Written by
Carl Sandburg |
MAKE war songs out of these;
Make chants that repeat and weave.
Make rhythms up to the ragtime chatter of the machine guns;
Make slow-booming psalms up to the boom of the big guns.
Make a marching song of swinging arms and swinging legs,
Going along,
Going along,
On the roads from San Antonio to Athens, from Seattle to Bagdad—
The boys and men in winding lines of khaki, the circling squares of bayonet points.
Cowpunchers, cornhuskers, shopmen, ready in khaki;
Ballplayers, lumberjacks, ironworkers, ready in khaki;
A million, ten million, singing, “I am ready.”
This the sun looks on between two seaboards,
In the land of Lincoln, in the land of Grant and Lee.
I heard one say, “I am ready to be killed.”
I heard another say, “I am ready to be killed.”
O sunburned clear-eyed boys!
I stand on sidewalks and you go by with drums and guns and bugles,
You—and the flag!
And my heart tightens, a fist of something feels my throat
When you go by,
You on the kaiser hunt, you and your faces saying, “I am ready to be killed.”
They are hunting death,
Death for the one-armed mastoid kaiser.
They are after a Hohenzollern head:
There is no man-hunt of men remembered like this.
The four big brothers are out to kill.
France, Russia, Britain, America—
The four republics are sworn brothers to kill the kaiser.
Yes, this is the great man-hunt;
And the sun has never seen till now
Such a line of toothed and tusked man-killers,
In the blue of the upper sky,
In the green of the undersea,
In the red of winter dawns.
Eating to kill,
Sleeping to kill,
Asked by their mothers to kill,
Wished by four-fifths of the world to kill—
To cut the kaiser’s throat,
To hack the kaiser’s head,
To hang the kaiser on a high-horizon gibbet.
And is it nothing else than this?
Three times ten million men thirsting the blood
Of a half-cracked one-armed child of the German kings?
Three times ten million men asking the blood
Of a child born with his head wrong-shaped,
The blood of rotted kings in his veins?
If this were all, O God,
I would go to the far timbers
And look on the gray wolves
Tearing the throats of moose:
I would ask a wilder drunk of blood.
Look! It is four brothers in joined hands together.
The people of bleeding France,
The people of bleeding Russia,
The people of Britain, the people of America—
These are the four brothers, these are the four republics.
At first I said it in anger as one who clenches his fist in wrath to fling his knuckles into the face of some one taunting;
Now I say it calmly as one who has thought it over and over again at night, among the mountains, by the seacombers in storm.
I say now, by God, only fighters to-day will save the world, nothing but fighters will keep alive the names of those who left red prints of bleeding feet at Valley Forge in Christmas snow.
On the cross of Jesus, the sword of Napoleon, the skull of Shakespeare, the pen of Tom Jefferson, the ashes of Abraham Lincoln, or any sign of the red and running life poured out by the mothers of the world,
By the God of morning glories climbing blue the doors of quiet homes, by the God of tall hollyhocks laughing glad to children in peaceful valleys, by the God of new mothers wishing peace to sit at windows nursing babies,
I swear only reckless men, ready to throw away their lives by hunger, deprivation, desperate clinging to a single purpose imperturbable and undaunted, men with the primitive guts of rebellion,
Only fighters gaunt with the red brand of labor’s sorrow on their brows and labor’s terrible pride in their blood, men with souls asking danger—only these will save and keep the four big brothers.
Good-night is the word, good-night to the kings, to the czars,
Good-night to the kaiser.
The breakdown and the fade-away begins.
The shadow of a great broom, ready to sweep out the trash, is here.
One finger is raised that counts the czar,
The ghost who beckoned men who come no more—
The czar gone to the winds on God’s great dustpan,
The czar a pinch of nothing,
The last of the gibbering Romanoffs.
Out and good-night—
The ghosts of the summer palaces
And the ghosts of the winter palaces!
Out and out, good-night to the kings, the czars, the kaisers.
Another finger will speak,
And the kaiser, the ghost who gestures a hundred million sleeping-waking ghosts,
The kaiser will go onto God’s great dustpan—
The last of the gibbering Hohenzollerns.
