Written by
Langston Hughes |
The instructor said,
Go home and write
a page tonight.
And let that page come out of you--
Then, it will be true.
I wonder if it's that simple?
I am twenty-two, colored, born in Winston-Salem.
I went to school there, then Durham, then here
to this college on the hill above Harlem.
I am the only colored student in my class.
The steps from the hill lead down into Harlem,
through a park, then I cross St. Nicholas,
Eighth Avenue, Seventh, and I come to the Y,
the Harlem Branch Y, where I take the elevator
up to my room, sit down, and write this page:
It's not easy to know what is true for you or me
at twenty-two, my age. But I guess I'm what
I feel and see and hear, Harlem, I hear you:
hear you, hear me--we two--you, me, talk on this page.
(I hear New York, too.) Me--who?
Well, I like to eat, sleep, drink, and be in love.
I like to work, read, learn, and understand life.
I like a pipe for a Christmas present,
or records--Bessie, bop, or Bach.
I guess being colored doesn't make me not like
the same things other folks like who are other races.
So will my page be colored that I write?
Being me, it will not be white.
But it will be
a part of you, instructor.
You are white--
yet a part of me, as I am a part of you.
That's American.
Sometimes perhaps you don't want to be a part of me.
Nor do I often want to be a part of you.
But we are, that's true!
As I learn from you,
I guess you learn from me--
although you're older--and white--
and somewhat more free.
This is my page for English B.
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Written by
David St John |
It was in the old days,
When she used to hang out at a place
Called Club Zombie,
A black cabaret that the police liked
To raid now and then. As she
Stepped through the door, the light
Would hit her platinum hair,
And believe me, heads would turn. Maestro
Loved it; he'd have her by
The arm as he led us through the packed crowd
To a private corner
Where her secluded oak table always waited.
She'd say, Jordan...
And I'd order her usual,
A champagne cocktail with a tall shot of bourbon
On the side. She'd let her eyes
Trail the length of the sleek neck
Of the old stand-up bass, as
The bass player knocked out the bottom line,
His forehead glowing, glossy
With sweat in the blue lights;
Her own face, smooth and shining, as
The liquor slowly blanketed the pills
She'd slipped beneath her tongue.
Maestro'd kick the **** out of anybody
Who tried to sneak up for an autograph;
He'd say, Jordan, just let me know if
Somebody gets too close....
Then he'd turn to her and whisper, Here's
Where you get to be Miss Nobody...
And she'd smile as she let him
Kiss her hand. For a while, there was a singer
At the club, a guy named Louis--
But Maestro'd change his name to "Michael Champion";
Well, when this guy leaned forward,
Cradling the microphone in his huge hands,
All the legs went weak
Underneath the ladies.
He'd look over at her, letting his eyelids
Droop real low, singing, Oh Baby I...
Oh Baby I Love... I Love You...
And she'd be gone, those little mermaid tears
Running down her cheeks. Maestro
Was always cool. He'd let them use his room upstairs,
Sometimes, because they couldn't go out--
Black and white couldn't mix like that then.
I mean, think about it--
This kid star and a cool beauty who made King Cole
Sound raw? No, they had to keep it
To the club; though sometimes,
Near the end, he'd come out to her place
At the beach, always taking the iced whisky
I brought to him with a sly, sweet smile.
Once, sweeping his arm out in a slow
Half-circle, the way at the club he'd
Show the audience how far his endless love
Had grown, he marked
The circumference of the glare whitening the patio
Where her friends all sat, sunglasses
Masking their eyes...
And he said to me, Jordan, why do
White people love the sun so?--
God's spotlight, my man?
Leaning back, he looked over to where she
Stood at one end of the patio, watching
The breakers flatten along the beach below,
Her body reflected and mirrored
Perfectly in the bedroom's sliding black glass
Door. He stared at her
Reflection for a while, then looked up at me
And said, Jordan, I think that I must be
Like a pool of water in a cave that sometimes
She steps into...
Later, as I drove him back into the city,
He hummed a Bessie Smith tune he'd sing
For her, but he didn't say a word until
We stopped at last back at the club. He stepped
slowly out of the back
Of the Cadillac, and reaching to shake my hand
Through the open driver's window, said,
My man, Jordan... Goodbye.
|
Written by
Mark Doty |
Because she could find no one else to paint a picture of the old family place where she and her sisters lived. . .she attended an adult education class in Montpelier. In one evening Bessie Drennan learned everything she would need to accomplish her goals. . .
