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Best Famous Bamboo Poems

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Written by Elizabeth Bishop | Create an image from this poem

Questions of Travel

 There are too many waterfalls here; the crowded streams 
hurry too rapidly down to the sea, 
and the pressure of so many clouds on the mountaintops 
makes them spill over the sides in soft slow-motion, 
turning to waterfalls under our very eyes. 
--For if those streaks, those mile-long, shiny, tearstains, 
aren't waterfalls yet, 
in a quick age or so, as ages go here, 
they probably will be. 
But if the streams and clouds keep travelling, travelling, 
the mountains look like the hulls of capsized ships, 
slime-hung and barnacled. 

Think of the long trip home. 
Should we have stayed at home and thought of here? 
Where should we be today? 
Is it right to be watching strangers in a play 
in this strangest of theatres? 
What childishness is it that while there's a breath of life 
in our bodies, we are determined to rush 
to see the sun the other way around? 
The tiniest green hummingbird in the world? 
To stare at some inexplicable old stonework, 
inexplicable and impenetrable, 
at any view, 
instantly seen and always, always delightful? 
Oh, must we dream our dreams 
and have them, too? 
And have we room 
for one more folded sunset, still quite warm? 

But surely it would have been a pity 
not to have seen the trees along this road, 
really exaggerated in their beauty, 
not to have seen them gesturing 
like noble pantomimists, robed in pink. 
--Not to have had to stop for gas and heard 
the sad, two-noted, wooden tune 
of disparate wooden clogs 
carelessly clacking over 
a grease-stained filling-station floor. 
(In another country the clogs would all be tested. 
Each pair there would have identical pitch.) 
--A pity not to have heard 
the other, less primitive music of the fat brown bird 
who sings above the broken gasoline pump 
in a bamboo church of Jesuit baroque: 
three towers, five silver crosses. 
--Yes, a pity not to have pondered, 
blurr'dly and inconclusively, 
on what connection can exist for centuries 
between the crudest wooden footwear 
and, careful and finicky, 
the whittled fantasies of wooden footwear 
and, careful and finicky, 
the whittled fantasies of wooden cages. 
--Never to have studied history in 
the weak calligraphy of songbirds' cages. 
--And never to have had to listen to rain 
so much like politicians' speeches: 
two hours of unrelenting oratory 
and then a sudden golden silence 
in which the traveller takes a notebook, writes: 

"Is it lack of imagination that makes us come 
to imagined places, not just stay at home? 
Or could Pascal have been not entirely right 
about just sitting quietly in one's room? 

Continent, city, country, society: 
the choice is never wide and never free. 
And here, or there . . . No. Should we have stayed at home, 
wherever that may be?"


Written by Allen Ginsberg | Create an image from this poem

September On Jessore Road

 Millions of babies watching the skies
Bellies swollen, with big round eyes
On Jessore Road--long bamboo huts
Noplace to **** but sand channel ruts

Millions of fathers in rain
Millions of mothers in pain
Millions of brothers in woe
Millions of sisters nowhere to go

One Million aunts are dying for bread
One Million uncles lamenting the dead
Grandfather millions homeless and sad
Grandmother millions silently mad

Millions of daughters walk in the mud
Millions of children wash in the flood
A Million girls vomit & groan
Millions of families hopeless alone

Millions of souls nineteenseventyone
homeless on Jessore road under grey sun
A million are dead, the million who can
Walk toward Calcutta from East Pakistan

Taxi September along Jessore Road
Oxcart skeletons drag charcoal load
past watery fields thru rain flood ruts
Dung cakes on treetrunks, plastic-roof huts

Wet processions Families walk
Stunted boys big heads don't talk
Look bony skulls & silent round eyes
Starving black angels in human disguise

Mother squats weeping & points to her sons
Standing thin legged like elderly nuns
small bodied hands to their mouths in prayer
Five months small food since they settled there

on one floor mat with small empty pot
Father lifts up his hands at their lot
Tears come to their mother's eye
Pain makes mother Maya cry

Two children together in palmroof shade
Stare at me no word is said
Rice ration, lentils one time a week
Milk powder for warweary infants meek

No vegetable money or work for the man
Rice lasts four days eat while they can
Then children starve three days in a row
and vomit their next food unless they eat slow.

