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Best Famous Baring Poems

Here is a collection of the all-time best famous Baring poems. This is a select list of the best famous Baring poetry. Reading, writing, and enjoying famous Baring poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of baring poems.

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Written by Yevgeny Yevtushenko | Create an image from this poem

Babi Yar

 No monument stands over Babi Yar.
A drop sheer as a crude gravestone.
I am afraid.
Today I am as old in years as all the Jewish people.
Now I seem to be a Jew.
Here I plod through ancient Egypt.
Here I perish crucified, on the cross, and to this day I bear the scars of nails.
I seem to be Dreyfus.
The Philistine is both informer and judge.
I am behind bars.
Beset on every side.
Hounded, spat on, slandered.
Squealing, dainty ladies in flounced Brussels lace stick their parasols into my face.
I seem to be then a young boy in Byelostok.
Blood runs, spilling over the floors.
The barroom rabble-rousers give off a stench of vodka and onion.
A boot kicks me aside, helpless.
In vain I plead with these pogrom bullies.
While they jeer and shout, "Beat the Yids.
Save Russia!" some grain-marketeer beats up my mother.
0 my Russian people! I know you are international to the core.
But those with unclean hands have often made a jingle of your purest name.
I know the goodness of my land.
How vile these anti-Semites- without a qualm they pompously called themselves the Union of the Russian People! I seem to be Anne Frank transparent as a branch in April.
And I love.
And have no need of phrases.
My need is that we gaze into each other.
How little we can see or smell! We are denied the leaves, we are denied the sky.
Yet we can do so much -- tenderly embrace each other in a darkened room.
They're coming here? Be not afraid.
Those are the booming sounds of spring: spring is coming here.
Come then to me.
Quick, give me your lips.
Are they smashing down the door? No, it's the ice breaking .
.
.
The wild grasses rustle over Babi Yar.
The trees look ominous, like judges.
Here all things scream silently, and, baring my head, slowly I feel myself turning gray.
And I myself am one massive, soundless scream above the thousand thousand buried here.
I am each old man here shot dead.
I am every child here shot dead.
Nothing in me shall ever forget! The "Internationale," let it thunder when the last anti-Semite on earth is buried forever.
In my blood there is no Jewish blood.
In their callous rage, all anti-Semites must hate me now as a Jew.
For that reason I am a true Russian!


