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Best Famous Blends Poems

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Written by Friedrich von Schiller | Create an image from this poem

Friendship

 Friend!--the Great Ruler, easily content,
Needs not the laws it has laborious been
The task of small professors to invent;
A single wheel impels the whole machine
Matter and spirit;--yea, that simple law,
Pervading nature, which our Newton saw.

This taught the spheres, slaves to one golden rein,
Their radiant labyrinths to weave around
Creation's mighty hearts: this made the chain,
Which into interwoven systems bound
All spirits streaming to the spiritual sun
As brooks that ever into ocean run!

Did not the same strong mainspring urge and guide
Our hearts to meet in love's eternal bond?
Linked to thine arm, O Raphael, by thy side
Might I aspire to reach to souls beyond
Our earth, and bid the bright ambition go
To that perfection which the angels know!

Happy, O happy--I have found thee--I
Have out of millions found thee, and embraced;
Thou, out of millions, mine!--Let earth and sky
Return to darkness, and the antique waste--
To chaos shocked, let warring atoms be,
Still shall each heart unto the other flee!

Do I not find within thy radiant eyes
Fairer reflections of all joys most fair?
In thee I marvel at myself--the dyes
Of lovely earth seem lovelier painted there,
And in the bright looks of the friend is given
A heavenlier mirror even of the heaven!

Sadness casts off its load, and gayly goes
From the intolerant storm to rest awhile,
In love's true heart, sure haven of repose;
Does not pain's veriest transports learn to smile
From that bright eloquence affection gave
To friendly looks?--there, finds not pain a grave?

In all creation did I stand alone,
Still to the rocks my dreams a soul should find,
Mine arms should wreathe themselves around the stone,
My griefs should feel a listener in the wind;
My joy--its echo in the caves should be!
Fool, if ye will--Fool, for sweet sympathy!

We are dead groups of matter when we hate;
But when we love we are as gods!--Unto
The gentle fetters yearning, through each state
And shade of being multiform, and through
All countless spirits (save of all the sire)--
Moves, breathes, and blends, the one divine desire.

Lo! arm in arm, through every upward grade,
From the rude mongrel to the starry Greek,
Who the fine link between the mortal made,
And heaven's last seraph--everywhere we seek
Union and bond--till in one sea sublime
Of love be merged all measure and all time!

Friendless ruled God His solitary sky;
He felt the want, and therefore souls were made,
The blessed mirrors of his bliss!--His eye
No equal in His loftiest works surveyed;
And from the source whence souls are quickened, He
Called His companion forth--ETERNITY!


Written by Dante Alighieri | Create an image from this poem

Sestina

 I have come, alas, to the great circle of shadow,
to the short day and to the whitening hills,
when the colour is all lost from the grass,
though my desire will not lose its green,
so rooted is it in this hardest stone,
that speaks and feels as though it were a woman.

And likewise this heaven-born woman
stays frozen, like the snow in shadow,
and is unmoved, or moved like a stone,
by the sweet season that warms all the hills,
and makes them alter from pure white to green,
so as to clothe them with the flowers and grass.

When her head wears a crown of grass
she draws the mind from any other woman,
because she blends her gold hair with the green
so well that Amor lingers in their shadow,
he who fastens me in these low hills,
more certainly than lime fastens stone.

Her beauty has more virtue than rare stone.
The wound she gives cannot be healed with grass,
since I have travelled, through the plains and hills,
to find my release from such a woman,
yet from her light had never a shadow
thrown on me, by hill, wall, or leaves’ green.

I have seen her walk all dressed in green,
so formed she would have sparked love in a stone,
that love I bear for her very shadow,
so that I wished her, in those fields of grass,
as much in love as ever yet was woman,
closed around by all the highest hills.

The rivers will flow upwards to the hills
before this wood, that is so soft and green,
takes fire, as might ever lovely woman,
for me, who would choose to sleep on stone,
all my life, and go eating grass,
only to gaze at where her clothes cast shadow.

Whenever the hills cast blackest shadow,
with her sweet green, the lovely woman
hides it, as a man hides stone in grass.
Written by Robert Browning | Create an image from this poem

Rabbi Ben Ezra

 Grow old along with me!
The best is yet to be,
The last of life, for which the first was made:
Our times are in His hand
Who saith 'A whole I planned,
Youth shows but half; trust God: see all, nor be afraid!'

Not that, amassing flowers,
Youth sighed 'Which rose make ours,
Which lily leave and then as best recall?'
Not that, admiring stars,
It yearned 'Nor Jove, nor Mars;
Mine be some figured flame which blends, transcends them all!'

Not for such hopes and fears
Annulling youth's brief years,
Do I remonstrate: folly wide the mark!
Rather I prize the doubt
Low kinds exist without,
Finished and finite clods, untroubled by a spark.

Poor vaunt of life indeed,
Were man but formed to feed
On joy, to solely seek and find and feast:
Such feasting ended, then
As sure an end to men;
Irks care the crop-full bird? Frets doubt the maw-crammed beast?

Rejoice we are allied
To That which doth provide
And not partake, effect and not receive!
A spark disturbs our clod;
Nearer we hold of God
Who gives, than of His tribes that take, I must believe.

Then, welcome each rebuff
That turns earth's smoothness rough,
Each sting that bids nor sit nor stand but go!
Be our joys three-parts pain!
Strive, and hold cheap the strain;
Learn, nor account the pang; dare, never grudge the throe!

