Written by
John Dryden |
All human things are subject to decay,
And, when Fate summons, monarchs must obey:
This Flecknoe found, who, like Augustus, young
Was call'd to empire, and had govern'd long:
In prose and verse, was own'd, without dispute
Through all the realms of Non-sense, absolute.
This aged prince now flourishing in peace,
And blest with issue of a large increase,
Worn out with business, did at length debate
To settle the succession of the State:
And pond'ring which of all his sons was fit
To reign, and wage immortal war with wit;
Cry'd, 'tis resolv'd; for nature pleads that he
Should only rule, who most resembles me:
Shadwell alone my perfect image bears,
Mature in dullness from his tender years.
Shadwell alone, of all my sons, is he
Who stands confirm'd in full stupidity.
The rest to some faint meaning make pretence,
But Shadwell never deviates into sense.
Some beams of wit on other souls may fall,
Strike through and make a lucid interval;
But Shadwell's genuine night admits no ray,
His rising fogs prevail upon the day:
Besides his goodly fabric fills the eye,
And seems design'd for thoughtless majesty:
Thoughtless as monarch oaks, that shade the plain,
And, spread in solemn state, supinely reign.
Heywood and Shirley were but types of thee,
Thou last great prophet of tautology:
Even I, a dunce of more renown than they,
Was sent before but to prepare thy way;
And coarsely clad in Norwich drugget came
To teach the nations in thy greater name.
My warbling lute, the lute I whilom strung
When to King John of Portugal I sung,
Was but the prelude to that glorious day,
When thou on silver Thames did'st cut thy way,
With well tim'd oars before the royal barge,
Swell'd with the pride of thy celestial charge;
And big with hymn, commander of an host,
The like was ne'er in Epsom blankets toss'd.
Methinks I see the new Arion sail,
The lute still trembling underneath thy nail.
At thy well sharpen'd thumb from shore to shore
The treble squeaks for fear, the basses roar:
Echoes from Pissing-Alley, Shadwell call,
And Shadwell they resound from Aston Hall.
About thy boat the little fishes throng,
As at the morning toast, that floats along.
Sometimes as prince of thy harmonious band
Thou wield'st thy papers in thy threshing hand.
St. Andre's feet ne'er kept more equal time,
Not ev'n the feet of thy own Psyche's rhyme:
Though they in number as in sense excel;
So just, so like tautology they fell,
That, pale with envy, Singleton forswore
The lute and sword which he in triumph bore
And vow'd he ne'er would act Villerius more.
Here stopt the good old sire; and wept for joy
In silent raptures of the hopeful boy.
All arguments, but most his plays, persuade,
That for anointed dullness he was made.
Close to the walls which fair Augusta bind,
(The fair Augusta much to fears inclin'd)
An ancient fabric, rais'd t'inform the sight,
There stood of yore, and Barbican it hight:
A watch tower once; but now, so fate ordains,
Of all the pile an empty name remains.
From its old ruins brothel-houses rise,
Scenes of lewd loves, and of polluted joys.
Where their vast courts, the mother-strumpets keep,
And, undisturb'd by watch, in silence sleep.
Near these a nursery erects its head,
Where queens are form'd, and future heroes bred;
Where unfledg'd actors learn to laugh and cry,
Where infant punks their tender voices try,
And little Maximins the gods defy.
Great Fletcher never treads in buskins here,
Nor greater Jonson dares in socks appear;
But gentle Simkin just reception finds
Amidst this monument of vanish'd minds:
Pure clinches, the suburbian muse affords;
And Panton waging harmless war with words.
Here Flecknoe, as a place to fame well known,
Ambitiously design'd his Shadwell's throne.
For ancient Decker prophesi'd long since,
That in this pile should reign a mighty prince,
Born for a scourge of wit, and flail of sense:
To whom true dullness should some Psyches owe,
But worlds of Misers from his pen should flow;
Humorists and hypocrites it should produce,
Whole Raymond families, and tribes of Bruce.
Now Empress Fame had publisht the renown,
Of Shadwell's coronation through the town.
Rous'd by report of fame, the nations meet,
From near Bun-Hill, and distant Watling-street.
No Persian carpets spread th'imperial way,
But scatter'd limbs of mangled poets lay:
From dusty shops neglected authors come,
Martyrs of pies, and reliques of the bum.
Much Heywood, Shirley, Ogleby there lay,
But loads of Shadwell almost chok'd the way.
