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Best Famous Blackening Poems

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Written by William Blake | Create an image from this poem

London

 I wander thro' each charter'd street.
Near where the charter'd Thames does flow
A mark in every face I meet
Marks of weakness, marks of woe.

In every cry of every Man.
In every Infants cry of fear.
In every voice; in every ban.
The mind-forg'd manacles I hear

How the Chimney-sweepers cry
Every blackening Church appalls.
And the hapless Soldiers sigh
Runs in blood down Palace walls

But most thro' midnight streets I hear
How the youthful Harlots curse
Blasts the new-born Infants tear
And blights with plagues the Marriage hearse


Written by George (Lord) Byron | Create an image from this poem

Darkness

 I had a dream, which was not all a dream.
The bright sun was extinguished, and the stars
Did wander darkling in the eternal space,
Rayless, and pathless, and the icy earth
Swung blind and blackening in the moonless air;
Morn came and went—and came, and brought no day,
And men forgot their passions in the dread
Of this their desolation; and all hearts
Were chilled into a selfish prayer for light;
And they did live by watchfires—and the thrones,
The palaces of crowned kings—the huts,
The habitations of all things which dwell,
Were burnt for beacons; cities were consumed,
And men were gathered round their blazing homes
To look once more into each other's face;
Happy were those which dwelt within the eye
Of the volcanoes, and their mountain-torch;
A fearful hope was all the world contained;
Forests were set on fire—but hour by hour
They fell and faded—and the crackling trunks
Extinguished with a crash—and all was black.
The brows of men by the despairing light
Wore an unearthly aspect, as by fits
The flashes fell upon them: some lay down
And hid their eyes and wept; and some did rest
Their chins upon their clenched hands, and smiled;
And others hurried to and fro, and fed
Their funeral piles with fuel, and looked up
With mad disquietude on the dull sky,
The pall of a past world; and then again
With curses cast them down upon the dust,
And gnashed their teeth and howled; the wild birds shrieked,
And, terrified, did flutter on the ground,
And flap their useless wings; the wildest brutes
Came tame and tremulous; and vipers crawled
And twined themselves among the multitude,
Hissing, but stingless—they were slain for food;
And War, which for a moment was no more,
Did glut himself again;—a meal was bought
With blood, and each sate sullenly apart
Gorging himself in gloom: no love was left;
All earth was but one thought—and that was death,
Immediate and inglorious; and the pang
Of famine fed upon all entrails—men
Died, and their bones were tombless as their flesh;
The meagre by the meagre were devoured,
Even dogs assailed their masters, all save one,
And he was faithful to a corse, and kept
The birds and beasts and famished men at bay,
Till hunger clung them, or the drooping dead
Lured their lank jaws; himself sought out no food,
But with a piteous and perpetual moan,
And a quick desolate cry, licking the hand
Which answered not with a caress—he died.
The crowd was famished by degrees; but two
Of an enormous city did survive,
And they were enemies: they met beside
The dying embers of an altar-place
Where had been heaped a mass of holy things
For an unholy usage: they raked up,
And shivering scraped with their cold skeleton hands
The feeble ashes, and their feeble breath
Blew for a little life, and made a flame
Which was a mockery; then they lifted up
Their eyes as it grew lighter, and beheld
Each other's aspects—saw, and shrieked, and died— 
Even of their mutual hideousness they died,
Unknowing who he was upon whose brow
Famine had written Fiend. The world was void,
The populous and the powerful was a lump,
Seasonless, herbless, treeless, manless, lifeless— 
A lump of death—a chaos of hard clay.
The rivers, lakes, and ocean all stood still,
And nothing stirred within their silent depths;
Ships sailorless lay rotting on the sea,
And their masts fell down piecemeal; as they dropped
They slept on the abyss without a surge— 
The waves were dead; the tides were in their grave,
The Moon, their mistress, had expired before;
The winds were withered in the stagnant air,
And the clouds perished! Darkness had no need
Of aid from them—She was the Universe!
Written by Thomas Hardy | Create an image from this poem

De Profundis

 I 

"Percussus sum sicut foenum, et aruit cor meum." 
- Ps. ci 

 Wintertime nighs; 
But my bereavement-pain 
It cannot bring again: 
 Twice no one dies. 

