Written by
Sylvia Plath |
Head alone shows you in the prodigious act
Of digesting what centuries alone digest:
The mammoth, lumbering statuary of sorrow,
Indissoluble enough to riddle the guts
Of a whale with holes and holes, and bleed him white
Into salt seas.
Hercules had a simple time,
Rinsing those stables: a baby's tears would do it.
But who'd volunteer to gulp the Laocoon,
The Dying Gaul and those innumerable pietas
Festering on the dim walls of Europe's chapels,
Museums and sepulchers? You.
You
Who borrowed feathers for your feet, not lead,
Not nails, and a mirror to keep the snaky head
In safe perspective, could outface the gorgon-grimace
Of human agony: a look to numb
Limbs: not a basilisk-blink, nor a double whammy,
But all the accumulated last grunts, groans,
Cries and heroic couplets concluding the million
Enacted tragedies on these blood-soaked boards,
And every private twinge a hissing asp
To petrify your eyes, and every village
Catastrophe a writhing length of cobra,
And the decline of empires the thick coil of a vast
Anacnoda.
Imagine: the world
Fisted to a foetus head, ravined, seamed
With suffering from conception upwards, and there
You have it in hand.
Grit in the eye or a sore
Thumb can make anyone wince, but the whole globe
Expressive of grief turns gods, like kings, to rocks.
Those rocks, cleft and worn, themselves then grow
Ponderous and extend despair on earth's
Dark face.
So might rigor mortis come to stiffen
All creation, were it not for a bigger belly
Still than swallows joy.
You enter now,
Armed with feathers to tickle as well as fly,
And a fun-house mirror that turns the tragic muse
To the beheaded head of a sullen doll, one braid,
A bedraggled snake, hanging limp as the absurd mouth
Hangs in its lugubious pout.
Where are
The classic limbs of stubborn Antigone?
The red, royal robes of Phedre? The tear-dazzled
Sorrows of Malfi's gentle duchess?
Gone
In the deep convulsion gripping your face, muscles
And sinews bunched, victorious, as the cosmic
Laugh does away with the unstitching, plaguey wounds
Of an eternal sufferer.
To you
Perseus, the palm, and may you poise
And repoise until time stop, the celestial balance
Which weighs our madness with our sanity.
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Written by
Anne Sexton |
If you danced from midnight
to six A.
M.
who would understand?
The runaway boy
who chucks it all
to live on the Boston Common
on speed and saltines,
pissing in the duck pond,
rapping with the street priest,
trading talk like blows,
another missing person,
would understand.
The paralytic's wife
who takes her love to town,
sitting on the bar stool,
downing stingers and peanuts,
singing "That ole Ace down in the hole,"
would understand.
The passengers
from Boston to Paris
watching the movie with dawn
coming up like statues of honey,
having partaken of champagne and steak
while the world turned like a toy globe,
those murderers of the nightgown
would understand.
The amnesiac
who tunes into a new neighborhood,
having misplaced the past,
having thrown out someone else's
credit cards and monogrammed watch,
would understand.
The drunken poet
(a genius by daylight)
who places long-distance calls
at three A.
M.
and then lets you sit
holding the phone while he vomits
(he calls it "The Night of the Long Knives")
getting his kicks out of the death call,
would understand.
The insomniac
listening to his heart
thumping like a June bug,
listening on his transistor
to Long John Nebel arguing from New York,
lying on his bed like a stone table,
would understand.
The night nurse
with her eyes slit like Venetian blinds,
she of the tubes and the plasma,
listening to the heart monitor,
the death cricket bleeping,
she who calls you "we"
and keeps vigil like a ballistic missile,
would understand.
Once
this king had twelve daughters,
each more beautiful than the other.
They slept together, bed by bed
in a kind of girls' dormitory.
At night the king locked and bolted the door
.
How could they possibly escape?
Yet each morning their shoes
were danced to pieces.
Each was as worn as an old jockstrap.
The king sent out a proclamation
that anyone who could discover
where the princesses did their dancing
could take his pick of the litter.
However there was a catch.
If he failed, he would pay with his life.
Well, so it goes.
Many princes tried,
each sitting outside the dormitory,
the door ajar so he could observe
what enchantment came over the shoes.
But each time the twelve dancing princesses
gave the snoopy man a Mickey Finn
and so he was beheaded.
Poof! Like a basketball.
It so happened that a poor soldier
heard about these strange goings on
and decided to give it a try.
On his way to the castle
he met an old old woman.
Age, for a change, was of some use.
She wasn't stuffed in a nursing home.
She told him not to drink a drop of wine
and gave him a cloak that would make
him invisible when the right time came.
And thus he sat outside the dorm.
The oldest princess brought him some wine
but he fastened a sponge beneath his chin,
looking the opposite of Andy Gump.
The sponge soaked up the wine,
and thus he stayed awake.
He feigned sleep however
and the princesses sprang out of their beds
and fussed around like a Miss America Contest.
Then the eldest went to her bed
and knocked upon it and it sank into the earth.
They descended down the opening
one after the other.
They crafty soldier
put on his invisisble cloak and followed.
Yikes, said the youngest daughter,
something just stepped on my dress.
But the oldest thought it just a nail.
Next stood an avenue of trees,
each leaf make of sterling silver.
The soldier took a leaf for proof.
The youngest heard the branch break
and said, Oof! Who goes there?
