Written by
Anna Akhmatova |
Not under foreign skies
Nor under foreign wings protected -
I shared all this with my own people
There, where misfortune had abandoned us.
[1961]
INSTEAD OF A PREFACE
During the frightening years of the Yezhov terror, I
spent seventeen months waiting in prison queues in
Leningrad.
One day, somehow, someone 'picked me out'.
On that occasion there was a woman standing behind me,
her lips blue with cold, who, of course, had never in
her life heard my name.
Jolted out of the torpor
characteristic of all of us, she said into my ear
(everyone whispered there) - 'Could one ever describe
this?' And I answered - 'I can.
' It was then that
something like a smile slid across what had previously
been just a face.
[The 1st of April in the year 1957.
Leningrad]
DEDICATION
Mountains fall before this grief,
A mighty river stops its flow,
But prison doors stay firmly bolted
Shutting off the convict burrows
And an anguish close to death.
Fresh winds softly blow for someone,
Gentle sunsets warm them through; we don't know this,
We are everywhere the same, listening
To the scrape and turn of hateful keys
And the heavy tread of marching soldiers.
Waking early, as if for early mass,
Walking through the capital run wild, gone to seed,
We'd meet - the dead, lifeless; the sun,
Lower every day; the Neva, mistier:
But hope still sings forever in the distance.
The verdict.
Immediately a flood of tears,
Followed by a total isolation,
As if a beating heart is painfully ripped out, or,
Thumped, she lies there brutally laid out,
But she still manages to walk, hesitantly, alone.
Where are you, my unwilling friends,
Captives of my two satanic years?
What miracle do you see in a Siberian blizzard?
What shimmering mirage around the circle of the moon?
I send each one of you my salutation, and farewell.
[March 1940]
INTRODUCTION
[PRELUDE]
It happened like this when only the dead
Were smiling, glad of their release,
That Leningrad hung around its prisons
Like a worthless emblem, flapping its piece.
Shrill and sharp, the steam-whistles sang
Short songs of farewell
To the ranks of convicted, demented by suffering,
As they, in regiments, walked along -
Stars of death stood over us
As innocent Russia squirmed
Under the blood-spattered boots and tyres
Of the black marias.
I
You were taken away at dawn.
I followed you
As one does when a corpse is being removed.
Children were crying in the darkened house.
A candle flared, illuminating the Mother of God.
.
.
The cold of an icon was on your lips, a death-cold
sweat
On your brow - I will never forget this; I will gather
To wail with the wives of the murdered streltsy (1)
Inconsolably, beneath the Kremlin towers.
[1935.
Autumn.
Moscow]
II
Silent flows the river Don
A yellow moon looks quietly on
Swanking about, with cap askew
It sees through the window a shadow of you
Gravely ill, all alone
The moon sees a woman lying at home
Her son is in jail, her husband is dead
Say a prayer for her instead.
III
It isn't me, someone else is suffering.
I couldn't.
Not like this.
Everything that has happened,
Cover it with a black cloth,
Then let the torches be removed.
.
.
Night.
IV
Giggling, poking fun, everyone's darling,
The carefree sinner of Tsarskoye Selo (2)
If only you could have foreseen
What life would do with you -
That you would stand, parcel in hand,
Beneath the Crosses (3), three hundredth in
line,
Burning the new year's ice
With your hot tears.
Back and forth the prison poplar sways
With not a sound - how many innocent
Blameless lives are being taken away.
.
.
[1938]
V
For seventeen months I have been screaming,
Calling you home.
I've thrown myself at the feet of butchers
For you, my son and my horror.
Everything has become muddled forever -
I can no longer distinguish
Who is an animal, who a person, and how long
The wait can be for an execution.
There are now only dusty flowers,
The chinking of the thurible,
Tracks from somewhere into nowhere
And, staring me in the face
And threatening me with swift annihilation,
An enormous star.
[1939]
VI
Weeks fly lightly by.
Even so,
I cannot understand what has arisen,
How, my son, into your prison
White nights stare so brilliantly.
Now once more they burn,
Eyes that focus like a hawk,
And, upon your cross, the talk
Is again of death.
[1939.
Spring]
VII
THE VERDICT
The word landed with a stony thud
Onto my still-beating breast.
Nevermind, I was prepared,
I will manage with the rest.
I have a lot of work to do today;
I need to slaughter memory,
Turn my living soul to stone
Then teach myself to live again.
.
.
But how.
The hot summer rustles
Like a carnival outside my window;
I have long had this premonition
Of a bright day and a deserted house.
[22 June 1939.
Summer.
Fontannyi Dom (4)]
VIII
TO DEATH
You will come anyway - so why not now?
I wait for you; things have become too hard.
I have turned out the lights and opened the door
For you, so simple and so wonderful.
Assume whatever shape you wish.
Burst in
Like a shell of noxious gas.
Creep up on me
Like a practised bandit with a heavy weapon.
Poison me, if you want, with a typhoid exhalation,
Or, with a simple tale prepared by you
(And known by all to the point of nausea), take me
Before the commander of the blue caps and let me
glimpse
The house administrator's terrified white face.
I don't care anymore.
The river Yenisey
Swirls on.
The Pole star blazes.
The blue sparks of those much-loved eyes
Close over and cover the final horror.
[19 August 1939.
