Written by
Fleda Brown |
Sometimes I feel her easing further into her grave,
resigned, as always, and I have to come to her rescue.
Like now, when I have so much else to do. Not that
she'd want a poem. She would have been proud, of course,
of all its mystery, involving her, but scared a little.
Her eyes would have filled with tears. It always comes
to that, I don't know why I bother. One gesture
and she's gone down a well of raw feeling, and I'm left
alone again. I avert my eyes, to keep from scaring her.
On her dresser is one of those old glass bottles
of Jergen's Lotion with the black label, a little round
bottle of Mum deodorant, a white plastic tray
with Avon necklaces and earrings, pennies, paper clips,
and a large black coat button. I appear to be very
interested in these objects, even interested in the sun
through the blinds. It falls across her face, and not,
as she changes the bed. She would rather have clean sheets
than my poem, but as long as I don't bother her, she's glad
to know I care. She's talked my father into taking
a drive later, stopping for an A & W root beer.
She is dreaming of foam on the glass, the tray propped
on the car window. And trees, farmhouses, the expanse
of the world as seen from inside the car. It is no
use to try to get her out to watch airplanes
take off, or walk a trail, or hear this poem
and offer anything more than "Isn't that sweet!"
Right now bombs are exploding in Kosovo, students
shot in Colorado, and my mother is wearing a root beer
mustache. Her eyes are unfocused, everything's root beer.
I write root beer, root beer, to make her happy.
from Breathing In, Breathing Out, Anhinga Press, 2002
© 2000, Fleda Brown
(first published in The Southern Review, 36 [2000])
|
Written by
Rita Dove |
Although it is night, I sit in the bathroom, waiting.
Sweat prickles behind my knees, the baby-breasts are alert.
Venetian blinds slice up the moon; the tiles quiver in pale strips.
Then they come, the three seal men with eyes as round
As dinner plates and eyelashes like sharpened tines.
They bring the scent of licorice. One sits in the washbowl,
One on the bathtub edge; one leans against the door.
"Can you feel it yet?" they whisper.
I don't know what to say, again. They chuckle,
Patting their sleek bodies with their hands.
"Well, maybe next time." And they rise,
Glittering like pools of ink under moonlight,
And vanish. I clutch at the ragged holes
They leave behind, here at the edge of darkness.
Night rests like a ball of fur on my tongue.
|
Written by
Henry Wadsworth Longfellow |
This is the place. Stand still, my steed,
Let me review the scene,
And summon from the shadowy Past
The forms that once have been.
The Past and Present here unite
Beneath Time's flowing tide,
Like footprints hidden by a brook,
But seen on either side.
Here runs the highway to the town;
There the green lane descends,
Through which I walked to church with thee,
O gentlest of my friends!
The shadow of the linden-trees
Lay moving on the grass;
Between them and the moving boughs,
A shadow, thou didst pass.
Thy dress was like the lilies,
And thy heart as pure as they:
One of God's holy messengers
Did walk with me that day.
I saw the branches of the trees
Bend down thy touch to meet,
The clover-blossoms in the grass
Rise up to kiss thy feet,
"Sleep, sleep to-day, tormenting cares,
Of earth and folly born!"
Solemnly sang the village choir
On that sweet Sabbath morn.
Through the closed blinds the golden sun
Poured in a dusty beam,
Like the celestial ladder seen
By Jacob in his dream.
And ever and anon, the wind,
Sweet-scented with the hay,
Turned o'er the hymn-book's fluttering leaves
That on the window lay.
Long was the good man's sermon,
Yet it seemed not so to me;
For he spake of Ruth the beautiful,
And still I thought of thee.
Long was the prayer he uttered,
Yet it seemed not so to me;
For in my heart I prayed with him,
And still I thought of thee.
But now, alas! the place seems changed;
Thou art no longer here:
Part of the sunshine of the scene
With thee did disappear.
