Written by
Anne Sexton |
It is in the small things we see it.
The child's first step,
as awesome as an earthquake.
The first time you rode a bike,
wallowing up the sidewalk.
The first spanking when your heart
went on a journey all alone.
When they called you crybaby
or poor or fatty or crazy
and made you into an alien,
you drank their acid
and concealed it.
Later,
if you faced the death of bombs and bullets
you did not do it with a banner,
you did it with only a hat to
comver your heart.
You did not fondle the weakness inside you
though it was there.
Your courage was a small coal
that you kept swallowing.
If your buddy saved you
and died himself in so doing,
then his courage was not courage,
it was love; love as simple as shaving soap.
Later,
if you have endured a great despair,
then you did it alone,
getting a transfusion from the fire,
picking the scabs off your heart,
then wringing it out like a sock.
Next, my kinsman, you powdered your sorrow,
you gave it a back rub
and then you covered it with a blanket
and after it had slept a while
it woke to the wings of the roses
and was transformed.
Later,
when you face old age and its natural conclusion
your courage will still be shown in the little ways,
each spring will be a sword you'll sharpen,
those you love will live in a fever of love,
and you'll bargain with the calendar
and at the last moment
when death opens the back door
you'll put on your carpet slippers
and stride out.
|
Written by
Langston Hughes |
Children, I come back today
To tell you a story of the long dark way
That I had to climb, that I had to know
In order that the race might live and grow.
Look at my face -- dark as the night --
Yet shining like the sun with love's true light.
I am the dark girl who crossed the red sea
Carrying in my body the seed of the free.
I am the woman who worked in the field
Bringing the cotton and the corn to yield.
I am the one who labored as a slave,
Beaten and mistreated for the work that I gave --
Children sold away from me, I'm husband sold, too.
No safety , no love, no respect was I due.
Three hundred years in the deepest South:
But God put a song and a prayer in my mouth .
God put a dream like steel in my soul.
Now, through my children, I'm reaching the goal.
Now, through my children, young and free,
I realized the blessing deed to me.
I couldn't read then. I couldn't write.
I had nothing, back there in the night.
Sometimes, the valley was filled with tears,
But I kept trudging on through the lonely years.
Sometimes, the road was hot with the sun,
But I had to keep on till my work was done:
I had to keep on! No stopping for me --
I was the seed of the coming Free.
I nourished the dream that nothing could smother
Deep in my breast -- the ***** mother.
I had only hope then , but now through you,
Dark ones of today, my dreams must come true:
All you dark children in the world out there,
Remember my sweat, my pain, my despair.
Remember my years, heavy with sorrow --
And make of those years a torch for tomorrow.
Make of my pass a road to the light
Out of the darkness, the ignorance, the night.
Lift high my banner out of the dust.
Stand like free men supporting my trust.
Believe in the right, let none push you back.
Remember the whip and the slaver's track.
Remember how the strong in struggle and strife
Still bar you the way, and deny you life --
But march ever forward, breaking down bars.
Look ever upward at the sun and the stars.
Oh, my dark children, may my dreams and my prayers
Impel you forever up the great stairs --
For I will be with you till no white brother
Dares keep down the children of the ***** Mother.
|
Written by
Aleister Crowley |
[Dedicated to Austin Osman Spare]
Have pity ! show no pity !
Those eyes that send such shivers
Into my brain and spine : oh let them
Flame like the ancient city
Swallowed up by the sulphurous rivers
When men let angels fret them !
Yea ! let the south wind blow,
And the Turkish banner advance,
And the word go out : No quarter !
But I shall hod thee -so !
While the boys and maidens dance
About the shambles of slaughter !
I know thee who thou art,
The inmost fiend that curlest
Thy vampire tounge about
Earth's corybantic heart,
Hell's warrior that whirlest
The darts of horror and doubt !
Thou knowest me who I am
The inmost soul and saviour
Of man ; what hieroglyph
Of the dragon and the lamb
Shall thou and I engrave here
On Time's inscandescable cliff ?