Fontannyi Dom]
IX
Madness with its wings
Has covered half my soul
It feeds me fiery wine
And lures me into the abyss.
That's when I understood
While listening to my alien delirium
That I must hand the victory
To it.
However much I nag
However much I beg
It will not let me take
One single thing away:
Not my son's frightening eyes -
A suffering set in stone,
Or prison visiting hours
Or days that end in storms
Nor the sweet coolness of a hand
The anxious shade of lime trees
Nor the light distant sound
Of final comforting words.
[14 May 1940.
Fontannyi Dom]
X
CRUCIFIXION
Weep not for me, mother.
I am alive in my grave.
1.
A choir of angels glorified the greatest hour,
The heavens melted into flames.
To his father he said, 'Why hast thou forsaken me!'
But to his mother, 'Weep not for me.
.
.
'
[1940.
Fontannyi Dom]
2.
Magdalena smote herself and wept,
The favourite disciple turned to stone,
But there, where the mother stood silent,
Not one person dared to look.
[1943.
Tashkent]
EPILOGUE
1.
I have learned how faces fall,
How terror can escape from lowered eyes,
How suffering can etch cruel pages
Of cuneiform-like marks upon the cheeks.
I know how dark or ash-blond strands of hair
Can suddenly turn white.
I've learned to recognise
The fading smiles upon submissive lips,
The trembling fear inside a hollow laugh.
That's why I pray not for myself
But all of you who stood there with me
Through fiercest cold and scorching July heat
Under a towering, completely blind red wall.
2.
The hour has come to remember the dead.
I see you, I hear you, I feel you:
The one who resisted the long drag to the open window;
The one who could no longer feel the kick of familiar
soil beneath her feet;
The one who, with a sudden flick of her head, replied,
'I arrive here as if I've come home!'
I'd like to name you all by name, but the list
Has been removed and there is nowhere else to look.
So,
I have woven you this wide shroud out of the humble
words
I overheard you use.
Everywhere, forever and always,
I will never forget one single thing.
Even in new
grief.
Even if they clamp shut my tormented mouth
Through which one hundred million people scream;
That's how I wish them to remember me when I am dead
On the eve of my remembrance day.
If someone someday in this country
Decides to raise a memorial to me,
I give my consent to this festivity
But only on this condition - do not build it
By the sea where I was born,
I have severed my last ties with the sea;
Nor in the Tsar's Park by the hallowed stump
Where an inconsolable shadow looks for me;
Build it here where I stood for three hundred hours
And no-one slid open the bolt.
Listen, even in blissful death I fear
That I will forget the Black Marias,
Forget how hatefully the door slammed and an old woman
Howled like a wounded beast.
Let the thawing ice flow like tears
From my immovable bronze eyelids
And let the prison dove coo in the distance
While ships sail quietly along the river.
[March 1940.
Fontannyi Dom]
FOOTNOTES
1 An elite guard which rose up in rebellion
against Peter the Great in 1698.
Most were either
executed or exiled.
2 The imperial summer residence outside St
Petersburg where Ahmatova spent her early years.
3 A prison complex in central Leningrad near the
Finland Station, called The Crosses because of the
shape of two of the buildings.
4 The Leningrad house in which Ahmatova lived.
|
Written by
Robert Frost |
`You know Orion always comes up sideways.
Throwing a leg up over our fence of mountains,
And rising on his hands, he looks in on me
Busy outdoors by lantern-light with something
I should have done by daylight, and indeed,
After the ground is frozen, I should have done
Before it froze, and a gust flings a handful
Of waste leaves at my smoky lantern chimney
To make fun of my way of doing things,
Or else fun of Orion's having caught me.
Has a man, I should like to ask, no rights
These forces are obliged to pay respect to?'
So Brad McLaughlin mingled reckless talk
Of heavenly stars with hugger-mugger farming,
Till having failed at hugger-mugger farming
He burned his house down for the fire insurance
And spent the proceeds on a telescope
To satisfy a lifelong curiosity
About our place among the infinities.
`What do you want with one of those blame things?'
I asked him well beforehand.
`Don't you get one!'
`Don't call it blamed; there isn't anything
More blameless in the sense of being less
A weapon in our human fight,' he said.
`I'll have one if I sell my farm to buy it.
'
There where he moved the rocks to plow the ground
And plowed between the rocks he couldn't move,
Few farms changed hands; so rather than spend years
Trying to sell his farm and then not selling,
He burned his house down for the fire insurance
And bought the telescope with what it came to.
He had been heard to say by several:
`The best thing that we're put here for's to see;
The strongest thing that's given us to see with's
A telescope.
Someone in every town
Seems to me owes it to the town to keep one.
In Littleton it might as well be me.
'
After such loose talk it was no surprise
When he did what he did and burned his house down.
Mean laughter went about the town that day
To let him know we weren't the least imposed on,
And he could wait---we'd see to him tomorrow.
But the first thing next morning we reflected
If one by one we counted people out
For the least sin, it wouldn't take us long
To get so we had no one left to live with.
For to be social is to be forgiving.
Our thief, the one who does our stealing from us,
We don't cut off from coming to church suppers,
But what we miss we go to him and ask for.
He promptly gives it back, that is if still
Uneaten, unworn out, or undisposed of.