Though thoughts, deep-rooted in my heart,
Like pine-trees dark and high,
Subdue the light of noon, and breathe
A low and ceaseless sigh;
This memory brightens o'er the past,
As when the sun, concealed
Behind some cloud that near us hangs
Shines on a distant field.
|
Written by
Rudyard Kipling |
This ballad appears to refer to one of the exploits of the notorious
Paul Jones, the American pirate. It is founded on fact.
. . . At the close of a winter day,
Their anchors down, by London town, the Three Great Captains lay;
And one was Admiral of the North from Solway Firth to Skye,
And one was Lord of the Wessex coast and all the lands thereby,
And one was Master of the Thames from Limehouse to Blackwall,
And he was Captain of the Fleet -- the bravest of them all.
Their good guns guarded their great gray sides that were thirty foot in the sheer,
When there came a certain trading-brig with news of a privateer.
Her rigging was rough with the clotted drift that drives in a Northern breeze,
Her sides were clogged with the lazy weed that spawns in the Eastern seas.
Light she rode in the rude tide-rip, to left and right she rolled,
And the skipper sat on the scuttle-butt and stared at an empty hold.
"I ha' paid Port dues for your Law," quoth he, "and where is the Law ye boast
If I sail unscathed from a heathen port to be robbed on a Christian coast?
Ye have smoked the hives of the Laccadives as we burn the lice in a bunk,
We tack not now to a Gallang prow or a plunging Pei-ho junk;
I had no fear but the seas were clear as far as a sail might fare
Till I met with a lime-washed Yankee brig that rode off Finisterre.
There were canvas blinds to his bow-gun ports to screen the weight he bore,
And the signals ran for a merchantman from Sandy Hook to the Nore.
He would not fly the Rovers' flag -- the bloody or the black,
But now he floated the Gridiron and now he flaunted the Jack.
He spoke of the Law as he crimped my crew -- he swore it was only a loan;
But when I would ask for my own again, he swore it was none of my own.
He has taken my little parrakeets that nest beneath the Line,
He has stripped my rails of the shaddock-frails and the green unripened pine;
He has taken my bale of dammer and spice I won beyond the seas,
He has taken my grinning heathen gods -- and what should he want o' these?
My foremast would not mend his boom, my deckhouse patch his boats;
He has whittled the two, this Yank Yahoo, to peddle for shoe-peg oats.
I could not fight for the failing light and a rough beam-sea beside,
But I hulled him once for a clumsy crimp and twice because he lied.
Had I had guns (as I had goods) to work my Christian harm,
I had run him up from his quarter-deck to trade with his own yard-arm;
I had nailed his ears to my capstan-head, and ripped them off with a saw,
And soused them in the bilgewater, and served them to him raw;
I had flung him blind in a rudderless boat to rot in the rocking dark,
I had towed him aft of his own craft, a bait for his brother shark;
I had lapped him round with cocoa husk, and drenched him with the oil,
And lashed him fast to his own mast to blaze above my spoil;
I had stripped his hide for my hammock-side, and tasselled his beard i' the mesh,
And spitted his crew on the live bamboo that grows through the gangrened flesh;
I had hove him down by the mangroves brown, where the mud-reef sucks and draws,
Moored by the heel to his own keel to wait for the land-crab's claws!
He is lazar within and lime without, ye can nose him far enow,
For he carries the taint of a musky ship -- the reek of the slaver's dhow!"
The skipper looked at the tiering guns and the bulwarks tall and cold,
And the Captains Three full courteously peered down at the gutted hold,
And the Captains Three called courteously from deck to scuttle-butt: --
"Good Sir, we ha' dealt with that merchantman or ever your teeth were cut.
Your words be words of a lawless race, and the Law it standeth thus:
He comes of a race that have never a Law, and he never has boarded us.
We ha' sold him canvas and rope and spar -- we know that his price is fair,
And we know that he weeps for the lack of a Law as he rides off Finisterre.
And since he is damned for a gallows-thief by you and better than you,
We hold it meet that the English fleet should know that we hold him true."
