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Best Famous Beech Poems

Here is a collection of the all-time best famous Beech poems. This is a select list of the best famous Beech poetry. Reading, writing, and enjoying famous Beech poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of beech poems.

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Written by Elizabeth Jennings | Create an image from this poem

In a Garden

 When the gardener has gone this garden
Looks wistful and seems waiting an event.
It is so spruce, a metaphor of Eden
And even more so since the gardener went,

Quietly godlike, but of course, he had
Not made me promise anything and I
Had no one tempting me to make the bad
Choice. Yet I still felt lost and wonder why.

Even the beech tree from next door which shares
Its shadow with me, seemed a kind of threat.
Everything was too neat, and someone cares

In the wrong way. I need not have stood long
Mocked by the smell of a mown lawn, and yet
I did. Sickness for Eden was so strong.


Written by Edgar Bowers | Create an image from this poem

Elegy: Walking the Line

 Every month or so, Sundays, we walked the line,
The limit and the boundary. Past the sweet gum
Superb above the cabin, along the wall—
Stones gathered from the level field nearby
When first we cleared it. (Angry bumblebees
Stung the two mules. They kicked. Thirteen, I ran.)
And then the field: thread-leaf maple, deciduous
Magnolia, hybrid broom, and, further down,
In light shade, one Franklinia Alatamaha
In solstice bloom, all white, most graciously.
On the sunnier slope, the wild plums that my mother
Later would make preserves of, to give to friends
Or sell, in autumn, with the foxgrape, quince,
Elderberry, and muscadine. Around
The granite overhang, moist den of foxes;
Gradually up a long hill, high in pine,
Park-like, years of dry needles on the ground,
And dogwood, slopes the settlers terraced; pine
We cut at Christmas, berries, hollies, anise,
And cones for sale in Mister Haymore’s yard
In town, below the Courthouse Square. James Haymore,
One of the two good teachers at Boys’ High,
Ironic and demanding, chemistry;
Mary Lou Culver taught us English: essays,
Plot summaries, outlines, meters, kinds of clauses
(Noun, adjective, and adverb, five at a time),
Written each day and then revised, and she
Up half the night to read them once again
Through her pince-nez, under a single lamp.
Across the road, on a steeper hill, the settlers
Set a house, unpainted, the porch fallen in,
The road a red clay strip without a bridge,
A shallow stream that liked to overflow.
Oliver Brand’s mules pulled our station wagon
Out of the gluey mire, earth’s rust. Then, here
And there, back from the road, the specimen
Shrubs and small trees my father planted, some
Taller than we were, some in bloom, some berried,
And some we still brought water to. We always
Paused at the weed-filled hole beside the beech
That, one year, brought forth beech nuts by the thousands,
A hole still reminiscent of the man
Chewing tobacco in among his whiskers
My father happened on, who, discovered, told
Of dreaming he should dig there for the gold
And promised to give half of what he found. 

During the wars with Germany and Japan,
Descendents of the settlers, of Oliver Brand
And of that man built Flying Fortresses
For Lockheed, in Atlanta; now they build
Brick mansions in the woods they left, with lawns
To paved and lighted streets, azaleas, camellias
Blooming among the pines and tulip trees—
Mercedes Benz and Cadillac Republicans.
There was another stream further along 
Divided through a marsh, lined by the fence
We stretched to posts with Mister Garner’s help
The time he needed cash for his son’s bail
And offered all his place. A noble spring
Under the oak root cooled his milk and butter.
He called me “honey,” working with us there
(My father bought three acres as a gift),
His wife pale, hair a country orange, voice
Uncanny, like a ghost’s, through the open door
Behind her, chickens scratching on the floor.
Barred Rocks, our chickens; one, a rooster, splendid
Sliver and grey, red comb and long sharp spurs,
Once chased Aunt Jennie as far as the daphne bed
The two big king snakes were familiars of.
My father’s dog would challenge him sometimes
To laughter and applause. Once, in Stone Mountain,
Travelers, stopped for gas, drove off with Smokey;
Angrily, grievingly, leaving his work, my father
Traced the car and found them way far south,
Had them arrested and, bringing Smokey home,
Was proud as Sherlock Holmes, and happier.
Above the spring, my sister’s cats, black Amy,
Grey Junior, down to meet us. The rose trees,
Domestic, Asiatic, my father’s favorites.
The bridge, marauding dragonflies, the bullfrog,
Camellias cracked and blackened by the freeze,
Bay tree, mimosa, mountain laurel, apple, 
Monkey pine twenty feet high, banana shrub,
The owls’ tall pine curved like a flattened S.
The pump house Mort and I built block by block,
Smooth concrete floor, roof pale aluminum
Half-covered by a clematis, the pump 
Thirty feet down the mountain’s granite foot. 

