-day
(I would have loved to call him Willie),
looked wry at me and went his way -
I think he thought me rather silly.
Maybe I am, but I insist
My point of view will take some beating:
Don't mock this old Externalist -
The pudding's proof is in the eating.
|
Written by
Thomas Hardy |
THERE were two youths of equal age,
Wit, station, strength, and parentage;
They studied at the self-same schools,
And shaped their thoughts by common rules.
One pondered on the life of man,
His hopes, his endings, and began
To rate the Market's sordid war
As something scarce worth living for.
"I'll brace to higher aims," said he,
"I'll further Truth and Purity;
Thereby to mend and mortal lot
And sweeten sorrow.
Thrive I not,
"Winning their hearts, my kind will give
Enough that I may lowly live,
And house my Love in some dim dell,
For pleasing them and theirs so well.
"
Idly attired, with features wan,
In secret swift he labored on;
Such press of power had brought much gold
Applied to things of meaner mould.
Sometimes he wished his aims had been
To gather gains like other men;
Then thanked his God he'd traced his track
Too far for wish to drag him back.
He look?d from his loft one day
To where his slighted garden lay;
Nettles and hemlock hid each lawn,
And every flower was starved and gone.
He fainted in his heart, whereon
He rose, and sought his plighted one,
Resolved to loose her bond withal,
Lest she should perish in his fall.
He met her with a careless air,
As though he'd ceased to find her fair,
And said: "True love is dust to me;
I cannot kiss: I tire of thee!"
(That she might scorn him was he fain,
To put her sooner out of pain;
For incensed love breathes quick and dies,
When famished love a-lingering lies.
)
Once done, his soul was so betossed,
It found no more the force it lost:
Hope was his only drink and food,
And hope extinct, decay ensued.
And, living long so closely penned,
He had not kept a single friend;
He dwindled thin as phantoms be,
And drooped to death in poverty.
.
.
.
Meantime his schoolmate had gone out
To join the fortune-finding rout;
He liked the winnings of the mart,
But wearied of the working part.
He turned to seek a privy lair,
Neglecting note of garb and hair,
And day by day reclined and thought
How he might live by doing nought.
"I plan a valued scheme," he said
To some.
"But lend me of your bread,
And when the vast result looms nigh,
In profit you shall stand as I.
"
Yet they took counsel to restrain
Their kindness till they saw the gain;
And, since his substance now had run,
He rose to do what might be done.
He went unto his Love by night,
And said: "My Love, I faint in fight:
Deserving as thou dost a crown,
My cares shall never drag thee down.
"
(He had descried a maid whose line
Would hand her on much corn and wine,
And held her far in worth above
One who could only pray and love.
)
But this Fair read him; whence he failed
To do the deed so blithely hailed;
He saw his projects wholly marred,
And gloom and want oppressed him hard;
Till, living to so mean an end,
Whereby he'd lost his every friend,
He perished in a pauper sty,
His mate the dying pauper nigh.
And moralists, reflecting, said,
As "dust to dust" in burial read
Was echoed from each coffin-lid,
"These men were like in all they did.
"
|