The skipper called to the tall taffrail: -- "And what is that to me?
Did ever you hear of a Yankee brig that rifled a Seventy-three?
Do I loom so large from your quarter-deck that I lift like a ship o' the Line?
He has learned to run from a shotted gun and harry such craft as mine.
There is never a Law on the Cocos Keys to hold a white man in,
But we do not steal the niggers' meal, for that is a ******'s sin.
Must he have his Law as a quid to chaw, or laid in brass on his wheel?
Does he steal with tears when he buccaneers? 'Fore Gad, then, why does he steal?"
The skipper bit on a deep-sea word, and the word it was not sweet,
For he could see the Captains Three had signalled to the Fleet.
But three and two, in white and blue, the whimpering flags began: --
"We have heard a tale of a -- foreign sail, but he is a merchantman."
The skipper peered beneath his palm and swore by the Great Horn Spoon: --
"'Fore Gad, the Chaplain of the Fleet would bless my picaroon!"
By two and three the flags blew free to lash the laughing air: --
"We have sold our spars to the merchantman -- we know that his price is fair."
The skipper winked his Western eye, and swore by a China storm: --
"They ha' rigged him a Joseph's jury-coat to keep his honour warm."
The halliards twanged against the tops, the bunting bellied broad,
The skipper spat in the empty hold and mourned for a wasted cord.
Masthead -- masthead, the signal sped by the line o' the British craft;
The skipper called to his Lascar crew, and put her about and laughed: --
"It's mainsail haul, my bully boys all -- we'll out to the seas again --
Ere they set us to paint their pirate saint, or scrub at his grapnel-chain.
It's fore-sheet free, with her head to the sea, and the swing of the unbought brine --
We'll make no sport in an English court till we come as a ship o' the Line:
Till we come as a ship o' the Line, my lads, of thirty foot in the sheer,
Lifting again from the outer main with news of a privateer;
Flying his pluck at our mizzen-truck for weft of Admiralty,
Heaving his head for our dipsey-lead in sign that we keep the sea.
Then fore-sheet home as she lifts to the foam -- we stand on the outward tack,
We are paid in the coin of the white man's trade -- the bezant is hard, ay, and black.
The frigate-bird shall carry my word to the Kling and the Orang-Laut
How a man may sail from a heathen coast to be robbed in a Christian port;
How a man may be robbed in Christian port while Three Great Captains there
Shall dip their flag to a slaver's rag -- to show that his trade is fair!"
|
Written by
Anne Sexton |
If you danced from midnight
to six A.M. who would understand?
The runaway boy
who chucks it all
to live on the Boston Common
on speed and saltines,
pissing in the duck pond,
rapping with the street priest,
trading talk like blows,
another missing person,
would understand.
The paralytic's wife
who takes her love to town,
sitting on the bar stool,
downing stingers and peanuts,
singing "That ole Ace down in the hole,"
would understand.
The passengers
from Boston to Paris
watching the movie with dawn
coming up like statues of honey,
having partaken of champagne and steak
while the world turned like a toy globe,
those murderers of the nightgown
would understand.
The amnesiac
who tunes into a new neighborhood,
having misplaced the past,
having thrown out someone else's
credit cards and monogrammed watch,
would understand.
The drunken poet
(a genius by daylight)
who places long-distance calls
at three A.M. and then lets you sit
holding the phone while he vomits
(he calls it "The Night of the Long Knives")
getting his kicks out of the death call,
would understand.
The insomniac
listening to his heart
thumping like a June bug,
listening on his transistor
to Long John Nebel arguing from New York,
lying on his bed like a stone table,
would understand.
The night nurse
with her eyes slit like Venetian blinds,
she of the tubes and the plasma,
listening to the heart monitor,
the death cricket bleeping,
she who calls you "we"
and keeps vigil like a ballistic missile,
would understand.
Once
this king had twelve daughters,
each more beautiful than the other.
They slept together, bed by bed
in a kind of girls' dormitory.
At night the king locked and bolted the door
. How could they possibly escape?