Mort was the hired man sent to us by Fortune,
Childlike enough to lead us. He brought home,
Although he could not even drive a tractor,
Cheated, a worthless car, which we returned.
When, at the trial to garnishee his wages,
Frank Guess, the judge, Grandmother’s longtime neighbor,
Whose children my mother taught in Cradle Roll,
Heard Mort’s examination, he broke in
As if in disbelief on the bank’s attorneys:
“Gentlemen, must we continue this charade?”
Finally, past the compost heap, the garden,
Tomatoes and sweet corn for succotash,
Okra for frying, Kentucky Wonders, limas,
Cucumbers, squashes, leeks heaped round with soil,
Lavender, dill, parsley, and rosemary,
Tithonia and zinnias between the rows;
The greenhouse by the rock wall, used for cuttings
In late spring, frames to grow them strong for planting
Through winter into summer. Early one morning
Mort called out, lying helpless by the bridge.
His ashes we let drift where the magnolia
We planted as a stem divides the path
The others lie, too young, at Silver Hill,
Except my mother. Ninety-five, she lives
Three thousand miles away, beside the bare
Pacific, in rooms that overlook the Mission,
The Riviera, and the silver range 
La Cumbre east. Magnolia grandiflora
And one druidic live oak guard the view. 
Proudly around the walls, she shows her paintings
Of twenty years ago: the great oak’s arm
Extended, Zeuslike, straight and strong, wisteria
Tangled among the branches, amaryllis
Around the base; her cat, UC, at ease
In marigolds; the weeping cherry, pink
And white arms like a blessing to the blue
Bird feeder Mort made; cabin, scarlet sweet gum
Superb when tribes migrated north and south.
Alert, still quick of speech, a little blind,
Active, ready for laughter, open to fear,
Pity, and wonder that such things may be,
Some Sundays, I think, she must walk the line,
Aunt Jennie, too, if she were still alive,
And Eleanor, whose story is untold,
Their presences like muses, prompting me
In my small study, all listening to the sea,
All of one mind, the true posterity.
Written by Alfred Lord Tennyson | Create an image from this poem

The Talking Oak

 Once more the gate behind me falls; 
Once more before my face 
I see the moulder'd Abbey-walls, 
That stand within the chace. 

Beyond the lodge the city lies, 
Beneath its drift of smoke; 
And ah! with what delighted eyes 
I turn to yonder oak. 

For when my passion first began, 
Ere that, which in me burn'd, 
The love, that makes me thrice a man, 
Could hope itself return'd; 

To yonder oak within the field 
I spoke without restraint, 
And with a larger faith appeal'd 
Than Papist unto Saint. 

For oft I talk'd with him apart 
And told him of my choice, 
Until he plagiarized a heart, 
And answer'd with a voice. 

Tho' what he whisper'd under Heaven 
None else could understand; 
I found him garrulously given, 
A babbler in the land. 

But since I heard him make reply 
Is many a weary hour; 
'Twere well to question him, and try 
If yet he keeps the power. 

Hail, hidden to the knees in fern, 
Broad Oak of Sumner-chace, 
Whose topmost branches can discern 
The roofs of Sumner-place! 