 Flower-petals flee; 
But, since it once hath been, 
No more that severing scene 
 Can harrow me. 

 Birds faint in dread: 
I shall not lose old strength 
In the lone frost's black length: 
 Strength long since fled! 

 Leaves freeze to dun; 
But friends can not turn cold 
This season as of old 
 For him with none. 

 Tempests may scath; 
But love can not make smart 
Again this year his heart 
 Who no heart hath. 

 Black is night's cope; 
But death will not appal 
One who, past doubtings all, 
 Waits in unhope. 
De Profundis 

II 

"Considerabam ad dexteram, et videbam; et non erat qui cognosceret me 

When the clouds' swoln bosoms echo back the shouts of the many and 
strong 
That things are all as they best may be, save a few to be right ere 
long, 
And my eyes have not the vision in them to discern what to these is 
so clear, 
The blot seems straightway in me alone; one better he were not here. 

The stout upstanders say, All's well with us: ruers have nought to 
rue! 
And what the potent say so oft, can it fail to be somewhat true? 
Breezily go they, breezily come; their dust smokes around their 
career, 
Till I think I am one horn out of due time, who has no calling here. 

Their dawns bring lusty joys, it seems; their eves exultance sweet; 
Our times are blessed times, they cry: Life shapes it as is most 
meet, 
And nothing is much the matter; there are many smiles to a tear; 
Then what is the matter is I, I say. Why should such an one be here? 

Let him to whose ears the low-voiced Best seems stilled by the clash 
of the First, 
Who holds that if way to the Better there be, it exacts a full look 
at the Worst, 
Who feels that delight is a delicate growth cramped by crookedness, 
custom, and fear, 
Get him up and be gone as one shaped awry; he disturbs the order 
here. 
De Profundis 

III 

"Heu mihi, quia incolatus meus prolongatus est! Habitavi cum 
habitantibus Cedar; multum incola fuit aninia mea."--Ps. cxix. 

There have been times when I well might have passed and the ending 
have come - 
Points in my path when the dark might have stolen on me, artless, 
unrueing - 
Ere I had learnt that the world was a welter of futile doing: 
Such had been times when I well might have passed, and the ending 
have come! 

Say, on the noon when the half-sunny hours told that April was nigh, 
And I upgathered and cast forth the snow from the crocus-border, 
Fashioned and furbished the soil into a summer-seeming order, 
Glowing in gladsome faith that I quickened the year thereby. 

Or on that loneliest of eves when afar and benighted we stood, 
She who upheld me and I, in the midmost of Egdon together, 
Confident I in her watching and ward through the blackening heather, 
Deeming her matchless in might and with measureless scope endued. 

Or on that winter-wild night when, reclined by the chimney-nook 
quoin, 
Slowly a drowse overgat me, the smallest and feeblest of folk there, 
Weak from my baptism of pain; when at times and anon I awoke there - 
Heard of a world wheeling on, with no listing or longing to join. 

Even then! while unweeting that vision could vex or that knowledge 
could numb, 
That sweets to the mouth in the belly are bitter, and tart, and 
untoward, 
Then, on some dim-coloured scene should my briefly raised curtain 
have lowered, 
Then might the Voice that is law have said "Cease!" and the ending 
have come.
Written by Diane Wakoski | Create an image from this poem

This Beautiful Black Marriage

 Photograph negative
her black arm: a diving porpoise,
sprawled across the ice-banked pillow.
Head: a sheet of falling water.
Her legs: icicle branches breaking into light.

This woman, 
photographed sleeping.
The man,
making the photograph in the acid pan of his brain.
Sleep stain them both,
as if cloudy semen
rubbed shiningly over the surface
will be used to develop their images.

 on the desert
 the porpoises curl up,
 their skeleton teeth are bared by
 parched lips;
 her sleeping feet
 trod on scarabs,
 holding the names of the dead
 tight in the steady breathing.

 This man and woman have married
 and travel reciting
 chanting
 names of missing objects.

 They enter a pyramid.
 A black butterfly covers the doorway
like a cobweb,
folds around her body,
the snake of its body
closing her lips.
her breasts are stone stairs.
She calls the name, "Isis,"
and waits for the white face to appear.

