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Best Famous Blanca Poems

Here is a collection of the all-time best famous Blanca poems. This is a select list of the best famous Blanca poetry. Reading, writing, and enjoying famous Blanca poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of blanca poems.

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Written by Delmira Agustini | Create an image from this poem

Mi Musa Triste (My Sad Muse)

SpanishVagos preludios. En la noche espléndidaSu voz de perlas una fuente calla,Cuelgan las brisas sus celestes pifanosEn el follaje. Las cabezas pardasDe los búhos acechan.Las flores se abren más, como asombradas.Los cisnes de marfil tienden los cuellosEn las lagunas pálidas.Selene mira del azul. Las frondasTiemblan… y todo! hasta el silencio, calla…Es que ella pasa con su boca tristeY el gran misterio de sus ojos de ámbar,A través de la noche, hacia el olvido,Como una estrella fugitiva y blanca.Como una destronada reina exóticaDe bellos gestos y palabras raras.Horizontes violados sus ojerasDentro sus ojos–dos estrellas de ámbar–Se abren cansados y húmedos y tristesComo llagas de luz que quejaran.Es un dolor que vive y que no espera,Es una aurora gris que se levantaDel gran lecho de sombras de la noche,Cansada ya, sin esplendor, sin ansiasY sus canciones son como hadas tristesAlhajadas de lágrimas…              EnglishMurmuring preludes. On this resplendent nightHer pearled voice quiets a fountain.The breezes hang their celestial fifesIn the foliage. The gray headsOf the owls keep watch.Flowers open themselves, as if surprised.Ivory swans extend their necksIn the pallid lakes.Selene watches from the blue. FrondsTremble…and everything! Even the silence, quiets.She wanders with her sad mouthAnd the grand mystery of amber eyes,Across the night, toward forgetfulnessLike a star, fugitive and white.Like a dethroned exotic queenWith comely gestures and rare utterings.Her undereyes are violated horizonsAnd her irises–two stars of amber–Open wet and weary and sadLike ulcers of light that weep.She is a grief which thrives and does not hope,She is a gray aurora risingFrom the shadowy bed of night,Exhausted, without splendor, without anxiousness.And her songs are like dolorous fairiesJeweled in teardrops…                          The strings of lyres                          Are the souls' fibers.–The blood of bitter vineyards, noble vineyards,In goblets of regal beauty, risesTo her marble hands, to lips carvedLike the blazon of a great lineage.Strange Princes of Fantasy! TheyHave seen her languid head, once erect,And heard her laugh, for her eyesTremble with the flower of aristocracies!And her soul clean as fire, like a star,Burns in those pupils of amber.But with a mere glance, scarcely an intimacy,Perhaps the echo of a profane voice,This white and pristine soul shrinksLike a luminous flower, folding herself up!



Written by Federico García Lorca | Create an image from this poem

Romance Son?mbulo

 Green, how I want you green.
Green wind. Green branches.
The ship out on the sea
and the horse on the mountain. 
With the shade around her waist 
she dreams on her balcony, 
green flesh, her hair green, 
with eyes of cold silver. 
Green, how I want you green. 
Under the gypsy moon, 
all things are watching her 
and she cannot see them.

Green, how I want you green. 
Big hoarfrost stars 
come with the fish of shadow 
that opens the road of dawn. 
The fig tree rubs its wind 
with the sandpaper of its branches, 
and the forest, cunning cat, 
bristles its brittle fibers. 
But who will come? And from where? 
She is still on her balcony 
green flesh, her hair green, 
dreaming in the bitter sea.

--My friend, I want to trade 
my horse for her house, 
my saddle for her mirror, 
my knife for her blanket. 
My friend, I come bleeding 
from the gates of Cabra.
--If it were possible, my boy, 
I'd help you fix that trade. 
But now I am not I, 
nor is my house now my house.
--My friend, I want to die
decently in my bed. 
Of iron, if that's possible, 
with blankets of fine chambray. 
Don't you see the wound I have 
from my chest up to my throat?
--Your white shirt has grown 
thirsy dark brown roses. 
Your blood oozes and flees a
round the corners of your sash. 
But now I am not I, 
nor is my house now my house.
--Let me climb up, at least, 
up to the high balconies; 
Let me climb up! Let me, 
up to the green balconies. 
Railings of the moon 
through which the water rumbles.