For thence,--a paradox
Which comforts while it mocks,--
Shall life succeed in that it seems to fail:
What I aspired to be,
And was not, comforts me:
A brute I might have been, but would not sink i' the scale.

What is he but a brute
Whose flesh has soul to suit,
Whose spirit works lest arms and legs want play?
To man, propose this test--
Thy body at its best,
How far can that project thy soul on its lone way?

Yet gifts should prove their use:
I own the Past profuse
Of power each side, perfection every turn:
Eyes, ears took in their dole,
Brain treasured up the whole;
Should not the heart beat once 'How good to live and learn?'

Not once beat 'Praise be Thine!
I see the whole design,
I, who saw power, see now love perfect too:
Perfect I call Thy plan:
Thanks that I was a man!
Maker, remake, complete,--I trust what Thou shalt do!'

For pleasant is this flesh;
Our soul, in its rose-mesh
Pulled ever to the earth, still yearns for rest;
Would we some prize might hold
To match those manifold
Possessions of the brute,--gain most, as we did best!

Let us not always say,
'Spite of this flesh to-day
I strove, made head, gained ground upon the whole!'
As the bird wings and sings,
Let us cry 'All good things
Are ours, nor soul helps flesh more, now, than flesh helps soul!'

Therefore I summon age
To grant youth's heritage,
Life's struggle having so far reached its term:
Thence shall I pass, approved
A man, for aye removed
From the developed brute; a god though in the germ.

And I shall thereupon
Take rest, ere I be gone
Once more on my adventure brave and new:
Fearless and unperplexed,
When I wage battle next,
What weapons to select, what armour to indue.

Youth ended, I shall try
My gain or loss thereby;
Leave the fire ashes, what survives is gold:
And I shall weigh the same,
Give life its praise or blame:
Young, all lay in dispute; I shall know, being old.

For note, when evening shuts,
A certain moment cuts
The deed off, calls the glory from the grey:
A whisper from the west
Shoots--'Add this to the rest,
Take it and try its worth: here dies another day.'

So, still within this life,
Though lifted o'er its strife,
Let me discern, compare, pronounce at last,
This rage was right i' the main,
That acquiescence vain:
The Future I may face now I have proved the Past.'

For more is not reserved
To man, with soul just nerved
To act to-morrow what he learns to-day:
Here, work enough to watch
The Master work, and catch
Hints of the proper craft, tricks of the tool's true play.

As it was better, youth
Should strive, through acts uncouth,
Toward making, than repose on aught found made:
So, better, age, exempt
From strife, should know, than tempt
Further. Thou waitedst age: wait death nor be afraid!
Enough now, if the Right
And Good and Infinite
Be named here, as thou callest thy hand thine own
With knowledge absolute,
Subject to no dispute
From fools that crowded youth, nor let thee feel alone.

Be there, for once and all,
Severed great minds from small,
Announced to each his station in the Past!
Was I, the world arraigned,
Were they, my soul disdained,
Right? Let age speak the truth and give us peace at last!

Now, who shall arbitrate?
Ten men love what I hate,
Shun what I follow, slight what I receive;
Ten, who in ears and eyes
Match me: we all surmise,
They this thing, and I that: whom shall my soul believe?

Not on the vulgar mass
Called 'work,' must sentence pass,
Things done, that took the eye and had the price;
O'er which, from level stand,
The low world laid its hand,
Found straightway to its mind, could value in a trice:

But all, the world's coarse thumb
And finger failed to plumb,
So passed in making up the main account;
All instincts immature,
All purposes unsure,
That weighed not as his work, yet swelled the man's amount:

Thoughts hardly to be packed
Into a narrow act,
Fancies that broke through language and escaped;
All I could never be,
All, men ignored in me,
This, I was worth to God, whose wheel the pitcher shaped.

Ay, note that Potter's wheel,
That metaphor! and feel
Why time spins fast, why passive lies our clay,--
Thou, to whom fools propound,
When the wine makes its round,
'Since life fleets, all is change; the Past gone, seize to-day!'

Fool! All that is, at all,
Lasts ever, past recall;
Earth changes, but thy soul and God stand sure:
What entered into thee,
That was, is, and shall be:
Time's wheel runs back or stops: Potter and clay endure.

He fixed thee mid this dance
Of plastic circumstance,
This Present, thou, forsooth, wouldst fain arrest:
Machinery just meant
To give thy soul its bent,
Try thee and turn thee forth, sufficiently impressed.

What though the earlier grooves,
Which ran the laughing loves
Around thy base, no longer pause and press?
What though, about thy rim,
Skull-things in order grim
Grow out, in graver mood, obey the sterner stress?

Look not thou down but up!
To uses of a cup,
The festal board, lamp's flash and trumpet's peal,
The new wine's foaming flow,
The Master's lips a-glow!
Thou, heaven's consummate cup, what need'st thou with earth's wheel?