Say thou, whereon I carved her name, 
If ever maid or spouse, 
As fair as my Olivia, came 
To rest beneath thy boughs.--- 

"O Walter, I have shelter'd here 
Whatever maiden grace 
The good old Summers, year by year 
Made ripe in Sumner-chace: 

"Old Summers, when the monk was fat, 
And, issuing shorn and sleek, 
Would twist his girdle tight, and pat 
The girls upon the cheek, 

"Ere yet, in scorn of Peter's-pence, 
And number'd bead, and shrift, 
Bluff Harry broke into the spence 
And turn'd the cowls adrift: 

"And I have seen some score of those 
Fresh faces that would thrive 
When his man-minded offset rose 
To chase the deer at five; 

"And all that from the town would stroll, 
Till that wild wind made work 
In which the gloomy brewer's soul 
Went by me, like a stork: 

"The slight she-slips of royal blood, 
And others, passing praise, 
Straight-laced, but all-too-full in bud 
For puritanic stays: 

"And I have shadow'd many a group 
Of beauties, that were born 
In teacup-times of hood and hoop, 
Or while the patch was worn; 

"And, leg and arm with love-knots gay 
About me leap'd and laugh'd 
The modish Cupid of the day, 
And shrill'd his tinsel shaft. 

"I swear (and else may insects prick 
Each leaf into a gall) 
This girl, for whom your heart is sick, 
Is three times worth them all. 

"For those and theirs, by Nature's law, 
Have faded long ago; 
But in these latter springs I saw 
Your own Olivia blow, 

"From when she gamboll'd on the greens 
A baby-germ, to when 
The maiden blossoms of her teens 
Could number five from ten. 

"I swear, by leaf, and wind, and rain, 
(And hear me with thine ears,) 
That, tho' I circle in the grain 
Five hundred rings of years--- 

"Yet, since I first could cast a shade, 
Did never creature pass 
So slightly, musically made, 
So light upon the grass: 

"For as to fairies, that will flit 
To make the greensward fresh, 
I hold them exquisitely knit, 
But far too spare of flesh." 

Oh, hide thy knotted knees in fern, 
And overlook the chace; 
And from thy topmost branch discern 
The roofs of Sumner-place. 

But thou, whereon I carved her name, 
That oft hast heard my vows, 
Declare when last Olivia came 
To sport beneath thy boughs. 

"O yesterday, you know, the fair 
Was holden at the town; 
Her father left his good arm-chair, 
And rode his hunter down. 

"And with him Albert came on his. 
I look'd at him with joy: 
As cowslip unto oxlip is, 
So seems she to the boy. 

"An hour had past---and, sitting straight 
Within the low-wheel'd chaise, 
Her mother trundled to the gate 
Behind the dappled grays. 

"But as for her, she stay'd at home, 
And on the roof she went, 
And down the way you use to come, 
She look'd with discontent. 

"She left the novel half-uncut 
Upon the rosewood shelf; 
She left the new piano shut: 
She could not please herseif 

"Then ran she, gamesome as the colt, 
And livelier than a lark 
She sent her voice thro' all the holt 
Before her, and the park. 

"A light wind chased her on the wing, 
And in the chase grew wild, 
As close as might be would he cling 
About the darling child: 

"But light as any wind that blows 
So fleetly did she stir, 
The flower, she touch'd on, dipt and rose, 
And turn'd to look at her. 

"And here she came, and round me play'd, 
And sang to me the whole 
Of those three stanzas that you made 
About my Ôgiant bole;' 

"And in a fit of frolic mirth 
She strove to span my waist: 
Alas, I was so broad of girth, 
I could not be embraced. 

"I wish'd myself the fair young beech 
That here beside me stands, 
That round me, clasping each in each, 
She might have lock'd her hands. 

"Yet seem'd the pressure thrice as sweet 
As woodbine's fragile hold, 
Or when I feel about my feet 
The berried briony fold." 

O muffle round thy knees with fern, 
And shadow Sumner-chace! 
Long may thy topmost branch discern 
The roofs of Sumner-place! 

But tell me, did she read the name 
I carved with many vows 
When last with throbbing heart I came 
To rest beneath thy boughs? 

"O yes, she wander'd round and round 
These knotted knees of mine, 
And found, and kiss'd the name she found, 
And sweetly murmur'd thine. 

"A teardrop trembled from its source, 
And down my surface crept. 
My sense of touch is something coarse, 
But I believe she wept. 

"Then flush'd her cheek with rosy light, 
She glanced across the plain; 
But not a creature was in sight: 
She kiss'd me once again. 

"Her kisses were so close and kind, 
That, trust me on my word, 
Hard wood I am, and wrinkled rind, 
But yet my sap was stirr'd: 

"And even into my inmost ring 
A pleasure I discern'd, 
Like those blind motions of the Spring, 
That show the year is turn'd. 