Now the two friends climb up, 
up to the high balconies.
Leaving a trail of blood. 
Leaving a trail of teardrops. 
Tin bell vines
were trembling on the roofs.
A thousand crystal tambourines 
struck at the dawn light.

Green, how I want you green, 
green wind, green branches. 
The two friends climbed up. 
The stiff wind left 
in their mouths, a strange taste 
of bile, of mint, and of basil 
My friend, where is she--tell me--
where is your bitter girl?
How many times she waited for you! 
How many times would she wait for you, 
cool face, black hair, 
on this green balcony! 
Over the mouth of the cistern
the gypsy girl was swinging, 
green flesh, her hair green, 
with eyes of cold silver. 
An icicle of moon
holds her up above the water. 
The night became intimate 
like a little plaza.
Drunken "Guardias Civiles"
were pounding on the door. 
Green, how I want you green. 
Green wind. Green branches. 
The ship out on the sea. 
And the horse on the mountain.





Original Spanish

 Verde que te quiero verde.
Verde viento. Verdes ramas.
El barco sobre la mar
y el caballo en la monta?a.
Con la sombra en la cintura
ella sue?a en sus baranda,
verde carne, pelo verde,
con ojos de fr?a plata.
Verde que te quiero verde.
Bajo la luna gitana,
las cosas la est?n mirando
y ella no puede mirarlas.

 Verde que te quiero verde.
Grandes estrellas de escarcha,
vienen con el pez de sombra
que abre el camino del alba.
La higuera frota su viento
con la lija de sus ramas,
y el monte, gato gardu?o,
eriza sus pitas agrias.
?Pero qui?n vendr?? ?Y por d?nde...?
Ella sigue en su baranda,
verde carne, pelo verde,
so?ando en la mar amarga.

 Compadre, quiero cambiar
mi caballo por su casa,
mi montura por su espejo,
mi cuchillo por su manta.
Compadre, vengo sangrando,
desde los puertos de Cabra.
Si yo pudiera, mocito,
este trato se cerraba.
Pero yo ya no soy yo,
Ni mi casa es ya mi casa.
Compadre, quiero morir
decentemente en mi cama.
De acero, si puede ser,
con las s?banas de holanda.
?No ves la herida que tengo
desde el pecho a la garganta?
Trescientas rosas morenas
lleva tu pechera blanca.
Tu sangre rezuma y huele
alrededor de tu faja.
Pero yo ya no soy yo.
Ni mi casa es ya mi casa.
Dejadme subir al menos
hasta las altas barandas,
?dejadme subir!, dejadme
hasta las verdes barandas.
Barandales de la luna
por donde retumba el agua.

 Ya suben los dos compadres
hacia las altas barandas.
Dejando un rastro de sangre.
Dejando un rastro de l?grimas.
Temblaban en los tejados
farolillos de hojalata.
Mil panderos de cristal,
her?an la madrugada.

 Verde que te quiero verde,
verde viento, verdes ramas.
Los dos compadres subieron.
El largo viento, dejaba
en la boca un raro gusto
de hiel, de menta y de albahaca.
?Compadre! ?D?nde est?, dime?
?D?nde est? tu ni?a amarga?
?Cu?ntas veces te esper?!
?Cu?ntas veces te esperara,
cara fresca, ***** pelo,
en esta verde baranda!

 Sobre el rostro del aljibe
se mec?a la gitana.
Verde carne, pelo verde,
con ojos de fr?a plata.
Un car?bano de luna
la sostiene sobre el agua.
La noche se puso ?ntima
como una peque?a plaza.
Guardias civiles borrachos
en la puerta golpeaban.

Book: Reflection on the Important Things