It wouldn't do to be too hard on Brad
About his telescope.
Beyond the age
Of being given one for Christmas gift,
He had to take the best way he knew how
To find himself in one.
Well, all we said was
He took a strange thing to be roguish over.
Some sympathy was wasted on the house,
A good old-timer dating back along;
But a house isn't sentient; the house
Didn't feel anything.
And if it did,
Why not regard it as a sacrifice,
And an old-fashioned sacrifice by fire,
Instead of a new-fashioned one at auction?
Out of a house and so out of a farm
At one stroke (of a match), Brad had to turn
To earn a living on the Concord railroad,
As under-ticket-agent at a station
Where his job, when he wasn't selling tickets,
Was setting out, up track and down, not plants
As on a farm, but planets, evening stars
That varied in their hue from red to green.
He got a good glass for six hundred dollars.
His new job gave him leisure for stargazing.
Often he bid me come and have a look
Up the brass barrel, velvet black inside,
At a star quaking in the other end.
I recollect a night of broken clouds
And underfoot snow melted down to ice,
And melting further in the wind to mud.
Bradford and I had out the telescope.
We spread our two legs as we spread its three,
Pointed our thoughts the way we pointed it,
And standing at our leisure till the day broke,
Said some of the best things we ever said.
That telescope was christened the Star-Splitter,
Because it didn't do a thing but split
A star in two or three, the way you split
A globule of quicksilver in your hand
With one stroke of your finger in the middle.
It's a star-splitter if there ever was one,
And ought to do some good if splitting stars
'Sa thing to be compared with splitting wood.
We've looked and looked, but after all where are we?
Do we know any better where we are,
And how it stands between the night tonight
And a man with a smoky lantern chimney?
How different from the way it ever stood?
|
Written by
Duncan Campbell Scott |
Sun on the mountain,
Shade in the valley,
Ripple and lightness
Leaping along the world,
Sun, like a gold sword
Plucked from the scabbard,
Striking the wheat-fields,
Splendid and lusty,
Close-standing, full-headed,
Toppling with plenty;
Shade, like a buckler
Kindly and ample,
Sweeping the wheat-fields
Darkening and tossing;
There on the world-rim
Winds break and gather
Heaping the mist
For the pyre of the sunset;
And still as a shadow,
In the dim westward,
A cloud sloop of amethyst
Moored to the world
With cables of rain.
Acres of gold wheat
Stir in the sunshine,
Rounding the hill-top,
Crested with plenty,
Filling the valley,
Brimmed with abundance,
Wind in the wheat-field
Eddying and settling,
Swaying it, sweeping it,
Lifting the rich heads,
Tossing them soothingly
Twinkle and shimmer
The lights and the shadowings,
Nimble as moonlight
Astir in the mere.
Laden with odors
Of peace and of plenty,
Soft comes the wind
From the ranks of the wheat-field,
Bearing a promise
Of harvest and sickle-time,
Opulent threshing-floors
Dusty and dim
With the whirl of the flail,
And wagons of bread,
Sown-laden and lumbering
Through the gateways of cities.
When will the reapers
Strike in their sickles,
Bending and grasping,
Shearing and spreading;
When will the gleaners
Searching the stubble
Take the last wheat-heads
Home in their arms ?
Ask not the question! -
Something tremendous
Moves to the answer.
Hunger and poverty
Heaped like the ocean
Welters and mutters,
Hold back the sickles!
Millions of children
Born to their mothers' womb,
Starved at the nipple, cry,--
Ours is the harvest!
Millions of women
Learned in the tragical
Secrets of poverty,
Sweated and beaten, cry,--
Hold back the sickles!
Millions of men
With a vestige of manhood,
Wild-eyed and gaunt-throated,
Shout with a leonine
Accent of anger,
Leaves us the wheat-fields!
When will the reapers
Strike in their sickles?
Ask not the question;
Something tremendous
Moves to the answer.
Long have they sharpened
Their fiery, impetuous
Sickles of carnage,
Welded them aeons
Ago in the mountains
Of suffering and anguish;
Hearts were their hammers
Blood was their fire,
Sorrow their anvil,
(Trusty the sickle
Tempered with tears;)
Time they had plenty-
Harvests and harvests
Passed them in agony,
Only a half-filled
Ear for their lot;
Man that has taken
God for a master
Made him a law,
Mocked him and cursed him,
Set up this hunger,
Called it necessity,
Put in the blameless mouth
Juda's language:
The poor ye have with you
Always, unending.
But up from the impotent
Anguish of children,
Up from the labor
Fruitless, unmeaning,
Of millions of mothers,
Hugely necessitous,
Grew by a just law
Stern and implacable,
Art born of poverty,
The making of sickles
Meet for the harvest.
And now to the wheat-fields
Come the weird reapers
Armed with their sickles,
Whipping them keenly
In the fresh-air fields,
Wild with the joy of them,
Finding them trusty,
Hilted with teen.
Swarming like ants,
The Idea for captain,
No banners, no bugles,
Only a terrible
Ground-bass of gathering
Tempest and fury,
Only a tossing
Of arms and of garments;
Sexless and featureless,
(Only the children
Different among them,
Crawling between their feet,
Borne on their shoulders;)
Rolling their shaggy heads
Wild with the unheard-of
Drug of the sunshine;
Tears that had eaten
The half of their eyelids
Dry on their cheeks;
Blood in their stiffened hair
Clouted and darkened;
Down in their cavern hearts
Hunger the tiger,
Leaping, exulting;
Sighs that had choked them
Burst into triumphing;
On they come, Victory!