"Thrice-happy he that may caress 
The ringlet's waving balm--- 
The cushions of whose touch may press 
The maiden's tender palm. 

"I, rooted here among the groves 
But languidly adjust 
My vapid vegetable loves 
With anthers and with dust: 

"For ah! my friend, the days were brief 
Whereof the poets talk, 
When that, which breathes within the leaf, 
Could slip its bark and walk. 

"But could I, as in times foregone, 
From spray, and branch, and stem, 
Have suck'd and gather'd into one 
The life that spreads in them, 

"She had not found me so remiss; 
But lightly issuing thro', 
I would have paid her kiss for kiss, 
With usury thereto." 

O flourish high, with leafy towers, 
And overlook the lea, 
Pursue thy loves among the bowers 
But leave thou mine to me. 

O flourish, hidden deep in fern, 
Old oak, I love thee well; 
A thousand thanks for what I learn 
And what remains to tell. 

" ÔTis little more: the day was warm; 
At last, tired out with play, 
She sank her head upon her arm 
And at my feet she lay. 

"Her eyelids dropp'd their silken eaves 
I breathed upon her eyes 
Thro' all the summer of my leaves 
A welcome mix'd with sighs. 

"I took the swarming sound of life--- 
The music from the town--- 
The murmurs of the drum and fife 
And lull'd them in my own. 

"Sometimes I let a sunbeam slip, 
To light her shaded eye; 
A second flutter'd round her lip 
Like a golden butterfly; 

"A third would glimmer on her neck 
To make the necklace shine; 
Another slid, a sunny fleck, 
From head to ankle fine, 

"Then close and dark my arms I spread, 
And shadow'd all her rest--- 
Dropt dews upon her golden head, 
An acorn in her breast. 

"But in a pet she started up, 
And pluck'd it out, and drew 
My little oakling from the cup, 
And flung him in the dew. 

"And yet it was a graceful gift--- 
I felt a pang within 
As when I see the woodman lift 
His axe to slay my kin. 

"I shook him down because he was 
The finest on the tree. 
He lies beside thee on the grass. 
O kiss him once for me. 

"O kiss him twice and thrice for me, 
That have no lips to kiss, 
For never yet was oak on lea 
Shall grow so fair as this.' 

Step deeper yet in herb and fern, 
Look further thro' the chace, 
Spread upward till thy boughs discern 
The front of Sumner-place. 

This fruit of thine by Love is blest, 
That but a moment lay 
Where fairer fruit of Love may rest 
Some happy future day. 

I kiss it twice, I kiss it thrice, 
The warmth it thence shall win 
To riper life may magnetise 
The baby-oak within. 

But thou, while kingdoms overset, 
Or lapse from hand to hand, 
Thy leaf shall never fail, nor yet 
Thine acorn in the land. 

May never saw dismember thee, 
Nor wielded axe disjoint, 
That art the fairest-spoken tree 
From here to Lizard-point. 

O rock upon thy towery-top 
All throats that gurgle sweet! 
All starry culmination drop 
Balm-dews to bathe thy feet! 

All grass of silky feather grow--- 
And while he sinks or swells 
The full south-breeze around thee blow 
The sound of minster bells. 

The fat earth feed thy branchy root, 
That under deeply strikes! 
The northern morning o'er thee shoot, 
High up, in silver spikes! 

Nor ever lightning char thy grain, 
But, rolling as in sleep, 
Low thunders bring the mellow rain, 
That makes thee broad and deep! 

And hear me swear a solemn oath, 
That only by thy side 
Will I to Olive plight my troth, 
And gain her for my bride. 

And when my marriage morn may fall, 
She, Dryad-like, shall wear 
Alternate leaf and acorn-ball 
In wreath about her hair. 