On Jessore road Mother wept at my knees
Bengali tongue cried mister Please
Identity card torn up on the floor
Husband still waits at the camp office door

Baby at play I was washing the flood
Now they won't give us any more food
The pieces are here in my celluloid purse
Innocent baby play our death curse 

Two policemen surrounded by thousands of boys
Crowded waiting their daily bread joys
Carry big whistles & long bamboo sticks
to whack them in line They play hungry tricks

Breaking the line and jumping in front 
Into the circle sneaks one skinny runt
Two brothers dance forward on the mud stage
Teh gaurds blow their whistles & chase them in rage

Why are these infants massed in this place
Laughing in play & pushing for space
Why do they wait here so cheerful & dread
Why this is the House where they give children bread

The man in the bread door Cries & comes out
Thousands of boys and girls Take up his shout
Is it joy? is it prayer? "No more bread today"
Thousands of Children at once scream "Hooray!"

Run home to tents where elders await
Messenger children with bread from the state
No bread more today! & and no place to squat
Painful baby, sick **** he has got.

Malnutrition skulls thousands for months
Dysentery drains bowels all at once
Nurse shows disease card Enterostrep
Suspension is wanting or else chlorostrep

Refugee camps in hospital shacks
Newborn lay naked on mother's thin laps
Monkeysized week old Rheumatic babe eye
Gastoenteritis Blood Poison thousands must die

September Jessore Road rickshaw
50,000 souls in one camp I saw
Rows of bamboo huts in the flood 
Open drains, & wet families waiting for food

Border trucks flooded, food cant get past,
American Angel machine please come fast!
Where is Ambassador Bunker today?
Are his Helios machinegunning children at play?

Where are the helicopters of U.S. AID?
Smuggling dope in Bangkok's green shade.
Where is America's Air Force of Light?
Bombing North Laos all day and all night?

Where are the President's Armies of Gold?
Billionaire Navies merciful Bold?
Bringing us medicine food and relief?
Napalming North Viet Nam and causing more grief?

Where are our tears? Who weeps for the pain?
Where can these families go in the rain?
Jessore Road's children close their big eyes
Where will we sleep when Our Father dies?

Whom shall we pray to for rice and for care?
Who can bring bread to this **** flood foul'd lair?
Millions of children alone in the rain!
Millions of children weeping in pain!

Ring O ye tongues of the world for their woe
Ring out ye voices for Love we don't know
Ring out ye bells of electrical pain
Ring in the conscious of America brain

How many children are we who are lost
Whose are these daughters we see turn to ghost?
What are our souls that we have lost care?
Ring out ye musics and weep if you dare--

Cries in the mud by the thatch'd house sand drain
Sleeps in huge pipes in the wet ****-field rain
waits by the pump well, Woe to the world!
whose children still starve in their mother's arms curled.

Is this what I did to myself in the past?
What shall I do Sunil Poet I asked?
Move on and leave them without any coins?
What should I care for the love of my loins?

What should we care for our cities and cars?
What shall we buy with our Food Stamps on Mars?
How many millions sit down in New York
& sup this night's table on bone & roast pork?

How many millions of beer cans are tossed
in Oceans of Mother? How much does She cost?
Cigar gasolines and asphalt car dreams
Stinking the world and dimming star beams--

Finish the war in your breast with a sigh
Come tast the tears in your own Human eye
Pity us millions of phantoms you see
Starved in Samsara on planet TV

How many millions of children die more
before our Good Mothers perceive the Great Lord?
How many good fathers pay tax to rebuild 
Armed forces that boast the children they've killed?

How many souls walk through Maya in pain
How many babes in illusory pain?
How many families hollow eyed lost?
How many grandmothers turning to ghost?

How many loves who never get bread?
How many Aunts with holes in their head?
How many sisters skulls on the ground?
How many grandfathers make no more sound?