But I need, now as then,
Thee, God, who mouldest men;
And since, not even while the whirl was worst,
Did I,--to the wheel of life
With shapes and colours rife,
Bound dizzily,--mistake my end, to slake Thy thirst:

So, take and use Thy work:
Amend what flaws may lurk,
What strain o' the stuff, what warpings past the aim!
My times be in Thy hand!
Perfect the cup as planned!
Let age approve of youth, and death complete the same!
Written by Ralph Waldo Emerson | Create an image from this poem

Merlin

 I
Thy trivial harp will never please 
Or fill my craving ear; 
Its chords should ring as blows the breeze, 
Free, peremptory, clear. 
No jingling serenader's art, 
Nor tinkle of piano strings, 
Can make the wild blood start 
In its mystic springs. 
The kingly bard 
Must smile the chords rudely and hard, 
As with hammer or with mace; 
That they may render back 
Artful thunder, which conveys 
Secrets of the solar track, 
Sparks of the supersolar blaze. 
Merlin's blows are strokes of fate, 
Chiming with the forest tone, 
When boughs buffet boughs in the wood; 
Chiming with the gasp and moan 
Of the ice-imprisoned hood; 
With the pulse of manly hearts; 
With the voice of orators; 
With the din of city arts; 
With the cannonade of wars; 
With the marches of the brave; 
And prayers of might from martyrs' cave.

Great is the art, 
Great be the manners, of the bard. 
He shall not his brain encumber 
With the coil of rhythm and number; 
But, leaving rule and pale forethought, 
He shall aye climb 
For his rhyme. 
"Pass in, pass in," the angels say, 
"In to the upper doors, 
Nor count compartments of the floors, 
But mount to paradise 
By the stairway of surprise." 

Blameless master of the games, 
King of sport that never shames, 
He shall daily joy dispense 
Hid in song's sweet influence. 
Forms more cheerly live and go, 
What time the subtle mind 
Sings aloud the tune whereto 
Their pulses beat, 
And march their feet, 
And their members are combined. 

By Sybarites beguiled, 
He shall no task decline; 
Merlin's mighty line 
Extremes of nature reconciled, 
Bereaved a tyrant of his will, 
And made the lion mild. 
Songs can the tempest still, 
Scattered on the stormy air, 
Mold the year to fair increase, 
And bring in poetic peace. 
He shall nor seek to weave, 
In weak, unhappy times, 
Efficacious rhymes; 
Wait his returning strength. 
Bird that from the nadir's floor 
To the zenith's top can soar, 
The roaring orbit of the muse exceeds that journey's length. 
Nor profane affect to hit 
Or compass that, by meddling wit, 
Which only the propitious mind 
Publishes when 'tis inclined. 
There are open hours 
When the God's will sallies free, 
And the dull idiot might see 
The flowing fortunes of a thousand years; 
Sudden, at unawares, 
Self-moved, fly-to the doors, 
Nor sword of angels could reveal 
What they conceal. 

II
The rhyme of the poet 
Modulates the king's affairs; 
Balance-loving Nature 
Made all things in pairs. 
To every foot its antipode; 
Each color with its counter glowed: 
To every tone beat answering tones, 
Higher or graver; 
Flavor gladly blends with flavor; 
Leaf answers leaf upon the bough; 
And match the paired cotyledons. 
Hands to hands, and feet to feet, 
In one body grooms and brides; 
Eldest rite, two married sides 
In every mortal meet. 
Light's far furnace shines, 
Smelting balls and bars, 
Forging double stars, 
Glittering twins and trines. 
The animals are sick with love, 
Lovesick with rhyme; 
Each with all propitious Time 
Into chorus wove. 

Like the dancers' ordered band, 
Thoughts come also hand in hand; 
In equal couples mated, 
Or else alternated; 
Adding by their mutual gage, 
One to other, health and age. 
Solitary fancies go 
Short-lived wandering to and ire, 
Most like to bachelors, 
Or an ungiven maid, 
Nor ancestors, 
With no posterity to make the lie afraid, 
Or keep truth undecayed. 
Perfect-paired as eagle's wings, 
Justice is the rhyme of things; 
Trade and counting use 
The self-same tuneful muse; 
And Nemesis, 
Who with even matches odd, 
Who athwart space redresses 
The partial wrong, 
Fills the just period, 
And finishes the song. 

Subtle rhymes, with ruin rife 
Murmur in the hour of life, 
Sung by the Sisters as they spin; 
In perfect time and measure they 
Build and unbuild our echoing clay. 
As the two twilights of the day 
Fold us music-drunken in.
Written by Amy Lowell | Create an image from this poem

