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Best Famous Begetter Poems

Here is a collection of the all-time best famous Begetter poems. This is a select list of the best famous Begetter poetry. Reading, writing, and enjoying famous Begetter poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of begetter poems.

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Written by Hilaire Belloc | Create an image from this poem

Heroic Poem in Praise of Wine

 To exalt, enthrone, establish and defend,
To welcome home mankind's mysterious friend
Wine, true begetter of all arts that be;
Wine, privilege of the completely free;
Wine the recorder; wine the sagely strong;
Wine, bright avenger of sly-dealing wrong,
Awake, Ausonian Muse, and sing the vineyard song!

Sing how the Charioteer from Asia came,
And on his front the little dancing flame
Which marked the God-head.
Sing the Panther-team, The gilded Thrysus twirling, and the gleam Of cymbals through the darkness.
Sing the drums.
He comes; the young renewer of Hellas comes! The Seas await him.
Those Aegean Seas Roll from the dawning, ponderous, ill at ease, In lifts of lead, whose cresting hardly breaks To ghostly foam, when suddenly there awakes A mountain glory inland.
All the skies Are luminous; and amid the sea bird cries The mariner hears a morning breeze arise.
Then goes the Pageant forward.
The sea-way Silvers the feet of that august array Trailing above the waters, through the airs; And as they pass a wind before them bears The quickening word, the influence magical.
The Islands have received it, marble-tall; The long shores of the mainland.
Something fills The warm Euboean combes, the sacred hills Of Aulis and of Argos.
Still they move Touching the City walls, the Temple grove, Till, far upon the horizon-glint, a gleam Of light, of trembling light, revealed they seem Turned to a cloud, but to a cloud that shines, And everywhere as they pass, the Vines! The Vines! The Vines, the conquering Vines! And the Vine breaths Her savour through the upland, empty heaths Of treeless wastes; the Vines have come to where The dark Pelasgian steep defends the lair Of the wolf's hiding; to the empty fields By Aufidus, the dry campaign that yields No harvest for the husbandman, but now Shall bear a nobler foison than the plough; To where, festooned along the tall elm trees, Tendrils are mirrored in Tyrrhenian seas; To where the South awaits them; even to where Stark, African informed of burning air, Upturned to Heaven the broad Hipponian plain Extends luxurious and invites the main.
Guelma's a mother: barren Thaspsa breeds; And northward in the valleys, next the meads That sleep by misty river banks, the Vines Have struck to spread below the solemn pines.
The Vines are on the roof-trees.
All the Shrines And Homes of men are consecrate with Vines.
And now the task of that triumphant day Has reached to victory.
In the reddening ray With all his train, from hard Iberian lands Fulfilled, apparent, that Creator stands Halted on Atlas.
Far Beneath him, far, The strength of Ocean darkening and the star Beyond all shores.
There is a silence made.
It glorifies: and the gigantic shade Of Hercules adores him from the West.
Dead Lucre: burnt Ambition: Wine is best.
But what are these that from the outer murk Of dense mephitic vapours creeping lurk To breathe foul airs from that corrupted well Which oozes slime along the floor of Hell? These are the stricken palsied brood of sin In whose vile veins, poor, poisonous and thin, Decoctions of embittered hatreds crawl: These are the Water-Drinkers, cursed all! On what gin-sodden Hags, what flaccid sires Bred these White Slugs from what exhaust desires? In what close prison's horror were their wiles Watched by what tyrant power with evil smiles; Or in what caverns, blocked from grace and air Received they, then, the mandates of despair? What! Must our race, our tragic race, that roam All exiled from our first, and final, home: That in one moment of temptation lost Our heritage, and now wander, hunger-tost Beyond the Gates (still speaking with our eyes For ever of remembered Paradise), Must we with every gift accepted, still, With every joy, receive attendant ill? Must some lewd evil follow all our good And muttering dog our brief beatitude? A primal doom, inexorable, wise, Permitted, ordered, even these to rise.
Even in the shadow of so bright a Lord Must swarm and propagate the filthy horde Debased, accursed I say, abhorrent and abhorred.
Accursed and curse-bestowing.
For whosoe'er Shall suffer their contagion, everywhere Falls from the estate of man and finds his end To the mere beverage of the beast condemned.