Look! God pities this trash, God waits with a broom and a dustpan,
God knows a finger will speak and count them out.
It is written in the stars;
It is spoken on the walls;
It clicks in the fire-white zigzag of the Atlantic wireless;
It mutters in the bastions of thousand-mile continents;
It sings in a whistle on the midnight winds from Walla Walla to Mesopotamia:
Out and good-night.
The millions slow in khaki,
The millions learning Turkey in the Straw and John Brown’s Body,
The millions remembering windrows of dead at Gettysburg, Chickamauga, and Spottsylvania Court House,
The millions dreaming of the morning star of Appomattox,
The millions easy and calm with guns and steel, planes and prows:
There is a hammering, drumming hell to come.
The killing gangs are on the way.
God takes one year for a job.
God takes ten years or a million.
God knows when a doom is written.
God knows this job will be done and the words spoken:
Out and good-night.
The red tubes will run,
And the great price be paid,
And the homes empty,
And the wives wishing,
And the mothers wishing.
There is only one way now, only the way of the red tubes and the great price.
Well…
Maybe the morning sun is a five-cent yellow balloon,
And the evening stars the joke of a God gone crazy.
Maybe the mothers of the world,
And the life that pours from their torsal folds—
Maybe it’s all a lie sworn by liars,
And a God with a cackling laughter says:
“I, the Almighty God,
I have made all this,
I have made it for kaisers, czars, and kings.”
Three times ten million men say: No.
Three times ten million men say:
God is a God of the People.
And the God who made the world
And fixed the morning sun,
And flung the evening stars,
And shaped the baby hands of life,
This is the God of the Four Brothers;
This is the God of bleeding France and bleeding Russia;
This is the God of the people of Britain and America.
The graves from the Irish Sea to the Caucasus peaks are ten times a million.
The stubs and stumps of arms and legs, the eyesockets empty, the cripples, ten times a million.
The crimson thumb-print of this anathema is on the door panels of a hundred million homes.
Cows gone, mothers on sick-beds, children cry a hunger and no milk comes in the noon-time or at night.
The death-yells of it all, the torn throats of men in ditches calling for water, the shadows and the hacking lungs in dugouts, the steel paws that clutch and squeeze a scarlet drain day by day—the storm of it is hell.
But look! child! the storm is blowing for a clean air.
Look! the four brothers march
And hurl their big shoulders
And swear the job shall be done.
Out of the wild finger-writing north and south, east and west, over the blood-crossed, blood-dusty ball of earth,
Out of it all a God who knows is sweeping clean,
Out of it all a God who sees and pierces through, is breaking and cleaning out an old thousand years, is making ready for a new thousand years.
The four brothers shall be five and more.
Under the chimneys of the winter time the children of the world shall sing new songs.
Among the rocking restless cradles the mothers of the world shall sing new sleepy-time songs.
|
Written by
C S Lewis |
1
You said 'The world is going back to Paganism'.
Oh bright Vision! I saw our dynasty in the bar of the House
Spill from their tumblers a libation to the Erinyes,
And Leavis with Lord Russell wreathed in flowers, heralded with flutes,
Leading white bulls to the cathedral of the solemn Muses
To pay where due the glory of their latest theorem.
Hestia's fire in every flat, rekindled, burned before
The Lardergods. Unmarried daughters with obedient hands
Tended it By the hearth the white-armd venerable mother
Domum servabat, lanam faciebat. at the hour
Of sacrifice their brothers came, silent, corrected, grave
Before their elders; on their downy cheeks easily the blush
Arose (it is the mark of freemen's children) as they trooped,
Gleaming with oil, demurely home from the palaestra or the dance.
Walk carefully, do not wake the envy of the happy gods,
Shun Hubris. The middle of the road, the middle sort of men,
Are best. Aidos surpasses gold. Reverence for the aged
Is wholesome as seasonable rain, and for a man to die
Defending the city in battle is a harmonious thing.