Bilk'd stationers for yeoman stood prepar'd,
And Herringman was Captain of the Guard.
The hoary prince in majesty appear'd,
High on a throne of his own labours rear'd.
At his right hand our young Ascanius sat
Rome's other hope, and pillar of the state.
His brows thick fogs, instead of glories, grace,
And lambent dullness play'd around his face.
As Hannibal did to the altars come,
Sworn by his sire a mortal foe to Rome;
So Shadwell swore, nor should his vow be vain,
That he till death true dullness would maintain;
And in his father's right, and realm's defence,
Ne'er to have peace with wit, nor truce with sense.
The king himself the sacred unction made,
As king by office, and as priest by trade:
In his sinister hand, instead of ball,
He plac'd a mighty mug of potent ale;
Love's kingdom to his right he did convey,
At once his sceptre and his rule of sway;
Whose righteous lore the prince had practis'd young,
And from whose loins recorded Psyche sprung,
His temples last with poppies were o'er spread,
That nodding seem'd to consecrate his head:
Just at that point of time, if fame not lie,
On his left hand twelve reverend owls did fly.
So Romulus, 'tis sung, by Tiber's brook,
Presage of sway from twice six vultures took.
Th'admiring throng loud acclamations make,
And omens of his future empire take.
The sire then shook the honours of his head,
And from his brows damps of oblivion shed
Full on the filial dullness: long he stood,
Repelling from his breast the raging god;
At length burst out in this prophetic mood:
Heavens bless my son, from Ireland let him reign
To far Barbadoes on the Western main;
Of his dominion may no end be known,
And greater than his father's be his throne.
Beyond love's kingdom let him stretch his pen;
He paus'd, and all the people cry'd Amen.
Then thus, continu'd he, my son advance
Still in new impudence, new ignorance.
Success let other teach, learn thou from me
Pangs without birth, and fruitless industry.
Let Virtuosos in five years be writ;
Yet not one thought accuse thy toil of wit.
Let gentle George in triumph tread the stage,
Make Dorimant betray, and Loveit rage;
Let Cully, Cockwood, Fopling, charm the pit,
And in their folly show the writer's wit.
Yet still thy fools shall stand in thy defence,
And justify their author's want of sense.
Let 'em be all by thy own model made
Of dullness, and desire no foreign aid:
That they to future ages may be known,
Not copies drawn, but issue of thy own.
Nay let thy men of wit too be the same,
All full of thee, and differing but in name;
But let no alien Sedley interpose
To lard with wit thy hungry Epsom prose.
And when false flowers of rhetoric thou would'st cull,
Trust Nature, do not labour to be dull;
But write thy best, and top; and in each line,
Sir Formal's oratory will be thine.
Sir Formal, though unsought, attends thy quill,
And does thy Northern Dedications fill.
Nor let false friends seduce thy mind to fame,
By arrogating Jonson's hostile name.
Let Father Flecknoe fire thy mind with praise,
And Uncle Ogleby thy envy raise.
Thou art my blood, where Jonson has no part;
What share have we in Nature or in Art?
Where did his wit on learning fix a brand,
And rail at arts he did not understand?
Where made he love in Prince Nicander's vein,
Or swept the dust in Psyche's humble strain?
Where sold he bargains, whip-stitch, kiss my ****,
Promis'd a play and dwindled to a farce?
When did his muse from Fletcher scenes purloin,
As thou whole Eth'ridge dost transfuse to thine?
But so transfus'd as oil on waters flow,
His always floats above, thine sinks below.
This is thy province, this thy wondrous way,
New humours to invent for each new play:
This is that boasted bias of thy mind,
By which one way, to dullness, 'tis inclin'd,
Which makes thy writings lean on one side still,
And in all changes that way bends thy will.
Nor let thy mountain belly make pretence
Of likeness; thine's a tympany of sense.
A tun of man in thy large bulk is writ,
But sure thou 'rt but a kilderkin of wit.
Like mine thy gentle numbers feebly creep,
Thy Tragic Muse gives smiles, thy Comic sleep.
With whate'er gall thou sett'st thy self to write,
Thy inoffensive satires never bite.
In thy felonious heart, though venom lies,
It does but touch thy Irish pen, and dies.
Thy genius calls thee not to purchase fame
In keen iambics, but mild anagram:
Leave writing plays, and choose for thy command
Some peaceful province in acrostic land.
There thou may'st wings display and altars raise,
And torture one poor word ten thousand ways.
