Written by
Muhammad Ali |
Clay comes out to meet Liston
and Liston starts to retreat,
if Liston goes back an inch farther
he'll end up in a ringside seat.
Clay swings with his left,
Clay swings with his right,
Look at young Cassius
carry the fight
Liston keeps backing, but there's not enough room,
It's a matter of time till Clay lowers the boom.
Now Clay lands with a right,
What a beautiful swing,
and the punch raises the Bear
clean out of the ring.
Liston is still rising and the ref wears a frown,
For he can't start counting
till Sonny goes down.
Now Liston is disappearing from view,
The crowd is going frantic,
But radar stations have picked him up,
Somewhere over the Atlantic.
Who would have thought
when they came to the fight?
That they'd witness the launching
of a human satellite.
Yes the crowd did not dream,
when they put up the money,
That they would see
a total eclipse of the Sonny.
Muhammad Ali Quotes Poems
Ding! Ali comes out to meet Frazier
But Frazier starts to retreat
If Frazier goes back any further
He'll wind up in a ringside seat
Ali swings to the left
Ali swings to the right
Look at the kid
Carry the fight
Frazier keeps backing
But there's not enough room
It's a matter of time
Then Ali lowers the boom
Now Ali lands to the right
What a beautiful swing!
And deposits Frazier
Clean out of the ring
Frazier's still rising
But the referee wears a frown
For he can't start counting
Till Frazier comes down
Now Frazier disappears from view
The crowd is getting frantic
But our radar stations have picked him up
He's somewhere over the Atlantic
Who would have thought that
When they came to the fight
That they would have witnessed
The launching of a coloured satellite!
|
Written by
Frank Bidart |
The only thing I miss about Los Angeles
is the Hollywood Freeway at midnight, windows down and
radio blaring
bearing right into the center of the city, the Capitol Tower
on the right, and beyond it, Hollywood Boulevard
blazing
--pimps, surplus stores, footprints of the stars
--descending through the city
fast as the law would allow
through the lights, then rising to the stack
out of the city
to the stack where lanes are stacked six deep
and you on top; the air
now clean, for a moment weightless
without memories, or
need for a past.
The need for the past
is so much at the center of my life
I write this poem to record my discovery of it,
my reconciliation.
It was in Bishop, the room was done
in California plush: we had gone into the coffee shop, were told
you could only get a steak in the bar:
I hesitated,
not wanting to be an occasion of temptation for my father
but he wanted to, so we entered
a dark room, with amber water glasses, walnut
tables, captain's chairs,
plastic doilies, papier-mâché bas-relief wall ballerinas,
German memorial plates "bought on a trip to Europe,"
Puritan crosshatch green-yellow wallpaper,
frilly shades, cowhide
booths--
I thought of Cambridge:
the lovely congruent elegance
of Revolutionary architecture, even of
ersatz thirties Georgian
seemed alien, a threat, sign
of all I was not--
to bode order and lucidity
as an ideal, if not reality--
not this California plush, which
also
I was not.
And so I made myself an Easterner,
finding it, after all, more like me
than I had let myself hope.
And now, staring into the embittered face of
my father,
again, for two weeks, as twice a year,
I was back.
The waitress asked us if we wanted a drink.
Grimly, I waited until he said no.
.
.
Before the tribunal of the world I submit the following
document:
Nancy showed it to us,
in her apartment at the model,
as she waited month by month
for the property settlement, her children grown
and working for their father,
at fifty-three now alone,
a drink in her hand:
as my father said,
"They keep a drink in her hand":
Name Wallace du Bois
Box No 128 Chino, Calif.
Date July 25 ,19 54
Mr Howard Arturian
I am writing a letter to you this afternoon while I'm in the
mood of writing.
How is everything getting along with you these
fine days, as for me everything is just fine and I feel great except for
the heat I think its lot warmer then it is up there but I don't mind
it so much.