The Fruit Shop

 Cross-ribboned shoes; a muslin gown,
High-waisted, girdled with bright blue;
A straw poke bonnet which hid the frown
She pluckered her little brows into
As she picked her dainty passage through
The dusty street. "Ah, Mademoiselle,
A dirty pathway, we need rain,
My poor fruits suffer, and the shell
Of this nut's too big for its kernel, lain
Here in the sun it has shrunk again.
The baker down at the corner says
We need a battle to shake the clouds;
But I am a man of peace, my ways
Don't look to the killing of men in crowds.
Poor fellows with guns and bayonets for shrouds!
Pray, Mademoiselle, come out of the sun.
Let me dust off that wicker chair. It's cool
In here, for the green leaves I have run
In a curtain over the door, make a pool
Of shade. You see the pears on that stool --
The shadow keeps them plump and fair."
Over the fruiterer's door, the leaves
Held back the sun, a greenish flare
Quivered and sparked the shop, the sheaves
Of sunbeams, glanced from the sign on the eaves,
Shot from the golden letters, broke
And splintered to little scattered lights.
Jeanne Tourmont entered the shop, her poke
Bonnet tilted itself to rights,
And her face looked out like the moon on nights
Of flickering clouds. "Monsieur Popain, I
Want gooseberries, an apple or two,
Or excellent plums, but not if they're high;
Haven't you some which a strong wind blew?
I've only a couple of francs for you."
Monsieur Popain shrugged and rubbed his hands.
What could he do, the times were sad.
A couple of francs and such demands!
And asking for fruits a little bad.
Wind-blown indeed! He never had
Anything else than the very best.
He pointed to baskets of blunted pears
With the thin skin tight like a bursting vest,
All yellow, and red, and brown, in smears.
Monsieur Popain's voice denoted tears.
He took up a pear with tender care,
And pressed it with his hardened thumb.
"Smell it, Mademoiselle, the perfume there
Is like lavender, and sweet thoughts come
Only from having a dish at home.
And those grapes! They melt in the mouth like wine,
Just a click of the tongue, and they burst to honey.
They're only this morning off the vine,
And I paid for them down in silver money.
The Corporal's widow is witness, her pony
Brought them in at sunrise to-day.
Those oranges -- Gold! They're almost red.
They seem little chips just broken away
From the sun itself. Or perhaps instead
You'd like a pomegranate, they're rarely gay,
When you split them the seeds are like crimson spray.
Yes, they're high, they're high, and those Turkey figs,
They all come from the South, and Nelson's ships
Make it a little hard for our rigs.
They must be forever giving the slips
To the cursed English, and when men clips
Through powder to bring them, why dainties mounts
A bit in price. Those almonds now,
I'll strip off that husk, when one discounts
A life or two in a ****** row
With the man who grew them, it does seem how
They would come dear; and then the fight
At sea perhaps, our boats have heels
And mostly they sail along at night,
But once in a way they're caught; one feels
Ivory's not better nor finer -- why peels
From an almond kernel are worth two sous.
It's hard to sell them now," he sighed.
"Purses are tight, but I shall not lose.
There's plenty of cheaper things to choose."
He picked some currants out of a wide
Earthen bowl. "They make the tongue
Almost fly out to suck them, bride
Currants they are, they were planted long
Ago for some new Marquise, among
Other great beauties, before the Chateau
Was left to rot. Now the Gardener's wife,
He that marched off to his death at Marengo,
Sells them to me; she keeps her life
From snuffing out, with her pruning knife.
She's a poor old thing, but she learnt the trade
When her man was young, and the young Marquis
Couldn't have enough garden. The flowers he made
All new! And the fruits! But 'twas said that 
he
Was no friend to the people, and so they laid
Some charge against him, a cavalcade
Of citizens took him away; they meant
Well, but I think there was some mistake.
He just pottered round in his garden, bent
On growing things; we were so awake
In those days for the New Republic's sake.
He's gone, and the garden is all that's left
Not in ruin, but the currants and apricots,
And peaches, furred and sweet, with a cleft
Full of morning dew, in those green-glazed pots,
Why, Mademoiselle, there is never an eft
Or worm among them, and as for theft,
How the old woman keeps them I cannot say,
But they're finer than any grown this way."
Jeanne Tourmont drew back the filigree ring
Of her striped silk purse, tipped it upside down
And shook it, two coins fell with a ding
Of striking silver, beneath her gown
One rolled, the other lay, a thing
Sparked white and sharply glistening,
In a drop of sunlight between two shades.
She jerked the purse, took its empty ends
And crumpled them toward the centre braids.
The whole collapsed to a mass of blends
Of colours and stripes. "Monsieur Popain, friends
We have always been. In the days before
The Great Revolution my aunt was kind
When you needed help. You need no more;
'Tis we now who must beg at your door,
And will you refuse?" The little man
Bustled, denied, his heart was good,
But times were hard. He went to a pan
And poured upon the counter a flood
Of pungent raspberries, tanged like wood.
He took a melon with rough green rind
And rubbed it well with his apron tip.
Then he hunted over the shop to find
Some walnuts cracking at the lip,
And added to these a barberry slip
Whose acrid, oval berries hung
Like fringe and trembled. He reached a round
Basket, with handles, from where it swung
Against the wall, laid it on the ground
And filled it, then he searched and found
The francs Jeanne Tourmont had let fall.
"You'll return the basket, Mademoiselle?"
She smiled, "The next time that I call,
Monsieur. You know that very well."
'Twas lightly said, but meant to tell.
Monsieur Popain bowed, somewhat abashed.
She took her basket and stepped out.
The sunlight was so bright it flashed
Her eyes to blindness, and the rout
Of the little street was all about.
Through glare and noise she stumbled, dazed.
The heavy basket was a care.
She heard a shout and almost grazed
The panels of a chaise and pair.
The postboy yelled, and an amazed
Face from the carriage window gazed.
She jumped back just in time, her heart
Beating with fear. Through whirling light
The chaise departed, but her smart
Was keen and bitter. In the white
Dust of the street she saw a bright
Streak of colours, wet and gay,
Red like blood. Crushed but fair,
Her fruit stained the cobbles of the way.
Monsieur Popain joined her there.
"Tiens, Mademoiselle,
c'est le General Bonaparte, 
partant pour la Guerre!"


Written by Thomas Warton | Create an image from this poem

Verses on Sir Joshua Reynolds Painted Window at New College Oxford

 Ah, stay thy treacherous hand, forbear to trace
Those faultless forms of elegance and grace!
Ah, cease to spread the bright transparent mass,
With Titian's pencil, o'er the speaking glass!
Nor steal, by strokes of art with truth combin'd,
The fond illusions of my wayward mind!
For long, enamour'd of a barbarous age,
A faithless truant to the classic page;
Long have I lov'd to catch the simple chime
Of minstrel-harps, and spell the fabling rime;
To view the festive rites, the knightly play,
That deck'd heroic Albion's elder day;
To mark the mouldering halls of barons bold,
And the rough castle, cast in giant mould;
With Gothic manners Gothic arts explore,
And muse on the magnificence of yore.

