Written by
Allen Ginsberg |
Oil brown smog over Denver
Oil red dung colored smoke
level to level across the horizon
blue tainted sky above
Oil car smog gasoline
hazing red Denver's day
December bare trees
sticking up from housetop streets
Plane lands rumbling, planes rise over
radar wheels, black smoke
drifts from tailfins
Oil millions of cars speeding the cracked plains
Oil from Texas, Bahrein, Venezuela Mexico
Oil that turns General Motors
revs up Ford
lights up General Electric, oil that crackles
thru International Business Machine computers,
charges dynamos for ITT
sparks Western
Electric
runs thru Amer Telephone & Telegraph wires
Oil that flows thru Exxon New Jersey hoses,
rings in Mobil gas tank cranks, rumbles
Chrysler engines
shoots thru Texaco pipelines
blackens ocean from broken Gulf tankers
spills onto Santa Barbara beaches from
Standard of California derricks offshore.
|
Written by
Yehuda Amichai |
Do not accept these rains that come too late.
Better to linger. Make your pain
An image of the desert. Say it's said
And do not look to the west. Refuse
To surrender. Try this year too
To live alone in the long summer,
Eat your drying bread, refrain
From tears. And do not learn from
Experience. Take as an example my youth,
My return late at night, what has been written
In the rain of yesteryear. It makes no difference
Now. See your events as my events.
Everything will be as before: Abraham will again
Be Abram. Sarah will be Sarai.
trans. Benjamin & Barbara Harshav
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Written by
John Greenleaf Whittier |
Up from the meadows rich with corn,
Clear in the cool September morn,
The clustered spires of Frederick stand
Green-walled by the hills of Maryland.
Round about them orchards sweep,
Apple and peach tree fruited deep,
Fair as the garden of the Lord
To the eyes of the famished rebel horde,
On that pleasant morn of the early fall
When Lee marched over the mountain-wall;
Over the mountains winding down,
Horse and foot, into Frederick town.
Forty flags with their silver stars,
Forty flags with their crimson bars,
Flapped in the morning wind: the sun
Of noon looked down, and saw not one.
Up rose old Barbara Frietchie then,
Bowed with her fourscore years and ten;
Bravest of all in Frederick town,
She took up the flag the men hauled down;
In her attic window the staff she set,
To show that one heart was loyal yet,
Up the street came the rebel tread,
Stonewall Jackson riding ahead.
Under his slouched hat left and right
He glanced; the old flag met his sight.
'Halt!' - the dust-brown ranks stood fast.
'Fire!' - out blazed the rifle-blast.
It shivered the window, pane and sash;
It rent the banner with seam and gash.
Quick, as it fell, from the broken staff
Dame Barbara snatched the silken scarf.
She leaned far out on the window-sill,
And shook it forth with a royal will.
'Shoot, if you must, this old gray head,
But spare your country's flag,' she said.
A shade of sadness, a blush of shame,
Over the face of the leader came;
The nobler nature within him stirred
To life at that woman's deed and word;
'Who touches a hair of yon gray head
Dies like a dog! March on! he said.
All day long through Frederick street
Sounded the tread of marching feet:
All day long that free flag tost
Over the heads of the rebel host.
Ever its torn folds rose and fell
On the loyal winds that loved it well;
And through the hill-gaps sunset light
Shone over it with a warm good-night.
Barbara Frietchie's work is o'er,
And the Rebel rides on his raids nor more.
Honor to her! and let a tear
Fall, for her sake, on Stonewalls' bier.
Over Barbara Frietchie's grave,
Flag of Freedom and Union, wave!
Peace and order and beauty draw
Round they symbol of light and law;
And ever the stars above look down
On thy stars below in Frederick town!
|
Written by
Barry Tebb |
for Ken Kesey and his merry pranksters in a bus called ‘Further...’
Dear _______ and here’s where the problem begins
For who shall I address this letter to?
Friends are few and very special, muses in the main
I must confess, the first I lost just fifty years ago.
Perhaps the best.
I searched for years and wrote en route
‘Bridge Over the Aire’ after that vision and that voice
“I am here. I am waiting”. I followed every lead
Margaret Gardiner last heard of in the Falmouth’s
Of Leeds 9, early fifties. Barry Tebb your friend from then
Would love to hear from you.”