I work at the dairy half day and I go to trade school the
other half day Body & Fender, now I am learning how to spray
paint cars I've already painted one and now I got another car to
paint.
So now I think I've learned all I want after I have learned all
this.
I know how to straighten metals and all that.
I forgot to say
"Hello" to you.
The reason why I am writing to you is about a job,
my Parole Officer told me that he got letter from and that you want
me to go to work for you.
So I wanted to know if its truth.
When
I go to the Board in Feb.
I'll tell them what I want to do and where
I would like to go, so if you want me to work for you I'd rather have
you sent me to your brother John in Tonapah and place to stay for
my family.
The Old Lady says the same thing in her last letter that
she would be some place else then in Bishop, thats the way I feel
too.
and another thing is my drinking problem.
I made up my mind
to quit my drinking, after all what it did to me and what happen.
This is one thing I'll never forget as longs as I live I never want
to go through all this mess again.
This sure did teach me lot of things
that I never knew before.
So Howard you can let me know soon
as possible.
I sure would appreciate it.
P.
S From Your Friend
I hope you can read my Wally Du Bois
writing.
I am a little nervous yet
--He and his wife had given a party, and
one of the guests was walking away
just as Wallace started backing up his car.
He hit him, so put the body in the back seat
and drove to a deserted road.
There he put it before the tires, and
ran back and forth over it several times.
When he got out of Chino, he did,
indeed, never do that again:
but one child was dead, his only son,
found with the rest of the family
immobile in their beds with typhoid,
next to the mother, the child having been
dead two days:
he continued to drink, and as if it were the Old West
shot up the town a couple of Saturday nights.
"So now I think I've learned all I want
after I have learned all this: this sure did teach me a lot of things
that I never knew before.
I am a little nervous yet.
"
It seems to me
an emblem of Bishop--
For watching the room, as the waitresses in their
back-combed, Parisian, peroxided, bouffant hairdos,
and plastic belts,
moved back and forth
I thought of Wallace, and
the room suddenly seemed to me
not uninteresting at all:
they were the same.
Every plate and chair
had its congruence with
all the choices creating
these people, created
by them--by me,
for this is my father's chosen country, my origin.
Before, I had merely been anxious, bored; now,
I began to ask a thousand questions.
.
.
He was, of course, mistrustful, knowing I was bored,
knowing he had dragged me up here from Bakersfield
after five years
of almost managing to forget Bishop existed.
But he soon became loquacious, ordered a drink,
and settled down for
an afternoon of talk.
.
.
He liked Bishop: somehow, it was to his taste, this
hard-drinking, loud, visited-by-movie-stars town.
"Better to be a big fish in a little pond.
"
And he was: when they came to shoot a film,
he entertained them; Miss A--, who wore
nothing at all under her mink coat; Mr.
M--,
good horseman, good shot.
"But when your mother
let me down" (for alcoholism and
infidelity, she divorced him)
"and Los Angeles wouldn't give us water any more,
I had to leave.
We were the first people to grow potatoes in this valley.
"
When he began to tell me
that he lost control of the business
because of the settlement he gave my mother,
because I had heard it
many times,
in revenge, I asked why people up here drank so much.
He hesitated.
"Bored, I guess.
--Not much to do.
"
And why had Nancy's husband left her?
In bitterness, all he said was:
"People up here drink too damn much.
"
And that was how experience
had informed his life.
"So now I think I've learned all I want
after I have learned all this: this sure did teach me a lot of things
that I never knew before.
I am a little nervous yet.
"
Yet, as my mother said,
returning, as always, to the past,
"I wouldn't change any of it.
It taught me so much.
Gladys
is such an innocent creature: you look into her face
and somehow it's empty, all she worries about
are sales and the baby.
her husband's too good!"