The Vermont Folklife Center Newsletter
Bessie, you've made space dizzy
with your perfected technique for snow:
white spatters and a dry brush
feathering everything in the world
seem to make the firmament fly.
Four roads converge on the heart of town,
this knot of white and yellow houses
angling off kilter, their astigmatic windows
almost all in rows. Lucky the skater
threading the yellow tavern's quilt-sized pond,
the yellow dogs who punctuate the village
where our occupations are chasing
and being chaste, sleighing and sledding
and snowshoeing from house to house
in our conical, flamelike hats.
Even the barns are sliding in snow,
though the birches are all golden
and one maple blazes without being consumed.
Is it from a hill nearby we're watching,
or somewhere in the sky? Could we be flying
on slick runners down into the village?
Is that mare with the elegant legs
truly the size of a house,
and is this the store where everyone bought
those pointed hats, the snowshoes that angle
in contradictory directions?
Isn't that Rin Tin Tin, bigtongued
and bounding and in two places at once?
Down there in the world's corner two children
steal away onto the frozen pond,
carrying their toboggan. Even the weathervanes
--bounding fish, a sailing stag--look happy.
The houses are swaying, Bessie,
and nothing is grounded in shadow,
set loose by weather and art
from gravity's constraints.
And though I think this man is falling,
is it anything but joyous,
the arc his red scarf
transcribes in the air?
|
Written by
Robert William Service |
Says I to my Missis: "Ba goom, lass! you've something I see, on your mind."
Says she: "You are right, Sam, I've something. It 'appens it's on me be'ind.
A Boil as 'ud make Job jealous. It 'urts me no end when I sit."
Says I: "Go to 'ospittel, Missis. They might 'ave to coot it a bit."
Says she: "I just 'ate to be showin' the part of me person it's at."
Says I: "Don't be fussy; them doctors see sights more 'orrid than that."
So Misses goes off togged up tasty, and there at the 'ospittel door
They tells 'er to see the 'ouse Doctor, 'oose office is Room Thirty-four.
So she 'unts up and down till she finds it, and knocks and a voice says: "Come in,"
And there is a 'andsome young feller, in white from 'is 'eels to 'is chin.
"I've got a big boil," says my Missis. "It 'urts me for fair when I sit,
And Sam (that's me 'usband) 'as asked me to ask you to coot it a bit."
Then blushin' she plucks up her courage, and bravely she shows 'im the place,
And 'e gives it a proper inspection, wi' a 'eap o' surprise on 'is face.
Then 'e says wi' an accent o' Scotland: "Whit ye hae is a bile, Ah can feel,
But ye'd better consult the heid Dockter; they caw him Professor O'Niel.
He's special for biles and carbuncles. Ye'll find him in Room Sixty-three.
No charge, Ma'am. It's been a rare pleasure. Jist tell him ye're comin' from me."
So Misses she thanks 'im politely, and 'unts up and down as before,
Till she comes to a big 'andsome room with "Professor O'Neil" on the door.
Then once more she plucks up her courage, and knocks, and a voice says: "All right."
So she enters, and sees a fat feller wi' whiskers, all togged up in white.
"I've got a big boil," says my Missis, "and if ye will kindly permit,
I'd like for to 'ave you inspect it; it 'urts me like all when I sit."
So blushin' as red as a beet-root she 'astens to show 'im the spot,
And 'e says wi' a look o' amazement: "Sure, Ma'am, it must hurt ye a lot."
Then 'e puts on 'is specs to regard it, and finally says wi' a frown:
"I'll bet it's as sore as the divvle, especially whin ye sit down.
I think it's a case for the Surgeon; ye'd better consult Doctor Hoyle.
I've no hisitation in sayin' yer boil is a hill of a boil."
So Misses she thanks 'im for sayin' her boil is a hill of a boil,
And 'unts all around till she comes on a door that is marked: "Doctor Hoyle."
But by now she 'as fair got the wind up, and trembles in every limb;
But she thinks: "After all, 'e's a Doctor. Ah moosn't be bashful wi' 'im."
She's made o' good stuff is the Missis, so she knocks and a voice says: "Oos there?"
"It's me," says ma Bessie, an' enters a room which is spacious and bare.
And a wise-lookin' old feller greets 'er, and 'e too is togged up in white.
"It's the room where they coot ye," thinks Bessie; and shakes like a jelly wi' fright.