Yet each morning their shoes
were danced to pieces.
Each was as worn as an old jockstrap.
The king sent out a proclamation
that anyone who could discover
where the princesses did their dancing
could take his pick of the litter.
However there was a catch.
If he failed, he would pay with his life.
Well, so it goes.
Many princes tried,
each sitting outside the dormitory,
the door ajar so he could observe
what enchantment came over the shoes.
But each time the twelve dancing princesses
gave the snoopy man a Mickey Finn
and so he was beheaded.
Poof! Like a basketball.
It so happened that a poor soldier
heard about these strange goings on
and decided to give it a try.
On his way to the castle
he met an old old woman.
Age, for a change, was of some use.
She wasn't stuffed in a nursing home.
She told him not to drink a drop of wine
and gave him a cloak that would make
him invisible when the right time came.
And thus he sat outside the dorm.
The oldest princess brought him some wine
but he fastened a sponge beneath his chin,
looking the opposite of Andy Gump.
The sponge soaked up the wine,
and thus he stayed awake.
He feigned sleep however
and the princesses sprang out of their beds
and fussed around like a Miss America Contest.
Then the eldest went to her bed
and knocked upon it and it sank into the earth.
They descended down the opening
one after the other. They crafty soldier
put on his invisisble cloak and followed.
Yikes, said the youngest daughter,
something just stepped on my dress.
But the oldest thought it just a nail.
Next stood an avenue of trees,
each leaf make of sterling silver.
The soldier took a leaf for proof.
The youngest heard the branch break
and said, Oof! Who goes there?
But the oldest said, Those are
the royal trumpets playing triumphantly.
The next trees were made of diamonds.
He took one that flickered like Tinkerbell
and the youngest said: Wait up! He is here!
But the oldest said: Trumpets, my dear.
Next they came to a lake where lay
twelve boats with twelve enchanted princes
waiting to row them to the underground castle.
The soldier sat in the youngest's boat
and the boat was as heavy as if an icebox
had been added but the prince did not suspect.
Next came the ball where the shoes did duty.
The princesses danced like taxi girls at Roseland
as if those tickets would run right out.
They were painted in kisses with their secret hair
and though the soldier drank from their cups
they drank down their youth with nary a thought.
Cruets of champagne and cups full of rubies.
They danced until morning and the sun came up
naked and angry and so they returned
by the same strange route. The soldier
went forward through the dormitory and into
his waiting chair to feign his druggy sleep.
That morning the soldier, his eyes fiery
like blood in a wound, his purpose brutal
as if facing a battle, hurried with his answer
as if to the Sphinx. The shoes! The shoes!
The soldier told. He brought forth
the silver leaf, the diamond the size of a plum.
He had won. The dancing shoes would dance
no more. The princesses were torn from
their night life like a baby from its pacifier.
Because he was old he picked the eldest.
At the wedding the princesses averted their eyes
and sagged like old sweatshirts.
Now the runaways would run no more and never
again would their hair be tangled into diamonds,
never again their shoes worn down to a laugh,
never the bed falling down into purgatory
to let them climb in after
with their Lucifer kicking.
|
Written by
Delmore Schwartz |
"little soul, little flirting,
little perverse one
where are you off to now?
little wan one, firm one
little exposed one...
and never make fun of me again."
Now I must betray myself.
The feast of bondage and unity is near,
And none engaged in that great piety
When each bows to the other, kneels, and takes
Hand in hand, glance and glance, care and care,
None may wear masks or enigmatic clothes,
For weakness blinds the wounded face enough.
In sense, see my shocking nakedness.
I gave a girl an apple when five years old,
Saying, Will you be sorry when I am gone?
Ravenous for such courtesies, my name
Is fed like a raving fire, insatiate still.
But do not be afraid.
For I forget myself. I do indeed
Before each genuine beauty, and I will
Forget myself before your unknown heart.