Or if thou would'st thy diff'rent talents suit,
Set thy own songs, and sing them to thy lute.
He said, but his last words were scarcely heard,
For Bruce and Longvil had a trap prepar'd,
And down they sent the yet declaiming bard.
Sinking he left his drugget robe behind,
Born upwards by a subterranean wind.
The mantle fell to the young prophet's part,
With double portion of his father's art.
|
Written by
Wallace Stevens |
I
1 Just as my fingers on these keys
2 Make music, so the self-same sounds
3 On my spirit make a music, too.
4 Music is feeling, then, not sound;
5 And thus it is that what I feel,
6 Here in this room, desiring you,
7 Thinking of your blue-shadowed silk,
8 Is music. It is like the strain
9 Waked in the elders by Susanna;
10 Of a green evening, clear and warm,
11 She bathed in her still garden, while
12 The red-eyed elders, watching, felt
13 The basses of their beings throb
14 In witching chords, and their thin blood
15 Pulse pizzicati of Hosanna.
II
16 In the green water, clear and warm,
17 Susanna lay.
18 She searched
19 The touch of springs,
20 And found
21 Concealed imaginings.
22 She sighed,
23 For so much melody.
24 Upon the bank, she stood
25 In the cool
26 Of spent emotions.
27 She felt, among the leaves,
28 The dew
29 Of old devotions.
30 She walked upon the grass,
31 Still quavering.
32 The winds were like her maids,
33 On timid feet,
34 Fetching her woven scarves,
35 Yet wavering.
36 A breath upon her hand
37 Muted the night.
38 She turned --
39 A cymbal crashed,
40 Amid roaring horns.
III
41 Soon, with a noise like tambourines,
42 Came her attendant Byzantines.
43 They wondered why Susanna cried
44 Against the elders by her side;
45 And as they whispered, the refrain
46 Was like a willow swept by rain.
47 Anon, their lamps' uplifted flame
48 Revealed Susanna and her shame.
49 And then, the simpering Byzantines
50 Fled, with a noise like tambourines.
IV
51 Beauty is momentary in the mind --
52 The fitful tracing of a portal;
53 But in the flesh it is immortal.
54 The body dies; the body's beauty lives.
55 So evenings die, in their green going,
56 A wave, interminably flowing.
57 So gardens die, their meek breath scenting
58 The cowl of winter, done repenting.
59 So maidens die, to the auroral
60 Celebration of a maiden's choral.
61 Susanna's music touched the bawdy strings
62 Of those white elders; but, escaping,
63 Left only Death's ironic scraping.
64 Now, in its immortality, it plays
65 On the clear viol of her memory,
66 And makes a constant sacrament of praise.
|
Written by
Robert Burns |
DEAR SMITH, the slee’st, pawkie thief,
That e’er attempted stealth or rief!
Ye surely hae some warlock-brief
Owre human hearts;
For ne’er a bosom yet was prief
Against your arts.
For me, I swear by sun an’ moon,
An’ ev’ry star that blinks aboon,
Ye’ve cost me twenty pair o’ shoon,
Just gaun to see you;
An’ ev’ry ither pair that’s done,
Mair taen I’m wi’ you.
That auld, capricious carlin, Nature,
To mak amends for scrimpit stature,
She’s turn’d you off, a human creature
On her first plan,
And in her freaks, on ev’ry feature
She’s wrote the Man.
Just now I’ve ta’en the fit o’ rhyme,
My barmie noddle’s working prime.
My fancy yerkit up sublime,
Wi’ hasty summon;
Hae ye a leisure-moment’s time
To hear what’s comin?
Some rhyme a neibor’s name to lash;
Some rhyme (vain thought!) for needfu’ cash;
Some rhyme to court the countra clash,
An’ raise a din;
For me, an aim I never fash;
I rhyme for fun.
The star that rules my luckless lot,
Has fated me the russet coat,
An’ damn’d my fortune to the groat;
But, in requit,
Has blest me with a random-shot
O’countra wit.
This while my notion’s taen a sklent,
To try my fate in guid, black prent;
But still the mair I’m that way bent,
Something cries “Hooklie!”
I red you, honest man, tak tent?
Ye’ll shaw your folly;
“There’s ither poets, much your betters,
Far seen in Greek, deep men o’ letters,
Hae thought they had ensur’d their debtors,
A’ future ages;
Now moths deform, in shapeless tatters,
Their unknown pages.”