It's quite pointless to call this rationalization:
my mother, for uncertain reasons, has had her
bout with insanity, but she's right:
the past in maiming us,
makes us,
fruition
is also
destruction:
I think of Proust, dying
in a cork-linked room, because he refuses to eat
because he thinks that he cannot write if he eats
because he wills to write, to finish his novel
--his novel which recaptures the past, and
with a kind of joy, because
in the debris
of the past, he has found the sources of the necessities
which have led him to this room, writing
--in this strange harmony, does he will
for it to have been different?
And I can't not think of the remorse of Oedipus,
who tries to escape, to expiate the past
by blinding himself, and
then, when he is dying, sees that he has become a Daimon
--does he, discovering, at last, this cruel
coherence created by
"the order of the universe"
--does he will
anything reversed?
I look at my father:
as he drinks his way into garrulous, shaky
defensiveness, the debris of the past
is just debris--; whatever I reason, it is a desolation
to watch.
.
.
must I watch?
He will not change; he does not want to change;
every defeated gesture implies
the past is useless, irretrievable.
.
.
--I want to change: I want to stop fear's subtle
guidance of my life--; but, how can I do that
if I am still
afraid of its source?
|
Written by
Siegfried Sassoon |
I’ve never ceased to curse the day I signed
A seven years’ bargain for the Golden Fleece.
’Twas a bad deal all round; and dear enough
It cost me, what with my daft management,
And the mean folk as owed and never paid me,
And backing losers; and the local bucks
Egging me on with whiskys while I bragged
The man I was when huntsman to the Squire.
I’d have been prosperous if I’d took a farm
Of fifty acres, drove my gig and haggled
At Monday markets; now I’ve squandered all
My savings; nigh three hundred pound I got
As testimonial when I’d grown too stiff
And slow to press a beaten fox.
The Fleece!
’Twas the damned Fleece that wore my Emily out,
The wife of thirty years who served me well;
(Not like this beldam clattering in the kitchen,
That never trims a lamp nor sweeps the floor,
And brings me greasy soup in a foul crock.
)
Blast the old harridan! What’s fetched her now,
Leaving me in the dark, and short of fire?
And where’s my pipe? ’Tis lucky I’ve a turn
For thinking, and remembering all that’s past.
And now’s my hour, before I hobble to bed,
To set the works a-wheezing, wind the clock
That keeps the time of life with feeble tick
Behind my bleared old face that stares and wonders.
.
.
.
.
It’s ***** how, in the dark, comes back to mind
Some morning of September.
We’ve been digging
In a steep sandy warren, riddled with holes,
And I’ve just pulled the terrier out and left
A sharp-nosed cub-face blinking there and snapping,
Then in a moment seen him mobbed and torn
To strips in the baying hurly of the pack.
I picture it so clear: the dusty sunshine
On bracken, and the men with spades, that wipe
Red faces: one tilts up a mug of ale.
And, having stopped to clean my gory hands,
I whistle the jostling beauties out of the wood.
I’m but a daft old fool! I often wish
The Squire were back again—ah! he was a man!
They don’t breed men like him these days; he’d come
For sure, and sit and talk and suck his briar
Till the old wife brings up a dish of tea.
Ay, those were days, when I was serving Squire!
I never knowed such sport as ’85,
The winter afore the one that snowed us silly.
.
.
.
.
Once in a way the parson will drop in
And read a bit o’ the Bible, if I’m bad,
And pray the Lord to make my spirit whole
In faith: he leaves some ’baccy on the shelf,
And wonders I don’t keep a dog to cheer me
Because he knows I’m mortal fond of dogs!
I ask you, what’s a gent like that to me
As wouldn’t know Elijah if I saw him,
Nor have the wit to keep him on the talk?
’Tis kind of parson to be troubling still
With such as me; but he’s a town-bred chap,
Full of his college notions and Christmas hymns.
Religion beats me.
I’m amazed at folk
Drinking the gospels in and never scratching
Their heads for questions.
When I was a lad
I learned a bit from mother, and never thought
To educate myself for prayers and psalms.
But now I’m old and bald and serious-minded,
With days to sit and ponder.