Thus with magistral hand the Puritan Sophrosune
Cooled and schooled and tempered our uneasy motions;
Heathendom came again, the circumspection and the holy fears ...
You said it. Did you mean it? Oh inordinate liar, stop.
2
Or did you mean another kind of heathenry?
Think, then, that under heaven-roof the little disc of the earth,
Fortified Midgard, lies encircled by the ravening Worm.
Over its icy bastions faces of giant and troll
Look in, ready to invade it. The Wolf, admittedly, is bound;
But the bond wil1 break, the Beast run free. The weary gods,
Scarred with old wounds the one-eyed Odin, Tyr who has lost a hand,
Will limp to their stations for the Last defence. Make it your hope
To be counted worthy on that day to stand beside them;
For the end of man is to partake of their defeat and die
His second, final death in good company. The stupid, strong
Unteachable monsters are certain to be victorious at last,
And every man of decent blood is on the losing side.
Take as your model the tall women with yellow hair in plaits
Who walked back into burning houses to die with men,
Or him who as the death spear entered into his vitals
Made critical comments on its workmanship and aim.
Are these the Pagans you spoke of? Know your betters and crouch, dogs;
You that have Vichy water in your veins and worship the event
Your goddess History (whom your fathers called the strumpet Fortune).
|
Written by
Robert William Service |
"Flowers, only flowers -- bring me dainty posies,
Blossoms for forgetfulness," that was all he said;
So we sacked our gardens, violets and roses,
Lilies white and bluebells laid we on his bed.
Soft his pale hands touched them, tenderly caressing;
Soft into his tired eyes came a little light;
Such a wistful love-look, gentle as a blessing;
There amid the flowers waited he the night.
"I would have you raise me; I can see the West then:
I would see the sun set once before I go."
So he lay a-gazing, seemed to be at rest then,
Quiet as a spirit in the golden glow.
So he lay a-watching rosy castles crumbling,
Moats of blinding amber, bastions of flame,
Rugged rifts of opal, crimson turrets tumbling;
So he lay a-dreaming till the shadows came.
"Open wide the window; there's a lark a-singing;
There's a glad lark singing in the evening sky.
How it's wild with rapture, radiantly winging:
Oh it's good to hear that when one has to die.
I am horror-haunted from the hell they found me;
I am battle-broken, all I want is rest.
Ah! It's good to die so, blossoms all around me,
And a kind lark singing in the golden West.
"Flowers, song and sunshine, just one thing is wanting,
Just the happy laughter of a little child."
So we brought our dearest, Doris all-enchanting;
Tenderly he kissed her; radiant he smiled.
"In the golden peace-time you will tell the story
How for you and yours, sweet, bitter deaths were ours. . . .
God bless little children!" So he passed to glory,
So we left him sleeping, still amid the flow'rs.
|
Written by
Stephen Vincent Benet |
My friend went to the piano; spun the stool
A little higher; left his pipe to cool;
Picked up a fat green volume from the chest;
And propped it open.
Whitely without rest,
His fingers swept the keys that flashed like swords,
. . . And to the brute drums of barbarian hordes,
Roaring and thunderous and weapon-bare,
An army stormed the bastions of the air!
Dreadful with banners, fire to slay and parch,
Marching together as the lightnings march,
And swift as storm-clouds. Brazen helms and cars
Clanged to a fierce resurgence of old wars
Above the screaming horns. In state they passed,
Trampling and splendid on and sought the vast --
Rending the darkness like a leaping knife,
The flame, the noble pageant of our life!
The burning seal that stamps man's high indenture
To vain attempt and most forlorn adventure;
Romance, and purple seas, and toppling towns,
And the wind's valiance crying o'er the downs;
That nerves the silly hand, the feeble brain,
From the loose net of words to deeds again
And to all courage! Perilous and sharp
The last chord shook me as wind shakes a harp!
. . . And my friend swung round on his stool, and from gods we were men,
"How pretty!" we said; and went on with our talk again.
|
Written by
Carl Sandburg |
JESUS emptied the devils of one man into forty hogs and the hogs took the edge of a high rock and dropped off and down into the sea: a mob.