And I will work in prose and rhyme, 
And praise thee more in both 
Than bard has honour'd beech or lime, 
Or that Thessalian growth, 

In which the swarthy ringdove sat, 
And mystic sentence spoke; 
And more than England honours that, 
Thy famous brother-oak, 

Wherein the younger Charles abode 
Till all the paths were dim, 
And far below the Roundhead rode, 
And humm'd a surly hymn.
Written by Sidney Lanier | Create an image from this poem

Corn

 To-day the woods are trembling through and through
With shimmering forms, that flash before my view,
Then melt in green as dawn-stars melt in blue.
The leaves that wave against my cheek caress
Like women's hands; the embracing boughs express
A subtlety of mighty tenderness;
The copse-depths into little noises start,
That sound anon like beatings of a heart,
Anon like talk 'twixt lips not far apart.
The beech dreams balm, as a dreamer hums a song;
Through that vague wafture, expirations strong
Throb from young hickories breathing deep and long
With stress and urgence bold of prisoned spring
And ecstasy of burgeoning.
Now, since the dew-plashed road of morn is dry,
Forth venture odors of more quality
And heavenlier giving. Like Jove's locks awry,
Long muscadines
Rich-wreathe the spacious foreheads of great pines,
And breathe ambrosial passion from their vines.
I pray with mosses, ferns and flowers shy
That hide like gentle nuns from human eye
To lift adoring perfumes to the sky.
I hear faint bridal-sighs of brown and green
Dying to silent hints of kisses keen
As far lights fringe into a pleasant sheen.
I start at fragmentary whispers, blown
From undertalks of leafy souls unknown,
Vague purports sweet, of inarticulate tone.
Dreaming of gods, men, nuns and brides, between
Old companies of oaks that inward lean
To join their radiant amplitudes of green
I slowly move, with ranging looks that pass
Up from the matted miracles of grass
Into yon veined complex of space
Where sky and leafage interlace
So close, the heaven of blue is seen
Inwoven with a heaven of green.

I wander to the zigzag-cornered fence
Where sassafras, intrenched in brambles dense,
Contests with stolid vehemence
The march of culture, setting limb and thorn
As pikes against the army of the corn.

There, while I pause, my fieldward-faring eyes
Take harvests, where the stately corn-ranks rise,
Of inward dignities
And large benignities and insights wise,
Graces and modest majesties.
Thus, without theft, I reap another's field;
Thus, without tilth, I house a wondrous yield,
And heap my heart with quintuple crops concealed.

Look, out of line one tall corn-captain stands
Advanced beyond the foremost of his bands,
And waves his blades upon the very edge
And hottest thicket of the battling hedge.
Thou lustrous stalk, that ne'er mayst walk nor talk,
Still shalt thou type the poet-soul sublime
That leads the vanward of his timid time
And sings up cowards with commanding rhyme --
Soul calm, like thee, yet fain, like thee, to grow
By double increment, above, below;
Soul homely, as thou art, yet rich in grace like thee,
Teaching the yeomen selfless chivalry
That moves in gentle curves of courtesy;
Soul filled like thy long veins with sweetness tense,
By every godlike sense
Transmuted from the four wild elements.
Drawn to high plans,
Thou lift'st more stature than a mortal man's,
Yet ever piercest downward in the mould
And keepest hold
Upon the reverend and steadfast earth
That gave thee birth;
Yea, standest smiling in thy future grave,
Serene and brave,
With unremitting breath
Inhaling life from death,
Thine epitaph writ fair in fruitage eloquent,
Thyself thy monument.

As poets should,
Thou hast built up thy hardihood
With universal food,
Drawn in select proportion fair
From honest mould and vagabond air;
From darkness of the dreadful night,
And joyful light;
From antique ashes, whose departed flame
In thee has finer life and longer fame;
From wounds and balms,
From storms and calms,
From potsherds and dry bones
And ruin-stones.
Into thy vigorous substance thou hast wrought
Whate'er the hand of Circumstance hath brought;
Yea, into cool solacing green hast spun
White radiance hot from out the sun.
So thou dost mutually leaven
Strength of earth with grace of heaven;
So thou dost marry new and old
Into a one of higher mould;
So thou dost reconcile the hot and cold,
The dark and bright,
And many a heart-perplexing opposite,
And so,
Akin by blood to high and low,
Fitly thou playest out thy poet's part,
Richly expending thy much-bruised heart
In equal care to nourish lord in hall
Or beast in stall:
Thou took'st from all that thou mightst give to all.