Look ! in the plished granite,
Black as thy cartouche is with sins,
I read the searing sentence
That blasts the eyes that scan it :
"HOOR and SET be TWINS."
A fico for repentance !
Ay ! O Son of my mother
That snarled and clawed in her womb
As now we rave in our rapture,
I know thee, I love thee, brother !
Incestuous males that consumes
The light and the life that we capture.
Starve thou the soul of the world,
Brother, as I the body !
Shall we not glut our lust
On these wretches whom Fate hath hurled
To a hell of jesus and shoddy,
Dung and ethics and dust ?
Thou as I art Fate.
Coe then, conquer and kiss me !
Come ! what hinders? Believe me :
This is the thought we await.
The mark is fair ; can you miss me ?
See, how subtly I writhe !
Strange runes and unknown sigils
I trace in the trance that thrills us.
Death ! how lithe, how blithe
Are these male incestuous vigils !
Ah ! this is the spasm that kills us !
Wherefore I solemnly affirm
This twofold Oneness at the term.
Asar on Asi did beget
Horus twin brother unto Set.
Now Set and Horus kiss, to call
The Soul of the Unnatural
Forth from the dusk ; then nature slain
Lets the Beyond be born again.
This weird is of the tongue of Khem,
The Conjuration used of them.
Whoso shall speak it, let him die,
His bowels rotting inwardly,
Save he uncover and caress
The God that lighteth his liesse.
|
Written by
Paul Laurence Dunbar |
A hush is over all the teeming lists,
And there is pause, a breath-space in the strife;
A spirit brave has passed beyond the mists
And vapors that obscure the sun of life.
And Ethiopia, with bosom torn,
Laments the passing of her noblest born.
She weeps for him a mother's burning tears--
She loved him with a mother's deepest love
He was her champion thro' direful years,
And held her weal all other ends above.
When Bondage held her bleeding in the dust,
He raised her up and whispered, 'Hope and Trust.'
For her his voice, a fearless clarion, rung
That broke in warning on the ears of men;
For her the strong bow of his pow'r he strung
And sent his arrows to the very den
Where grim Oppression held his bloody place
And gloated o'er the mis'ries of a race.
And he was no soft-tongued apologist;
He spoke straight-forward, fearlessly uncowed;
The sunlight of his truth dispelled the mist
And set in bold relief each dark-hued cloud;
To sin and crime he gave their proper hue,
And hurled at evil what was evil's due.
Thro' good and ill report he cleaved his way
Right onward, with his face set toward the heights,
Nor feared to face the foeman's dread array--
The lash of scorn, the sting of petty spites.
He dared the lightning in the lightning's track,
And answered thunder with his thunder back.
When men maligned him and their torrent wrath
In furious imprecations o'er him broke,
He kept his counsel as he kept his path;
'Twas for his race, not for himself, he spoke.
He knew the import of his Master's call
And felt himself too mighty to be small.
No miser in the good he held was he--
His kindness followed his horizon's rim.
His heart, his talents and his hands were free
To all who truly needed aught of him.
Where poverty and ignorance were rife,
He gave his bounty as he gave his life.
The place and cause that first aroused his might
Still proved its pow'r until his latest day.
In Freedom's lists and for the aid of Right
Still in the foremost rank he waged the fray;
Wrong lived; His occupation was not gone.
He died in action with his armor on!
We weep for him, but we have touched his hand,
And felt the magic of his presence nigh,
The current that he sent thro' out the land,
The kindling spirit of his battle-cry
O'er all that holds us we shall triumph yet
And place our banner where his hopes were set!
Oh, Douglass, thou hast passed beyond the shore,
But still thy voice is ringing o'er the gale!
Thou 'st taught thy race how high her hopes may soar
And bade her seek the heights, nor faint, nor fail.
She will not fail, she heeds thy stirring cry,
She knows thy guardian spirit will be nigh,
And rising from beneath the chast'ning rod,
She stretches out her bleeding hands to God!
|
Written by
Marge Piercy |
1.
