Written by
Barry Tebb |
It was Karl Shapiro who wrote in his ‘Defence of Ignorance’ how many poets
Go mad or seem to be so and the majority think we should all be in jail
Or mental hospital and you have ended up in both places - fragile as bone china,
Your pale skin taut, your fingers clasped tight round a cup, sitting in a pool
Of midnight light, your cats stretched flat on your desk top’s scatter
Under the laughing eyes of Sexton and Lowell beneath Rollie McKenna’s seamless shutter.
Other nights you hunch in your rocking chair, spilling rhythms
Silently as a bat weaves through midnight’s jade waves
Your sibylline tongue tapping every twist or the syllable count
Deftly as Whistler mixed tints for Nocturnes’ nuances or shade
Or Hokusai tipped every wave crest.
You pause when down the hall a cat snatches at a forbidden plant,
“Schubert, Schubert”, you whisper urgently for it is night and there are neighbours.
The whistle of the forgotten kettle shrills: you turn down the gas
And scurry back to your poem as you would to a sick child
And ease the pain of disordered lines.
The face of your mother smiles like a Madonna bereft
And the faces of our children are always somewhere
As you focus your midnight eyes soft with tears.
You create to survive, a Balzac writing against the clock
A Baudelaire writing against the bailiff’s knock
A Val?ry in the throes of ‘Narcisse Parle’.
When a far clock chimes you sigh and set aside the page:
There is no telephone to ring or call: I am distant and sick,
Frail as an old stick
Our spirits rise and fall like the barometer’s needle
Jerk at a finger tapping on glass
Flashbacks or inspiration cry out at memory loss.
You peer through a magnifying glass at the typeface
Your knuckles white with pain as the sonnet starts to strain
Like a child coming to birth, the third you never bore.
All births, all babies, all poems are the same in coming
The spark of inspiration or spurt of semen,
The silent months of gestation, the waiting and worrying
Until the final agony of creation: for our first son’s
Birth at Oakes we had only a drawer for a crib.
Memories blur: all I know is that it was night
And at home as you always insisted, against all advice
But mine. I remember feebly holding the mask in place
As the Indian woman doctor brutally stitched you without an anaesthetic
And the silence like no other when even the midwives
Had left: the child slept and we crept round his make-shift cradle.
At Brudenell Road again it was night in the cold house
With bare walls and plug-in fires: Bob, the real father
Paced the front, deep in symphonic thought:
Isaiah slept: I waited and watched - an undiagnosed breech
The doctor’s last minute discovery - made us rush
And scatter to have you admitted.
I fell asleep in the silent house and woke to a chaos
Of blood and towels and discarded dressings and a bemused five year old.
We brought you armsful of daffodils, Easter’s remainders.
“Happy Easter, are the father?” Staff beamed
As we sat by the bedside, Bob, myself and John MacKendrick,
Brecht and Rilke’s best translator
Soon to die by his own hand.
Poetry is born in the breech position
Poems beget poems.
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Written by
Robert William Service |
I keep collecting books I know
I'll never, never read;
My wife and daughter tell me so,
And yet I never head.
"Please make me," says some wistful tome,
"A wee bit of yourself."
And so I take my treasure home,
And tuck it in a shelf.
And now my very shelves complain;
They jam and over-spill.
They say: "Why don't you ease our strain?"
"some day," I say, "I will."
So book by book they plead and sigh;
I pick and dip and scan;
Then put them back, distrest that I
Am such a busy man.
Now, there's my Boswell and my Sterne,
my Gibbon and Defoe;
To savour Swift I'll never learn,
Montaigne I may not know.
On Bacon I will never sup,
For Shakespeare I've no time;
Because I'm busy making up
These jingly bits of rhyme.
Chekov is caviare to me,
While Stendhal makes me snore;
Poor Proust is not my cup of tea,
And Balzac is a bore.
I have their books, I love their names,
And yet alas! they head,
With Lawrence, Joyce and Henry James,
My Roster of Unread.
I think it would be very well
If I commit a crime,
And get put in a prison cell
And not allowed to rhyme;
Yet given all these worthy books
According to my need,
I now caress with loving looks,
But never, never read.
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Written by
Andrei Voznesensky |
I started up the engine and I lingered.
Where should I go? The night was fine, I figured.
The bonnet trembled like a nervous hound.
I shivered. Night lit up the houses around.
The Balzac age, I felt its burning pain,
Chilled to the bone, I couldn't hold my own.
The age of balsam wine mixed with champaign!..
So I looked up, and wound the window down.
They were young, two pretty-pretty fellows,
wearing fur coats, looking slightly careless.
"You're free, Miss, aren't you ? Care for delight?
Five hundred now. One thousand for the night".
I flared up. They took me for a prostitute.
My heart was jumping. What an attitude!
They want you, you're young, you're a whore!
Indignant, I said "Yes", instead of "No".
The other one, so "sweet and pure",
swaying his hips, looking aside,
said: "Have you got a friend, as rich as you are?
I, too, will take it. A thousand for the night".
The brutes! I thought I'd better vanish!
I stepped upon the gas and left the site.
My heart, however, jumped for joy and anguish!
"Five hundred now. One thousand for the night".
© Copyright Alec Vagapov's translation
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Written by
Robert Louis Stevenson |
GO, little book - the ancient phrase
And still the daintiest - go your ways,
My Otto, over sea and land,
Till you shall come to Nelly's hand.
How shall I your Nelly know?
By her blue eyes and her black brow,
By her fierce and slender look,
And by her goodness, little book!
What shall I say when I come there?
You shall speak her soft and fair:
See - you shall say - the love they send
To greet their unforgotten friend!
Giant Adulpho you shall sing
The next, and then the cradled king:
And the four corners of the roof
Then kindly bless; and to your perch aloof,
Where Balzac all in yellow dressed
And the dear Webster of the west
Encircle the prepotent throne
Of Shakespeare and of Calderon,
Shall climb an upstart.
There with these
You shall give ear to breaking seas
And windmills turning in the breeze,
A distant undetermined din
Without; and you shall hear within
The blazing and the bickering logs,
The crowing child, the yawning dogs,
And ever agile, high and low,
Our Nelly going to and fro.
There shall you all silent sit,
Till, when perchance the lamp is lit
And the day's labour done, she takes
Poor Otto down, and, warming for our sakes,
Perchance beholds, alive and near,
Our distant faces reappear.
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