Written by Robert Burns | Create an image from this poem

87. The Twa Dogs

 ’TWAS 1 in that place o’ Scotland’s isle,
That bears the name o’ auld King Coil,
Upon a bonie day in June,
When wearin’ thro’ the afternoon,
Twa dogs, that were na thrang at hame,
Forgather’d ance upon a time.
The first I’ll name, they ca’d him Caesar, Was keepit for His Honor’s pleasure: His hair, his size, his mouth, his lugs, Shew’d he was nane o’ Scotland’s dogs; But whalpit some place far abroad, Whare sailors gang to fish for cod.
His locked, letter’d, braw brass collar Shew’d him the gentleman an’ scholar; But though he was o’ high degree, The fient a pride, nae pride had he; But wad hae spent an hour caressin, Ev’n wi’ al tinkler-gipsy’s messin: At kirk or market, mill or smiddie, Nae tawted tyke, tho’ e’er sae duddie, But he wad stan’t, as glad to see him, An’ stroan’t on stanes an’ hillocks wi’ him.
The tither was a ploughman’s collie— A rhyming, ranting, raving billie, Wha for his friend an’ comrade had him, And in freak had Luath ca’d him, After some dog in Highland Sang, 2 Was made lang syne,—Lord knows how lang.
He was a gash an’ faithfu’ tyke, As ever lap a sheugh or dyke.
His honest, sonsie, baws’nt face Aye gat him friends in ilka place; His breast was white, his touzie back Weel clad wi’ coat o’ glossy black; His gawsie tail, wi’ upward curl, Hung owre his hurdie’s wi’ a swirl.
Nae doubt but they were fain o’ ither, And unco pack an’ thick thegither; Wi’ social nose whiles snuff’d an’ snowkit; Whiles mice an’ moudieworts they howkit; Whiles scour’d awa’ in lang excursion, An’ worry’d ither in diversion; Until wi’ daffin’ weary grown Upon a knowe they set them down.
An’ there began a lang digression.
About the “lords o’ the creation.
” CÆSAR I’ve aften wonder’d, honest Luath, What sort o’ life poor dogs like you have; An’ when the gentry’s life I saw, What way poor bodies liv’d ava.
Our laird gets in his racked rents, His coals, his kane, an’ a’ his stents: He rises when he likes himsel’; His flunkies answer at the bell; He ca’s his coach; he ca’s his horse; He draws a bonie silken purse, As lang’s my tail, where, thro’ the steeks, The yellow letter’d Geordie keeks.
Frae morn to e’en, it’s nought but toiling At baking, roasting, frying, boiling; An’ tho’ the gentry first are stechin, Yet ev’n the ha’ folk fill their pechan Wi’ sauce, ragouts, an’ sic like trashtrie, That’s little short o’ downright wastrie.
Our whipper-in, wee, blasted wonner, Poor, worthless elf, it eats a dinner, Better than ony tenant-man His Honour has in a’ the lan’: An’ what poor cot-folk pit their painch in, I own it’s past my comprehension.
LUATH Trowth, C&æsar, whiles they’re fash’t eneugh: A cottar howkin in a sheugh, Wi’ dirty stanes biggin a dyke, Baring a quarry, an’ sic like; Himsel’, a wife, he thus sustains, A smytrie o’ wee duddie weans, An’ nought but his han’-daurk, to keep Them right an’ tight in thack an’ rape.
An’ when they meet wi’ sair disasters, Like loss o’ health or want o’ masters, Ye maist wad think, a wee touch langer, An’ they maun starve o’ cauld an’ hunger: But how it comes, I never kent yet, They’re maistly wonderfu’ contented; An’ buirdly chiels, an’ clever hizzies, Are bred in sic a way as this is.
CÆSAR But then to see how ye’re negleckit, How huff’d, an’ cuff’d, an’ disrespeckit! Lord man, our gentry care as little For delvers, ditchers, an’ sic cattle; They gang as saucy by poor folk, As I wad by a stinkin brock.
I’ve notic’d, on our laird’s court-day,— An’ mony a time my heart’s been wae,— Poor tenant bodies, scant o’cash, How they maun thole a factor’s snash; He’ll stamp an’ threaten, curse an’ swear He’ll apprehend them, poind their gear; While they maun stan’, wi’ aspect humble, An’ hear it a’, an’ fear an’ tremble! I see how folk live that hae riches; But surely poor-folk maun be wretches! LUATH They’re no sae wretched’s ane wad think.
Tho’ constantly on poortith’s brink, They’re sae accustom’d wi’ the sight, The view o’t gives them little fright.
Then chance and fortune are sae guided, They’re aye in less or mair provided: An’ tho’ fatigued wi’ close employment, A blink o’ rest’s a sweet enjoyment.
The dearest comfort o’ their lives, Their grushie weans an’ faithfu’ wives; The prattling things are just their pride, That sweetens a’ their fire-side.
An’ whiles twalpennie worth o’ nappy Can mak the bodies unco happy: They lay aside their private cares, To mind the Kirk and State affairs; They’ll talk o’ patronage an’ priests, Wi’ kindling fury i’ their breasts, Or tell what new taxation’s comin, An’ ferlie at the folk in Lon’on.