O steadfast dweller on the selfsame spot
Where thou wast born, that still repinest not --
Type of the home-fond heart, the happy lot! --
Deeply thy mild content rebukes the land
Whose flimsy homes, built on the shifting sand
Of trade, for ever rise and fall
With alternation whimsical,
Enduring scarce a day,
Then swept away
By swift engulfments of incalculable tides
Whereon capricious Commerce rides.
Look, thou substantial spirit of content!
Across this little vale, thy continent,
To where, beyond the mouldering mill,
Yon old deserted Georgian hill
Bares to the sun his piteous aged crest
And seamy breast,
By restless-hearted children left to lie
Untended there beneath the heedless sky,
As barbarous folk expose their old to die.
Upon that generous-rounding side,
With gullies scarified
Where keen Neglect his lash hath plied,
Dwelt one I knew of old, who played at toil,
And gave to coquette Cotton soul and soil.
Scorning the slow reward of patient grain,
He sowed his heart with hopes of swifter gain,
Then sat him down and waited for the rain.
He sailed in borrowed ships of usury --
A foolish Jason on a treacherous sea,
Seeking the Fleece and finding misery.
Lulled by smooth-rippling loans, in idle trance
He lay, content that unthrift Circumstance
Should plough for him the stony field of Chance.
Yea, gathering crops whose worth no man might tell,
He staked his life on games of Buy-and-Sell,
And turned each field into a gambler's hell.
Aye, as each year began,
My farmer to the neighboring city ran;
Passed with a mournful anxious face
Into the banker's inner place;
Parleyed, excused, pleaded for longer grace;
Railed at the drought, the worm, the rust, the grass;
Protested ne'er again 'twould come to pass;
With many an `oh' and `if' and `but alas'
Parried or swallowed searching questions rude,
And kissed the dust to soften Dives's mood.
At last, small loans by pledges great renewed,
He issues smiling from the fatal door,
And buys with lavish hand his yearly store
Till his small borrowings will yield no more.
Aye, as each year declined,
With bitter heart and ever-brooding mind
He mourned his fate unkind.
In dust, in rain, with might and main,
He nursed his cotton, cursed his grain,
Fretted for news that made him fret again,
Snatched at each telegram of Future Sale,
And thrilled with Bulls' or Bears' alternate wail --
In hope or fear alike for ever pale.
And thus from year to year, through hope and fear,
With many a curse and many a secret tear,
Striving in vain his cloud of debt to clear,
At last
He woke to find his foolish dreaming past,
And all his best-of-life the easy prey
Of squandering scamps and quacks that lined his way
With vile array,
From rascal statesman down to petty knave;
Himself, at best, for all his bragging brave,
A gamester's catspaw and a banker's slave.
Then, worn and gray, and sick with deep unrest,
He fled away into the oblivious West,
Unmourned, unblest.

Old hill! old hill! thou gashed and hairy Lear
Whom the divine Cordelia of the year,
E'en pitying Spring, will vainly strive to cheer --
King, that no subject man nor beast may own,
Discrowned, undaughtered and alone --
Yet shall the great God turn thy fate,
And bring thee back into thy monarch state
And majesty immaculate.
Lo, through hot waverings of the August morn,
Thou givest from thy vasty sides forlorn
Visions of golden treasuries of corn --
Ripe largesse lingering for some bolder heart
That manfully shall take thy part,
And tend thee,
And defend thee,
With antique sinew and with modern art.
Written by Thomas Gray | Create an image from this poem

Elegy Written In A Country Churchyard

 The curfew tolls the knell of parting day,
The lowing herd wind slowly o'er the lea,
The ploughman homeward plods his weary way,
And leaves the world to darkness and to me.

Now fades the glimmering landscape on the sight,
And all the air a solemn stillness holds,
Save where the beetle wheels his droning flight,
And drowsy tinklings lull the distant folds;

Save that from yonder ivy-mantled tower
The moping owl does to the moon complain
Of such as, wandering near her secret bower,
Molest her ancient solitary reign.

Beneath those rugged elms, that yew-tree's shade,
Where heaves the turf in many a mould'ring heap,
Each in his narrow cell for ever laid,
The rude forefathers of the hamlet sleep.

The breezy call of incense-breathing morn,
The swallow twittering from the straw-built shed,
The cock's shrill clarion, or the echoing horn,
No more shall rouse them from their lowly bed.

For them no more the blazing hearth shall burn,
Or busy housewife ply her evening-care;
No children run to lisp their sire's return,
Or climb his knees the envied kiss to share.