Then farewell hopes of laurel-boughs,
To garland my poetic brows!
Henceforth I’ll rove where busy ploughs
Are whistlin’ thrang,
An’ teach the lanely heights an’ howes
My rustic sang.
I’ll wander on, wi’ tentless heed
How never-halting moments speed,
Till fate shall snap the brittle thread;
Then, all unknown,
I’ll lay me with th’ inglorious dead
Forgot and gone!
But why o’ death being a tale?
Just now we’re living sound and hale;
Then top and maintop crowd the sail,
Heave Care o’er-side!
And large, before Enjoyment’s gale,
Let’s tak the tide.
This life, sae far’s I understand,
Is a’ enchanted fairy-land,
Where Pleasure is the magic-wand,
That, wielded right,
Maks hours like minutes, hand in hand,
Dance by fu’ light.
The magic-wand then let us wield;
For ance that five-an’-forty’s speel’d,
See, crazy, weary, joyless eild,
Wi’ wrinkl’d face,
Comes hostin, hirplin owre the field,
We’ creepin pace.
When ance life’s day draws near the gloamin,
Then fareweel vacant, careless roamin;
An’ fareweel cheerfu’ tankards foamin,
An’ social noise:
An’ fareweel dear, deluding woman,
The Joy of joys!
O Life! how pleasant, in thy morning,
Young Fancy’s rays the hills adorning!
Cold-pausing Caution’s lesson scorning,
We frisk away,
Like school-boys, at th’ expected warning,
To joy an’ play.
We wander there, we wander here,
We eye the rose upon the brier,
Unmindful that the thorn is near,
Among the leaves;
And tho’ the puny wound appear,
Short while it grieves.
Some, lucky, find a flow’ry spot,
For which they never toil’d nor swat;
They drink the sweet and eat the fat,
But care or pain;
And haply eye the barren hut
With high disdain.
With steady aim, some Fortune chase;
Keen hope does ev’ry sinew brace;
Thro’ fair, thro’ foul, they urge the race,
An’ seize the prey:
Then cannie, in some cozie place,
They close the day.
And others, like your humble servan’,
Poor wights! nae rules nor roads observin,
To right or left eternal swervin,
They zig-zag on;
Till, curst with age, obscure an’ starvin,
They aften groan.
Alas! what bitter toil an’ straining—
But truce with peevish, poor complaining!
Is fortune’s fickle Luna waning?
E’n let her gang!
Beneath what light she has remaining,
Let’s sing our sang.
My pen I here fling to the door,
And kneel, ye Pow’rs! and warm implore,
“Tho’ I should wander Terra o’er,
In all her climes,
Grant me but this, I ask no more,
Aye rowth o’ rhymes.
“Gie dreepin roasts to countra lairds,
Till icicles hing frae their beards;
Gie fine braw claes to fine life-guards,
And maids of honour;
An’ yill an’ whisky gie to cairds,
Until they sconner.
“A title, Dempster 1 merits it;
A garter gie to Willie Pitt;
Gie wealth to some be-ledger’d cit,
In cent. per cent.;
But give me real, sterling wit,
And I’m content.
“While ye are pleas’d to keep me hale,
I’ll sit down o’er my scanty meal,
Be’t water-brose or muslin-kail,
Wi’ cheerfu’ face,
As lang’s the Muses dinna fail
To say the grace.”
An anxious e’e I never throws
Behint my lug, or by my nose;
I jouk beneath Misfortune’s blows
As weel’s I may;
Sworn foe to sorrow, care, and prose,
I rhyme away.
O ye douce folk that live by rule,
Grave, tideless-blooded, calm an’cool,
Compar’d wi’ you—O fool! fool! fool!
How much unlike!
Your hearts are just a standing pool,
Your lives, a dyke!
Nae hair-brain’d, sentimental traces
In your unletter’d, nameless faces!
In arioso trills and graces
Ye never stray;
But gravissimo, solemn basses
Ye hum away.
Ye are sae grave, nae doubt ye’re wise;
Nae ferly tho’ ye do despise
The hairum-scairum, ram-stam boys,
The rattling squad:
I see ye upward cast your eyes—
Ye ken the road!
Whilst I—but I shall haud me there,
Wi’ you I’ll scarce gang ony where—
Then, Jamie, I shall say nae mair,
But quat my sang,
Content wi’ you to mak a pair.
Whare’er I gang.
Note 1. George Dempster of Dunnichen, M.P. [back]
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