No one walks in these pyramids at night.
No one walks during
the day.
You walk in that negative time,
the woman's presence filling up the space
as if she were incense; man walks 
down the crevices and
hills of her body.
Sounds of the black marriage
are ritual sounds.
Of the porpoises dying on the desert.
The butterfly curtaining the body,
The snake filling the mouth.
The sounds of all the parts coming together
in this one place,
the desert pyramid,
built with the clean historical
ugliness of men dying at work.

If you imagine, friend, that I do not have those
black serpents in the pit of my body,
that I am not crushed in fragments by the tough 
butterfly wing
broken and crumpled like a black silk stocking,
if you imagine that my body is not
blackened
burned wood,
then you imagine a false woman.

This marriage could not change me.
Could not change my life.
Not is it that different from any other marriage.
They are all filled with desert journeys,
with Isis who hold us in her terror,
with Horus who will not let us see
the parts of his body joined
but must make us witness them in dark corners,
in bloody confusion;
and yet this black marriage,
as you call it,
has its own beauty.
As the black cat with its rich fur
stretched and gliding smoothly down the tree trunks.
Or the shining black obsidian
pulled out of mines and polished to the cat's eye.
Black as the neat seeds of a watermelon,
or a pool of oil, prisming the light.
Do not despair this "black marriage."
You must let the darkness out of your own body; 
acknowledge it
and let it enter your mouth,
taste the historical darkness openly.
Taste your own beautiful death,
see your own photo image,
as x-ray,
Bone bleaching inside the blackening
flesh
Written by Sir Walter Scott | Create an image from this poem

Rosabelle

 O listen, listen, ladies gay! 
No haughty feat of arms I tell; 
Soft is the note, and sad the lay 
That mourns the lovely Rosabelle. 

‘Moor, moor the barge, ye gallant crew! 
And, gentle lady, deign to stay! 
Rest thee in Castle Ravensheuch, 
Nor tempt the stormy firth to-day. 

‘The blackening wave is edged with white; 
To inch and rock the sea-mews fly; 
The fishers have heard the Water-Sprite, 
Whose screams forebode that wreck is nigh. 

‘Last night the gifted Seer did view 
A wet shroud swathed round lady gay; 
Then stay thee, Fair, in Ravensheuch; 
Why cross the gloomy firth to-day?’ 

’Tis not because Lord Lindesay’s heir 
Tonight at Roslin leads the ball, 
But that my lady-mother there 
Sits lonely in her castle-hall.

’Tis not because the ring they ride, 
And Lindesay at the ring rides well, 
But that my sire the wine will chide 
If ’tis not fill’d by Rosabelle.’ 

—O’er Roslin all that dreary night 
A wondrous blaze was seen to gleam; 
’Twas broader than the watch-fire’s light, 
And redder than the bright moonbeam. 

It glared on Roslin’s castled rock, 
It ruddied all the copse-wood glen; 
’Twas seen from Dryden’s groves of oak, 
And seen from cavern’d Hawthornden. 

Seem’d all on fire that chapel proud 
Where Roslin’s chiefs uncoffin’d lie, 
Each Baron, for a sable shroud, 
Sheathed in his iron panoply. 

Seem’d all on fire within, around, 
Deep sacristy and altar’s pale; 
Shone every pillar foliage-bound, 
And glimmer’d all the dead men’s mail. 

Blazed battlement and pinnet high, 
Blazed every rose-carved buttress fair— 
So still they blaze, when fate is nigh 
The lordly line of high Saint Clair. 

There are twenty of Roslin’s barons bold 
Lie buried within that proud chapelle; 
Each one the holy vault doth hold 
But the sea holds lovely Rosabelle! 

And each Saint Clair was buried there 
With candle, with book, and with knell; 
But the sea-caves rung, and the wild winds sung 
The dirge of lovely Rosabelle.