Up to the wheat-fields,
Dreamed of in visions
Bred by the hunger,
Seen for the first time
Splendid and golden;
On they come fluctuant,
Seething and breaking,
Weltering like fire
In the pit of the earthquake,
Bursting in heaps
With the sudden intractable
Lust of the hunger:
Then when they see them-
The miles of the harvest
White in the sunshine,
Rushing and stumbling,
With the mighty and clamorous
Cry of a people
Starved from creation,
Hurl themselves onward,
Deep in the wheat-fields,
Weeping like children,
After ages and ages,
Back at the mother the earth.
Night in the valley,
Gloom on the mountain,
Wind in the wheat,
Far to the southward
The flutter of lightning,
The shudder of thunder;
But high at the zenith,
A cluster of stars
Glimmers and throbs
In the gasp of the midnight,
Steady and absolute,
Ancient and sure
|
Written by
Charlotte Bronte |
I've quenched my lamp, I struck it in that start
Which every limb convulsed, I heard it fall
The crash blent with my sleep, I saw depart
Its light, even as I woke, on yonder wall;
Over against my bed, there shone a gleam
Strange, faint, and mingling also with my dream.
It sunk, and I am wrapt in utter gloom;
How far is night advanced, and when will day
Retinge the dusk and livid air with bloom,
And fill this void with warm, creative ray ?
Would I could sleep again till, clear and red,
Morning shall on the mountain-tops be spread!
I'd call my women, but to break their sleep,
Because my own is broken, were unjust;
They've wrought all day, and well-earned slumbers steep
Their labours in forgetfulness, I trust;
Let me my feverish watch with patience bear,
Thankful that none with me its sufferings share.
Yet, Oh, for light ! one ray would tranquilise
My nerves, my pulses, more than effort can;
I'll draw my curtain and consult the skies:
These trembling stars at dead of night look wan,
Wild, restless, strange, yet cannot be more drear
Than this my couch, shared by a nameless fear.
All blackone great cloud, drawn from east to west,
Conceals the heavens, but there are lights below;
Torches burn in Jerusalem, and cast
On yonder stony mount a lurid glow.
I see men stationed there, and gleaming spears;
A sound, too, from afar, invades my ears.
Dull, measured, strokes of axe and hammer ring
From street to street, not loud, but through the night
Distinctly heardand some strange spectral thing
Is now uprearedand, fixed against the light
Of the pale lamps; defined upon that sky,
It stands up like a column, straight and high.
I see it allI know the dusky sign
A cross on Calvary, which Jews uprear
While Romans watch; and when the dawn shall shine
Pilate, to judge the victim will appear,
Pass sentenceyield him up to crucify;
And on that cross the spotless Christ must die.
Dreams, then, are truefor thus my vision ran;
Surely some oracle has been with me,
The gods have chosen me to reveal their plan,
To warn an unjust judge of destiny:
I, slumbering, heard and saw; awake I know,
Christ's coming death, and Pilate's life of woe.
I do not weep for Pilatewho could prove
Regret for him whose cold and crushing sway
No prayer can soften, no appeal can move;
Who tramples hearts as others trample clay,
Yet with a faltering, an uncertain tread,
That might stir up reprisal in the dead.
Forced to sit by his side and see his deeds;
Forced to behold that visage, hour by hour,
In whose gaunt lines, the abhorrent gazer reads
A triple lust of gold, and blood, and power;
A soul whom motives, fierce, yet abject, urge
Rome's servile slave, and Judah's tyrant scourge.
How can I love, or mourn, or pity him ?
I, who so long my fettered hands have wrung;
I, who for grief have wept my eye-sight dim;
Because, while life for me was bright and young,
He robbed my youthhe quenched my life's fair ray
He crushed my mind, and did my freedom slay.
And at this houralthough I be his wife
He has no more of tenderness from me
Than any other wretch of guilty life;
Less, for I know his household privacy
I see him as he iswithout a screen;
And, by the gods, my soul abhors his mien !
Has he not sought my presence, dyed in blood
Innocent, righteous blood, shed shamelessly ?
And have I not his red salute withstood ?
Aye,when, as erst, he plunged all Galilee
In dark bereavementin affliction sore,
Mingling their very offerings with their gore.
Then came hein his eyes a serpent-smile,
Upon his lips some false, endearing word,
And, through the streets of Salem, clanged the while,
His slaughtering, hacking, sacrilegious sword
And I, to see a man cause men such woe,
Trembled with ireI did not fear to show.
And now, the envious Jewish priests have brought
Jesuswhom they in mockery call their king
To have, by this grim power, their vengeance wrought;
By this mean reptile, innocence to sting.
Oh ! could I but the purposed doom avert,
And shield the blameless head from cruel hurt!
Accessible is Pilate's heart to fear,
Omens will shake his soul, like autumn leaf;
Could he this night's appalling vision hear,
This just man's bonds were loosed, his life were safe,
Unless that bitter priesthood should prevail,
And make even terror to their malice quail.
Yet if I tell the dreambut let me pause.