The dark socket of the year
the pit, the cave where the sun lies down
and threatens never to rise,
when despair descends softly as the snow
covering all paths and choking roads:
then hawkfaced pain seized you
threw you so you fell with a sharp
cry, a knife tearing a bolt of silk.
My father heard the crash but paid
no mind, napping after lunch
yet fifteen hundred miles north
I heard and dropped a dish.
Your pain sunk talons in my skull
and crouched there cawing, heavy
as a great vessel filled with water,
oil or blood, till suddenly next day
the weight lifted and I knew your mind
had guttered out like the Chanukah
candles that burn so fast, weeping
veils of wax down the chanukiya.
Those candles were laid out,
friends invited, ingredients bought
for latkes and apple pancakes,
that holiday for liberation
and the winter solstice
when tops turn like little planets.
Shall you have all or nothing
take half or pass by untouched?
Nothing you got, Nun said the dreydl
as the room stopped spinning.
The angel folded you up like laundry
your body thin as an empty dress.
Your clothes were curtains
hanging on the window of what had
been your flesh and now was glass.
Outside in Florida shopping plazas
loudspeakers blared Christmas carols
and palm trees were decked with blinking
lights. Except by the tourist
hotels, the beaches were empty.
Pelicans with pregnant pouches
flapped overhead like pterodactyls.
In my mind I felt you die.
First the pain lifted and then
you flickered and went out.
2.
I walk through the rooms of memory.
Sometimes everything is shrouded in dropcloths,
every chair ghostly and muted.
Other times memory lights up from within
bustling scenes acted just the other side
of a scrim through which surely I could reach
my fingers tearing at the flimsy curtain
of time which is and isn't and will be
the stuff of which we're made and unmade.
In sleep the other night I met you, seventeen
your first nasty marriage just annulled,
thin from your abortion, clutching a book
against your cheek and trying to look
older, trying to took middle class,
trying for a job at Wanamaker's,
dressing for parties in cast off
stage costumes of your sisters. Your eyes
were hazy with dreams. You did not
notice me waving as you wandered
past and I saw your slip was showing.
You stood still while I fixed your clothes,
as if I were your mother. Remember me
combing your springy black hair, ringlets
that seemed metallic, glittering;
remember me dressing you, my seventy year
old mother who was my last dollbaby,
giving you too late what your youth had wanted.
3.
What is this mask of skin we wear,
what is this dress of flesh,
this coat of few colors and little hair?
This voluptuous seething heap of desires
and fears, squeaking mice turned up
in a steaming haystack with their babies?
This coat has been handed down, an heirloom
this coat of black hair and ample flesh,
this coat of pale slightly ruddy skin.
This set of hips and thighs, these buttocks
they provided cushioning for my grandmother
Hannah, for my mother Bert and for me
and we all sat on them in turn, those major
muscles on which we walk and walk and walk
over the earth in search of peace and plenty.
My mother is my mirror and I am hers.
What do we see? Our face grown young again,
our breasts grown firm, legs lean and elegant.
Our arms quivering with fat, eyes
set in the bark of wrinkles, hands puffy,
our belly seamed with childbearing,
Give me your dress that I might try it on.
Oh it will not fit you mother, you are too fat.
I will not fit you mother.
I will not be the bride you can dress,
the obedient dutiful daughter you would chew,
a dog's leather bone to sharpen your teeth.
You strike me sometimes just to hear the sound.
Loneliness turns your fingers into hooks
barbed and drawing blood with their caress.
My twin, my sister, my lost love,
I carry you in me like an embryo
as once you carried me.
4.
What is it we turn from, what is it we fear?
Did I truly think you could put me back inside?
Did I think I would fall into you as into a molten
furnace and be recast, that I would become you?
What did you fear in me, the child who wore
your hair, the woman who let that black hair
grow long as a banner of darkness, when you
a proper flapper wore yours cropped?
You pushed and you pulled on my rubbery
flesh, you kneaded me like a ball of dough.
Rise, rise, and then you pounded me flat.
Secretly the bones formed in the bread.