The sole reply
A mis-directed estimate for papering a bungalow
In Penge. I nearly came unhinged as weeks
Ran into months of silence. Was it. I wondered.
A voice from the beyond?
The vision was given
Complete with backcloth of resplendent stars
The bridge’s grey transmuted to a sheen of pearl
The chipped steps became transparent stairs to heaven
Our worn clothes, like Cinders’ at the ball, cloaks and gowns
Of infinite splendour but only for the night, remember!
I passed the muse’s diadem to Sheila Pritchard,
My genius-child-poet of whom Redgrove said
“Of course, you are in love” and wrote for her
‘My Perfect Rose!’
Last year a poet saw it
In the British Council Reading Room in distant Kazakstan
And sent his poems to me on paper diaphanous
As angels’ wings and delicate as ash
And tinted with a splash of lemon
And a dash of mignonette.
I last saw Sheila circa nineteen sixty seven
Expelled from grammar school wearing a poncho
Hand-made from an army blanket
Working a stall in Kirkgate Market.
Brenda Williams, po?te maudit if ever,
By then installed as muse number three
Grew sadly jealous for the only time
In thirty-seven years: muse number two
Passed into the blue
There is another muse, who makes me chronologically confused.
Barbara, who overlaps both two and three
And still is there, somewhere in Leeds.
Who does remember me and who, almost alone.
Inspired my six novellas: we write and
Talk sometimes and in a crisis she is there for me,
Muse number four, though absent for a month in Indonesia.
Remains. I doubt if there will be a fifth.
There is a poet, too, who is a friend and writes to me
From Hampstead, from a caf? in South End Green.
His cursive script on rose pink paper symptomatic
Of his gift for eloquent prose and poetry sublime
His elegy on David Gascoyne’s death quite takes my breath
And the title of his novel ‘Lipstick Boys’ I'll envy always,
There are some few I talk and write to
And occasionally meet. David Lambert, poet and teacher
Of creative writing, doing it ‘my way’ in the nineties,
UEA found his services superfluous to their needs.
? ? you may **** like hell,
But I abhor your jealous narcissistic smell
And as for your much vaunted pc prose
I’d rather stick my prick inside the thorniest rose.
Jeanne Conn of ‘Connections’ your letters
are even longer than my own and Maggie Allen
Sent me the only Valentine I’ve had in sixty years
These two do know my longings and my fears,
Dear Simon Jenner, Eratica’s erratic editor, your speech
So like the staccato of a bren, yet loaded
With a lifetime’s hard-won ken of poetry’s obscurest corners.
I salute David Wright, that ‘difficult deaf son’
Of the sixties, acknowledged my own youthful spasm of enthusiasm
But Simon you must share the honour with Jimmy Keery,
Of whom I will admit I’m somewhat leery,
His critical acuity so absolute and steely.
I ask you all to stay with me
Through time into infinity
Not even death can undo
The love I have for you.
|
Written by
Anne Sexton |
It was also my violent heart that broke,
falling down the front hall stairs.
It was also a message I never spoke,
calling, riser after riser, who cares
about you, who cares, splintering up
the hip that was merely made of crystal,
the post of it and also the cup.
I exploded in the hallway like a pistol.
So I fell apart. So I came all undone.
Yes. I was like a box of dog bones.
But now they've wrapped me in like a nun.
Burst like firecrackers! Held like stones!
What a feat sailing queerly like Icarus
until the tempest undid me and I broke.
The ambulance drivers made such a fuss.
But when I cried, "Wait for my courage!" they smoked
and then they placed me, tied me up on their plate,
and wheeled me out to their coffin, my nest.
Slowly the siren slowly the hearse, sedate
as a dowager. At the E. W. they cut off my dress.
I cried, "Oh Jesus, help me! Oh Jesus Christ!"
and the nurse replied, "Wrong name. My name
is Barbara," and hung me in an odd device,
a buck's extension and a Balkan overhead frame.
The orthopedic man declared,
"You'll be down for a year." His scoop. His news.
He opened the skin. He scraped. He pared
and drilled through bone for his four-inch screws.
That takes brute strength like pushing a cow
up hill. I tell you, it takes skill
and bedside charm and all that know how.