The sheep on the hills of Australia, blundering fourfooted in the sunset mist to the dark, they go one way, they hunt one sleep, they find one pocket of grass for all.
Karnak? Pyramids? Sphinx paws tall as a coolie? Tombs kept for kings and sacred cows? A mob.
Young roast pigs and naked dancing girls of Belshazzar, the room where a thousand sat guzzling when a hand wrote: Mene, mene, tekel, upharsin? A mob.
The honeycomb of green that won the sun as the Hanging Gardens of Nineveh, flew to its shape at the hands of a mob that followed the fingers of Nebuchadnezzar: a mob of one hand and one plan.
Stones of a circle of hills at Athens, staircases of a mountain in Peru, scattered clans of marble dragons in China: each a mob on the rim of a sunrise: hammers and wagons have them now.
Locks and gates of Panama? The Union Pacific crossing deserts and tunneling mountains? The Woolworth on land and the Titanic at sea? Lighthouses blinking a coast line from Labrador to Key West? Pigiron bars piled on a barge whistling in a fog off Sheboygan? A mob: hammers and wagons have them to-morrow.
The mob? A typhoon tearing loose an island from thousand-year moorings and bastions, shooting a volcanic ash with a fire tongue that licks up cities and peoples. Layers of worms eating rocks and forming loam and valley floors for potatoes, wheat, watermelons.
The mob? A jag of lightning, a geyser, a gravel mass loosening…
The mob … kills or builds … the mob is Attila or Ghengis Khan, the mob is Napoleon, Lincoln.
I am born in the mob—I die in the mob—the same goes for you—I don’t care who you are.
I cross the sheets of fire in No Man’s land for you, my brother—I slip a steel tooth into your throat, you my brother—I die for you and I kill you—It is a twisted and gnarled thing, a crimson wool:
One more arch of stars,
In the night of our mist,
In the night of our tears.
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Written by
Anne Kingsmill Finch |
When such a day, blesst the Arcadian plaine,
Warm without Sun, and shady without rain,
Fann'd by an air, that scarsly bent the flowers,
Or wav'd the woodbines, on the summer bowers,
The Nymphs disorder'd beauty cou'd not fear,
Nor ruffling winds uncurl'd the Shepheards hair,
On the fresh grasse, they trod their measures light,
And a long Evening made, from noon, to night.
Come then my Dafnis, from those cares descend
Which better may the winter season spend.
Come, and the pleasures of the feilds, survey,
And throo' the groves, with your Ardelia stray.
Reading the softest Poetry, refuse,
To veiw the subjects of each rural muse;
Nor lett the busy compasses go round,
When faery Cercles better mark the ground.
Rich Colours on the Vellum cease to lay,
When ev'ry lawne much nobler can display,
When on the daz'ling poppy may be seen
A glowing red, exceeding your carmine;
And for the blew that o're the Sea is borne,
A brighter rises in our standing corn.
Come then, my Dafnis, and the feilds survey,
And throo' the groves, with your Ardelia stray.
Come, and lett Sansons World, no more engage,
Altho' he gives a Kingdom in a page;
O're all the Vniverse his lines may goe,
And not a clime, like temp'rate brittan show,
Come then, my Dafnis, and her feilds survey,
And throo' the groves, with your Ardelia stray.
Nor plead that you're immur'd, and cannot yield,
That mighty Bastions keep you from the feild,
Think not tho' lodg'd in Mons, or in Namur,
You're from my dangerous attacks secure.
No, Louis shall his falling Conquests fear,
When by succeeding Courriers he shall hear
Appollo, and the Muses, are drawn down,
To storm each fort, and take in ev'ry Town.
Vauban, the Orphean Lyre, to mind shall call,
That drew the stones to the old Theban Wall,
And make no doubt, if itt against him play,
They, from his works, will fly as fast away,
Which to prevent, he shall to peace persuade,
Of strong, confederate Syllables, affraid.
Come then, my Dafnis, and the fields survey,
And throo' the Groves, with your Ardelia stray.
