Written by
Alfred Lord Tennyson |
O you chorus of indolent reviewers,
Irresponsible, indolent reviewers,
Look, I come to the test, a tiny poem
All composed in a metre of Catullus,
All in quantity, careful of my motion,
Like the skater on ice that hardly bears him,
Lest I fall unawares before the people,
Waking laughter in indolent reviewers.
Should I flounder awhile without a tumble
Thro' this metrification of Catullus,
They should speak to me not without a welcome,
All that chorus of indolent reviewers.
Hard, hard, hard it is, only not to tumble,
So fantastical is the dainty meter.
Wherefore slight me not wholly, nor believe me
Too presumptuous, indolent reviewers.
O blatant Magazines, regard me rather -
Since I blush to belaud myself a moment -
As some rare little rose, a piece of inmost
Horticultural art, or half-coquette-like
Maiden, not to be greeted unbenignly.
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Written by
Rudyard Kipling |
If the Led Striker call it a strike,
Or the papers call it a war,
They know not much what I am like,
Nor what he is, My Avatar.
Throuh many roads, by me possessed,
He shambles forth in cosmic guise;
He is the Jester and the Jest,
And he the Text himself applies.
The Celt is in his heart and hand,
The Gaul is in his brain and nerve;
Where, cosmopolitanly planned,
He guards the Redskin's dry reserve
His easy unswept hearth he lends
From Labrador to Guadeloupe;
Till, elbowed out by sloven friends,
He camps, at sufferance, on the stoop.
Calm-eyed he scoffs at Sword and Crown,
Or, panic-blinded, stabs and slays:
Blatant he bids the world bow down,
Or cringing begs a crust of praise;
Or, sombre-drunk, at mine and mart,
He dubs his dreary breathren Kings.
His hands are black with blood -- his heart
Leaps, as a babe's, at little things.
But, through the shift of mood and mood,
Mine ancient humour saves him whole --
The cynic devil in his blood
That bids him mock his hurrying soul;
That bids him flout the Law he makes,
That bids him make the Law he flouts,
Till, dazed by many doubts, he wakes
The drumming guns that -- have no doubts;
That checks him foolish-hot and fond,
That chuckles through his deepest ire,
That gilds the slough of his despond
But dims the goal of his desire;
Inopportune, shrill-accented,
The acrid Asiatic mirth
That leaves him, careless 'mid his dead,
The scandal of the elder earth.
How shall he clear himself, how reach
Your bar or weighed defence prefer --
A brother hedged with alien speech
And lacking all interpreter?
Which knowledge vexes him a space;
But, while Reproof around him rings,
He turns a keen untroubled face
Home, to the instant need of things.
Enslaved, illogical, elate,
He greets the embarrassed Gods, nor fears
To shake the iron hand of Fate
Or match with Destiny for beers.
Lo, imperturbable he rules,
Unkempt, desreputable, vast --
And, in the teeth of all the schools,
I -- I shall save him at the last!
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Written by
Henry Lawson |
Now, with the wars of the world begun, they'll listen to you and me,
Now while the frightened nations run to the arms of democracy,
Now, when our blathering fools are scared, and the years have proved us right –
All unprovided and unprepared, the Outpost of the White!
"Get the people – no matter how," that is the way they rave,
Could a million paupers aid us now, or a tinpot squadron save?
The "loyal" drivel, the blatant boast are as shames that used to be –
Our fight shall be a fight for the coast, with the future for the sea!
We must turn our face to the only track that will take us through the worst –
Cable to charter that we lack, guns and cartridges first,
New machines that will make machines till our factories are complete –
Block the shoddy and Brummagem, pay them with wool and wheat.
Build to-morrow the foundry shed ['tis a task we dare not shirk],
Lay the runs and the engine-bed, and get the gear to work.
Have no fear when we raise the steam in the hurried factory –
We are not lacking in the brains that teem with originality.
Have no fear for the way is clear – we'll shackle the hands of greed –
Every lad is an engineer in his country's hour of need;
Many are brilliant, swift to learn, quick at invention too,
Born inventors whose young hearts burn to show what the South can do!