"Ah got a big boil," begins Missis, "and if ye are sure you don't mind,
I'd like ye to see it a moment. It 'urts me, because it's be'ind."
So thinkin' she'd best get it over, she 'astens to show 'im the place,
And 'e stares at 'er kindo surprised like, an' gets very red in the face.
But 'e looks at it most conscientious, from every angle of view,
Then 'e says wi' a shrug o' 'is shoulders: "Pore Lydy, I'm sorry for you.
It wants to be cut, but you should 'ave a medical bloke to do that.
Sye, why don't yer go to the 'orsespittel, where all the Doctors is at?
Ye see, Ma'am, this part o' the buildin' is closed on account o' repairs;
Us fellers is only the pynters, a-pyntin' the 'alls and the stairs."
|
Written by
Louisa May Alcott |
O flower at my window
Why blossom you so fair,
With your green and purple cup
Upturned to sun and air?
'I bloom, blithesome Bessie,
To cheer your childish heart;
The world is full of labor,
And this shall be my part.'
Whirl, busy wheel, faster,
Spin, little thread, spin;
The sun shines fair without,
And we are gay within.
O robin in the tree-top,
With sunshine on your breast,
Why brood you so patiently
Above your hidden nest?
'I brood, blithesome Bessie,
And sing my humble song,
That the world may have more music
From my little ones erelong.'
Whirl, busy wheel, faster,
Spin, little thread, spin;
The sun shines fair without,
And we are gay within.
O balmy wind of summer,
O silver-singing brook,
Why rustle through the branches?
Why shimmer in your nook?
'I flutter, blithesome Bessie,
Like a blessing far and wide;
I scatter bloom and verdue
Where'er my footsteps glide.'
Whirl, busy wheel, faster,
Spin, little thread, spin;
The sun shines fair without,
And we are gay within.
O brook and breeze and blossom,
And robin on the tree,
You make a joy of duty,
A pride of industry;
Teach me to work as blithely,
With a willing hand and heart:
The world is full of labor,
And I must do my part.
Whirl, busy wheel, faster,
Spin, little thread, spin;
The sun shines fair without,
And we are gay within.
|
Written by
Eben E. Rexford |
1. Paul Venarez heard them say, in the frontier town that day,
That a band of Red Plume's warriors was upon the trail of death;
Heard them tell of a murder done: Three men killed at Rocky Run.
"They're in danger up at Crawford's," said Venarez, under breath.
2. "Crawford's"—thirty miles away—was a settlement, that lay
In a green and pleasant valley of the mighty wilderness;
Half a score of homes was there, and in one a maiden fair
Held the heart of Paul Venarez,—"Paul Venarez's little Bess."
3. So no wonder he grew pale when he heard the settler's tale
Of the men he had seen murdered yesterday at Rocky Run.
"Not a soul will dream," he said, "of the danger that's ahead.
By my love for little Bessie, I must see that something's done."
4. Not a moment he delayed when his brave resolve was made.
"Why, my man," his comrades told him, when they knew his daring plan,
"You are going straight to death." But he answered, "Save your breath.
I may fail to get to Crawford's, but I'll do the best I can."
5. O'er the forest trail he sped, and his thoughts flew on ahead
To the little band at Crawford's, thinking not of danger near.
"Oh, God help me save," cried he, "little Bess!" And fast and free,
Trusty Nell bore on the hero of the far-away frontier.
6. Low and lower sank the sun. He drew rein at Rocky Run.
"Here these men met death, my Nellie," and he stroked his horse's mane.
"So will we we go to warn, ere the breaking of the morn.
If we fail, God help us, Nellie!" Then he gave his horse the rein.
7. Sharp and keen a rifle-shot woke the echoes of the spot.
"Oh, my Nellie, I am wounded!" cried Venarez, with a moan,
And the warm blood from his side spurted out in a red tide,
And he trembled in the saddle, and his face had ashy grown.
8. "I will save them yet," he cried. "Bessie Lee shall know I died
For her sake." And then he halted in the shelter of a hill.
From his buckskin shirt he took, with weak hands, a little book;
And he tore a blank leaf from it. "This," said he, "shall be my will."
9. From a branch a twig he broke, and he dipped his pen of oak
In the red blood that was dripping from the wound below the heart.
"Rouse," he wrote, "before too late. Red Plume's warriors lie in wait.
Good-bye, Bess! God bless you always." Then he felt warm tears start.