I became willful, private as a cat.
You never knew what alleys I had wandered.
You called me bad and I posed like a gutter
queen in a dress sewn of knives.
All I feared was being stuck in a box
with a lid. A good woman appeared to me
indistinguishable from a dead one
except that she worked all the time.
Your payday never came. Your dreams ran
with bright colors like Mexican cottons
that bled onto the drab sheets of the day
and would not bleach with scrubbing.
My dear, what you said was one thing
but what you sang was another, sweetly
subversive and dark as blackberries
and I became the daughter of your dream.
This body is your body, ashes now
and roses, but alive in my eyes, my breasts,
my throat, my thighs. You run in me
a tang of salt in the creek waters of my blood,
you sing in my mind like wine. What you
did not dare in your life you dare in mine.
|
Written by
Thomas Hood |
Oh, very gloomy is the house of woe,
Where tears are falling while the bell is knelling,
With all the dark solemnities that show
That Death is in the dwelling!
Oh, very, very dreary is the room
Where Love, domestic Love, no longer nestles,
But smitten by the common stroke of doom,
The corpse lies on the trestles!
But house of woe, and hearse, and sable pall,
The narrow home of the departed mortal,
Ne’er looked so gloomy as that Ghostly Hall,
With its deserted portal!
The centipede along the threshold crept,
The cobweb hung across in mazy tangle,
And in its winding sheet the maggot slept
At every nook and angle.
The keyhole lodged the earwig and her brood,
The emmets of the steps has old possession,
And marched in search of their diurnal food
In undisturbed procession.
As undisturbed as the prehensile cell
Of moth or maggot, or the spider’s tissue,
For never foot upon that threshold fell,
To enter or to issue.
O’er all there hung the shadow of a fear,
A sense of mystery the spirit daunted,
And said, as plain as whisper in the ear,
The place is haunted.
Howbeit, the door I pushed—or so I dreamed--
Which slowly, slowly gaped, the hinges creaking
With such a rusty eloquence, it seemed
That Time himself was speaking.
But Time was dumb within that mansion old,
Or left his tale to the heraldic banners
That hung from the corroded walls, and told
Of former men and manners.
Those tattered flags, that with the opened door,
Seemed the old wave of battle to remember,
While fallen fragments danced upon the floor
Like dead leaves in December.
The startled bats flew out, bird after bird,
The screech-owl overhead began to flutter,
And seemed to mock the cry that she had heard
Some dying victim utter!
A shriek that echoed from the joisted roof,
And up the stair, and further still and further,
Till in some ringing chamber far aloof
In ceased its tale of murther!
Meanwhile the rusty armor rattled round,
The banner shuddered, and the ragged streamer;
All things the horrid tenor of the sound
Acknowledged with a tremor.
The antlers where the helmet hung, and belt,
Stirred as the tempest stirs the forest branches,
Or as the stag had trembled when he felt
The bloodhound at his haunches.
The window jingled in its crumbled frame,
And through its many gaps of destitution
Dolorous moans and hollow sighings came,
Like those of dissolution.
The wood-louse dropped, and rolled into a ball,
Touched by some impulse occult or mechanic;
And nameless beetles ran along the wall
In universal panic.
The subtle spider, that, from overhead,
Hung like a spy on human guilt and error,
Suddenly turned, and up its slender thread
Ran with a nimble terror.
The very stains and fractures on the wall,
Assuming features solemn and terrific,
Hinted some tragedy of that old hall,
Locked up in hieroglyphic.
Some tale that might, perchance, have solved the doubt,
Wherefore, among those flags so dull and livid,
The banner of the bloody hand shone out
So ominously vivid.
Some key to that inscrutable appeal
Which made the very frame of Nature quiver,
And every thrilling nerve and fiber feel
So ague-like a shiver.
For over all there hung a cloud of fear,
A sense of mystery the spirit daunted,
And said, as plain as whisper in the ear,
The place is haunted!
Prophetic hints that filled the soul with dread,
But through one gloomy entrance pointing mostly,
The while some secret inspiration said,
“That chamber is the ghostly!”