Oft did the harvest to their sickle yield,
Their furrow oft the stubborn glebe has broke:
How jocund did they drive their team afield!
How bowed the woods beneath their sturdy stroke!

Let not Ambition mock their useful toil,
Their homely joys and destiny obscure;
Nor Grandeur hear with a disdainful smile
The short and simple annals of the poor.

The boast of heraldry, the pomp of pow'r,
And all that beauty, all that wealth e'er gave,
Awaits alike th' inevitable hour.
The paths of glory lead but to the grave.

Nor you, ye proud, impute to these the fault,
If Memory o'er their tomb no trophies raise,
Where through the long-drawn aisle, and fretted vault,
The pealing anthem swells the note of praise.

Can storied urn, or animated bust,
Back to its mansion call the fleeting breath?
Can Honour's voice provoke the silent dust,
Or Flattery soothe the dull cold ear of Death?

Perhaps in this neglected spot is laid
Some heart once pregnant with celestial fire;
Hands, that the rod of empire might have swayed,
Or waked to ecstasy the living lyre;

But Knowledge to their eyes her ample page,
Rich with the spoils of Time, did ne'er unroll;
Chill Penury repressed their noble rage,
And froze the genial current of the soul.

Full many a gem of purest ray serene
The dark unfathomed caves of ocean bear;
Full many a flower is born to blush unseen,
And waste its sweetness on the desert air.

Some village-Hampden that with dauntless breast
The little tyrant of his fields withstood,
Some mute inglorious Milton here may rest,
Some Cromwell, guiltless of his country's blood.

Th' applause of list'ning senates to command,
The threats of pain and ruin to despise,
To scatter plenty o'er a smiling land,
And read their history in a nation's eyes,

Their lot forbad: nor circumscribed alone
Their growing virtues, but their crimes confined;
Forbad to wade through slaughter to a throne,
And shut the Gates of Mercy on mankind,

The struggling pangs of conscious truth to hide,
To quench the blushes of ingenuous shame,
Or heap the shrine of Luxury and Pride
With incense kindled at the Muse's flame.

Far from the madding crowd's ignoble strife
Their sober wishes never learned to stray;
Along the cool sequestered vale of life
They kept the noiseless tenor of their way.

Yet ev'n these bones from insult to protect
Some frail memorial still erected nigh,
With uncouth rhymes and shapeless sculpture decked,
Implores the passing tribute of a sigh.

Their name, their years, spelt by th' unlettered Muse,
The place of fame and elegy supply:
And many a holy text around she strews,
That teach the rustic moralist to die.

For who, to dumb Forgetfulness a prey,
This pleasing anxious being e'er resigned,
Left the warm precincts of the cheerful day,
Nor cast one longing ling'ring look behind?

On some fond breast the parting soul relies,
Some pious drops the closing eye requires;
Ev'n from the tomb the voice of Nature cries,
Ev'n in our ashes live their wonted fires.

For thee, who, mindful of th' unhonoured dead,
Dost in these lines their artless tale relate;
If chance, by lonely Contemplation led,
Some kindred spirit shall enquire thy fate,— 

Haply some hoary-headed swain may say
"Oft have we seen him at the peep of dawn
Brushing with hasty steps the dews away
To meet the sun upon the upland lawn;

"There at the foot of yonder nodding beech,
That wreathes its old fantastic roots so high,
His listless length at noon-tide would he stretch,
And pore upon the brook that babbles by.

"Hard by yon wood, now smiling as in scorn,
Mutt'ring his wayward fancies would he rove;
Now drooping, woeful-wan, like one forlorn,
Or crazed with care, or crossed in hopeless love.

"One morn I missed him from the customed hill,
Along the heath, and near his fav'rite tree;
Another came; nor yet beside the rill,
Nor up the lawn, nor at the wood was he:

"The next, with dirges due in sad array
Slow through the church-way path we saw him borne,— 
Approach and read, for thou can'st read, the lay
Graved on the stone beneath yon aged thorn."

THE EPITAPH

Here rests his head upon the lap of earth
A Youth, to Fortune and to Fame unknown:
Fair Science frowned not on his humble birth,
And Melancholy marked him for her own.

Large was his bounty, and his soul sincere,
Heaven did a recompense as largely send:
He gave to Misery (all he had) a tear,
He gained from Heaven ('twas all he wished) a friend.