But chief, enraptur'd have I lov'd to roam,
A lingering votary, the vaulted dome,
Where the tall shafts, that mount in massy pride,
Their mingling branches shoot from side to side;
Where elfin sculptors, with fantastic clew,
O'er the long roof their wild embroidery drew;
Where Superstition with capricious hand
In many a maze the wreathed window plann'd,
With hues romantic ting'd the gorgeous pane,
To fill with holy light the wondrous fane;
To aid the builder's model, richly rude,
By no Vitruvian symmetry subdu'd;
To suit the genius of the mystic pile:
Whilst as around the far-retiring aisle,
And fretted shrines, with hoary trophies hung,
Her dark illumination wide she flung,
With new solemnity, the nooks profound,
The caves of death, and the dim arches frown'd.
From bliss long felt unwillingly we part:
Ah, spare the weakness of a lover's heart!
Chase not the phantoms of my fairy dream,
Phantoms that shrink at Reason's painful gleam!
That softer touch, insidious artist, stay,
Nor to new joys my struggling breast betray!

Such was a pensive bard's mistaken strain.--
But, oh, of ravish'd pleasures why complain?
No more the matchless skill I call unkind,
That strives to disenchant my cheated mind.
For when again I view thy chaste design,
The just proportion, and the genuine line;
Those native portraitures of Attic art,
That from the lucid surface seem to start;
Those tints, that steal no glories from the day,
Nor ask the sun to lend his streaming ray:
The doubtful radiance of contending dyes,
That faintly mingle, yet distinctly rise;
'Twixt light and shade the transitory strife;
The feature blooming with immortal life:
The stole in casual foldings taught to flow,
Not with ambitious ornaments to glow;
The tread majestic, and the beaming eye,
That lifted speaks its commerce with the sky;
Heaven's golden emanation, gleaming mild
O'er the mean cradle of the Virgin's child:
Sudden, the sombrous imagery is fled,
Which late my visionary rapture fed:
Thy powerful hand has broke the Gothic chain,
And brought my bosom back to truth again;
To truth, by no peculiar taste confin'd,
Whose universal pattern strikes mankind;
To truth, whose bold and unresisted aim
Checks frail caprice, and fashion's fickle claim;
To truth, whose charms deception's magic quell,
And bind coy Fancy in a stronger spell.

Ye brawny Prophets, that in robes so rich,
At distance due, possess the crisped niche;
Ye rows of Patriarchs, that sublimely rear'd
Diffuse a proud primeval length of beard:
Ye Saints, who clad in crimson's bright array,
More pride than humble poverty display:
Ye Virgins meek, that wear the palmy crown
Of patient faith, and yet so fiercely frown:
Ye Angels, that from clouds of gold recline,
But boast no semblance to a race divine:
Ye tragic tales of legendary lore,
That draw devotion's ready tear no more;
Ye martyrdoms of unenlighten'd days,
Ye miracles, that now no wonder raise:
Shapes, that with one broad glare the gazer strike,
Kings, bishops, nuns, apostles, all alike!
Ye colours, that th' unwary sight amaze,
And only dazzle in the noontide blaze!
No more the sacred window's round disgrace,
But yield to Grecian groups the shining space.
Lo, from the canvas Beauty shifts her throne,
Lo, Picture's powers a new formation own!
Behold, she prints upon the crystal plain,
With her own energy, th' expressive stain!
The mighty master spreads his mimic toil
More wide, nor only blends the breathing oil;
But calls the lineaments of life complete
From genial alchymy's creative heat;
Obedient forms to the bright fusion gives,
While in the warm enamel Nature lives.

Reynolds, 'tis thine, from the broad window's height,
To add new lustre to religious light:
Not of its pomp to strip this ancient shrine,
But bid that pomp with purer radiance shine:
With arts unknown before, to reconcile
The willing Graces to the Gothic pile.
Written by William Lisle Bowles | Create an image from this poem

Languid And Sad And Slow From Day To Day

 Languid, and sad, and slow, from day to day 
I journey on, yet pensive turn to view 
(Where the rich landscape gleams with softer hue) 
The streams and vales, and hills, that steal away. 
So fares it with the children of the earth: 
For when life's goodly prospect opens round, 
Their spirits beat to tread that fairy ground, 
Where every vale sounds to the pipe of mirth. 
But them vain hope and easy youth beguiles, 
And soon a longing look, like me, they cast 
Back on the pleasing prospect of the past: 
Yet Fancy points where still far onward smiles 
Some sunny spot, and her fair colouring blends, 
Till cheerless on their path the night descends!
Written by Alan Seeger | Create an image from this poem

Juvenilia An Ode to Natural Beauty

 There is a power whose inspiration fills 
Nature's fair fabric, sun- and star-inwrought, 
Like airy dew ere any drop distils, 
Like perfume in the laden flower, like aught 
Unseen which interfused throughout the whole 
Becomes its quickening pulse and principle and soul. 
Now when, the drift of old desire renewing, 
Warm tides flow northward over valley and field, 
When half-forgotten sound and scent are wooing 
From their deep-chambered recesses long sealed 
Such memories as breathe once more 
Of childhood and the happy hues it wore, 
Now, with a fervor that has never been 
In years gone by, it stirs me to respond, -- 
Not as a force whose fountains are within 
The faculties of the percipient mind, 
Subject with them to darkness and decay, 
But something absolute, something beyond, 
Oft met like tender orbs that seem to peer 
From pale horizons, luminous behind 
Some fringe of tinted cloud at close of day; 
And in this flood of the reviving year, 
When to the loiterer by sylvan streams, 
Deep in those cares that make Youth loveliest, 
Nature in every common aspect seems 
To comment on the burden in his breast -- 
The joys he covets and the dreams he dreams -- 
One then with all beneath the radiant skies 
That laughs with him or sighs, 
It courses through the lilac-scented air, 
A blessing on the fields, a wonder everywhere. 