The body is a damn hard thing to kill.
But please don't touch or jiggle my bed.
I'm Ethan Frome's wife. I'll move when I'm able.
The T. V. hangs from the wall like a moose head.
I hide a pint of bourbon in my bedside table.
A bird full of bones, now I'm held by a sand bag.
The fracture was twice. The fracture was double.
The days are horizontal. The days are a drag.
All of the skeleton in me is in trouble.
Across the hall is the bedpan station.
The urine and stools pass hourly by my head
in silver bowls. They flush in unison
in the autoclave. My one dozen roses are dead.
The have ceased to menstruate. They hang
there like little dried up blood clots.
And the heart too, that cripple, how it sang
once. How it thought it could call the shots!
Understand what happened the day I fell.
My heart had stammered and hungered at
a marriage feast until the angel of hell
turned me into the punisher, the acrobat.
My bones are loose as clothespins,
as abandoned as dolls in a toy shop
and my heart, old hunger motor, with its sins
revved up like an engine that would not stop.
And now I spend all day taking care
of my body, that baby. Its cargo is scarred.
I anoint the bedpan. I brush my hair,
waiting in the pain machine for my bones to get hard,
for the soft, soft bones that were laid apart
and were screwed together. They will knit.
And the other corpse, the fractured heart,
I feed it piecemeal, little chalice. I'm good to it.
Yet lie a fire alarm it waits to be known.
It is wired. In it many colors are stored.
While my body's in prison, heart cells alone
have multiplied. My bones are merely bored
with all this waiting around. But the heart,
this child of myself that resides in the flesh,
this ultimate signature of the me, the start
of my blindness and sleep, builds a death crèche.
The figures are placed at the grave of my bones.
All figures knowing it is the other death
they came for. Each figure standing alone.
The heart burst with love and lost its breath.
This little town, this little country is real
and thus it is so of the post and the cup
and thus of the violent heart. The zeal
of my house doth eat me up.
|
Written by
Barry Tebb |
Any poets about or bored muses fancying a day out?
Rainy, windy, cold Leeds City Station
Half-way through its slow chaotic transformation
Contractors’ morning break, overalls, hard hats and harness
Flood McDonalds where I sip my tea and try to translate Val?ry.
London has everything except my bardic inspiration
I’ve only to step off the coach in Leeds and it whistles
Its bravuras down every wind, rattles the cobbles in Kirkgate Market
Hovers in the drunken brogue of a Dubliner in the chippie
As we share our love of Joyce the Aire becomes the Liffey.
All my three muses have abandoned me. Daisy in Asia,
Brenda protesting outside the Royal Free, Barbara seeing clients at the C.A.B.
Past Saltaire’s Mill, the world’s eighth wonder,
The new electric train whisperglides on wet rails
Past Shipley’s fairy glen and other tourist trails
Past Kirkstall’s abandoned abbey and redundant forge
To Grandma Wild’s in Keighley where I sit and gorge.
I’ve travelled on the Haworth bus so often
The driver chats as if I were a local
But when the rainbow’s lightning flash
Illumines all the valleys there’s a hush
And every pensioner's rheumy eye is rooted
On the gleaming horizon as its mooted
The Bronte’s spirits make the thunder crack
Three cloaked figures converging round the Oakworth track.
Haworth in a storm is a storm indeed
The lashing and the crashing makes the gravestones bleed
The mashing and the bashing makes the light recede
And on the moor top I lose my way and find it
Half a dozen times slipping in the mud and heather
Heather than can stand the thrust of any weather.
Just as suddenly as it had come the storm abated
Extremes demand those verbs so antiquated
Archaic and abhorred and second-rated
Yet still they stand like moorland rocks in mist
And wait as I do till the storm has passed
Buy postcards at the parsonage museum shop
Sit half an hour in the tea room drying off
And pen a word or two to my three muses
Who after all presented their excuses
But nonetheless the three all have their uses.
|
Written by
Eugene Field |
I.--TO MISTRESS BARBARA
There were three cavaliers, all handsome and true,
On Valentine's day came a maiden to woo,
And quoth to your mother: "Good-morrow, my dear,
We came with some songs for your daughter to hear!"
Your mother replied: "I'll be pleased to convey
To my daughter what things you may sing or may say!"