What dream ? Erewhile the characters were clear,
Graved on my brainat once some unknown cause
Has dimmed and rased the thoughts, which now appear,
Like a vague remnant of some by-past scene;
Not what will be, but what, long since, has been.
I suffered many things, I heard foretold
A dreadful doom for Pilate,lingering woes,
In far, barbarian climes, where mountains cold
Built up a solitude of trackless snows,
There, he and grisly wolves prowled side by side,
There he lived famishedthere methought he died;
But not of hunger, nor by malady;
I saw the snow around him, stained with gore;
I said I had no tears for such as he,
And, lo ! my cheek is wetmine eyes run o'er;
I weep for mortal suffering, mortal guilt,
I weep the impious deedthe blood self-spilt.
More I recall not, yet the vision spread
Into a world remote, an age to come
And still the illumined name of Jesus shed
A light, a clearness, through the enfolding gloom
And still I saw that sign, which now I see,
That cross on yonder brow of Calvary.
What is this Hebrew Christ ? To me unknown,
His lineagedoctrinemissionyet how clear,
Is God-like goodness, in his actions shewn !
How straight and stainless is his life's career !
The ray of Deity that rests on him,
In my eyes makes Olympian glory dim.
The world advances, Greek, or Roman rite
Suffices not the inquiring mind to stay;
The searching soul demands a purer light
To guide it on its upward, onward way;
Ashamed of sculptured godsReligion turns
To where the unseen Jehovah's altar burns.
Our faith is rottenall our rites defiled,
Our temples sullied, and methinks, this man,
With his new ordinance, so wise and mild,
Is come, even as he says, the chaff to fan
And sever from the wheat; but will his faith
Survive the terrors of to-morrow's death ?
* * * * *
I feel a firmer trusta higher hope
Rise in my soulit dawns with dawning day;
Lo ! on the Temple's roofon Moriah's slope
Appears at length that clear, and crimson ray,
Which I so wished for when shut in by night;
Oh, opening skies, I hail, I bless your light !
Part, clouds and shadows ! glorious Sun appear !
Part, mental gloom ! Come insight from on high !
Dusk dawn in heaven still strives with daylight clear,
The longing soul, doth still uncertain sigh.
Oh ! to behold the truththat sun divine,
How doth my bosom pant, my spirit pine !
This day, time travails with a mighty birth,
This day, Truth stoops from heaven and visits earth,
Ere night descends, I shall more surely know
What guide to follow, in what path to go;
I wait in hopeI wait in solemn fear,
The oracle of Godthe soletrue Godto hear.
|
Written by
Alfred Lord Tennyson |
It little profits that an idle king,
By this still hearth, among these barren crags,
Matched with an aged wife, I mete and dole
Unequal laws unto a savage race,
That hoard, and sleep, and feed, and know not me.
I cannot rest from travel: I will drink
Life to the lees: all times I have enjoyed
Greatly, have suffered greatly, both with those
That loved me, and alone; on shore, and when
Through scudding drifts the rainy Hyades
Vest the dim sea: I am become a name;
For always roaming with a hungry heart
Much have I seen and known; cities of men
And manners, climates, councils, governments,
Myself not least, but honoured of them all;
And drunk delight of battle with my peers;
Far on the ringing plains of windy Troy.
I am part of all that I have met;
Yet all experience is an arch wherethrough
Gleams that untravelled world, whose margin fades
For ever and for ever when I move.
How dull it is to pause, to make an end,
To rust unburnished, not to shine in use!
As though to breath were life.
Life piled on life
Were all to little, and of one to me
Little remains: but every hour is saved
From that eternal silence, something more,
A bringer of new things; and vile it were
For some three suns to store and hoard myself,
And this gray spirit yearning in desire
To follow knowledge like a sinking star,
Beyond the utmost bound of human thought.
This is my son, mine own Telemachus,
To whom I leave the scepter and the isle—
Well-loved of me, discerning to fulfill
This labour, by slow prudence to make mild
A rugged people, and through soft degrees
Subdue them to the useful and the good.
Most blameless is he, centered in the sphere
Of common duties, decent not to fail
In offices of tenderness, and pay
Meet adoration to my household gods,
When I am gone.
He works his work, I mine.
There lies the port; the vessel puffs her sail:
There gloom the dark broad seas.
My mariners,
Souls that have toiled, and wrought, and thought with me—
That ever with a frolic welcome took
The thunder and the sunshine, and opposed
Free hearts, free foreheads—you and I are old;
Old age had yet his honour and his toil;
Death closes all: but something ere the end,
Some work of noble note, may yet be done,
Not unbecoming men that strove with Gods.
The lights begin to twinkle from the rocks:
The long day wanes: the slow moon climbs: the deep
Moans round with many voices.
Come, my friends,
'Tis not too late to seek a newer world.
Push off, and sitting well in order smite
The sounding furrows; for my purpose holds
To sail beyond the sunset, and the baths
Of all the western stars, until I die.
It may be that the gulfs will wash us down:
It may be we shall touch the Happy Isles,
And see the great Achilles, whom we knew.
Though much is taken, much abides; and though
We are not now that strength which in the old days
Moved earth and heaven; that which we are, we are,
One equal-temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.
|
Written by
Ralph Waldo Emerson |
I
Thy trivial harp will never please
Or fill my craving ear;
Its chords should ring as blows the breeze,
Free, peremptory, clear.