Spirit of Beauty, whose sweet impulses, 
Flung like the rose of dawn across the sea, 
Alone can flush the exalted consciousness 
With shafts of sensible divinity -- 
Light of the World, essential loveliness: 
Him whom the Muse hath made thy votary 
Not from her paths and gentle precepture 
Shall vulgar ends engage, nor break the spell 
That taught him first to feel thy secret charms 
And o'er the earth, obedient to their lure, 
Their sweet surprise and endless miracle, 
To follow ever with insatiate arms. 
On summer afternoons, 
When from the blue horizon to the shore, 
Casting faint silver pathways like the moon's 
Across the Ocean's glassy, mottled floor, 
Far clouds uprear their gleaming battlements 
Drawn to the crest of some bleak eminence, 
When autumn twilight fades on the sere hill 
And autumn winds are still; 
To watch the East for some emerging sign, 
Wintry Capella or the Pleiades 
Or that great huntsman with the golden gear; 
Ravished in hours like these 
Before thy universal shrine 
To feel the invoked presence hovering near, 
He stands enthusiastic. Star-lit hours 
Spent on the roads of wandering solitude 
Have set their sober impress on his brow, 
And he, with harmonies of wind and wood 
And torrent and the tread of mountain showers, 
Has mingled many a dedicative vow 
That holds him, till thy last delight be known, 
Bound in thy service and in thine alone. 


I, too, among the visionary throng 
Who choose to follow where thy pathway leads, 
Have sold my patrimony for a song, 
And donned the simple, lowly pilgrim's weeds. 
From that first image of beloved walls, 
Deep-bowered in umbrage of ancestral trees, 
Where earliest thy sweet enchantment falls, 
Tingeing a child's fantastic reveries 
With radiance so fair it seems to be 
Of heavens just lost the lingering evidence 
From that first dawn of roseate infancy, 
So long beneath thy tender influence 
My breast has thrilled. As oft for one brief second 
The veil through which those infinite offers beckoned 
Has seemed to tremble, letting through 
Some swift intolerable view 
Of vistas past the sense of mortal seeing, 
So oft, as one whose stricken eyes might see 
In ferny dells the rustic deity, 
I stood, like him, possessed, and all my being, 
Flooded an instant with unwonted light, 
Quivered with cosmic passion; whether then 
On woody pass or glistening mountain-height 
I walked in fellowship with winds and clouds, 
Whether in cities and the throngs of men, 
A curious saunterer through friendly crowds, 
Enamored of the glance in passing eyes, 
Unuttered salutations, mute replies, -- 
In every character where light of thine 
Has shed on earthly things the hue of things divine 
I sought eternal Loveliness, and seeking, 
If ever transport crossed my brow bespeaking 
Such fire as a prophetic heart might feel 
Where simple worship blends in fervent zeal, 
It was the faith that only love of thee 
Needed in human hearts for Earth to see 
Surpassed the vision poets have held dear 
Of joy diffused in most communion here; 
That whomsoe'er thy visitations warmed, 
Lover of thee in all thy rays informed, 
Needed no difficulter discipline 
To seek his right to happiness within 
Than, sensible of Nature's loveliness, 
To yield him to the generous impulses 
By such a sentiment evoked. The thought, 
Bright Spirit, whose illuminings I sought, 
That thou unto thy worshipper might be 
An all-sufficient law, abode with me, 
Importing something more than unsubstantial dreams 
To vigils by lone shores and walks by murmuring streams. 


Youth's flowers like childhood's fade and are forgot. 
Fame twines a tardy crown of yellowing leaves. 
How swift were disillusion, were it not 
That thou art steadfast where all else deceives! 
Solace and Inspiration, Power divine 
That by some mystic sympathy of thine, 
When least it waits and most hath need of thee, 
Can startle the dull spirit suddenly 
With grandeur welled from unsuspected springs, -- 
Long as the light of fulgent evenings, 
When from warm showers the pearly shades disband 
And sunset opens o'er the humid land, 
Shows thy veiled immanence in orient skies, -- 
Long as pale mist and opalescent dyes 
Hung on far isle or vanishing mountain-crest, 
Fields of remote enchantment can suggest 
So sweet to wander in it matters nought, 
They hold no place but in impassioned thought, 
Long as one draught from a clear sky may be 
A scented luxury; 
Be thou my worship, thou my sole desire, 
Thy paths my pilgrimage, my sense a lyre 
Aeolian for thine every breath to stir; 
Oft when her full-blown periods recur, 
To see the birth of day's transparent moon 
Far from cramped walls may fading afternoon 
Find me expectant on some rising lawn; 
Often depressed in dewy grass at dawn, 
Me, from sweet slumber underneath green boughs, 
Ere the stars flee may forest matins rouse, 
Afoot when the great sun in amber floods 
Pours horizontal through the steaming woods 
And windless fumes from early chimneys start 
And many a cock-crow cheers the traveller's heart 
Eager for aught the coming day afford 
In hills untopped and valleys unexplored. 
Give me the white road into the world's ends, 
Lover of roadside hazard, roadside friends, 
Loiterer oft by upland farms to gaze 
On ample prospects, lost in glimmering haze 
At noon, or where down odorous dales twilit, 
Filled with low thundering of the mountain stream, 
Over the plain where blue seas border it 
The torrid coast-towns gleam. 