As bleak-fac’d Hallowmass returns, They get the jovial, rantin kirns, When rural life, of ev’ry station, Unite in common recreation; Love blinks, Wit slaps, an’ social Mirth Forgets there’s Care upo’ the earth.
That merry day the year begins, They bar the door on frosty win’s; The nappy reeks wi’ mantling ream, An’ sheds a heart-inspiring steam; The luntin pipe, an’ sneeshin mill, Are handed round wi’ right guid will; The cantie auld folks crackin crouse, The young anes rantin thro’ the house— My heart has been sae fain to see them, That I for joy hae barkit wi’ them.
Still it’s owre true that ye hae said, Sic game is now owre aften play’d; There’s mony a creditable stock O’ decent, honest, fawsont folk, Are riven out baith root an’ branch, Some rascal’s pridefu’ greed to quench, Wha thinks to knit himsel the faster In favour wi’ some gentle master, Wha, aiblins, thrang a parliamentin, For Britain’s guid his saul indentin— CÆSAR Haith, lad, ye little ken about it: For Britain’s guid! guid faith! I doubt it.
Say rather, gaun as Premiers lead him: An’ saying ay or no’s they bid him: At operas an’ plays parading, Mortgaging, gambling, masquerading: Or maybe, in a frolic daft, To Hague or Calais takes a waft, To mak a tour an’ tak a whirl, To learn bon ton, an’ see the worl’.
There, at Vienna, or Versailles, He rives his father’s auld entails; Or by Madrid he takes the rout, To thrum guitars an’ fecht wi’ nowt; Or down Italian vista startles, Wh-re-hunting amang groves o’ myrtles: Then bowses drumlie German-water, To mak himsel look fair an’ fatter, An’ clear the consequential sorrows, Love-gifts of Carnival signoras.
For Britain’s guid! for her destruction! Wi’ dissipation, feud, an’ faction.
LUATH Hech, man! dear sirs! is that the gate They waste sae mony a braw estate! Are we sae foughten an’ harass’d For gear to gang that gate at last? O would they stay aback frae courts, An’ please themsels wi’ country sports, It wad for ev’ry ane be better, The laird, the tenant, an’ the cotter! For thae frank, rantin, ramblin billies, Feint haet o’ them’s ill-hearted fellows; Except for breakin o’ their timmer, Or speakin lightly o’ their limmer, Or shootin of a hare or moor-cock, The ne’er-a-bit they’re ill to poor folk, But will ye tell me, Master C&æsar, Sure great folk’s life’s a life o’ pleasure? Nae cauld nor hunger e’er can steer them, The very thought o’t need na fear them.
CÆSAR L—d, man, were ye but whiles whare I am, The gentles, ye wad ne’er envy them! It’s true, they need na starve or sweat, Thro’ winter’s cauld, or simmer’s heat: They’ve nae sair wark to craze their banes, An’ fill auld age wi’ grips an’ granes: But human bodies are sic fools, For a’ their colleges an’ schools, That when nae real ills perplex them, They mak enow themsel’s to vex them; An’ aye the less they hae to sturt them, In like proportion, less will hurt them.
A country fellow at the pleugh, His acre’s till’d, he’s right eneugh; A country girl at her wheel, Her dizzen’s dune, she’s unco weel; But gentlemen, an’ ladies warst, Wi’ ev’n-down want o’ wark are curst.
They loiter, lounging, lank an’ lazy; Tho’ deil-haet ails them, yet uneasy; Their days insipid, dull, an’ tasteless; Their nights unquiet, lang, an’ restless.
An’ev’n their sports, their balls an’ races, Their galloping through public places, There’s sic parade, sic pomp, an’ art, The joy can scarcely reach the heart.
The men cast out in party-matches, Then sowther a’ in deep debauches.
Ae night they’re mad wi’ drink an’ whoring, Niest day their life is past enduring.
The ladies arm-in-arm in clusters, As great an’ gracious a’ as sisters; But hear their absent thoughts o’ ither, They’re a’ run-deils an’ jads thegither.
Whiles, owre the wee bit cup an’ platie, They sip the scandal-potion pretty; Or lee-lang nights, wi’ crabbit leuks Pore owre the devil’s pictur’d beuks; Stake on a chance a farmer’s stackyard, An’ cheat like ony unhanged blackguard.
There’s some exceptions, man an’ woman; But this is gentry’s life in common.
By this, the sun was out of sight, An’ darker gloamin brought the night; The bum-clock humm’d wi’ lazy drone; The kye stood rowtin i’ the loan; When up they gat an’ shook their lugs, Rejoic’d they werena men but dogs; An’ each took aff his several way, Resolv’d to meet some ither day.
Note 1.
Luath was Burns’ own dog.
[back] Note 2.
Cuchullin’s dog in Ossian’s “Fingal.
”—R.
B.
[back]
Written by Walt Whitman | Create an image from this poem