No jingling serenader's art,
Nor tinkle of piano strings,
Can make the wild blood start
In its mystic springs.
The kingly bard
Must smile the chords rudely and hard,
As with hammer or with mace;
That they may render back
Artful thunder, which conveys
Secrets of the solar track,
Sparks of the supersolar blaze.
Merlin's blows are strokes of fate,
Chiming with the forest tone,
When boughs buffet boughs in the wood;
Chiming with the gasp and moan
Of the ice-imprisoned hood;
With the pulse of manly hearts;
With the voice of orators;
With the din of city arts;
With the cannonade of wars;
With the marches of the brave;
And prayers of might from martyrs' cave.
Great is the art,
Great be the manners, of the bard.
He shall not his brain encumber
With the coil of rhythm and number;
But, leaving rule and pale forethought,
He shall aye climb
For his rhyme.
"Pass in, pass in," the angels say,
"In to the upper doors,
Nor count compartments of the floors,
But mount to paradise
By the stairway of surprise.
"
Blameless master of the games,
King of sport that never shames,
He shall daily joy dispense
Hid in song's sweet influence.
Forms more cheerly live and go,
What time the subtle mind
Sings aloud the tune whereto
Their pulses beat,
And march their feet,
And their members are combined.
By Sybarites beguiled,
He shall no task decline;
Merlin's mighty line
Extremes of nature reconciled,
Bereaved a tyrant of his will,
And made the lion mild.
Songs can the tempest still,
Scattered on the stormy air,
Mold the year to fair increase,
And bring in poetic peace.
He shall nor seek to weave,
In weak, unhappy times,
Efficacious rhymes;
Wait his returning strength.
Bird that from the nadir's floor
To the zenith's top can soar,
The roaring orbit of the muse exceeds that journey's length.
Nor profane affect to hit
Or compass that, by meddling wit,
Which only the propitious mind
Publishes when 'tis inclined.
There are open hours
When the God's will sallies free,
And the dull idiot might see
The flowing fortunes of a thousand years;
Sudden, at unawares,
Self-moved, fly-to the doors,
Nor sword of angels could reveal
What they conceal.
II
The rhyme of the poet
Modulates the king's affairs;
Balance-loving Nature
Made all things in pairs.
To every foot its antipode;
Each color with its counter glowed:
To every tone beat answering tones,
Higher or graver;
Flavor gladly blends with flavor;
Leaf answers leaf upon the bough;
And match the paired cotyledons.
Hands to hands, and feet to feet,
In one body grooms and brides;
Eldest rite, two married sides
In every mortal meet.
Light's far furnace shines,
Smelting balls and bars,
Forging double stars,
Glittering twins and trines.
The animals are sick with love,
Lovesick with rhyme;
Each with all propitious Time
Into chorus wove.
Like the dancers' ordered band,
Thoughts come also hand in hand;
In equal couples mated,
Or else alternated;
Adding by their mutual gage,
One to other, health and age.
Solitary fancies go
Short-lived wandering to and ire,
Most like to bachelors,
Or an ungiven maid,
Nor ancestors,
With no posterity to make the lie afraid,
Or keep truth undecayed.
Perfect-paired as eagle's wings,
Justice is the rhyme of things;
Trade and counting use
The self-same tuneful muse;
And Nemesis,
Who with even matches odd,
Who athwart space redresses
The partial wrong,
Fills the just period,
And finishes the song.
Subtle rhymes, with ruin rife
Murmur in the hour of life,
Sung by the Sisters as they spin;
In perfect time and measure they
Build and unbuild our echoing clay.
As the two twilights of the day
Fold us music-drunken in.
|
Written by
Henry David Thoreau |
I knew a man by sight,
A blameless wight,
Who, for a year or more,
Had daily passed my door,
Yet converse none had had with him.
I met him in a lane,
Him and his cane,
About three miles from home,
Where I had chanced to roam,
And volumes stared at him, and he at me.
In a more distant place
I glimpsed his face,
And bowed instinctively;
Starting he bowed to me,
Bowed simultaneously, and passed along.
Next, in a foreign land
I grasped his hand,
And had a social chat,
About this thing and that,
As I had known him well a thousand years.
Late in a wilderness
I shared his mess,
For he had hardships seen,
And I a wanderer been;
He was my bosom friend, and I was his.
And as, methinks, shall all,
Both great and small,
That ever lived on earth,
Early or late their birth,
Stranger and foe, one day each other know.
|
Written by
Ralph Waldo Emerson |
Thy trivial harp will never please
Or fill my craving ear;
Its chords should ring as blows the breeze,
Free, peremptory, clear.
No jingling serenader's art,
Nor tinkle of piano strings,
Can make the wild blood start
In its mystic springs.
The kingly bard
Must smite the chords rudely and hard,
As with hammer or with mace,
That they may render back
Artful thunder that conveys
Secrets of the solar track,
Sparks of the supersolar blaze.
Merlin's blows are strokes of fate,
Chiming with the forest-tone,
When boughs buffet boughs in the wood;
Chiming with the gasp and moan
Of the ice-imprisoned flood;
With the pulse of manly hearts,
With the voice of orators,
With the din of city arts,
With the cannonade of wars.