How many fathers in woe
How many sons nowhere to go?
How many daughters nothing to eat?
How many uncles with swollen sick feet?

Millions of babies in pain
Millions of mothers in rain
Millions of brothers in woe
Millions of children nowhere to go

 New York, November 14-16, 1971
Written by Rudyard Kipling | Create an image from this poem

The Rhyme of the Three Captains

 This ballad appears to refer to one of the exploits of the notorious
Paul Jones, the American pirate. It is founded on fact.


 . . . At the close of a winter day,
Their anchors down, by London town, the Three Great Captains lay;
And one was Admiral of the North from Solway Firth to Skye,
And one was Lord of the Wessex coast and all the lands thereby,
And one was Master of the Thames from Limehouse to Blackwall,
And he was Captain of the Fleet -- the bravest of them all.
Their good guns guarded their great gray sides that were thirty foot in the sheer,
When there came a certain trading-brig with news of a privateer.
Her rigging was rough with the clotted drift that drives in a Northern breeze,
Her sides were clogged with the lazy weed that spawns in the Eastern seas.
Light she rode in the rude tide-rip, to left and right she rolled,
And the skipper sat on the scuttle-butt and stared at an empty hold.
"I ha' paid Port dues for your Law," quoth he, "and where is the Law ye boast
If I sail unscathed from a heathen port to be robbed on a Christian coast?
Ye have smoked the hives of the Laccadives as we burn the lice in a bunk,
We tack not now to a Gallang prow or a plunging Pei-ho junk;
I had no fear but the seas were clear as far as a sail might fare
Till I met with a lime-washed Yankee brig that rode off Finisterre.
There were canvas blinds to his bow-gun ports to screen the weight he bore,
And the signals ran for a merchantman from Sandy Hook to the Nore.
He would not fly the Rovers' flag -- the bloody or the black,
But now he floated the Gridiron and now he flaunted the Jack.
He spoke of the Law as he crimped my crew -- he swore it was only a loan;
But when I would ask for my own again, he swore it was none of my own.
He has taken my little parrakeets that nest beneath the Line,
He has stripped my rails of the shaddock-frails and the green unripened pine;
He has taken my bale of dammer and spice I won beyond the seas,
He has taken my grinning heathen gods -- and what should he want o' these?
My foremast would not mend his boom, my deckhouse patch his boats;
He has whittled the two, this Yank Yahoo, to peddle for shoe-peg oats.
I could not fight for the failing light and a rough beam-sea beside,
But I hulled him once for a clumsy crimp and twice because he lied.
Had I had guns (as I had goods) to work my Christian harm,
I had run him up from his quarter-deck to trade with his own yard-arm;
I had nailed his ears to my capstan-head, and ripped them off with a saw,
And soused them in the bilgewater, and served them to him raw;
I had flung him blind in a rudderless boat to rot in the rocking dark,
I had towed him aft of his own craft, a bait for his brother shark;
I had lapped him round with cocoa husk, and drenched him with the oil,
And lashed him fast to his own mast to blaze above my spoil;
I had stripped his hide for my hammock-side, and tasselled his beard i' the mesh,
And spitted his crew on the live bamboo that grows through the gangrened flesh;
I had hove him down by the mangroves brown, where the mud-reef sucks and draws,
Moored by the heel to his own keel to wait for the land-crab's claws!
He is lazar within and lime without, ye can nose him far enow,
For he carries the taint of a musky ship -- the reek of the slaver's dhow!"
The skipper looked at the tiering guns and the bulwarks tall and cold,
And the Captains Three full courteously peered down at the gutted hold,
And the Captains Three called courteously from deck to scuttle-butt: --
"Good Sir, we ha' dealt with that merchantman or ever your teeth were cut.
Your words be words of a lawless race, and the Law it standeth thus:
He comes of a race that have never a Law, and he never has boarded us.
We ha' sold him canvas and rope and spar -- we know that his price is fair,
And we know that he weeps for the lack of a Law as he rides off Finisterre.
And since he is damned for a gallows-thief by you and better than you,
We hold it meet that the English fleet should know that we hold him true."
The skipper called to the tall taffrail: -- "And what is that to me?
Did ever you hear of a Yankee brig that rifled a Seventy-three?
Do I loom so large from your quarter-deck that I lift like a ship o' the Line?
He has learned to run from a shotted gun and harry such craft as mine.
There is never a Law on the Cocos Keys to hold a white man in,
But we do not steal the niggers' meal, for that is a ******'s sin.
Must he have his Law as a quid to chaw, or laid in brass on his wheel?
Does he steal with tears when he buccaneers? 'Fore Gad, then, why does he steal?"
The skipper bit on a deep-sea word, and the word it was not sweet,
For he could see the Captains Three had signalled to the Fleet.
But three and two, in white and blue, the whimpering flags began: --
"We have heard a tale of a -- foreign sail, but he is a merchantman."
The skipper peered beneath his palm and swore by the Great Horn Spoon: --
"'Fore Gad, the Chaplain of the Fleet would bless my picaroon!"
By two and three the flags blew free to lash the laughing air: --
"We have sold our spars to the merchantman -- we know that his price is fair."
The skipper winked his Western eye, and swore by a China storm: --
"They ha' rigged him a Joseph's jury-coat to keep his honour warm."
The halliards twanged against the tops, the bunting bellied broad,
The skipper spat in the empty hold and mourned for a wasted cord.
Masthead -- masthead, the signal sped by the line o' the British craft;
The skipper called to his Lascar crew, and put her about and laughed: --
"It's mainsail haul, my bully boys all -- we'll out to the seas again --
Ere they set us to paint their pirate saint, or scrub at his grapnel-chain.
It's fore-sheet free, with her head to the sea, and the swing of the unbought brine --
We'll make no sport in an English court till we come as a ship o' the Line:
Till we come as a ship o' the Line, my lads, of thirty foot in the sheer,
Lifting again from the outer main with news of a privateer;
Flying his pluck at our mizzen-truck for weft of Admiralty,
Heaving his head for our dipsey-lead in sign that we keep the sea.
Then fore-sheet home as she lifts to the foam -- we stand on the outward tack,
We are paid in the coin of the white man's trade -- the bezant is hard, ay, and black.
The frigate-bird shall carry my word to the Kling and the Orang-Laut
How a man may sail from a heathen coast to be robbed in a Christian port;
How a man may be robbed in Christian port while Three Great Captains there
Shall dip their flag to a slaver's rag -- to show that his trade is fair!"
Written by Denise Levertov | Create an image from this poem