Out from Behind this Mask

 1
OUT from behind this bending, rough-cut Mask, 
(All straighter, liker Masks rejected—this preferr’d,) 
This common curtain of the face, contain’d in me for me, in you for you, in each for
 each,

(Tragedies, sorrows, laughter, tears—O heaven! 
The passionate, teeming plays this curtain hid!)
This glaze of God’s serenest, purest sky, 
This film of Satan’s seething pit, 
This heart’s geography’s map—this limitless small continent—this
 soundless
 sea; 
Out from the convolutions of this globe, 
This subtler astronomic orb than sun or moon—than Jupiter, Venus, Mars;
This condensation of the Universe—(nay, here the only Universe, 
Here the IDEA—all in this mystic handful wrapt;) 
These burin’d eyes, flashing to you, to pass to future time, 
To launch and spin through space revolving, sideling—from these to emanate, 
To You, whoe’er you are—a Look.
2 A Traveler of thoughts and years—of peace and war, Of youth long sped, and middle age declining, (As the first volume of a tale perused and laid away, and this the second, Songs, ventures, speculations, presently to close,) Lingering a moment, here and now, to You I opposite turn, As on the road, or at some crevice door, by chance, or open’d window, Pausing, inclining, baring my head, You specially I greet, To draw and clench your Soul, for once, inseparably with mine, Then travel, travel on.
Written by Wilfred Owen | Create an image from this poem

Mental Cases

 Who are these? Why sit they here in twilight?
Wherefore rock they, purgatorial shadows,
Drooping tongues from jaws that slob their relish,
Baring teeth that leer like skulls' tongues wicked?
Stroke on stroke of pain, -- but what slow panic,
Gouged these chasms round their fretted sockets?
Ever from their hair and through their hand palms
Misery swelters.
Surely we have perished Sleeping, and walk hell; but who these hellish? -- These are men whose minds the Dead have ravished.
Memory fingers in their hair of murders, Multitudinous murders they once witnessed.
Wading sloughs of flesh these helpless wander, Treading blood from lungs that had loved laughter.
Always they must see these things and hear them, Batter of guns and shatter of flying muscles, Carnage incomparable and human squander Rucked too thick for these men's extrication.
Therefore still their eyeballs shrink tormented Back into their brains, because on their sense Sunlight seems a bloodsmear; night comes blood-black; Dawn breaks open like a wound that bleeds afresh -- Thus their heads wear this hilarious, hideous, Awful falseness of set-smiling corpses.
-- Thus their hands are plucking at each other; Picking at the rope-knouts of their scourging; Snatching after us who smote them, brother, Pawing us who dealt them war and madness.
Written by Rupert Brooke | Create an image from this poem

Mary and Gabriel

 Young Mary, loitering once her garden way,
Felt a warm splendour grow in the April day,
As wine that blushes water through.
And soon, Out of the gold air of the afternoon, One knelt before her: hair he had, or fire, Bound back above his ears with golden wire, Baring the eager marble of his face.
Not man's nor woman's was the immortal grace Rounding the limbs beneath that robe of white, And lighting the proud eyes with changeless light, Incurious.
Calm as his wings, and fair, That presence filled the garden.
She stood there, Saying, "What would you, Sir?" He told his word, "Blessed art thou of women!" Half she heard, Hands folded and face bowed, half long had known, The message of that clear and holy tone, That fluttered hot sweet sobs about her heart; Such serene tidings moved such human smart.
Her breath came quick as little flakes of snow.
Her hands crept up her breast.
She did but know It was not hers.
She felt a trembling stir Within her body, a will too strong for her That held and filled and mastered all.
With eyes Closed, and a thousand soft short broken sighs, She gave submission; fearful, meek, and glad.
.
.
.
She wished to speak.
Under her breasts she had Such multitudinous burnings, to and fro, And throbs not understood; she did not know If they were hurt or joy for her; but only That she was grown strange to herself, half lonely, All wonderful, filled full of pains to come And thoughts she dare not think, swift thoughts and dumb, Human, and quaint, her own, yet very far, Divine, dear, terrible, familiar .
.
.
Her heart was faint for telling; to relate Her limbs' sweet treachery, her strange high estate, Over and over, whispering, half revealing, Weeping; and so find kindness to her healing.
'Twixt tears and laughter, panic hurrying her, She raised her eyes to that fair messenger.
He knelt unmoved, immortal; with his eyes Gazing beyond her, calm to the calm skies; Radiant, untroubled in his wisdom, kind.
His sheaf of lilies stirred not in the wind.
How should she, pitiful with mortality, Try the wide peace of that felicity With ripples of her perplexed shaken heart, And hints of human ecstasy, human smart, And whispers of the lonely weight she bore, And how her womb within was hers no more And at length hers? Being tired, she bowed her head; And said, "So be it!" The great wings were spread Showering glory on the fields, and fire.
The whole air, singing, bore him up, and higher, Unswerving, unreluctant.
Soon he shone A gold speck in the gold skies; then was gone.
The air was colder, and grey.
She stood alone.