Across the door no gossamer festoon
Swung pendulous, --no web, no dusty fringes,
No silky chrysalis or white cocoon,
About its nooks and hinges.
The spider shunned the interdicted room,
The moth, the beetle, and the fly were banished,
And when the sunbeam fell athwart the gloom,
The very midge had vanished.
One lonely ray that glanced upon a bed,
As if with awful aim direct and certain,
To show the Bloody Hand, in burning red,
Embroidered on the curtain.
|
Written by
John Greenleaf Whittier |
Up from the meadows rich with corn,
Clear in the cool September morn,
The clustered spires of Frederick stand
Green-walled by the hills of Maryland.
Round about them orchards sweep,
Apple and peach tree fruited deep,
Fair as the garden of the Lord
To the eyes of the famished rebel horde,
On that pleasant morn of the early fall
When Lee marched over the mountain-wall;
Over the mountains winding down,
Horse and foot, into Frederick town.
Forty flags with their silver stars,
Forty flags with their crimson bars,
Flapped in the morning wind: the sun
Of noon looked down, and saw not one.
Up rose old Barbara Frietchie then,
Bowed with her fourscore years and ten;
Bravest of all in Frederick town,
She took up the flag the men hauled down;
In her attic window the staff she set,
To show that one heart was loyal yet,
Up the street came the rebel tread,
Stonewall Jackson riding ahead.
Under his slouched hat left and right
He glanced; the old flag met his sight.
'Halt!' - the dust-brown ranks stood fast.
'Fire!' - out blazed the rifle-blast.
It shivered the window, pane and sash;
It rent the banner with seam and gash.
Quick, as it fell, from the broken staff
Dame Barbara snatched the silken scarf.
She leaned far out on the window-sill,
And shook it forth with a royal will.
'Shoot, if you must, this old gray head,
But spare your country's flag,' she said.
A shade of sadness, a blush of shame,
Over the face of the leader came;
The nobler nature within him stirred
To life at that woman's deed and word;
'Who touches a hair of yon gray head
Dies like a dog! March on! he said.
All day long through Frederick street
Sounded the tread of marching feet:
All day long that free flag tost
Over the heads of the rebel host.
Ever its torn folds rose and fell
On the loyal winds that loved it well;
And through the hill-gaps sunset light
Shone over it with a warm good-night.
Barbara Frietchie's work is o'er,
And the Rebel rides on his raids nor more.
Honor to her! and let a tear
Fall, for her sake, on Stonewalls' bier.
Over Barbara Frietchie's grave,
Flag of Freedom and Union, wave!
Peace and order and beauty draw
Round they symbol of light and law;
And ever the stars above look down
On thy stars below in Frederick town!
|
Written by
Sir Walter Scott |
March, march, Ettrick and Teviotdale,
Why the deil dinna ye march forward in order!
March, march, Eskdale and Liddesdale,
All the Blue Bonnets are bound for the Border.
Many a banner spread,
Flutters above your head,
Many a crest that is famous in story.
Mount and make ready then,
Sons of the mountain glen,
Fight for the Queen and our old Scottish glory.
Come from the hills where your hirsels are grazing,
Come from the glen of the buck and the roe;
Come to the crag where the beacon is blazing,
Come with the buckler, the lance, and the bow.
Trumpets are sounding,
War-steeds are bounding,
Stand to your arms, then, and march in good order;
England shall many a day
Tell of the bloody fray,
When the Blue Bonnets came over the Border.
|
Written by
Thomas Campbell |
Soul of the Poet ! wheresoe'er,
Reclaimed from earth, thy genius plume
Her wings of immortality ;
Suspend thy harp in happier sphere,
And with thine influence illume
The gladness of our jubilee.
And fly like fiends from secret spell,
Discord and Strife, at Burn's name,
Exorcised by his memory ;
For he was chief of bards that swell
The heart with songs of social flame,
And high delicious revelry.