No farther seek his merits to disclose,
Or draw his frailties from their dread abode,
(There they alike in trembling hope repose,)
The bosom of his Father and his God.


Written by Oscar Wilde | Create an image from this poem

Le Jardin

 The lily's withered chalice falls
Around its rod of dusty gold,
And from the beech-trees on the wold
The last wood-pigeon coos and calls.

The gaudy leonine sunflower
Hangs black and barren on its stalk,
And down the windy garden walk
The dead leaves scatter, - hour by hour.

Pale privet-petals white as milk
Are blown into a snowy mass:
The roses lie upon the grass
Like little shreds of crimson silk.
Written by Robert Frost | Create an image from this poem

A Boundless Moment

 He halted in the wind, and--what was that
Far in the maples, pale, but not a ghost?
He stood there bringing March against his thought,
And yet too ready to believe the most.

'Oh, that's the Paradise-in-bloom,' I said;
And truly it was fair enough for flowers
had we but in us to assume in march
Such white luxuriance of May for ours.

We stood a moment so in a strange world,
Myself as one his own pretense deceives;
And then I said the truth (and we moved on).
A young beech clinging to its last year's leaves.
Written by John Betjeman | Create an image from this poem

Loneliness

 The last year's leaves are on the beech:
The twigs are black; the cold is dry;
To deeps byond the deepest reach
The Easter bells enlarge the sky.
O ordered metal clatter-clang!
Is yours the song the angels sang?
You fill my heart with joy and grief -
Belief! Belief! And unbelief...
And, though you tell me I shall die,
You say not how or when or why.

Indifferent the finches sing,
Unheeding roll the lorries past:
What misery will this year bring
Now spring is in the air at last?
For, sure as blackthorn bursts to snow,
Cancer in some of us will grow,
The tasteful crematorium door
Shuts out for some the furnace roar;
But church-bells open on the blast
Our loneliness, so long and vast.
Written by Wendell Berry | Create an image from this poem

The Silence

 Though the air is full of singing
my head is loud
with the labor of words.

Though the season is rich
with fruit, my tongue
hungers for the sweet of speech.

Though the beech is golden
I cannot stand beside it
mute, but must say

"It is golden," while the leaves
stir and fall with a sound
that is not a name.

It is in the silence
that my hope is, and my aim.
A song whose lines

I cannot make or sing
sounds men's silence
like a root. Let me say

and not mourn: the world
lives in the death of speech
and sings there.
Written by Rudyard Kipling | Create an image from this poem

A Tree Song

 (A. D. 1200)
Of all the trees that grow so fair,
 Old England to adorn,
Greater are none beneath the Sun,
 Than Oak, and Ash, and Thorn.
Sing Oak, and Ash, and Thorn, good sirs,
 (All of a Midsummer morn!)
Surely we sing no little thing,
 In Oak, and Ash, and Thorn!


Oak of the Clay lived many a day,
 Or ever AEneas began.
Ash of the Loam was a lady at home,
 When Brut was an outlaw man.
Thorn of the Down saw New Troy Town
 (From which was London born);
Witness hereby the ancientry
 Of Oak, and Ash, and Thorn!


Yew that is old in churchyard-mould,
 He breedeth a mighty bow.
Alder for shoes do wise men choose,
 And beech for cups also.
But when ye have killed, and your bowl is spilled,
 And your shoes are clean outworn,
Back ye must speed for all that ye need,
 To Oak, and Ash, and Thorn!


Ellum she hateth mankind, and waiteth
 Till every gust be laid,
To drop a limb on the head of him
 That anyway trusts her shade:
But whether a lad be sober or sad,
 Or mellow with ale from the horn,
He will take no wrong when he lieth along
 'Neath Oak, and Ash, and Thorn!


Oh, do not tell the Priest our plight,
 Or he would call it a sin;
But--we have been out in the woods all night,
 A-conjuring Summer in!
And we bring you news by word of mouth-
 Good news for cattle and corn--
Now is the Sun come up from the South,
 With Oak, and Ash, and Thorn!


Sing Oak, and Ash, and Thorn, good sirs
 (All of a Midsummer morn):
England shall bide ti11 Judgment Tide,
 By Oak, and Ash, and Thorn!

Book: Radiant Verses: A Journey Through Inspiring Poetry