What Were They Like?

 Did the people of Viet Nam
use lanterns of stone?
Did they hold ceremonies
to reverence the opening of buds?
Were they inclined to quiet laughter?
Did they use bone and ivory,
jade and silver, for ornament?
Had they an epic poem?
Did they distinguish between speech and singing?

Sir, their light hearts turned to stone.
It is not remembered whether in gardens
stone gardens illumined pleasant ways.
Perhaps they gathered once to delight in blossom,
but after their children were killed
there were no more buds.
Sir, laughter is bitter to the burned mouth.
A dream ago, perhaps. Ornament is for joy.
All the bones were charred.
it is not remembered. Remember,
most were peasants; their life
was in rice and bamboo.
When peaceful clouds were reflected in the paddies
and the water buffalo stepped surely along terraces,
maybe fathers told their sons old tales.
When bombs smashed those mirrors
there was time only to scream.
There is an echo yet
of their speech which was like a song.
It was reported their singing resembled 
the flight of moths in moonlight.
Who can say? It is silent now.
Written by James Wright | Create an image from this poem

As I Step Over A Puddle At The End Of Winter I Think Of An Ancient Chinese Governor

 And how can I, born in evil days
And fresh from failure, ask a kindness of Fate?

 -- Written A.D. 819


Po Chu-i, balding old politician,
What's the use?
I think of you,
Uneasily entering the gorges of the Yang-Tze,
When you were being towed up the rapids
Toward some political job or other
In the city of Chungshou.
You made it, I guess,
By dark.