To show what the South can do, done well, and more than the North can do.
They'll make us the cartridge and make the shell, and the gun to carry true,
Give us the gear and the South is strong - and the docks shall yield us more;
The national arm like the national song comes with the first great war.
Books of science from every land, volumes on gunnery,
Practical teachers we have at hand, masters of chemistry.
Clear young heads that will sift and think in spite of authorities,
And brains that shall leap from invention's brink at the clash of factories.
Still be noble in peace or war, raise the national spirit high;
And this be our watchword for evermore: "For Australia – till we die!"
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Written by
Vachel Lindsay |
[Concerning Edgar Allan Poe]
Who now will praise the Wizard in the street
With loyal songs, with humors grave and sweet —
This Jingle-man, of strolling players born,
Whom holy folk have hurried by in scorn,
This threadbare jester, neither wise nor good,
With melancholy bells upon his hood?
The hurrying great ones scorn his Raven's croak,
And well may mock his mystifying cloak
Inscribed with runes from tongues he has not read
To make the ignoramus turn his head.
The artificial glitter of his eyes
Has captured half-grown boys. They think him wise.
Some shallow player-folk esteem him deep,
Soothed by his steady wand's mesmeric sweep.
The little lacquered boxes in his hands
Somehow suggest old times and reverenced lands.
From them doll-monsters come, we know not how:
Puppets, with Cain's black rubric on the brow.
Some passing jugglers, smiling, now concede
That his best cabinet-work is made, indeed
By bleeding his right arm, day after day,
Triumphantly to seal and to inlay.
They praise his little act of shedding tears;
A trick, well learned, with patience, thro' the years.
I love him in this blatant, well-fed place.
Of all the faces, his the only face
Beautiful, tho' painted for the stage,
Lit up with song, then torn with cold, small rage,
Shames that are living, loves and hopes long dead,
Consuming pride, and hunger, real, for bread.
Here by the curb, ye Prophets thunder deep:
"What Nations sow, they must expect to reap,"
Or haste to clothe the race with truth and power,
With hymns and shouts increasing every hour.
Useful are you. There stands the useless one
Who builds the Haunted Palace in the sun.
Good tailors, can you dress a doll for me
With silks that whisper of the sounding sea?
One moment, citizens, — the weary tramp
Unveileth Psyche with the agate lamp.
Which one of you can spread a spotted cloak
And raise an unaccounted incense smoke
Until within the twilight of the day
Stands dark Ligeia in her disarray,
Witchcraft and desperate passion in her breath
And battling will, that conquers even death?
And now the evening goes. No man has thrown
The weary dog his well-earned crust or bone.
We grin and hie us home and go to sleep,
Or feast like kings till midnight, drinking deep.
He drank alone, for sorrow, and then slept,
And few there were that watched him, few that wept.
He found the gutter, lost to love and man.
Too slowly came the good Samaritan.
|
Written by
Vachel Lindsay |
I LOOK on the specious electrical light
Blatant, mechanical, crawling and white,
Wickedly red or malignantly green
Like the beads of a young Senegambian queen.
Showing, while millions of souls hurry on,
The virtues of collars, from sunset till dawn,
By dart or by tumble of whirl within whirl,
Starting new fads for the shame-weary girl,
By maggotry motions in sickening line
Proclaiming a hat or a soup or a wine,
While there far above the steep cliffs of the street
The stars sing a message elusive and sweet.
Now man cannot rest in his pleasure and toil
His clumsy contraptions of coil upon coil
Till the thing he invents, in its use and its range,
Leads on to the marvelous CHANGE BEYOND CHANGE
Some day this old Broadway shall climb to the skies,
As a ribbon of cloud on a soul-wind shall rise.
And we shall be lifted, rejoicing by night,
Till we join with the planets who choir their delight.
The signs in the street and the signs in the skies
Shall make me a Zodiac, guiding and wise,
And Broadway make one with that marvelous stair
That is climbed by the rainbow-clad spirits of prayer.