I’d no chance
When young and gay to get the hang of all
This Hell and Heaven: and when the clergy hoick
And holloa from their pulpits, I’m asleep,
However hard I listen; and when they pray
It seems we’re all like children sucking sweets
In school, and wondering whether master sees.
I used to dream of Hell when I was first
Promoted to a huntsman’s job, and scent
Was rotten, and all the foxes disappeared,
And hounds were short of blood; and officers
From barracks over-rode ’em all day long
On weedy, whistling nags that knocked a hole
In every fence; good sportsmen to a man
And brigadiers by now, but dreadful hard
On a young huntsman keen to show some sport.
Ay, Hell was thick with captains, and I rode
The lumbering brute that’s beat in half a mile,
And blunders into every blind old ditch.
Hell was the coldest scenting land I’ve known,
And both my whips were always lost, and hounds
Would never get their heads down; and a man
On a great yawing chestnut trying to cast ’em
While I was in a corner pounded by
The ugliest hog-backed stile you’ve clapped your eyes on.
There was an iron-spiked fence round all the coverts,
And civil-spoken keepers I couldn’t trust,
And the main earth unstopp’d.
The fox I found
Was always a three-legged ’un from a bag,
Who reeked of aniseed and wouldn’t run.
The farmers were all ploughing their old pasture
And bellowing at me when I rode their beans
To cast for beaten fox, or galloped on
With hounds to a lucky view.
I’d lost my voice
Although I shouted fit to burst my guts,
And couldn’t blow my horn.
And when I woke,
Emily snored, and barn-cocks started crowing,
And morn was at the window; and I was glad
To be alive because I heard the cry
Of hounds like church-bells chiming on a Sunday.
Ay, that’s the song I’d wish to hear in Heaven!
The cry of hounds was Heaven for me: I know
Parson would call me crazed and wrong to say it,
But where’s the use of life and being glad
If God’s not in your gladness?
I’ve no brains
For book-learned studies; but I’ve heard men say
There’s much in print that clergy have to wink at:
Though many I’ve met were jolly chaps, and rode
To hounds, and walked me puppies; and could pick
Good legs and loins and necks and shoulders, ay,
And feet—’twas necks and feet I looked at first.
Some hounds I’ve known were wise as half your saints,
And better hunters.
That old dog of the Duke’s,
Harlequin; what a dog he was to draw!
And what a note he had, and what a nose
When foxes ran down wind and scent was catchy!
And that light lemon ***** of the Squire’s, old Dorcas—
She were a marvellous hunter, were old Dorcas!
Ay, oft I’ve thought, ‘If there were hounds in Heaven,
With God as master, taking no subscription;
And all His bless?d country farmed by tenants,
And a straight-necked old fox in every gorse!’
But when I came to work it out, I found
There’d be too many huntsmen wanting places,
Though some I’ve known might get a job with Nick!
.
.
.
.
I’ve come to think of God as something like
The figure of a man the old Duke was
When I was turning hounds to Nimrod King,
Before his Grace was took so bad with gout
And had to quit the saddle.
Tall and spare,
Clean-shaved and grey, with shrewd, kind eyes, that twinkled,
And easy walk; who, when he gave good words,
Gave them whole-hearted; and would never blame
Without just cause.
Lord God might be like that,
Sitting alone in a great room of books
Some evening after hunting.
Now I’m tired
With hearkening to the tick-tack on the shelf;
And pondering makes me doubtful.
Riding home
On a moonless night of cloud that feels like frost
Though stars are hidden (hold your feet up, horse!)
And thinking what a task I had to draw
A pack with all those lame ’uns, and the lot
Wanting a rest from all this open weather;
That’s what I’m doing now.
And likely, too,
The frost’ll be a long ’un, and the night
One sleep.
The parsons say we’ll wake to find
A country blinding-white with dazzle of snow.
The naked stars make men feel lonely, wheeling
And glinting on the puddles in the road.