Written by Amy Lowell | Create an image from this poem

The Red Lacquer Music-Stand

 A music-stand of crimson lacquer, long since brought
In some fast clipper-ship from China, quaintly wrought
With bossed and carven flowers and fruits in blackening gold,
The slender shaft all twined about and thickly scrolled
With vine leaves and young twisted tendrils, whirling, curling,
Flinging their new shoots over the four wings, and swirling
Out on the three wide feet in golden lumps and streams;
Petals and apples in high relief, and where the seams
Are worn with handling, through the polished crimson sheen,
Long streaks of black, the under lacquer, shine out clean.
Four desks, adjustable, to suit the heights of players
Sitting to viols or standing up to sing, four layers
Of music to serve every instrument, are there,
And on the apex a large flat-topped golden pear.
It burns in red and yellow, dusty, smouldering lights,
When the sun flares the old barn-chamber with its flights
And skips upon the crystal knobs of dim sideboards,
Legless and mouldy, and hops, glint to glint, on hoards
Of scythes, and spades, and dinner-horns, so the old tools
Are little candles throwing brightness round in pools.
With Oriental splendour, red and gold, the dust
Covering its flames like smoke and thinning as a gust
Of brighter sunshine makes the colours leap and range,
The strange old music-stand seems to strike out and change;
To stroke and tear the darkness with sharp golden claws;
To dart a forked, vermilion tongue from open jaws;
To puff out bitter smoke which chokes the sun; and fade
Back to a still, faint outline obliterate in shade.
Creeping up the ladder into the loft, the Boy
Stands watching, very still, prickly and hot with joy.
He sees the dusty sun-mote slit by streaks of red,
He sees it split and stream, and all about his head
Spikes and spears of gold are licking, pricking, flicking,
Scratching against the walls and furniture, and nicking
The darkness into sparks, chipping away the gloom.
The Boy's nose smarts with the pungence in the room.
The wind pushes an elm branch from before the door
And the sun widens out all along the floor,
Filling the barn-chamber with white, straightforward light,
So not one blurred outline can tease the mind to fright.
"O All ye Works of the Lord, Bless 
ye the Lord; Praise Him, and Magnify Him
for ever.
O let the Earth Bless the Lord; Yea, let it Praise Him, 
and Magnify Him
for ever.
O ye Mountains and Hills, Bless ye the Lord; Praise 
Him, and Magnify Him
for ever.
O All ye Green Things upon the Earth, Bless ye the Lord; 
Praise Him,
and Magnify Him for ever."
The Boy will praise his God on an altar builded 
fair,
Will heap it with the Works of the Lord. In the morning 
air,
Spices shall burn on it, and by their pale smoke curled,
Like shoots of all the Green Things, the God of this bright World
Shall see the Boy's desire to pay his debt of praise.
The Boy turns round about, seeking with careful gaze
An altar meet and worthy, but each table and chair
Has some defect, each piece is needing some repair
To perfect it; the chairs have broken legs and backs,
The tables are uneven, and every highboy lacks
A handle or a drawer, the desks are bruised and worn,
And even a wide sofa has its cane seat torn.
Only in the gloom far in the corner there
The lacquer music-stand is elegant and rare,
Clear and slim of line, with its four wings outspread,
The sound of old quartets, a tenuous, faint thread,
Hanging and floating over it, it stands supreme --
Black, and gold, and crimson, in one twisted scheme!
A candle on the bookcase feels a draught and wavers,
Stippling the white-washed walls with dancing shades and quavers.
A bed-post, grown colossal, jigs about the ceiling,
And shadows, strangely altered, stain the walls, revealing
Eagles, and rabbits, and weird faces pulled awry,
And hands which fetch and carry things incessantly.
Under the Eastern window, where the morning sun
Must touch it, stands the music-stand, and on each one
Of its broad platforms is a pyramid of stones,
And metals, and dried flowers, and pine and hemlock cones,
An oriole's nest with the four eggs neatly blown,
The rattle of a rattlesnake, and three large brown
Butternuts uncracked, six butterflies impaled