I have fared too far to turn back now; my breast 
Burns with the lust for splendors unrevealed, 
Stars of midsummer, clouds out of the west, 
Pallid horizons, winds that valley and field 
Laden with joy, be ye my refuge still! 
What though distress and poverty assail! 
Though other voices chide, yours never will. 
The grace of a blue sky can never fail. 
Powers that my childhood with a spell so sweet, 
My youth with visions of such glory nursed, 
Ye have beheld, nor ever seen my feet 
On any venture set, but 'twas the thirst 
For Beauty willed them, yea, whatever be 
The faults I wanted wings to rise above; 
I am cheered yet to think how steadfastly 
I have been loyal to the love of Love!
Written by Friedrich von Schiller | Create an image from this poem

The Four Ages Of The World

 The goblet is sparkling with purpled-tinged wine,
Bright glistens the eye of each guest,
When into the hall comes the Minstrel divine,
To the good he now brings what is best;
For when from Elysium is absent the lyre,
No joy can the banquet of nectar inspire.

He is blessed by the gods, with an intellect clear,
That mirrors the world as it glides;
He has seen all that ever has taken place here,
And all that the future still hides.
He sat in the god's secret councils of old
And heard the command for each thing to unfold.

He opens in splendor, with gladness and mirth,
That life which was hid from our eyes;
Adorns as a temple the dwelling of earth,
That the Muse has bestowed as his prize,
No roof is so humble, no hut is so low,
But he with divinities bids it o'erflow.

And as the inventive descendant of Zeus,
On the unadorned round of the shield,
With knowledge divine could, reflected, produce
Earth, sea, and the star's shining field,--
So he, on the moments, as onward they roll,
The image can stamp of the infinite whole.

From the earliest age of the world he has come,
When nations rejoiced in their prime;
A wanderer glad, he has still found a home
With every race through all time.
Four ages of man in his lifetime have died,
And the place they once held by the fifth is supplied.

Saturnus first governed, with fatherly smile,
Each day then resembled the last;
Then flourished the shepherds, a race without guile
Their bliss by no care was o'ercast,
They loved,--and no other employment they had,
And earth gave her treasures with willingness glad.

Then labor came next, and the conflict began
With monsters and beasts famed in song;
And heroes upstarted, as rulers of man,
And the weak sought the aid of the strong.
And strife o'er the field of Scamander now reigned,
But beauty the god of the world still remained.

At length from the conflict bright victory sprang,
And gentleness blossomed from might;
In heavenly chorus the Muses then sang,
And figures divine saw the light;--
The age that acknowledged sweet phantasy's sway
Can never return, it has fleeted away.

The gods from their seats in the heavens were hurled,
And their pillars of glory o'erthrown;
And the Son of the Virgin appeared in the world
For the sins of mankind to atone.
The fugitive lusts of the sense were suppressed,
And man now first grappled with thought in his breast.

Each vain and voluptuous charm vanished now,
Wherein the young world took delight;
The monk and the nun made of penance a vow,
And the tourney was sought by the knight.
Though the aspect of life was now dreary and wild,
Yet love remained ever both lovely and mild.

An altar of holiness, free from all stain,
The Muses in silence upreared;
And all that was noble and worthy, again
In woman's chaste bosom appeared;
The bright flame of song was soon kindled anew
By the minstrel's soft lays, and his love pure and true.

And so, in a gentle and ne'er-changing band,
Let woman and minstrel unite;
They weave and they fashion, with hand joined to hand,
The girdle of beauty and right.
When love blends with music, in unison sweet,
The lustre of life's youthful days ne'er can fleet.
Written by Mary Darby Robinson | Create an image from this poem

The Adieu to Love

 LOVE, I renounce thy tyrant sway,
I mock thy fascinating art,
MINE, be the calm unruffled day,
That brings no torment to the heart; 
The tranquil mind, the noiseless scene, 
Where FANCY, with enchanting mien, 
Shall in her right-hand lead along 
The graceful patroness of Song;
Where HARMONY shall softly fling 
Her light tones o'er the dulcet string; 
And with her magic LYRE compose 
Each pang that throbs, each pulse that glows; 
Till her resistless strains dispense, 
The balm of blest INDIFFERENCE. 