And then you listen to the wind, and wonder
If folk are quite such bucks as they appear
When dressed by London tailors, looking down
Their boots at covert side, and thinking big.
.
.
.
.
This world’s a funny place to live in.
Soon
I’ll need to change my country; but I know
’Tis little enough I’ve understood my life,
And a power of sights I’ve missed, and foreign marvels.
I used to feel it, riding on spring days
In meadows pied with sun and chasing clouds,
And half forget how I was there to catch
The foxes; lose the angry, eager feeling
A huntsman ought to have, that’s out for blood,
And means his hounds to get it!
Now I know
It’s God that speaks to us when we’re bewitched,
Smelling the hay in June and smiling quiet;
Or when there’s been a spell of summer drought,
Lying awake and listening to the rain.
.
.
.
.
I’d like to be the simpleton I was
In the old days when I was whipping-in
To a little harrier-pack in Worcestershire,
And loved a dairymaid, but never knew it
Until she’d wed another.
So I’ve loved
My life; and when the good years are gone down,
Discover what I’ve lost.
I never broke
Out of my blundering self into the world,
But let it all go past me, like a man
Half asleep in a land that’s full of wars.
What a grand thing ’twould be if I could go
Back to the kennels now and take my hounds
For summer exercise; be riding out
With forty couple when the quiet skies
Are streaked with sunrise, and the silly birds
Grown hoarse with singing; cobwebs on the furze
Up on the hill, and all the country strange,
With no one stirring; and the horses fresh,
Sniffing the air I’ll never breathe again.
.
.
.
.
You’ve brought the lamp, then, Martha? I’ve no mind
For newspaper to-night, nor bread and cheese.
Give me the candle, and I’ll get to bed.
|
Written by
Rudyard Kipling |
There's a whisper down the field where the year has shot her yield,
And the ricks stand grey to the sun,
Singing: "Over then, come over, for the bee has quit the dover,
"And your English summer's done.
"
You have heard the beat of the off-shore wind,
And the thresh of the deep-sea rain;
You have heard the song -- how long? how long?
Pull out on the trail again!
Ha' done with the Tents of Shem, dear lass,
We've seen the seasons through,
And it's time to turn the old trail, our own trail, the out trail,
Pull out, pull out, on the Long Trail-the trail that is always new!
It's North you may run to the rime-ringed sun
Or South to the blind Hom's hate;
Or East all the way into Mississippi Bay,
Or West to the Golden Gate --
Where the blindest bluffs hold good, dear lass,
And the wildest tales are true,
And the men bulk big on the old trail, our own trail, the out trail,
And life runs large on the Long Trail -- the trail that is always new.
The days are sick and cold, and the skies are grey and old
And the twice-breathed airs blow damp;
And I'd sell my tired soul for the bucking beam-sea roll
Of a black Bilbao tramp,
With her load-line over her hatch, dear lass,
And a drunken Dago crew,
And her nose held down on the old trail, our own trail, the out trail
From Cadiz south on the Long Trail-the trail that is always new.
There be triple ways to take, of the eagle or the snake,
Or the way of a man with a maid;
But the sweetest way to me is a ship's upon the sea
In the heel of the North-East Trade.
Can you hear the crash on her brows, dear lass.
And the drum of the racing screw,
As she ships it green on the old trail, our own trail, the out trail,
As she lifts and 'scends on the Long Trail -- the trail that is always new?
See the shaking funnels roar, with the Peter at the fore,
And the fenders grind and heave,
And the derricks clack and grate, as the tackle hooks the crate,
And the fall-rope whines through the sheave;
It's "Gang-plank up and in," dear lass,
It's "Hawsers warp her through!"
And it's "All clear aft" on the old trail, our own trail, the out trail,
We're backing down on the Long Trail -- the trail that is always new.
O the mutter overside, when the port-fog holds us tied,
And the sirens hoot their dread,
When foot by foot we creep o'er the hueless, viewless deep
To the sob of the questing lead!