But it is 1960, it is almost spring again,
And the tall rocks of Minneapolis
Build me my own black twilight
Of bamboo ropes and waters.
Where is Yuan Chen, the friend you loved?
Where is the sea, that once solved the whole loneliness
Of the Midwest?Where is Minneapolis? I can see nothing
But the great terrible oak tree darkening with winter.
Did you find the city of isolated men beyond mountains?
Or have you been holding the end of a frayed rope
For a thousand years?


Written by Andrew Barton Paterson | Create an image from this poem

The Sausage Candidate-A Tale of the Elections

 Our fathers, brave men were and strong, 
And whisky was their daily liquor; 
They used to move the world along 
In better style than now -- and quicker. 
Elections then were sport, you bet! 
A trifle rough, there's no denying 
When two opposing factions met 
The skin and hair were always flying. 
When "cabbage-trees" could still be worn 
Without the question, "Who's your hatter?" 
There dawned a bright election morn 
Upon the town of Parramatta. 
A man called Jones was all the go -- 
The people's friend, the poor's protector; 
A long, gaunt, six-foot slab of woe, 
He sought to charm the green elector. 

How Jones had one time been trustee 
For his small niece, and he -- the villain! -- 
Betrayed his trust most shamefully, 
And robbed the child of every shillin'. 
He used to keep accounts, they say, 
To save himself in case of trouble; 
Whatever cash he paid away 
He always used to charge it double. 

He'd buy the child a cotton gown 
Too coarse and rough to dress a cat in, 
And then he'd go and put it down 
And charge the price of silk or satin! 
He gave her once a little treat, 
An outing down the harbour sunny, 
And Lord! the bill for bread and meat, 
You'd think they all had eaten money! 

But Jones exposed the course he took 
By carelessness -- such men are ninnies. 
He went and entered in his book, 
"Two pounds of sausages -- two guineas." 
Now this leaked out, and folk got riled, 
And said that Jones, "he didn't oughter". 
But what cared Jones? he only smiled -- 
Abuse ran off his back like water. 

And so he faced the world content: 
His little niece -- he never paid her: 
And then he stood for Parliament, 
Of course he was a rank free trader. 
His wealth was great, success appeared 
To smile propitious on his banner, 
But Providence it interfered 
In this most unexpected manner. 

A person -- call him Brown for short -- 
Who knew the story of this stealer, 
Went calmly down the town and bought 
Two pounds of sausage from a dealer, 
And then he got a long bamboo 
And tightly tied the sausage to it; 
Says he, "This is the thing to do, 
And I am just the man to do it. 

"When Jones comes out to make his speech 
I won't a clapper be, or hisser, 
But with this long bamboo I'll reach 
And poke the sausage in his 'kisser'. 
I'll bring the wretch to scorn and shame, 
Unless those darned police are nigh: 
As sure as Brown's my glorious name, 
I'll knock that candidate sky-high." 

The speech comes on -- beneath the stand 
The people push and surge and eddy 
But Brown waits calmly close at hand 
With all his apparatus ready; 
And while the speaker loudly cries, 
"Of ages all, this is the boss age!" 
Brown hits him square between the eyes, 
Exclaiming, "What's the price of sausage?" 

He aimed the victuals in his face, 
As though he thought poor Jones a glutton. 
And Jones was covered with disgrace -- 
Disgrace and shame, and beef and mutton. 
His cause was lost -- a hopeless wreck 
He crept off from the hooting throng; 
Protection proudly ruled the deck, 
Here ends the sausage and the song.
Written by Amy Clampitt | Create an image from this poem

A Hedge Of Rubber Trees

 The West Village by then was changing; before long
the rundown brownstones at its farthest edge
would have slipped into trendier hands. She lived,
impervious to trends, behind a potted hedge of
rubber trees, with three cats, a canary—refuse 
from whose cage kept sifting down and then 
germinating, a yearning seedling choir, around
the saucers on the windowsill—and an inexorable
cohort of roaches she was too nearsighted to deal
with, though she knew they were there, and would
speak of them, ruefully, as of an affliction that
 might once, long ago, have been prevented.

