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Best Famous Bayou Poems

Here is a collection of the all-time best famous Bayou poems. This is a select list of the best famous Bayou poetry. Reading, writing, and enjoying famous Bayou poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of bayou poems.

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Written by Walt Whitman | Create an image from this poem

Longings for Home

 O MAGNET-SOUTH! O glistening, perfumed South! My South! 
O quick mettle, rich blood, impulse, and love! Good and evil! O all dear to me! 
O dear to me my birth-things—All moving things, and the trees where I was
 born—the
 grains,
 plants, rivers; 
Dear to me my own slow sluggish rivers where they flow, distant, over flats of silvery
 sands,
 or
 through swamps; 
Dear to me the Roanoke, the Savannah, the Altamahaw, the Pedee, the Tombigbee, the Santee,
 the
 Coosa, and the Sabine;
O pensive, far away wandering, I return with my Soul to haunt their banks again; 
Again in Florida I float on transparent lakes—I float on the Okeechobee—I cross
 the
 hummock land, or through pleasant openings, or dense forests; 
I see the parrots in the woods—I see the papaw tree and the blossoming titi; 
Again, sailing in my coaster, on deck, I coast off Georgia—I coast up the Carolinas, 
I see where the live-oak is growing—I see where the yellow-pine, the scented
 bay-tree, the
 lemon and orange, the cypress, the graceful palmetto;
I pass rude sea-headlands and enter Pamlico Sound through an inlet, and dart my vision
 inland; 
O the cotton plant! the growing fields of rice, sugar, hemp! 
The cactus, guarded with thorns—the laurel-tree, with large white flowers; 
The range afar—the richness and barrenness—the old woods charged with mistletoe
 and
 trailing moss, 
The piney odor and the gloom—the awful natural stillness, (Here in these dense swamps
 the
 freebooter carries his gun, and the fugitive slave has his conceal’d hut;)
O the strange fascination of these half-known, half-impassable swamps, infested by
 reptiles,
 resounding with the bellow of the alligator, the sad noises of the night-owl and the
 wild-cat,
 and
 the whirr of the rattlesnake; 
The mocking-bird, the American mimic, singing all the forenoon—singing through the
 moon-lit
 night, 
The humming-bird, the wild turkey, the raccoon, the opossum; 
A Tennessee corn-field—the tall, graceful, long-leav’d corn—slender,
 flapping,
 bright
 green with tassels—with beautiful ears, each well-sheath’d in its husk; 
An Arkansas prairie—a sleeping lake, or still bayou;
O my heart! O tender and fierce pangs—I can stand them not—I will depart; 
O to be a Virginian, where I grew up! O to be a Carolinian! 
O longings irrepressible! O I will go back to old Tennessee, and never wander more!


Written by Chris Tusa | Create an image from this poem

Marie Laveau Talks About Magic From A Confessional In St. Louis Cathedral

 Marie Laveau, a colored woman who eventually became
known as the Voodoo Queen of New Orleans, often used
her knowledge of Voodoo to manipulate and acquire power.
 --Enigma

In one quick lick I waved my mojo hand,
made the Mississippi’s muddy spine 
run crooked as a crow’s foot, 
scared politicians into my pocket
with lizard tongues and buzzard bones,
convinced the governor to sing my name 
under a sharp crescent moon 
white as a gator’s tooth.

Now my magic got the whole Vieux Carré 
waltzing with redfish and rooster heads, 
got Protestants blessing okra and cayenne, 
Catholics chasing black cats down Dumaine, 
even got Creoles two-stepping with pythons 
along the banks of Bayou St. John.

They say soon my powers gonna fade,
that there’s a noose aloose in the streets
looking for a neck to blame. 
But I’m just a lowly colored woman 
and ain’t nobody gonna blame a worm
for scaring a catfish onto a hook.
Written by Henry Wadsworth Longfellow | Create an image from this poem

The Quadroon Girl

 The Slaver in the broad lagoon
Lay moored with idle sail;
He waited for the rising moon,
And for the evening gale.

Under the shore his boat was tied,
And all her listless crew
Watched the gray alligator slide
Into the still bayou.

Odors of orange-flowers, and spice,
Reached them from time to time,
Like airs that breathe from Paradise
Upon a world of crime.

The Planter, under his roof of thatch,
Smoked thoughtfully and slow;
The Slaver's thumb was on the latch,
He seemed in haste to go.

He said, "My ship at anchor rides
In yonder broad lagoon;
I only wait the evening tides,
And the rising of the moon.

Before them, with her face upraised,
In timid attitude,
Like one half curious, half amazed,
A Quadroon maiden stood.

Her eyes were large, and full of light,
Her arms and neck were bare;
No garment she wore save a kirtle bright,
And her own long, raven hair.

And on her lips there played a smile
As holy, meek, and faint,
As lights in some cathedral aisle
The features of a saint.

"The soil is barren,--the farm is old";
The thoughtful planter said;
Then looked upon the Slaver's gold,
And then upon the maid.

His heart within him was at strife
With such accursed gains:
For he knew whose passions gave her life,
Whose blood ran in her veins.

But the voice of nature was too weak;
He took the glittering gold!
Then pale as death grew the maiden's cheek,
Her hands as icy cold.

The Slaver led her from the door,
He led her by the hand,
To be his slave and paramour
In a strange and distant land!

Book: Reflection on the Important Things