With a green luna moth, a snake-skin freshly scaled,
Some sunflower seeds, wampum, and a bloody-tooth shell,
A blue jay feather, all together piled pell-mell
The stand will hold no more. The Boy with humming head
Looks once again, blows out the light, and creeps to bed.
The Boy keeps solemn vigil, while outside the wind
Blows gustily and clear, and slaps against the blind.
He hardly tries to sleep, so sharp his ecstasy
It burns his soul to emptiness, and sets it free
For adoration only, for worship. Dedicate,
His unsheathed soul is naked in its novitiate.
The hours strike below from the clock on the stair.
The Boy is a white flame suspiring in prayer.
Morning will bring the sun, the Golden Eye of Him
Whose splendour must be veiled by starry cherubim,
Whose Feet shimmer like crystal in the streets of Heaven.
Like an open rose the sun will stand up even,
Fronting the window-sill, and when the casement glows
Rose-red with the new-blown morning, then the fire which flows
From the sun will fall upon the altar and ignite
The spices, and his sacrifice will burn in perfumed light.
Over the music-stand the ghosts of sounds will swim,
`Viols d'amore' and `hautbois' accorded to a hymn.
The Boy will see the faintest breath of angels' wings
Fanning the smoke, and voices will flower through the strings.
He dares no farther vision, and with scalding eyes
Waits upon the daylight and his great emprise.
The cold, grey light of dawn was whitening the 
wall
When the Boy, fine-drawn by sleeplessness, started his ritual.
He washed, all shivering and pointed like a flame.
He threw the shutters open, and in the window-frame
The morning glimmered like a tarnished Venice glass.
He took his Chinese pastilles and put them in a mass
Upon the mantelpiece till he could seek a plate
Worthy to hold them burning. Alas! He had 
been late
In thinking of this need, and now he could not find
Platter or saucer rare enough to ease his mind.
The house was not astir, and he dared not go down
Into the barn-chamber, lest some door should be blown
And slam before the draught he made as he went out.
The light was growing yellower, and still he looked about.
A flash of almost crimson from the gilded pear
Upon the music-stand, startled him waiting there.
The sun would rise and he would meet it unprepared,
Labelled a fool in having missed what he had dared.
He ran across the room, took his pastilles and laid
Them on the flat-topped pear, most carefully displayed
To light with ease, then stood a little to one side,
Focussed a burning-glass and painstakingly tried
To hold it angled so the bunched and prismed rays
Should leap upon each other and spring into a blaze.
Sharp as a wheeling edge of disked, carnation flame,
Gem-hard and cutting upward, slowly the round sun came.
The arrowed fire caught the burning-glass and glanced,
Split to a multitude of pointed spears, and lanced,
A deeper, hotter flame, it took the incense pile
Which welcomed it and broke into a little smile
Of yellow flamelets, creeping, crackling, thrusting up,
A golden, red-slashed lily in a lacquer cup.
"O ye Fire and Heat, Bless ye the Lord; 
Praise Him, and Magnify Him
for ever.
O ye Winter and Summer, Bless ye the Lord; Praise Him, 
and Magnify Him
for ever.
O ye Nights and Days, Bless ye the Lord; Praise Him, 
and Magnify Him
for ever.
O ye Lightnings and Clouds, Bless ye the Lord; Praise 
Him, and Magnify Him
for ever."
A moment so it hung, wide-curved, bright-petalled, 
seeming
A chalice foamed with sunrise. The Boy woke from his 
dreaming.
A spike of flame had caught the card of butterflies,
The oriole's nest took fire, soon all four galleries
Where he had spread his treasures were become one tongue
Of gleaming, brutal fire. The Boy instantly swung
His pitcher off the wash-stand and turned it upside down.
The flames drooped back and sizzled, and all his senses grown
Acute by fear, the Boy grabbed the quilt from his bed
And flung it over all, and then with aching head
He watched the early sunshine glint on the remains
Of his holy offering. The lacquer stand had stains
Ugly and charred all over, and where the golden pear
Had been, a deep, black hole gaped miserably. His dear
Treasures were puffs of ashes; only the stones were there,
Winking in the brightness.