10. Then he made his message fast, love's first letter, and its last.
To his saddle-bow he tied it, while his lips were white with pain.
"Bear my message, if not me, safe to little Bess," said he.
Then he leaned down in the saddle, and clutched hard the sweaty mane.
11. Just at dusk, a horse of brown, flecked with foam, came panting down
To the settlement at Crawford, and she stopped at Bessie's door.
But her rider seemed asleep. Ah, his slumber was so deep
Bessie's voice could never wake him, if she called forevermore.
12. You will hear the story told by the young and by the old
In the settlement at Crawford's, of the night when Red Plume came;
Of the sharp and bloody fight; how the chief fell, and the flight
Of the panic-stricken warriors. Then they speak Venarez's name
13. In an awed and reverent way, as men utter "Let us pray,"
As we speak the name of heroes, thinking how they lived and died;
So his memory is kept green, while his face and heaven between
Grow the flowers Bessie planted, ere they laid her by his side.
|
Written by
Amy Lowell |
Dear Bessie, would my tired rhyme
Had force to rise from apathy,
And shaking off its lethargy
Ring word-tones like a Christmas chime.
But in my soul's high belfry, chill
The bitter wind of doubt has blown,
The summer swallows all have flown,
The bells are frost-bound, mute and still.
Upon the crumbling boards the snow
Has drifted deep, the clappers hang
Prismed with icicles, their clang
Unheard since ages long ago.
The rope I pull is stiff and cold,
My straining ears detect no sound
Except a sigh, as round and round
The wind rocks through the timbers old.
Below, I know the church is bright
With haloed tapers, warm with prayer;
But here I only feel the air
Of icy centuries of night.
Beneath my feet the snow is lit
And gemmed with colours, red, and blue,
Topaz, and green, where light falls through
The saints that in the windows sit.
Here darkness seems a spectred thing,
Voiceless and haunting, while the stars
Mock with a light of long dead years
The ache of present suffering.
Silent and winter-killed I stand,
No carol hymns my debt to you;
But take this frozen thought in lieu,
And thaw its music in your hand.
|
Written by
Robert Burns |
IN simmer, when the hay was mawn,
And corn wav’d green in ilka field,
While claver blooms white o’er the lea
And roses blaw in ilka beild!
Blythe Bessie in the milking shiel,
Says—“I’ll be wed, come o’t what will”:
Out spake a dame in wrinkled eild;
“O’ gude advisement comes nae ill.
“It’s ye hae wooers mony ane,
And lassie, ye’re but young ye ken;
Then wait a wee, and cannie wale
A routhie butt, a routhie ben;
There’s Johnie o’ the Buskie-glen,
Fu’ is his barn, fu’ is his byre;
Take this frae me, my bonie hen,
It’s plenty beets the luver’s fire.”
“For Johnie o’ the Buskie-glen,
I dinna care a single flie;
He lo’es sae weel his craps and kye,
He has nae love to spare for me;
But blythe’s the blink o’ Robie’s e’e,
And weel I wat he lo’es me dear:
Ae blink o’ him I wad na gie
For Buskie-glen and a’ his gear.”
“O thoughtless lassie, life’s a faught;
The canniest gate, the strife is sair;
But aye fu’-han’t is fechtin’ best,
A hungry care’s an unco care:
But some will spend and some will spare,
An’ wilfu’ folk maun hae their will;
Syne as ye brew, my maiden fair,
Keep mind that ye maun drink the yill.”
“O gear will buy me rigs o’ land,
And gear will buy me sheep and kye;
But the tender heart o’ leesome love,
The gowd and siller canna buy;
We may be poor—Robie and I—
Light is the burden love lays on;
Content and love brings peace and joy—
What mair hae Queens upon a throne?”
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Written by
John Berryman |
I heard, could be, a Hey there from the wing,
and I went on: Miss Bessie soundin good
that one, that night of all,
I feelin fari myself, taxes & things
seem to be back in line, like everybody should
and nobody in the snow on call
so, as I say, the house is given hell
to Yellow Dog, I blowin like it too
and Bessie always do
when she make a very big sound—after, well,
no sound—I see she totterin—I cross which stage
even at Henry's age
in 2-3 seconds: then we wait and see.
I hear strange horns, Pinetop he hit some chords,
Charlie start Empty Bed,
they all come hangin Christmas on some tree
after trees thrown out—sick-house's white birds',
black to the birds instead.
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