Written by
Sylvia Plath |
for Susan O'Neill Roe
What a thrill ----
My thumb instead of an onion.
The top quite gone
Except for a sort of hinge
Of skin,
A flap like a hat,
Dead white.
Then that red plush.
Little pilgrim,
The Indian's axed your scalp.
Your turkey wattle
Carpet rolls
Straight from the heart.
I step on it,
Clutching my bottle
Of pink fizz.
A celebration, this is.
Out of a gap
A million soldiers run,
Redcoats, every one.
Whose side are they one?
O my
Homunculus, I am ill.
I have taken a pill to kill
The thin
Papery feeling.
Saboteur,
Kamikaze man ----
The stain on your
Gauze Ku Klux Klan
Babushka
Darkens and tarnishes and when
The balled
Pulp of your heart
Confronts its small
Mill of silence
How you jump ----
Trepanned veteran,
Dirty girl,
Thumb stump.
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Written by
Sylvia Plath |
This is winter, this is night, small love --
A sort of black horsehair,
A rough, dumb country stuff
Steeled with the sheen
Of what green stars can make it to our gate.
I hold you on my arm.
It is very late.
The dull bells tongue the hour.
The mirror floats us at one candle power.
This is the fluid in which we meet each other,
This haloey radiance that seems to breathe
And lets our shadows wither
Only to blow
Them huge again, violent giants on the wall.
One match scratch makes you real.
At first the candle will not bloom at all --
It snuffs its bud
To almost nothing, to a dull blue dud.
I hold my breath until you creak to life,
Balled hedgehog,
Small and cross.
The yellow knife
Grows tall.
You clutch your bars.
My singing makes you roar.
I rock you like a boat
Across the Indian carpet, the cold floor,
While the brass man
Kneels, back bent, as best he can
Hefting his white pillar with the light
That keeps the sky at bay,
The sack of black! It is everywhere, tight, tight!
He is yours, the little brassy Atlas --
Poor heirloom, all you have,
At his heels a pile of five brass cannonballs,
No child, no wife.
Five balls! Five bright brass balls!
To juggle with, my love, when the sky falls.
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Written by
Sylvia Plath |
Two, of course there are two.
It seems perfectly natural now——
The one who never looks up, whose eyes are lidded
And balled¸ like Blake's.
Who exhibits
The birthmarks that are his trademark——
The scald scar of water,
The nude
Verdigris of the condor.
I am red meat.
His beak
Claps sidewise: I am not his yet.
He tells me how badly I photograph.
He tells me how sweet
The babies look in their hospital
Icebox, a simple
Frill at the neck
Then the flutings of their Ionian
Death-gowns.
Then two little feet.
He does not smile or smoke.
The other does that
His hair long and plausive
Bastard
Masturbating a glitter
He wants to be loved.
I do not stir.
The frost makes a flower,
The dew makes a star,
The dead bell,
The dead bell.
Somebody's done for.
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Written by
Yusef Komunyakaa |
On Fridays he'd open a can of Jax
After coming home from the mill,
& ask me to write a letter to my mother
Who sent postcards of desert flowers
Taller than men.
He would beg,
Promising to never beat her
Again.
Somehow I was happy
She had gone, & sometimes wanted
To slip in a reminder, how Mary Lou
Williams' "Polka Dots & Moonbeams"
Never made the swelling go down.
His carpenter's apron always bulged
With old nails, a claw hammer
Looped at his side & extension cords
Coiled around his feet.
Words rolled from under the pressure
Of my ballpoint: Love,
Baby, Honey, Please.
We sat in the quiet brutality
Of voltage meters & pipe threaders,
Lost between sentences .
.
.
The gleam of a five-pound wedge
On the concrete floor
Pulled a sunset
Through the doorway of his toolshed.
I wondered if she laughed
& held them over a gas burner.
My father could only sign
His name, but he'd look at blueprints
& say how many bricks
Formed each wall.
This man,
Who stole roses & hyacinth
For his yard, would stand there
With eyes closed & fists balled,
Laboring over a simple word, almost
Redeemed by what he tried to say.
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Written by
Philip Levine |
A solitary apartment house, the last one
before the boulevard ends and a dusty road
winds its slow way out of town.
On the third floor
through the dusty windows Karen beholds
the elegant couples walking arm in arm
in the public park.
It is Saturday afternoon,
and she is waiting for a particular young man
whose name I cannot now recall, if name
he ever had.
She runs the thumb of her left hand
across her finger tips and feels the little tags
of flesh the needle made that morning at work
and wonders if he will feel them.
She loves her work,
the unspooling of the wide burgundy ribbons
that tumble across her lap, the delicate laces,
the heavy felts for winter, buried now that spring
is rising in the trees.
She recalls a black hat
hidden in a deep drawer in the back of the shop.
She made it in February when the snows piled
as high as her waist, and the river stopped at noon,
and she thought she would die.
She had tried it on,
a small, close-fitting cap, almost nothing,
pinned down at front and back.
Her hair tumbled
out at the sides in dark rags.
When she turned
it around, the black felt cupped her forehead
perfectly, the teal feathers trailing out behind,
twin cool jets of flame.
Suddenly he is here.
As she goes to the door, the dark hat falls back
into the closed drawer of memory to wait
until the trees are bare and the days shut down
abruptly at five.
They touch, cheek to cheek,
and only there, both bodies stiffly arched apart.
As she draws her white gloves on, she can smell
the heat rising from his heavy laundered shirt,
she can almost feel the weight of the iron
hissing across the collar.
It's cool out, he says,
cooler than she thinks.
There are tiny dots
of perspiration below his hairline.
What a day
for strolling in the park! Refusing the chair
by the window, he seems to have no time,
as though this day were passing forever,
although it is barely after two of a late May
afternoon a whole year before the modern era.
Of course she'll take a jacket, she tells him,
of course she was planning to, and she opens her hands,
the fingers spread wide to indicate the enormity
of his folly, for she has on only a blouse,
protection against nothing.
In the bedroom
she considers a hat, something dull and proper
as a rebuke, but shaking out her glowing hair
she decides against it.
The jacket is there,
the arms spread out on the bed, the arms
of a dressed doll or a soldier at attention
or a boy modelling his first suit, my own arms
when at six I stood beside my sister waiting
to be photographed.
She removes her gloves
to feel her balled left hand pass through the silk
of the lining, and then her right, fingers open.
As she buttons herself in, she watches
a slow wind moving through the planted fields
behind the building.
She stops and stares.
What was that dark shape she saw a moment
trembling between the sheaves? The sky lowers,
the small fat cypresses by the fields' edge
part, and something is going.
Is that the way
she too must take? The world blurs before her eyes
or her sight is failing.
I cannot take her hand,
then or now, and lead her to a resting place
where our love matters.
She stands frozen
before the twenty-third summer of her life,
someone I know, someone I will always know.
|
Written by
Robert William Service |
I haven't worn my evening dress
For nearly twenty years;
Oh I'm unsocial, I confess,
A hermit, it appears.
So much moth-balled it's but away,
And though wee wifie wails,
Never unto my dimmest day
I'll don my tails.
How slim and trim I looked in them,
Though I was sixty old;
And now their sleekness I condemn
To lie in rigid fold.
I have a portrait of myself
Proud-printed in the Press,
In garb now doomed to wardrobe shelf,--
My evening dress.
So let this be my last request,
That when I come to die,
In tails I may be deftly drest,
With white waistcoat and tie.
No, not for me a vulgar shroud
My carcass to caress;--
Oh let me do my coffin proud
In evening dress!
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