For such as these in vain the Rhine has rolled Imperial centuries by hills of gold; For such as these the flashing Rhone shall rage In vain its lightning through the Hermitage Or level-browed divine Touraine receive The tribute of her vintages at eve.
For such as these Burgundian heats in vain Swell the rich slope or load the empurpled plain.
Bootless for such as these the mighty task Of bottling God the Father in a flask And leading all Creation down distilled To one small ardent sphere immensely filled.
With memories empty, with experience null, With vapid eye-balls meaningless and dull They pass unblest through the unfruitful light; And when we open the bronze doors of Night, When we in high carousal, we reclined, Spur up to Heaven the still ascending mind, Pass with the all inspiring, to and fro, The torch of genius and the Muse's glow, They, lifeless, stare at vacancy alone Or plan mean traffic, or repeat their moan.
We, when repose demands us, welcomed are In young white arms, like our great Exemplar Who, wearied with creation, takes his rest And sinks to sleep on Ariadne's breast.
They through the darkness into darkness press Despised, abandoned and companionless.
And when the course of either's sleep has run We leap to life like heralds of the sun; We from the couch in roseate mornings gay Salute as equals the exultant day While they, the unworthy, unrewarded, they The dank despisers of the Vine, arise To watch grey dawns and mourn indifferent skies.
Forget them! Form the Dionysian ring And pulse the ground, and Io, Io, sing.
Father Lenaean, to whom our strength belongs, Our loves, our wars, our laughter and our songs, Remember our inheritance, who praise Your glory in these last unhappy days When beauty sickens and a muddied robe Of baseness fouls the universal globe.
Though all the Gods indignant and their train Abandon ruined man, do thou remain! By thee the vesture of our life was made, The Embattled Gate, the lordly Colonnade, The woven fabric's gracious hues, the sound Of trumpets, and the quivering fountain-round, And, indestructible, the Arch, and, high, The Shaft of Stone that stands against the sky, And, last, the guardian-genius of them, Rhyme, Come from beyond the world to conquer time: All these are thine, Lenaean.
By thee do seers the inward light discern; By thee the statue lives, the Gods return; By thee the thunder and the falling foam Of loud Acquoria's torrent call to Rome; Alba rejoices in a thousand springs, Gensano laughs, and Orvieto sings.
.
.
But, Ah! With Orvieto, with that name Of dark, Eturian, subterranean flame The years dissolve.
I am standing in that hour Of majesty Septembral, and the power Which swells the clusters when the nights are still With autumn stars on Orvieto hill.
Had these been mine, Ausonian Muse, to know The large contented oxen heaving slow; To count my sheaves at harvest; so to spend Perfected days in peace until the end; With every evening's dust of gold to hear The bells upon the pasture height, the clear Full horn of herdsmen gathering in the kine To ancient byres in hamlets Appenine, And crown abundant age with generous ease: Had these, Ausonian Muse, had these, had these.
.
.
.
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But since I would not, since I could not stay, Let me remember even in this my day How, when the ephemeral vision's lure is past All, all, must face their Passion at the last Was there not one that did to Heaven complain How, driving through the midnight and the rain, He struck, the Atlantic seethe and surge before, Wrecked in the North along a lonely shore To make the lights of home and hear his name no more.
Was there not one that from a desperate field Rode with no guerdon but a rifted shield; A name disherited; a broken sword; Wounds unrenowned; battle beneath no Lord; Strong blows, but on the void, and toil without reward.
When from the waste of such long labour done I too must leave the grape-ennobling sun And like the vineyard worker take my way Down the long shadows of declining day, Bend on the sombre plain my clouded sight And leave the mountain to the advancing night, Come to the term of all that was mine own With nothingness before me, and alone; Then to what hope of answer shall I turn? Comrade-Commander whom I dared not earn, What said You then to trembling friends and few? "A moment, and I drink it with you new: But in my Father's Kingdom.
" So, my Friend, Let not Your cup desert me in the end.
But when the hour of mine adventure's near Just and benignant, let my youth appear Bearing a Chalice, open, golden, wide, With benediction graven on its side.
So touch my dying lip: so bridge that deep: So pledge my waking from the gift of sleep, And, sacramental, raise me the Divine: Strong brother in God and last companion, Wine.