Come, and attend, how as we walk along,
Each chearfull bird, shall treat us with a song,
Nott such as Fopps compose, where witt, nor art,
Nor plainer Nature, ever bear a part;
The Cristall springs, shall murmure as we passe,
But not like Courtiers, sinking to disgrace;
Nor, shall the louder Rivers, in their fall,
Like unpaid Saylers, or hoarse Pleaders brawle;
But all shall form a concert to delight,
And all to peace, and all to love envite.
Come then, my Dafnis, and the feilds survey,
And throo' the Groves, with your Ardelia stray.
As Baucis and Philemon spent their lives,
Of husbands he, the happyest she, of wives,
When throo' the painted meads, their way they sought,
Harmlesse in act, and unperplext in thought,
Lett us my Dafnis, rural joys persue,
And Courts, or Camps, not ev'n in fancy view.
So, lett us throo' the Groves, my Dafnis stray,
And so, the pleasures of the feilds, survey.
|
Written by
Stephen Vincent Benet |
Eternally the choking steam goes up
From the black pools of seething oil. . . .
How merry
Those little devils are! They've stolen the pitchfork
From Bel, there, as he slept . . . Look! -- oh look, look!
They've got at Nero! Oh it isn't fair!
Lord, how he squeals! Stop it . . . it's, well -- indecent!
But funny! . . . See, Bel's waked. They'll catch it now!
. . . Eternally that stifling reek arises,
Blotting the dome with smoky, terrible towers,
Black, strangling trees, whispering obscene things
Amongst their branches, clutching with maimed hands,
Or oozing slowly, like blind tentacles
Up to the gates; higher than that heaped brick
Man piled to smite the sun. And all around
Are devils. One can laugh . . . but that hunched shape
The face one stone, like those Assyrian kings!
One sees in carvings, watching men flayed red
Horribly laughable in leaps and writhes;
That face -- utterly evil, clouded round
With evil like a smoke -- it turns smiles sour!
. . . And Nero there, the flabby cheeks astrain
And sweating agony . . . long agony . . .
Imperishable, unappeasable
For ever . . . well . . . it droops the mouth. Till I
Look up.
There's one blue patch no smoke dares touch.
Sky, clear, ineffable, alive with light,
Always the same . . .
Before, I never knew
Rest and green peace.
She stands there in the sun.
. . . It seems so quaint she should have long gold wings.
I never have got used -- folded across
Her breast, or fluttering with fierce, pure light,
Like shaken steel. Her crown too. Well, it's *****!
And then she never cared much for the harp
On earth. Here, though . . .
She is all peace, all quiet,
All passionate desires, the eloquent thunder
Of new, glad suns, shouting aloud for joy,
Over fresh worlds and clean, trampling the air
Like stooping hawks, to the long wind of horns,
Flung from the bastions of Eternity . . .
And she is the low lake, drowsy and gentle,
And good words spoken from the tongues of friends,
And calmness in the evening, and deep thoughts,
Falling like dreams from the stars' solemn mouths.
All these.
They said she was unfaithful once.
Or I remembered it -- and so, for that,
I lie here, I suppose. Yes, so they said.
You see she is so troubled, looking down,
Sorrowing deeply for my torments. I
Of course, feel nothing while I see her -- save
That sometimes when I think the matter out,
And what earth-people said of us, of her,
It seems as if I must be, here, in heaven,
And she --
. . . Then I grow proud; and suddenly
There comes a splatter of oil against my skin,
Hurting this time. And I forget my pride:
And my face writhes.
Some day the little ladder
Of white words that I build up, up, to her
May fetch me out. Meanwhile it isn't bad. . . .
But what a sense of humor God must have!
|
Written by
William Topaz McGonagall |
'Twas in the year 1762 that France and Spain
Resolved, allied together, to crush Britain;
But the British Army sailed from England in May,
And arrived off Havana without any delay.
And the British Army resolved to operate on land,
And the appearance of the British troops were really grand;
And by the Earl of Albemarle the British troops were commanded,
All eager for to fight as soon as they were landed.