I will forget the speech my mother made
In a restaurant, trapping my father there
At dinner with his whore. Her spoken rage
Struck down the child of seven years
With shame for all three, with pity for
The helpless harried waiter, with anger for
The diners gazing, avid, and contempt
And great disgust for every human being.
I will remember this. My mother's rhetoric
Has charmed my various tongue, but now I know
Love's metric seeks a rhyme more pure and sure.
For thus it is that I betray myself,
Passing the terror of childhood at second hand
Through nervous, learned fingertips.
At thirteen when a little girl died,
I walked for three weeks neither alive nor dead,
And could not understand and still cannot
The adult blind to the nearness of the dead,
Or carefully ignorant of their own death.
--This sense could shadow all the time's curving fruits,
But we will taste of them the whole night long,
Forgetting no twelfth night, no fete of June,
But in the daylight knowing our nothingness.
Let Freud and Marx be wedding guests indeed!
Let them mark out masks that face us there,
For of all anguish, weakness, loss and failure,
No form is cruel as self-deception, none
Shows day-by-day a bad dream long lived
And unbroken like the lies
We tell each other because we are rich or poor.
Though from the general guilt not free
We can keep honor by being poor.
The waste, the evil, the abomination
Is interrupted. the perfect stars persist
Small in the guilty night,
and Mozart shows
The irreducible incorruptible good
Risen past birth and death, though he is dead.
Hope, like a face reflected on the windowpane,
Remote and dim, fosters a myth or dream,
And in that dream, I speak, I summon all
Who are our friends somehow and thus I say:
"Bid the jewellers come with monocles,
Exclaiming, Pure! Intrinsic! Final!
Summon the children eating ice cream
To speak the chill thrill of immediacy.
Call for the acrobats who tumble
The ecstasy of the somersault.
Bid the self-sufficient stars be piercing
In the sublime and inexhaustible blue.
"Bring a mathematician, there is much to count,
The unending continuum of my attention:
Infinity will hurry his multiplied voice!
Bring the poised impeccable diver,
Summon the skater, precise in figure,
He knows the peril of circumstance,
The risk of movement and the hard ground.
Summon the florist! And the tobacconist!
All who have known a plant-like beauty:
Summon the charming bird for ignorant song.
"You, Athena, with your tired beauty,
Will you give me away? For you must come
In a bathing suit with that white owl
Whom, as I walk, I will hold in my hand.
You too, Crusoe, to utter the emotion
Of finding Friday, no longer alone;
You too, Chaplin, muse of the curbstone,
Mummer of hope, you understand!"
But this is fantastic and pitiful,
And no one comes, none will, we are alone,
And what is possible is my own voice,
Speaking its wish, despite its lasting fear;
Speaking of its hope, its promise and its fear,
The voice drunk with itself and rapt in fear,
Exaggeration, braggadocio,
Rhetoric and hope, and always fear:
"For fifty-six or for a thousand years,
I will live with you and be your friend,
And what your body and what your spirit bears
I will like my own body cure and tend.
But you are heavy and my body's weight
Is great and heavy: when I carry you
I lift upon my back time like a fate
Near as my heart, dark when I marry you.
"The voice's promise is easy, and hope
Is drunk, and wanton, and unwilled;
In time's quicksilver, where our desires grope,
The dream is warped or monstrously fulfilled,
In this sense, listen, listen, and draw near:
Love is inexhaustible and full of fear."
This life is endless and my eyes are tired,
So that, again and again, I touch a chair,
Or go to the window, press my face
Against it, hoping with substantial touch,
Colorful sight, or turning things to gain once more
The look of actuality, the certainty
Of those who run down stairs and drive a car.
Then let us be each other's truth, let us
Affirm the other's self, and be
The other's audience, the other's state,
Each to the other his sonorous fame.
Now you will be afraid, when, waking up,
Before familiar morning, by my mute side
Wan and abandoned then, when, waking up,
You see the lion or lamb upon my face
Or see the daemon breathing heavily
His sense of ignorance, his wish to die,
For I am nothing because my circus self
Divides its love a million times.