But the oldest said, Those are
the royal trumpets playing triumphantly.
The next trees were made of diamonds.
He took one that flickered like Tinkerbell
and the youngest said: Wait up! He is here!
But the oldest said: Trumpets, my dear.
Next they came to a lake where lay
twelve boats with twelve enchanted princes
waiting to row them to the underground castle.
The soldier sat in the youngest's boat
and the boat was as heavy as if an icebox
had been added but the prince did not suspect.
Next came the ball where the shoes did duty.
The princesses danced like taxi girls at Roseland
as if those tickets would run right out.
They were painted in kisses with their secret hair
and though the soldier drank from their cups
they drank down their youth with nary a thought.
Cruets of champagne and cups full of rubies.
They danced until morning and the sun came up
naked and angry and so they returned
by the same strange route.
The soldier
went forward through the dormitory and into
his waiting chair to feign his druggy sleep.
That morning the soldier, his eyes fiery
like blood in a wound, his purpose brutal
as if facing a battle, hurried with his answer
as if to the Sphinx.
The shoes! The shoes!
The soldier told.
He brought forth
the silver leaf, the diamond the size of a plum.
He had won.
The dancing shoes would dance
no more.
The princesses were torn from
their night life like a baby from its pacifier.
Because he was old he picked the eldest.
At the wedding the princesses averted their eyes
and sagged like old sweatshirts.
Now the runaways would run no more and never
again would their hair be tangled into diamonds,
never again their shoes worn down to a laugh,
never the bed falling down into purgatory
to let them climb in after
with their Lucifer kicking.
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Written by
Rossy Evelin Lima |
I am a beautiful broken woman,
my arms separated in three levels.
Thunderous is my independent torso,
my torso of perfect size,
my torso a treasure box, an unrestricted treasure box
in which I keep the thirst that I resist.
My legs, also cut in three,
are the trinity of my dismembered temple,
transformed pieces made
unstoppable,
they are the flow of the sea
and they sail at will.
My shattered hands are deer crowns,
rooted stems
that whittle their own path.
Hands so free!
I am a beheaded woman,
a glorified decapitated woman.
My head is a nimbus,
for I am the queen
and my body is the empire.
I
go on
limitless,
vacant in all my sovereignty.
The shackles that once held me
slid through my broken bones.
I am the liberated severed woman,
the woman without yoke or tether.
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Written by
John Matthew |
It’s akin to visiting my foster mother, today,
That I am returning to you, mother city, after twenty years,
I look at your broad, bereft blood-stained streets, mater,
Through which emperors, prime ministers cavalcaded,
In victory and defeat, through gates and triumphal arches,
That murmur of the pains of your rape and impregnation.
The sudden shock of your poverty upsets me,
It is evident in the desperation of the cycle-rickshaw puller,
His eyes intent on the ground, standing on his pedals,
He pulls his woes, as if there is no halcyon tomorrows.
Your grimy streets are dusty, high walled, impenetrable,
As if you wish to guard the gory secrets within.
Is this where histories, dynasties were erected, to fall?
A dynasty now rules by proxy the city of the great Akbar,
And a fratricide of a politician now fills you with awe,
When you are the city of kingly fratricides and parricides.
Remember how Dara Shukoh was marched and beheaded,
In your own street of Chandni Chowk, of not long ago?
The secrets of your devious present and past mingle,
Where now stand glitzy malls, I know, blood had flowed,
In your dark corners soldiers, spies, princes plotted to kill,
You witnessed the dethroning of emperor Shah Jehan,
And the ascendance of his wily progeny, Aurangazeb,
And you covered your face in the folds of your veil.
Yet, now, mother city, your tears are dry, your sobs silent,
Slowly you die, spent and ravaged by your many lovers.
Though it is kitsch melodies that you hum today, you were,
Serenaded by Tansen, and Amir Khushro Dehlavi,
In your parlor once, poets and artists did conclave,
Over the “daughter of grapes” and the smell of hafim!
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Written by
Seamus Heaney |
Here is the girl's head like an exhumed gourd.
Oval-faced, prune-skinned, prune-stones for teeth.
They unswaddled the wet fern of her hair
And made an exhibition of its coil,
Let the air at her leathery beauty.
Pash of tallow, perishable treasure:
Her broken nose is dark as a turf clod,
Her eyeholes blank as pools in the old workings.
Diodorus Siculus confessed
His gradual ease with the likes of this:
Murdered, forgotten, nameless, terrible
Beheaded girl, outstaring axe
And beatification, outstaring
What had begun to feel like reverence.
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Written by
Edward Hirsch |
Lay these words into the dead man's grave
next to the almonds and black cherries---
tiny skulls and flowering blood-drops, eyes,
and Thou, O bitterness that pillows his head.
Lay these words on the dead man's eyelids
like eyebrights, like medieval trumpet flowers
that will flourish, this time, in the shade.
Let the beheaded tulips glisten with rain.
Lay these words on his drowned eyelids
like coins or stars, ancillary eyes.
Canopy the swollen sky with sunspots
while thunder addresses the ground.
Syllable by syllable, clawed and handled,
the words have united in grief.
It is the ghostly hour of lamentation,
the void's turn, mournful and absolute.
Lay these words on the dead man's lips
like burning tongs, a tongue of flame.
A scouring eagle wheels and shrieks.
Let God pray to us for this man.
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