Then the first cavalier sung: "My pretty red rose,
I'll love you and court you some day, I suppose!"
And the next cavalier sung, with make-believe tears:
"I've loved you! I've loved you these many long years!"
But the third cavalier (with the brown, bushy head
And the pretty blue jacket and necktie of red)
He drew himself up with a resolute air,
And he warbled: "O maiden, surpassingly fair!
I've loved you long years, and I love you to-day,
And, if you will let me, I'll love you for aye!"
I (the third cavalier) sang this ditty to you,
In my necktie of red and my jacket of blue;
I'm sure you'll prefer the song that was mine
And smile your approval on your valentine.
II.--TO A BABY BOY
Who I am I shall not say,
But I send you this bouquet
With this query, baby mine:
"Will you be my valentine?"
See these roses blushing blue,
Very like your eyes of hue;
While these violets are the red
Of your cheeks. It can be said
Ne'er before was babe like you.
And I think it is quite true
No one e'er before to-day
Sent so wondrous a bouquet
As these posies aforesaid--
Roses blue and violets red!
Sweet, repay me sweets for sweets--
'Tis your lover who entreats!
Smile upon me, baby mine--
Be my little valentine!
|
Written by
Johann Wolfgang von Goethe |
IN the drizzling mist, with the snow high-pil'd,
In the Winter night, in the forest wild,
I heard the wolves with their ravenous howl,
I heard the screaming note of the owl:
Wille wau wau wau!
Wille wo wo wo!
Wito
hu!
I shot, one day, a cat in a ditch--
The dear black cat of Anna the witch;
Upon me, at night, seven were-wolves came down,
Seven women they were, from out of the town.
Wille wau wau wau!
Wille wo wo wo!
Wito
hu!
I knew them all; ay, I knew them straight;
First, Anna, then Ursula, Eve, and Kate,
And Barbara, Lizzy, and Bet as well;
And forming a ring, they began to yell:
Wille wau wau wau!
Wille wo wo wo!
Wito
hu!
Then call'd I their names with angry threat:
"What wouldst thou, Anna? What wouldst thou, Bet?"
At hearing my voice, themselves they shook,
And howling and yelling, to flight they took.
Wille wau wau wau!
Wille wo wo wo!
Wito
hu!
1772.
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Written by
Anne Sexton |
It is half winter, half spring,
and Barbara and I are standing
confronting the ocean.
Its mouth is open very wide,
and it has dug up its green,
throwing it, throwing it at the shore.
You say it is angry.
I say it is like a kicked Madonna.
Its womb collapses, drunk with its fever.
We breathe in its fury.
I, the inlander,
am here with you for just a small space.
I am almost afraid,
so long gone from the sea.
I have seen her smooth as a cheek.
I have seen her easy,
doing her business,
lapping in.
I have seen her rolling her hoops of blue.
I have seen her tear the land off.
I have seen her drown me twice,
and yet not take me.
You tell me that as the green drains backward
it covers Britain,
but have you never stood on that shore
and seen it cover you?
We have come to worship,
the tongues of the surf are prayers,
and we vow,
the unspeakable vow.
Both silently.
Both differently.
I wish to enter her like a dream,
leaving my roots here on the beach
like a pan of knives.
And my past to unravel, with its knots and snarls,
and walk into ocean,
letting it explode over me
and outward, where I would drink the moon
and my clothes would slip away,
and I would sink into the great mother arms
I never had,
except here where the abyss
throws itself on the sand
blow by blow,
over and over,
and we stand on the shore
loving its pulse
as it swallows the stars,
and has since it all began
and will continue into oblivion,
past our knowing
and the wild toppling green that enters us today,
for a small time
in half winter, half spring.
|
Written by
Barry Tebb |
For Barbara
I step off the pavement
like a precipice
Engage the darting sunshafts
in a duel
In the wall’s shadow I web
my prints to pattern
The moist stone virgins.
The lawns are white-coated
their throats red
With berries and bird-song;
in petrified gardens
Hyacinth tongues lip the wall.
Leaf mould muffles my heel-taps
the enormous trees totter
In the hyaline air; I hear the
Sunday strollers in their
Mist-making walks, pressing through them
like some voiceless ghost.
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