I am the octopus in love with God,
For thus is my desire inconclusible,
Until my mind, deranged in swimming tubes,
Issues its own darkness, clutching seas
---O God of my perfect ignorance,
Bring the New Year to my only sister soon,
Take from me strength and power to bless her head,
Give her the magnitude of secular trust,
Until she turns to me in her troubled sleep,
Seeing me in my wish, free from self-wrongs.
|
Written by
John Betjeman |
She died in the upstairs bedroom
By the light of the ev'ning star
That shone through the plate glass window
From over Leamington Spa
Beside her the lonely crochet
Lay patiently and unstirred,
But the fingers that would have work'd it
Were dead as the spoken word.
And Nurse came in with the tea-things
Breast high 'mid the stands and chairs-
But Nurse was alone with her own little soul,
And the things were alone with theirs.
She bolted the big round window,
She let the blinds unroll,
She set a match to the mantle,
She covered the fire with coal.
And "Tea!" she said in a tiny voice
"Wake up! It's nearly five"
Oh! Chintzy, chintzy cheeriness,
Half dead and half alive.
Do you know that the stucco is peeling?
Do you know that the heart will stop?
From those yellow Italianate arches
Do you hear the plaster drop?
Nurse looked at the silent bedstead,
At the gray, decaying face,
As the calm of a Leamington ev'ning
Drifted into the place.
She moved the table of bottles
Away from the bed to the wall;
And tiptoeing gently over the stairs
Turned down the gas in the hall.
|
Written by
Charles Baudelaire |
When, by decree of the supreme power,
The Poet appears in this annoyed world,
His mother, blasphemous out of horror
At God's pity, cries out with fists curled:
"Ah! I'd rather You'd will me a snake's skin
Than to keep feeding this monstrous slur!
I curse that night's ephemera are sins
To make my womb atone for pleasure.
"Since You have chosen me from all the brides
To bear the disgust of my dolorous groom
And since I can't throw back into the fires
Like an old love letter this gaunt buffoon
"I'll replace Your hate that overwhelms me
On the instrument of Your wicked gloom
And torture so well this miserable tree
Its pestiferous buds will never bloom!"
She chokes down the eucharist of venom,
Not comprehending eternal designs,
She prepares a Gehenna of her own,
And consecrates a pyre of maternal crimes.
Yet, watched by an invisible seraph,
The disinherited child is drunk on the sun
And in all he devours and in all he quaffs
Receives ambrosia, nectar and honey.
He plays with the wind, chats with the vapors,
Deliriously sings the stations of the cross;
And the Spirit who follows him in his capers
Cries at his joy like a bird in the forest.
Those whom he longs to love look with disdain
And dread, strengthened by his tranquillity,
They seek to make him complain of his pain
So they may try out their ferocity.
In the bread and wine destined for his lips,
They mix in cinders and spit with their wrath,
And throw out all he touches as he grasps it,
And accuse him of putting his feet in their path.
His wife cries out so that everyone hears:
"Since he finds me good enough to adore
I'll weave as the idols of ancient years
A corona of gold as a cover.
"I'll get drunk on nard, incense and myrrh,
Get down on bent knee with meats and wines
To see if in a heart that admires,
My smile denies deference to the divine.
"And, when I tire of these impious farces,
I'll arrange for him my frail and hard nails
Sharpened just like the claws of a harpy
That out of his heart will carve a trail.
"Like a baby bird trembling in the nest
I'll dig out his heart all red from my breast
To slake the thirst of my favorite pet,
And will throw it on the ground with contempt!"
Toward the sky, where he sees a great host,
The poet, serene, lifts his pious arms high
And the vast lightning of his lucid ghost
Blinds him to the furious people nearby:
"Glory to God, who leaves us to suffer
To cure us of all our impurities
And like the best, most rarefied buffer
Prepares the strong for a saint's ecstasies!
"I know that You hold a place for the Poet
In the ranks of the blessed and the saint's legions,
That You invite him to an eternal fete
Of thrones, of virtues, of dominations.