With the marches of the brave,
And prayers of might from martyrs' cave.
Great is the art,
Great be the manners of the bard!
He shall not his brain encumber
With the coil of rhythm and number,
But, leaving rule and pale forethought,
He shall aye climb
For his rhyme:
Pass in, pass in, the angels say,
In to the upper doors;
Nor count compartments of the floors,
But mount to Paradise
By the stairway of surprise.
Blameless master of the games,
King of sport that never shames;
He shall daily joy dispense
Hid in song's sweet influence.
Things more cheerly live and go,
What time the subtle mind
Plays aloud the tune whereto
Their pulses beat,
And march their feet,
And their members are combined.
By Sybarites beguiled
He shall no task decline;
Merlin's mighty line,
Extremes of nature reconciled,
Bereaved a tyrant of his will,
And made the lion mild.
Songs can the tempest still,
Scattered on the stormy air,
Mould the year to fair increase,
And bring in poetic peace.
He shall not seek to weave,
In weak unhappy times,
Efficacious rhymes;
Wait his returning strength,
Bird, that from the nadir's floor,
To the zenith's top could soar,
The soaring orbit of the muse exceeds that journey's length!
Nor, profane, affect to hit
Or compass that by meddling wit,
Which only the propitious mind
Publishes when 'tis inclined.
There are open hours
When the god's will sallies free,
And the dull idiot might see
The flowing fortunes of a thousand years;
Sudden, at unawares,
Self-moved fly-to the doors,
Nor sword of angels could reveal
What they conceal.
|
Written by
Alexander Pope |
He said, and pass'd with sad presaging heart
To seek his spouse, his soul's far dearer part;
At home he sought her, but he sought in vain:
She, with one maid of all her menial train,
Had thence retir'd; and, with her second joy,
The young Astyanax, the hope of Troy,
Pensive she stood on Ilion's tow'ry height,
Beheld the war, and sicken'd at the sight;
There her sad eyes in vain her lord explore,
Or weep the wounds her bleeding country bore.
But he, who found not whom his soul desir'd,
Whose virtue charm'd him as her beauty fir'd,
Stood in the gates, and ask'd what way she bent
Her parting steps; if to the fane she went,
Where late the mourning matrons made resort,
Or sought her sisters in the Trojan court.
"Not to the court" replied th' attendant train,
"Nor, mixed with matrons, to Minerva's fane;
To Ilion's steepy tow'r she bent her way,
To mark the fortunes of the doubtful day.
Troy fled, she heard, before the Grecian sword;
She heard, and trembled for her absent lord.
Distracted with surprise, she seem'd to fly,
Fear on her cheek and sorrow in her eye.
The nurse attended with her infant boy,
The young Astyanax, the hope of Troy.
"
Hector, this heard, return'd without delay;
Swift through the town he trod his former way
Through streets of palaces and walks of state,
And met the mourner at the Scæan gate.
With haste to meet him sprung the joyful fair,
His blameless wife, E{"e}tion's wealthy heir
(Cilician Thebè great E{"e}tion sway'd,
And Hippoplacus' wide-extended shade);
The nurse stood near, in whose embraces prest
His only hope hung smiling at her breast,
Whom each soft charm and early grace adorn,
Fair as the new-born star that gilds the morn.
To this lov'd infant Hector gave the name
Scamandrius, from Scamander's honour'd stream;
Astyanax the Trojans call'd the boy,
From his great father, the defence of Troy.
Silent the warrior smil'd, and pleas'd, resign'd
To tender passions all his mighty mind:
His beauteous princess cast a mournful look,
Hung on his hand, and then dejected spoke;
Her bosom labour'd with a boding sigh,
And the big tear stood trembling in her eye.
"Too daring prince! ah whither dost thou run?
Ah, too forgetful of thy wife and son!
And think'st thou not how wretched we shall be,
A widow I, a helpless orphan he!
For sure such courage length of life denies,
And thou must fall, thy virtue's sacrifice.
Greece in her single heroes strove in vain;
Now hosts oppose thee, and thou must be slain!
Oh, grant me, gods! e'er Hector meets his doom,
All I can ask of heav'n, an early tomb!
So shall my days in one sad tenor run,
And end with sorrows as they first begun.
No parent now remains, my griefs to share,
No father's aid, no mother's tender care.
The fierce Achilles wrapp'd our walls in fire,
Laid Thebè waste, and slew my warlike sire!
His fate compassion in the victor bred;
Stern as he was, he yet rever'd the dead,
His radiant arms preserv'd from hostile spoil,
And laid him decent on the fun'ral pile;
Then rais'd a mountain where his bones were burn'd:
The mountain nymphs the rural tomb adorn'd;
Jove's sylvan daughters bade their elms bestow
A barren shade, and in his honour grow.
"By the same arm my sev'n brave brothers fell;
In one sad day beheld the gates of hell:
While the fat herds and snowy flocks they fed,
Amid their fields the hapless heroes bled!
My mother liv'd to bear the victor's bands,
The queen of Hippoplacia's sylvan lands;
Redeem'd too late, she scarce beheld again
Her pleasing empire and her native plain,
When, ah! oppress'd by life-consuming woe,
She fell a victim to Diana's bow.