And Love's own strain to him was given,
To warble all its ecstacies
With Pythian words unsought, unwilled,—
Love, the surviving gift of Heaven
The choicest sweet of Paradise,
In life's else bitter cup distilled.
Who that has melted o'er his lay
To Mary's soul, in Heaven above ,
But pictured sees, in fancy strong,
The landscape and the livelong day
That smiled upon their mutual love ?
Who that has felt forgets the song ?
Nor skilled one flame alone to fan:
His country's high-souled peasantry
What patriot-pride he taught !—how much
To weigh the inborn worth of man !
And rustic life and poverty
Grow beautiful beneath his touch.
Him, in his clay-built cot, the Muse
Entranced, and showed him all the forms,
Of fairy-light and wizard gloom,
(That only gifted Poet views,)
The Genii of the floods and storms,
And martial shades from Glory's tomb.
On Bannock-field what thoughts arouse
The swain whom Burns's song inspires !
Beat not his Caledonian veins,
As o'er the heroic turf he ploughs,
With all the spirit of his sires,
And all their scorn of death and chains ?
And see the Scottish exile, tanned
By many a far and foreign clime,
Bend o'er his home-born verse, and weep
In memory of his native land,
With love that scorns the lapse of time,
And ties that stretch beyond the deep.
Encamped by Indian rivers wild,
The soldier resting on his arms,
In Burns's carol sweet recalls
The scenes that blessed him when a child,
And glows and gladdens at the charms
Of Scotia's woods and waterfalls.
O deem not, 'midst this worldly strife,
An idle art the Poet brings:
Let high Philosophy control,
And sages calm the stream of life,
'T is he refines its fountain-springs,
The nobler passions of the soul.
It is the muse that consecrates
The native banner of the brave,
Unfurling, at the trumpet's breath,
Rose, thistle, harp ; 't is she elates
To sweep the field or ride the wave,
A sunburst in the storm of death.
And thou, young hero , when thy pall
Is crossed with mournful sword and plume,
When public grief begins to fade,
And only tears of kindred fall,
Who but the bard shall dress thy tomb,
And greet with fame thy gallant shade ?
Such was the soldier—Burns, forgive
That sorrows of mine own intrude
In strains to thy great memory due.
In verse like thine, oh ! Could he live,
The friend I mourned—the brave—the good
Edward that died at Waterloo !*
Farewell, high chief of Scottish song !
That couldst alternately impart
Wisdom and rapture in thy page,
And brand each vice with satire strong,
Whose lines are mottoes of the heart?
Whose truths electrify the sage.
Farewell ! and ne'er may Envy dare
To wring one baleful poison drop
From the crushed laurels of thy bust ;
But while the lark sings sweet in air,
Still may the grateful pilgrim stop,
To bless the spot that holds thy dust.
|
Written by
Henry Lawson |
Where the needle-woman toils
Through the night with hand and brain,
Till the sickly daylight shudders like a spectre at the pain –
Till her eyes seem to crawl,
And her brain seems to creep –
And her limbs are all a-tremble for the want of rest and sleep!
It is there the fire-brand blazes in my blood; and it is there
That I see the crimson banner of the Children of Despair!
That I feel the soul and music in a rebel's battle song,
And the greatest love for justice and the hottest hate for wrong!
When the foremost in his greed
Presses heavy on the last –
In the brutal spirit rising from the grave-yard of the past –
Where the poor are trodden down
And the rich are deaf and blind!
It is there I feel the greatest love and pity for mankind:
There – where heart to heart is saying, though the tongue and lip be still:
We've been through it all and know it! brother, we've been through the mill!
There the spirits of my brothers rise the higher for defeat,
And the drums of revolution roll for ever in the street!
Christ is coming once again,
And his day is drawing near;
He is leading on the thousands of the army of the rear!
We shall know the second advent
By the lower skies aflame
With the signals of his coming, for he comes not as he came –
Not humble, meek, and lowly, as he came in days of old,
But with hatred, retribution for the worshippers of gold!
And the roll of battle music and the steady tramp of feet
Sound for ever in the thunder and the rattle of the street!
|