Written by Aleister Crowley | Create an image from this poem

Hymn to Pan

 Thrill with lissome lust of the light,
O man ! My man !
Come careering out of the night
Of Pan ! Io Pan .
Io Pan ! Io Pan ! Come over the sea From Sicily and from Arcady ! Roaming as Bacchus, with fauns and pards And nymphs and styrs for thy guards, On a milk-white ass, come over the sea To me, to me, Coem with Apollo in bridal dress (Spheperdess and pythoness) Come with Artemis, silken shod, And wash thy white thigh, beautiful God, In the moon, of the woods, on the marble mount, The dimpled dawn of of the amber fount ! Dip the purple of passionate prayer In the crimson shrine, the scarlet snare, The soul that startles in eyes of blue To watch thy wantoness weeping through The tangled grove, the gnarled bole Of the living tree that is spirit and soul And body and brain -come over the sea, (Io Pan ! Io Pan !) Devil or god, to me, to me, My man ! my man ! Come with trumpets sounding shrill Over the hill ! Come with drums low muttering From the spring ! Come with flute and come with pipe ! Am I not ripe ? I, who wait and writhe and wrestle With air that hath no boughs to nestle My body, weary of empty clasp, Strong as a lion, and sharp as an asp- Come, O come ! I am numb With the lonely lust of devildom.
Thrust the sword through the galling fetter, All devourer, all begetter; Give me the sign of the Open Eye And the token erect of thorny thigh And the word of madness and mystery, O pan ! Io Pan ! Io Pan ! Io Pan ! Pan Pan ! Pan, I am a man: Do as thou wilt, as a great god can, O Pan ! Io Pan ! Io pan ! Io Pan Pan ! Iam awake In the grip of the snake.
The eagle slashes with beak and claw; The gods withdraw: The great beasts come, Io Pan ! I am borne To death on the horn Of the Unicorn.
I am Pan ! Io Pan ! Io Pan Pan ! Pan ! I am thy mate, I am thy man, Goat of thy flock, I am gold , I am god, Flesh to thy bone, flower to thy rod.
With hoofs of steel I race on the rocks Through solstice stubborn to equinox.
And I rave; and I rape and I rip and I rend Everlasting, world without end.
Mannikin, maiden, maenad, man, In the might of Pan.
Io Pan ! Io Pan Pan ! Pan ! Io Pan !
Written by William Butler Yeats | Create an image from this poem

The Municipal Gallery Revisited

 I

Around me the images of thirty years:
An ambush; pilgrims at the water-side;
Casement upon trial, half hidden by the bars,
Guarded; Griffith staring in hysterical pride;
Kevin O'Higgins' countenance that wears
A gentle questioning look that cannot hide
A soul incapable of remorse or rest;
A revolutionary soldier kneeling to be blessed;