Written by Adela Florence Cory Nicolson | Create an image from this poem

Yasmini

   At night, when Passion's ebbing tide
     Left bare the Sands of Truth,
   Yasmini, resting by my side,
     Spoke softly of her youth.

   "And one" she said "was tall and slim,
     Two crimson rose leaves made his mouth,
   And I was fain to follow him
     Down to his village in the South.

   "He was to build a hut hard by
     The stream where palms were growing,
   We were to live, and love, and lie,
     And watch the water flowing.

   "Ah, dear, delusive, distant shore,
     By dreams of futile fancy gilt!
   The riverside we never saw,
     The palm leaf hut was never built!

   "One had a Tope of Mangoe trees,
     Where early morning, noon and late,
   The Persian wheels, with patient ease,
     Brought up their liquid, silver freight.

   "And he was fain to rise and reach
     That garden sloping to the sea,
   Whose groves along the wave-swept beach
     Should shelter him and love and me.

   "Doubtless, upon that western shore
     With ripe fruit falling to the ground,
   There dwells the Peace he hungered for,
     The lovely Peace we never found.

   "Then there came one with eager eyes
     And keen sword, ready for the fray.
   He missed the storms of Northern skies,
     The reckless raid and skirmish gay!

   "He rose from dreams of war's alarms,
     To make his daggers keen and bright,
   Desiring, in my very arms,
     The fiercer rapture of the fight!

   "He left me soon; too soon, and sought
     The stronger, earlier love again.
   News reached me from the Cabul Court,
     Afterwards nothing; doubtless slain.

   "Doubtless his brilliant, haggard eyes,
     Long since took leave of life and light,
   And those lithe limbs I used to prize
     Feasted the jackal and the kite.

   "But the most loved! his sixteen years
     Shone in his cheeks' transparent red.
   My kisses were his first: my tears
     Fell on his face when he was dead.

   "He died, he died, I speak the truth,
     Though light love leave his memory dim,
   He was the Lover of my Youth
     And all my youth went down with him.

   "For passion ebbs and passion flows,
     But under every new caress
   The riven heart more keenly knows
     Its own inviolate faithfulness.

   "Our Gods are kind and still deem fit
     As in old days, with those to lie,
   Whose silent hearths are yet unlit
     By the soft light of infancy.

   "Therefore, one strange, mysterious night
     Alone within the Temple shade,
   Recipient of a God's delight
     I lay enraptured, unafraid.

   "Also to me the boon was given,
     But mourning quickly followed mirth,
   My son, whose father stooped from Heaven,
     Died in the moment of his birth.

   "When from the war beyond the seas
     The reckless Lancers home returned,
   Their spoils were laid across my knees
     About my lips their kisses burned.

   "Back from the Comradeship of Death,
     Free from the Friendship of the Sword,
   With brilliant eyes and famished breath
     They came to me for their reward.

   "Why do I tell you all these things,
     Baring my life to you, unsought?
   When Passion folds his wearied wings
     Sleep should be follower, never Thought.

   "Ay, let us sleep. The window pane
     Grows pale against the purple sky.
   The dawn is with us once again,
     The dawn; which always means good-bye."

   Within her little trellised room, beside the palm-fringed sea,
   She wakeful in the scented gloom, spoke of her youth to me.

Book: Shattered Sighs