The clock upon the stair
Struck five, and in the kitchen someone shook a grate.
The Boy began to dress, for it was getting late.
Written by Sylvia Plath | Create an image from this poem

Monologue At 3 AM

 Better that every fiber crack 
and fury make head, 
blood drenching vivid 
couch, carpet, floor 
and the snake-figured almanac 
vouching you are 
a million green counties from here, 

than to sit mute, twitching so 
under prickling stars, 
with stare, with curse 
blackening the time 
goodbyes were said, trains let go, 
and I, great magnanimous fool, thus wrenched from 
my one kingdom.
Written by Robert Seymour Bridges | Create an image from this poem

While yet we wait for spring and from the dry

 While yet we wait for spring, and from the dry 
And blackening east that so embitters March, 
Well-housed must watch grey fields and meadows parch, 
And driven dust and withering snowflake fly; 
Already in glimpses of the tarnish'd sky 
The sun is warm and beckons to the larch, 
And where the covert hazels interarch 
Their tassell'd twigs, fair beds of primrose lie. 
Beneath the crisp and wintry carpet hid 
A million buds but stay their blossoming; 
And trustful birds have built their nests amid 
The shuddering boughs, and only wait to sing 
Till one soft shower from the south shall bid, 
And hither tempt the pilgrim steps of spring.
Written by George (Lord) Byron | Create an image from this poem

To Romance

 Parent of golden dreams, Romance!
Auspicious Queen of childish joys,
Who lead'st along, in airy dance,
Thy votive train of girls and boys;
At length, in spells no longer bound,
I break the fetters of my youth;
No more I tread thy mystic round,
But leave thy realms for those of Truth.

And yet 'tis hard to quit the dreams
Which haunt the unsuspicious soul,
Where every nymph a goddess seems,
Whose eyes through rays immortal roll;
While Fancy holds her boundless reign,
And all assume a varied hue;
When Virgins seem no longer vain,
And even Woman's smiles are true.

And must we own thee, but a name,
And from thy hall of clouds descend?
Nor find a Sylph in every dame,
A Pylades in every friend?
But leave, at once, thy realms of air i
To mingling bands of fairy elves;
Confess that woman's false as fair,
And friends have feeling for---themselves?

With shame, I own, I've felt thy sway;
Repentant, now thy reign is o'er;
No more thy precepts I obey,
No more on fancied pinions soar;
Fond fool! to love a sparkling eye,
And think that eye to truth was dear;
To trust a passing wanton's sigh,
And melt beneath a wanton's tear!

Romance! disgusted with deceit,
Far from thy motley court I fly,
Where Affectation holds her seat,
And sickly Sensibility;
Whose silly tears can never flow
For any pangs excepting thine;
Who turns aside from real woe,
To steep in dew thy gaudy shrine.

Now join with sable Sympathy,
With cypress crown'd, array'd in weeds,
Who heaves with thee her simple sigh,
Whose breast for every bosom bleeds;
And call thy sylvan female choir,
To mourn a Swain for ever gone,
Who once could glow with equal fire,
But bends not now before thy throne.

Ye genial Nymphs, whose ready tears
On all occasions swiftly flow;
Whose bosoms heave with fancied fears,
With fancied flames and phrenzy glow
Say, will you mourn my absent name,
Apostate from your gentle train
An infant Bard, at least, may claim
From you a sympathetic strain.

Adieu, fond race! a long adieu!
The hour of fate is hovering nigh;
E'en now the gulf appears in view,
Where unlamented you must lie:
Oblivion's blackening lake is seen,
Convuls'd by gales you cannot weather,
Where you, and eke your gentle queen,
Alas! must perish altogether.
Written by John Betjeman | Create an image from this poem

The Cottage Hospital

 At the end of a long-walled garden in a red provincial town,
A brick path led to a mulberry- scanty grass at its feet.
I lay under blackening branches where the mulberry leaves hung down
Sheltering ruby fruit globes from a Sunday-tea-time heat.
Apple and plum espaliers basked upon bricks of brown;
The air was swimming with insects, and children played in the street.

Out of this bright intentness into the mulberry shade
Musca domestica (housefly) swung from the August light
Slap into slithery rigging by the waiting spider made
Which spun the lithe elastic till the fly was shrouded tight.
Down came the hairy talons and horrible poison blade
And none of the garden noticed that fizzing, hopeless fight.

Say in what Cottage Hospital whose pale green walls resound
With the tap upon polished parquet of inflexible nurses' feet
Shall I myself by lying when they range the screens around?
And say shall I groan in dying, as I twist the sweaty sheet?
Or gasp for breath uncrying, as I feel my senses drown'd
While the air is swimming with insects and children play in the street?

Book: Reflection on the Important Things