 II

An Abbot or Archbishop with an upraised hand
Blessing the Tricolour.
'This is not,' I say, 'The dead Ireland of my youth, but an Ireland The poets have imagined, terrible and gay.
' Before a woman's portrait suddenly I stand, Beautiful and gentle in her Venetian way.
I met her all but fifty years ago For twenty minutes in some studio.
III Heart-smitten with emotion I Sink down, My heart recovering with covered eyes; Wherever I had looked I had looked upon My permanent or impermanent images: Augusta Gregory's son; her sister's son, Hugh Lane, 'onlie begetter' of all these; Hazel Lavery living and dying, that tale As though some ballad-singer had sung it all; IV Mancini's portrait of Augusta Gregory, 'Greatest since Rembrandt,' according to John Synge; A great ebullient portrait certainly; But where is the brush that could show anything Of all that pride and that humility? And I am in despair that time may bring Approved patterns of women or of men But not that selfsame excellence again.
V My mediaeval knees lack health until they bend, But in that woman, in that household where Honour had lived so long, all lacking found.
Childless I thought, 'My children may find here Deep-rooted things,' but never foresaw its end, And now that end has come I have not wept; No fox can foul the lair the badger swept - VI (An image out of Spenser and the common tongue).
John Synge, I and Augusta Gregory, thought All that we did, all that we said or sang Must come from contact with the soil, from that Contact everything Antaeus-like grew strong.
We three alone in modern times had brought Everything down to that sole test again, Dream of the noble and the beggar-man.
VII And here's John Synge himself, that rooted man, 'Forgetting human words,' a grave deep face.
You that would judge me, do not judge alone This book or that, come to this hallowed place Where my friends' portraits hang and look thereon; Ireland's history in their lineaments trace; Think where man's glory most begins and ends, And say my glory was I had such friends.
Written by Boris Pasternak | Create an image from this poem

March

 The sun is hotter than the top ledge in a steam bath;
The ravine, crazed, is rampaging below.
Spring -- that corn-fed, husky milkmaid -- Is busy at her chores with never a letup.
The snow is wasting (pernicious anemia -- See those branching veinlets of impotent blue?) Yet in the cowbarn life is burbling, steaming, And the tines of pitchforks simply glow with health.
These days -- these days, and these nights also! With eavesdrop thrumming its tattoos at noon, With icicles (cachectic!) hanging on to gables, And with the chattering of rills that never sleep! All doors are flung open -- in stable and in cowbarn; Pigeons peck at oats fallen in the snow; And the culprit of all this and its life-begetter-- The pile of manure -- is pungent with ozone.
Written by Robert William Service | Create an image from this poem

My Typewriter

 I used to think a pot of ink
Held magic in its fluid,
And I would ply a pen when I
Was hoary a a Druid;
But as I scratch my silver thatch
My battered old Corona
Calls out to me as plaintively
As dying Desdemona.
"For old time's sake give me a break: To you I've been as loyal As ever could an Underwood, Or Remington or Royal.
The globe we've spanned together and Two million words, maybe, For you I've tapped - it's time you rapped A rhyme or two for me.
"I've seen you sit and smoke and spit With expletives profane, Then tear with rage the virgin page I tendered you in vain.
I've watched you glare in dull despair Through hours of brooding thought, Then with a shout bang gaily out The 'word unique' you sought.
"I've heard you groan and grunt and moan That rhyme's a wretched fetter; That after all you're just a small Fat-headed verse-begetter; You'd balance me upon your knee Like any lady friend, Then with a sigh you'd lay me by For weeks and weeks on end.
"I've known when you were mighty blue And hammered me till dawn, Dire poverty! But I would be The last thing you would pawn.
Days debt-accurst! Then at its worst The sky, behold, would clear; A poem sold, the garret cold Would leap to light and cheer.
"You've toted me by shore and sea From Mexico to Maine; From Old Cathay to Mandalay, From Samarkand to Spain.
You've thumped me in the battle's din And pounded me in peace; By air and land you've lugged me and Your shabby old valise.
"But now my keys no more with ease To your two fingers yield; With years of use my joints are loose, With wear of flood and field.
And even you are slipping too: You're puffy, stiff and grey: Old Sport, we're done, our race is run - Why not call it a day?" Why not? You've been, poor old machine! My tried and faithful friend.
With fingertip your keys I'll flip Serenely to the end.
For even though you're stiff and slow, No other will I buy.
And though each word be wan and blurred I'll tap you till I die.



Book: Shattered Sighs