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Written by
Vachel Lindsay |
Let not our town be large, remembering
That little Athens was the Muses' home,
That Oxford rules the heart of London still,
That Florence gave the Renaissance to Rome.
Record it for the grandson of your son —
A city is not builded in a day:
Our little town cannot complete her soul
Till countless generations pass away.
Now let each child be joined as to a church
To her perpetual hopes, each man ordained:
Let every street be made a reverent aisle
Where Music grows and Beauty is unchained.
Let Science and Machinery and Trade
Be slaves of her, and make her all in all,
Building against our blatant, restless time
An unseen, skilful, medieval wall.
Let every citizen be rich toward God.
Let Christ the beggar, teach divinity.
Let no man rule who holds his money dear.
Let this, our city, be our luxury.
We should build parks that students from afar
Would choose to starve in, rather than go home,
Fair little squares, with Phidian ornament,
Food for the spirit, milk and honeycomb.
Songs shall be sung by us in that good day,
Songs we have written, blood within the rhyme
Beating, as when Old England still was glad, —
The purple, rich Elizabethan time.
Say, is my prophecy too fair and far?
I only know, unless her faith be high,
The soul of this, our Nineveh, is doomed,
Our little Babylon will surely die.
Some city on the breast of Illinois
No wiser and no better at the start
By faith shall rise redeemed, by faith shall rise
Bearing the western glory in her heart.
The genius of the Maple, Elm and Oak,
The secret hidden in each grain of corn,
The glory that the prairie angels sing
At night when sons of Life and Love are born,
Born but to struggle, squalid and alone,
Broken and wandering in their early years.
When will they make our dusty streets their goal,
Within our attics hide their sacred tears?
When will they start our vulgar blood athrill
With living language, words that set us free?
When will they make a path of beauty clear
Between our riches and our liberty?
We must have many Lincoln-hearted men.
A city is not builded in a day.
And they must do their work, and come and go
While countless generations pass away.
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Written by
Louis Untermeyer |
What presses about us here in the evening
As you open a window and stare at a stone-gray sky,
And the streets give back the jangle of meaningless movement
That is tired of life and almost too tired to die.
Night comes on, and even the night is wounded;
There, on its breast, it carries a curved, white scar.
What will you find out there that is not torn and anguished?
Can God be less distressed than the least of His creatures are?
Below are the blatant lights in a huddled squalor;
Above are futile fires in freezing space.
What can they give that you should look to them for compassion
Though you bare your heart and lift an imploring face?
They have seen, by countless waters and windows,
The women of your race facing a stony sky;
They have heard, for thousands of years, the voices of women
Asking them: "Why ...?"
Let the night be; it has neither knowledge nor pity.
One thing alone can hope to answer your fear;
It is that which struggles and blinds us and burns between us....
Let the night be. Close the window, belovèd.... Come here.
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Written by
Les Murray |
Blats booted to blatant
dubbing the avenue dire
with rubbings of Sveinn Forkbeard
leading a black squall of Harleys
with Moe Snow-Whitebeard and
Possum Brushbeard and their ladies
and, sphincter-lipped, gunning,
massed in leather muscle on a run,
on a roll, Santas from Hell
like a whole shoal leaning
wide wristed, their tautness stable
in fluency, fast streetscape dwindling,
all riding astride, on the outside
of sleek grunt vehicles, woman-clung,
forty years on from Marlon.
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Written by
John Williams |
The blatant horns blare strident sound;
Delighted, you laugh and seize
My passive arm, but I have found
Content in the harmonies.
They sound, are silent; please or annoy,
Are not clever, cruel, or coy
Like human qualities.
See agile fingers in frantic flight
Along the smoking row
Of piano keys cut from ebony night
And from the sullied snow
Of the city. Look love, listen love, tell me--
Where does the music come from really,
Where does it really go?
Planets are tensed to a single chord
Of absolute harmony
Sounding from a cosmic keyboard,
Unheard by you and me;
Yet we re attuned; who understands
That can see the judgment-hands
Poised above the keys.
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