"I know only sorrow is unequaled,
It cannot be encroached on from Hell or Earth
And if I am to braid my mystic wreath,
May I impose it on the universe.
"But the ancient jewels of lost Palmyra,
The unknown metals, pearls from the ocean
By Your hand mounted, they do not suffice,
They cannot dazzle as clearly as this crown
"For it will not be made except from halos
Drawn of pure light in a holy portal
Whose entire splendor, in the eyes of mortals
Is only a mirror, obscure and mournful."
|
Written by
Jorie Graham |
Spring
Up, up you go, you must be introduced.
You must learn belonging to (no-one)
Drenched in the white veil (day)
The circle of minutes pushed gleaming onto your finger.
Gaps pocking the brightness where you try to see
in.
Missing: corners, fields,
completeness: holes growing in it where the eye looks hardest.
Below, his chest, a sacred weightless place
and the small weight of your open hand on it.
And these legs, look, still yours, after all you've done with them.
Explain the six missing seeds.
Explain muzzled.
Explain tongue breaks thin fire in eyes.
Learn what the great garden-(up, up you go)-exteriority,
exhales:
the green never-the-less the green who-did-you-say-you-are
and how it seems to stare all the time, that green,
until night blinds it temporarily.
What is it searching for all the leaves turning towards you.
Breath the emptiest of the freedoms.
When will they notice the hole in your head (they won't).
When will they feel for the hole in your chest
(never).
Up, go. Let being-seen drift over you again, sticky kindness.
Those wet strangely unstill eyes filling their heads-
thinking or sight?-
all waiting for the true story-
your heart, beating its little song: explain. . .
Explain requited
Explain indeed the blood of your lives I will require
explain the strange weight of meanwhile
and there exists another death in regards to which
we are not immortal
variegated dappled spangled intricately wrought
complicated obstruse subtle devious
scintillating with change and ambiguity
Summer
Explain two are
Explain not one
(in theory) (and in practice)
blurry, my love, like a right quotation,
wanting so to sink back down,
you washing me in soil now, my shoulders dust, my rippling dust,
Look I'll scrub the dirt listen.
Up here how will I
(not) hold you.
Where is the dirt packed in again around us between us obliterating difference
Must one leave off Explain edges
(tongue breaks) (thin fire)
(in eyes)
And bless. And blame.
(Moonless night.
Vase in the kitchen)
Fall
Explain duty to remain to the end.
Duty not to run away from the good.
The good.
(Beauty is not an issue.)
A wise man wants?
A master.
Winter
Oh my beloved I speak of the absolute jewels.
Dwelling in place for example.
In fluted listenings.
In panting waters human-skinned to the horizon.
Muzzled the deep.
Fermenting the surface.
Wrecks left at the bottom, yes.
Space birdless.
Light on it a woman on her knees-her having kneeled everywhere
already.
God's laughter unquenchable.
Back there its river ripped into pieces, length gone, buried in parts, in
sand.
Believe me I speak now for the sand.
Here at the front end, the narrator.
At the front end, the meanwhile: God's laughter.
Are you still waiting for the true story? (God's laughter)
The difference between what is and could be? (God's laughter)
In this dance the people do not move.
Deferred defied obstructed hungry,
organized around a radiant absence.
In His dance the people do not move.
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Written by
Robert Browning |
Christ God who savest man, save most
Of men Count Gismond who saved me!
Count Gauthier, when he chose his post,
Chose time and place and company
To suit it; when he struck at length
My honour, 'twas with all his strength.
II.
And doubtlessly ere he could draw
All points to one, he must have schemed!
That miserable morning saw
Few half so happy as I seemed,
While being dressed in queen's array
To give our tourney prize away.
III.
I thought they loved me, did me grace
To please themselves; 'twas all their deed;
God makes, or fair or foul, our face;
If showing mine so caused to bleed
My cousins' hearts, they should have dropped
A word, and straight the play had stopped.