Unclassifiable castoffs, misfits, marginal cases:
when you're one yourself, or close to it, there's
a reassurance in proving you haven't quite gone
under by taking up with somebody odder than you are.
Or trying to. "They're my friends," she'd say of
her cats—Mollie, Mitzi and Caroline, their names were,
and she was forever taking one or another in a cab
to the vet—as though she had no others. The roommate
who'd become a nun, the one who was Jewish, the couple
she'd met on a foliage tour, one fall, were all people
she no longer saw. She worked for a law firm, said all
 the judges were alcoholic, had never voted.

But would sometimes have me to dinner—breaded veal,
white wine, strawberry Bavarian—and sometimes, from 
what she didn't know she was saying, I'd snatch a shred
or two of her threadbare history. Baltic cold. Being 
sent home in a troika when her feet went numb. In
summer, carriage rides. A swarm of gypsy children 
driven off with whips. An octogenarian father, bishop
of a dying schismatic sect. A very young mother
who didn't want her. A half-brother she met just once.
Cousins in Wisconsin, one of whom phoned her from a candy 
store, out of the blue, while she was living in Chicago.
 What had brought her there, or when, remained unclear.

As did much else. We'd met in church. I noticed first
a big, soaring soprano with a wobble in it, then 
the thickly wreathed and braided crimp in the mouse-
gold coiffure. Old? Young? She was of no age.
Through rimless lenses she looked out of a child's,
or a doll's, globular blue. Wore Keds the year round,
tended otherwise to overdress. Owned a mandolin. Once
I got her to take it down from the mantel and plink out,
through a warm fuddle of sauterne, a lot of giddy Italian 
airs from a songbook whose pages had started to crumble.
The canary fluffed and quivered, and the cats, amazed,
 came out from under the couch and stared.

What could the offspring of the schismatic age and a 
reluctant child bride expect from life? Not much.
Less and less. A dream she'd had kept coming back,
years after. She'd taken a job in Washington with 
some right-wing lobby, and lived in one of those
bow-windowed mansions that turn into roominghouses,
and her room there had a full-length mirror: oval,
with a molding, is the way I picture it. In her dream
something woke her, she got up to look, and there 
in the glass she'd had was covered over—she gave it
 a wondering emphasis—with gray veils.

The West Village was changing. I was changing. The last
time I asked her to dinner, she didn't show. Hours—
or was it days?—later, she phoned to explain: she hadn't
been able to find my block; a patrolman had steered her home.
I spent my evenings canvassing for Gene McCarthy. Passing,
I'd see her shades drawn, no light behind the rubber trees.
She wasn't out, she didn't own a TV. She was in there,
getting gently blotto. What came next, I wasn't brave
enough to know. Only one day, passing, I saw
new shades, quick-chic matchstick bamboo, going up where 
the waterstained old ones had been, and where the seedlings—
 O gray veils, gray veils—had risen and gone down.
Written by Li Po | Create an image from this poem

Listening to a Flute in Yellow Crane Pavillion

 I came here a wanderer
thinking of home,
remembering my far away Ch'ang-an.
And then, from deep in Yellow Crane Pavillion,
I heard a beautiful bamboo flute
play "Falling Plum Blossoms."
It was late spring in a city by the river.
Written by Matsuo Basho | Create an image from this poem

Moonlight slanting

 Moonlight slanting
through the bamboo grove;
 a cuckoo crying.
Written by Li Po | Create an image from this poem

Clearing at Dawn

 The fields are chill, the sparse rain has stopped;
The colours of Spring teem on every side.
With leaping fish the blue pond is full;
With singing thrushes the green boughs droop.
The flowers of the field have dabbled their powdered cheeks;
The mountain grasses are bent level at the waist.
By the bamboo stream the last fragment of cloud
Blown by the wind slowly scatters away.

Book: Reflection on the Important Things