Arduous and trying was the work the British had to do,
Yet with a hearty goodwill they to it flew;
While the tropical sun on them blazed down,
But the poor soldiers wrought hard and didn't frown.
The bombardment was opened on the 30th of June,
And from the British battleships a fierce cannonade did boom;
And continued from six in the morning till two o'clock in the afternoon,
And with grief the French and Spaniards sullenly did gloom.
And by the 26th of July the guns of Fort Moro were destroyed,
And the French and Spaniards were greatly annoyed;
Because the British troops entered the Fort without dismay,
And drove them from it at the bayonet charge without delay.
But for the safety of the city the Governor organised a night attack,
Thinking to repulse the British and drive them back;
And with fifteen hundred militia he did the British attack,
But the British trench guards soon drove them back.
Then the Spandiards were charged and driven down the hill,
At the point of the bayonet sore against their will;
And they rushed to their boats, the only refuge they could find,
Leaving a trail of dead and wounded behind.
Then Lieutenant Forbes, at the head of his men,
Swept round the ramparts driving all before them;
And with levelled bayonets they drove them to and fro,
Then the British flag was hoisted over the bastions of Moro.
Then the Governor of the castle fell fighting sword in hand,
While rallying his men around the flagstaff the scene was grand;
And the Spaniards fought hard to save their ships of war,
But the British destroyed their ships and scattered them afar.
And every man in the Moro Fort was bayonet or shot,
Which in Spanish history will never be forgot;
And on the 10th of August Lord Albemarle sent a flag of truce,
And summoned the Governor to surrender, but he seemed to refuse.
Then from the batteries the British opened a terrific fire,
And the Spaniards from their guns were forced to retire,
Because no longer could they the city defend;
Then the firing ceased and hostilities were at an end.
Then the city of Havana surrendered unconditionally,
And terms were settled, and the harbour, forts, and city,
With a district of one hundred miles to the westward,
And loads of gold and silver were the British troops' reward.
And all other valuable property was brought to London,
The spoils that the British Army had won;
And it was conveyed in grand procession to the Tower of London,
And the Londoners applauded the British for the honours they had won.
|
Written by
Carl Sandburg |
GUNS on the battle lines have pounded now a year
between Brussels and Paris.
And, William Morris, when I read your old chapter on
the great arches and naves and little whimsical
corners of the Churches of Northern France--Brr-rr!
I'm glad you're a dead man, William Morris, I'm glad
you're down in the damp and mouldy, only a memory
instead of a living man--I'm glad you're gone.
You never lied to us, William Morris, you loved the
shape of those stones piled and carved for you to
dream over and wonder because workmen got joy
of life into them,
Workmen in aprons singing while they hammered, and
praying, and putting their songs and prayers into
the walls and roofs, the bastions and cornerstones
and gargoyles--all their children and kisses of
women and wheat and roses growing.
I say, William Morris, I'm glad you're gone, I'm glad
you're a dead man.
Guns on the battle lines have pounded a year now between
Brussels and Paris.
|
Written by
Ralph Waldo Emerson |
Announced by all the trumpets of the sky,
Arrives the snow, and, driving o'er the fields,
Seems nowhere to alight: the whited air
Hides hill and woods, the river, and the heaven,
And veils the farmhouse at the garden's end.
The sled and traveller stopped, the courier's feet
Delated, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.
Come see the north wind's masonry.
Out of an unseen quarry evermore
Furnished with tile, the fierce artificer
Curves his white bastions with projected roof
Round every windward stake, or tree, or door.
Speeding, the myriad-handed, his wild work
So fanciful, so savage, nought cares he
For number or proportion. Mockingly,
On coop or kennel he hangs Parian wreaths;
A swan-like form invests the hiddden thorn;
Fills up the famer's lane from wall to wall,
Maugre the farmer's sighs; and at the gate
A tapering turret overtops the work.
And when his hours are numbered, and the world
Is all his own, retiring, as he were not,
Leaves, when the sun appears, astonished Art
To mimic in slow structures, stone by stone,
Built in an age, the mad wind's night-work,
The frolic architecture of the snow.
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