IV.
They, too, so beauteous! Each a queen
By virtue of her brow and breast;
Not needing to be crowned, I mean,
As I do. E'en when I was dressed,
Had either of them spoke, instead
Of glancing sideways with still head!
V.
But no: they let me laugh, and sing
My birthday song quite through, adjust
The last rose in my garland, fling
A last look on the mirror, trust
My arms to each an arm of theirs,
And so descend the castle-stairs---
VI.
And come out on the morning-troop
Of merry friends who kissed my cheek,
And called me queen, and made me stoop
Under the canopy---(a streak
That pierced it, of the outside sun,
Powdered with gold its gloom's soft dun)---
VII.
And they could let me take my state
And foolish throne amid applause
Of all come there to celebrate
My queen's-day---Oh I think the cause
Of much was, they forgot no crowd
Makes up for parents in their shroud!
VIII.
However that be, all eyes were bent
Upon me, when my cousins cast
Theirs down; 'twas time I should present
The victor's crown, but ... there, 'twill last
No long time ... the old mist again
Blinds me as then it did. How vain!
IX,
See! Gismond's at the gate, in talk
With his two boys: I can proceed.
Well, at that moment, who should stalk
Forth boldly---to my face, indeed---
But Gauthier, and he thundered ``Stay!''
And all stayed. ``Bring no crowns, I say!
X.
``Bring torches! Wind the penance-sheet
``About her! Let her shun the chaste,
``Or lay herself before their feet!
``Shall she whose body I embraced
``A night long, queen it in the day?
``For honour's sake no crowns, I say!''
XI.
I? What I answered? As I live,
I never fancied such a thing
As answer possible to give.
What says the body when they spring
Some monstrous torture-engine's whole
Strength on it? No more says the soul.
XII.
Till out strode Gismond; then I knew
That I was saved. I never met
His face before, but, at first view,
I felt quite sure that God had set
Himself to Satan; who would spend
A minute's mistrust on the end?
XIII.
He strode to Gauthier, in his throat
Gave him the lie, then struck his mouth
With one back-handed blow that wrote
In blood men's verdict there. North, South,
East, West, I looked. The lie was dead,
And damned, and truth stood up instead.
XIV.
This glads me most, that I enjoyed
The heart of the joy, with my content
In watching Gismond unalloyed
By any doubt of the event:
God took that on him---I was bid
Watch Gismond for my part: I did.
XV.
Did I not watch him while he let
His armourer just brace his greaves,
Rivet his hauberk, on the fret
The while! His foot ... my memory leaves
No least stamp out, nor how anon
He pulled his ringing gauntlets on.
XVI.
And e'en before the trumpet's sound
Was finished, prone lay the false knight,
Prone as his lie, upon the ground:
Gismond flew at him, used no sleight
O' the sword, but open-breasted drove,
Cleaving till out the truth he clove.
XVII.
Which done, he dragged him to my feet
And said ``Here die, but end thy breath
``In full confession, lest thou fleet
``From my first, to God's second death!
``Say, hast thou lied?'' And, ``I have lied
``To God and her,'' he said, and died.
XVIII.
Then Gismond, kneeling to me, asked
---What safe my heart holds, though no word
Could I repeat now, if I tasked
My powers forever, to a third
Dear even as you are. Pass the rest
Until I sank upon his breast.
XIX.
Over my head his arm he flung
Against the world; and scarce I felt
His sword (that dripped by me and swung)
A little shifted in its belt:
For he began to say the while
How South our home lay many a mile.
XX.
So 'mid the shouting multitude
We two walked forth to never more
Return. My cousins have pursued
Their life, untroubled as before
I vexed them. Gauthier's dwelling-place
God lighten! May his soul find grace!
XXI.
Our elder boy has got the clear
Great brow; tho' when his brother's black
Full eye slows scorn, it . . . Gismond here?
And have you brought my tercel*1 back?
I just was telling Adela
How many birds it struck since May.
*1 A male of the peregrine falcon.
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