"Yet while my Hector still survives, I see
My father, mother, brethren, all, in thee:
Alas! my parents, brothers, kindred, all,
Once more will perish if my Hector fall.
Thy wife, thy infant, in thy danger share:
Oh, prove a husband's and a father's care!
That quarter most the skilful Greeks annoy,
Where yon wild fig-trees join the wall of Troy:
Thou from this tow'r defend th' important post
There Agamemnon points his dreadful host,
That pass Tydides, Ajax, strive to gain,
And there the vengeful Spartan fires his train.
Thrice our bold foes the fierce attack have giv'n,
Or led by hopes, or dictated from heav'n.
Let others in the field their arms employ,
But stay my Hector here, and guard his Troy.
"
The chief replied: "That post shall be my care,
Not that alone, but all the works of war.
How would the sons of Troy, in arms renown'd,
And Troy's proud dames, whose garments sweep the ground,
Attaint the lustre of my former name,
Should Hector basely quit the field of fame?
My early youth was bred to martial pains,
My soul impels me to th' embattled plains:
Let me be foremost to defend the throne,
And guard my father's glories, and my own.
Yet come it will, the day decreed by fates,
(How my heart trembles while my tongue relates!)
The day when thou, imperial Troy! must bend,
And see thy warriors fall, thy glories end.
And yet no dire presage so wounds my mind,
My mother's death, the ruin of my kind,
Not Priam's hoary hairs defil'd with gore,
Not all my brothers gasping on the shore,
As thine, Andromache! thy griefs I dread;
I see thee trembling, weeping, captive led.
In Argive looms our battles to design,
And woes, of which so large a part was thine!
To bear the victor's hard commands, or bring
The weight of waters from Hyperia's spring!
There, while you groan beneath the load of life,
They cry, 'Behold the mighty Hector's wife!'
Some haughty Greek, who lives thy tears to see,
Embitters all thy woes by naming me.
The thoughts of glory past and present shame,
A thousand griefs, shall waken at the name!
May I lie cold before that dreadful day,
Press'd with a load of monumental clay!
Thy Hector, wrapp'd in everlasting sleep,
Shall neither hear thee sigh, nor see thee weep.
"
Thus having spoke, th' illustrious chief of Troy
Stretch'd his fond arms to clasp the lovely boy.
The babe clung crying to his nurse's breast,
Scar'd at the dazzling helm and nodding crest.
With secret pleasure each fond parent smil'd,
And Hector hasted to relieve his child;
The glitt'ring terrors from his brows unbound,
And plac'd the beaming helmet on the ground.
Then kiss'd the child, and, lifting high in air,
Thus to the gods preferr'd a father's pray'r:
"O thou! whose glory fills th' ethereal throne,
And all ye deathless pow'rs! protect my son!
Grant him, like me, to purchase just renown,
To guard the Trojans, to defend the crown,
Against his country's foes the war to wage,
And rise the Hector of the future age!
So when, triumphant from successful toils,
Of heroes slain he bears the reeking spoils,
Whole hosts may hail him with deserv'd acclaim,
And say, 'This chief transcends his father's fame':
While pleas'd, amidst the gen'ral shouts of Troy,
His mother's conscious heart o'erflows with joy.
"
He spoke, and fondly gazing on her charms,
Restor'd the pleasing burthen to her arms;
Soft on her fragrant breast the babe she laid,
Hush'd to repose, and with a smile survey'd.
The troubled pleasure soon chastis'd by fear,
She mingled with the smile a tender tear.
The soften'd chief with kind compassion view'd,
And dried the falling drops, and thus pursu'd:
"Andromache! my soul's far better part,
Why with untimely sorrows heaves thy heart?
No hostile hand can antedate my doom,
Till fate condemns me to the silent tomb.
Fix'd is the term to all the race of earth,
And such the hard condition of our birth.
No force can then resist, no flight can save;
All sink alike, the fearful and the brave.
No more--but hasten to thy tasks at home,
There guide the spindle, and direct the loom;
Me glory summons to the martial scene,
The field of combat is the sphere for men.
Where heroes war, the foremost place I claim,
The first in danger as the first in fame.
"
|
Written by
Robert Seymour Bridges |
Whither, O splendid ship, thy white sails crowding,
Leaning across the bosom of the urgent West,
That fearest nor sea rising, nor sky clouding,
Whither away, fair rover, and what thy quest?
Ah! soon, when Winter has all our vales opprest,
When skies are cold and misty, and hail is hurling,
Wilt thoù glìde on the blue Pacific, or rest
In a summer haven asleep, thy white sails furling.
I there before thee, in the country that well thou knowest,
Already arrived am inhaling the odorous air:
I watch thee enter unerringly where thou goest,
And anchor queen of the strange shipping there,
Thy sails for awnings spread, thy masts bare:
Nor is aught from the foaming reef to the snow-capp'd grandest
Peak, that is over the feathery palms, more fair
Than thou, so upright, so stately and still thou standest.
And yet, O splendid ship, unhail'd and nameless,
I know not if, aiming a fancy, I rightly divine
That thou hast a purpose joyful, a courage blameless,
Thy port assured in a happier land than mine.
But for all I have given thee, beauty enough is thine,
As thou, aslant with trim tackle and shrouding,
From the proud nostril curve of a prow's line
In the offing scatterest foam, thy white sails crowding.
|