LOVE, I defy thy vaunted pow'r!
In still Retirement's sober bow'r
I'll rest secure;­no fev'rish pain
Shall dart its hot-shafts thro' my brain, 
No start'ling dreams invade my mind 
No spells my stagnate pulses bind; 
No jealous agonies impart 
Their madd'ning poisons to my heart 
But sweetly lull'd to placid rest, 
The sensate tenant of my breast 
Shall one unshaken course pursue, 
Such as thy vot'ries never knew.­ 

SWEET SOLITUDE ! pure Nature's child, 
Fair pensive daughter of the wild; 
Nymph of the Forest; thee I press 
My weary sick'ning soul to bless; 
To give my heart the dear repose, 
That smiles unmov'd at transient woes; 
That shelter'd from Life's trivial cares, 
Each calm delicious comfort shares; 
While conscious rectitude of mind, 
Blends with each thought a bliss refin'd, 
And scorning fear's soul-chilling pow'r, 
Dares court REFLECTION'S dang'rous hour, 
To scrutinize with cautious art, 
Each hidden channel of the heart.­ 

Ah, gentle maiden, let me stray,
Where Innocence for ever gay,
Shall lead me to her loveliest bow'rs
And crown my brow with thornless flow'rs;
And strew the weedy paths of time
With Resignation's balm sublime;
While Rosy SPRING, shall smiling haste,
On light steps o'er the dewy waste, 
Eager her brightest gems to shed 
Around my verdant perfum'd bed; 
And in her train the glowing hours 
Shall bathe their wings in scented show'rs; 
And shake the fost'ring drops to earth, 
To nurse meek blossoms into birth; 
And when autumnal zephyrs fly 
Sportive, beneath the sapphire sky, 
Or in the stream their pinions lave, 
Or teach the golden sheaves to wave; 
I'll watch the ruby eye of day 
In awful lustre glide away, 
And closing sink to transient rest, 
On panting Ocean's pearly breast. 

O SOLITUDE ! how blest the lot 
Of her who shares thy silent cot! 
Who with celestial peace, pursues 
The pensive wand'rings of the MUSE; 
To stray unseen where'er she leads, 
O'er grassy hills and sunny meads, 
Or at the still of Night's cold noon 
To gaze upon the chilly Moon, 
While PHILOMELA'S mournful Song 
Meanders fairy haunts among, 
To tell the hopeless LOVER'S ear, 
That SYMPATHY'S FOND BIRD is near; 
Whose note shall soothe his aching heart, 
Whose grief shall emulate his smart; 
And by its sadly proud excess, 
Make every pang he suffers less; 
For oft in passion's direst woes, 
The veriest wretch can yield repose; 
While from the voice of kindred grief, 
We gain a sad, but kind relief. 

AH LOVE! thou barb'rous fickle boy,
Thou semblance of delusive joy,
Too long my heart has been thy slave:
For thou hast seen me wildly rave,
And with impetuous frenzy haste,
Heedless across the thorny waste,
And drink the cold dews, ere they fell
On my bare bosom's burning swell;
When bleak the wintry whirlwinds blew;
And swift the sultry meteors flew;
Yes, thou hast seen me, tyrant pow'r,
At freezing midnight's witching hour,
Start from my couch, subdu'd, oppres'd,
While jealous anguish wrung my breast,
While round my eager senses flew,
Dark brow'd Suspicion's wily crew,
Taunting my soul with restless ire,
That set my pulsate brain on fire.
What didst thou then ? Inhuman Boy!
Didst thou not paint each well-feign'd joy,
Each artful smile, each study'd grace
That deck'd some sordid rival's face;
Didst thou not feed my madd'ning sense
With Love's delicious eloquence,
While on my ear thy accents pour'd
The voice of him my soul ador'd, 
His rapt'rous tones­his strains divine,
And all those vows that once were mine.
But mild Reflection's piercing ray,
Soon chas'd the fatal dream away,
And with it all my rending woes,
While in its place majestic rose
The Angel TRUTH !­her stedfast mien
Bespoke the conscious breast serene;
Her eye more radiant than the day
Beam'd with persuasion's temper'd ray;
Sweet was her voice, and while she sung
Myriads of Seraphs hover'd round,
Eager to iterate the sound, 
That on her heav'n-taught accents hung. 
Wond'ring I gaz'd! my throbbing breast, 
Celestial energies confest; 
Transports, before unfelt, unknown, 
Throng'd round my bosom's tremb'ling throne, 
While ev'ry nerve with rapture strange, 
Seem'd to partake the blissful change. 

Now with unmov'd and dauntless Eye,
I mark thy winged arrows fly;
No more thy baneful spells shall bind
The purer passions of my mind;
No more, false Love, shall jealous fears
Inflame my check with scalding tears;
Or shake my vanquish'd sense, or rend
My aching heart with poignant throes,
Or with tumultuous fevers blend,
Self-wounding, visionary woes.­ 

No more I'll waste the midnight hour 
In expectation's silent bow'r; 
And musing o'er thy transcripts dear, 
Efface their sorrows with a tear. 
No more with timid fondness wait 
Till morn unfolds her glitt'ring gate, 
When thy lov'd song's seraphic sound, 
Wou'd on my quiv'ring nerves rebound 
With proud delight;­no more thy blush 
Shall o'er my cheek unbidden rush, 
And scorning ev'ry strong controul, 
Unveil the tumults of my soul. 
No more when in retirement blest, 
Shalt thou obtrude upon my rest; 
And tho' encircled with delight, 
Absorb my sense, obscure my sight, 
Give to my eye the vacant glance, 
The mien that marks the mental trance; 
The fault'ring tone­the sudden start, 
The trembling hand, the bursting heart; 
The devious step, that strolls along 
Unmindful of the gazing throng; 
The feign'd indiff'rence prone to chide; 
That blazons­what it seeks to hide. 

Nor do I dread thy vengeful wiles, 
Thy soothing voice, thy winning smiles, 
Thy trick'ling tear, thy mien forlorn, 
Thy pray'r, thy sighs, thy oaths I scorn; 
No more on ME thy arrows show'r, 
Capricious Love­! I BRAVE THY POW'R.

Book: Radiant Verses: A Journey Through Inspiring Poetry