It's down by the Lower Hope, dear lass,
With the Grinfleet Sands in view,
Till the Mouse swings green on the old trail, our own trail, the out trail,
And the Gull Light lifts on the Long Trail -- the trail that is always new.
O the blazing tropic night, when the wake's a welt of light
That holds the hot sky tame,
And the steady fore-foot snores through the planet-powdered floors
Where the scared whale flukes in flame!
Her plates are flaked by the sun, dear lass
And her ropes are taut with the dew,
For we're booming down on the old trail, our own trail, the out trail,
We're sagging south on the Long Trail -- the trail that is always new.
Then home, get her home, where the drunken rollers comb,
And the shouting seas drive by,
And the engines stamp and ring, and the wet bows reel and swing,
And the Southern Cross rides high!
Yes, the old lost stars wheel back, dear lass,
That blaze in the velvet blue.
They're all old friends on the old trail, our own trail, the out trail,
They're God's own guides on the Long Trail -- the trail that is always new.
Fly forward, O my heart, from the Foreland to the Start
We're steaming all too slow,
And it's twenty thousand mile to our little lazy isle
Where the trumpet-orchids blow!
You have heard the call of the off-shore wind
And the voice of the deep-sea rain;
You have heard the song-how long? how long?
Pull out on the trail again!
The Lord knows what we may find, dear lass,
And The Deuce knows we may do
But we're back once more on the old trail, our own trail, the out trail,
We're down, hull-down, on the Long Trail -- the trail that is always new!
|
Written by
Hilaire Belloc |
Do you remember an Inn,
Miranda?
Do you remember an Inn?
And the tedding and the bedding
Of the straw for a bedding,
And the fleas that tease in the High Pyrenees,
And the wine that tasted of tar?
And the cheers and the jeers of the young muleteers
(Under the vine of the dark veranda)?
Do you remember an Inn, Miranda,
Do you remember an Inn?
And the cheers and the jeers of the young muleteers
Who hadn't got a penny,
And who weren't paying any,
And the hammer at the doors and the din?
And the hip! hop! hap!
Of the clap
Of the hands to the swirl and the twirl
Of the girl gone chancing,
Glancing,
Dancing,
Backing and advancing,
Snapping of the clapper to the spin
Out and in--
And the ting, tong, tang of the guitar!
Do you remember an Inn,
Miranda?
Do you remember an Inn?
Never more;
Miranda,
Never more.
Only the high peaks hoar;
And Aragon a torrent at the door.
No sound
In the walls of the halls where falls
The tread
Of the feet of the dead to the ground,
No sound:
But the boom
Of the far waterfall like doom.
|
Written by
Charles Bukowski |
sometimes you climb out of bed in the morning and you think,
I'm not going to make it, but you laugh inside
remembering all the times you've felt that way, and
you walk to the bathroom, do your toilet, see that face
in the mirror, oh my oh my oh my, but you comb your hair anyway,
get into your street clothes, feed the cats, fetch the
newspaper of horror, place it on the coffee table, kiss your
wife goodbye, and then you are backing the car out into life itself,
like millions of others you enter the arena once more.
you are on the freeway threading through traffic now,
moving both towards something and towards nothing at all as you punch
the radio on and get Mozart, which is something, and you will somehow
get through the slow days and the busy days and the dull
days and the hateful days and the rare days, all both so delightful
and so disappointing because
we are all so alike and so different.
you find the turn-off, drive through the most dangerous
part of town, feel momentarily wonderful as Mozart works
his way into your brain and slides down along your bones and
out through your shoes.
it's been a tough fight worth fighting
as we all drive along
betting on another day.
|
Written by
Helen Hunt Jackson |
he drank wine all night of the
28th, and he kept thinking of her:
the way she walked and talked and loved
the way she told him things that seemed true
but were not, and he knew the color of each
of her dresses
and her shoes-he knew the stock and curve of
each heel
as well as the leg shaped by it.
and she was out again and whe he came home,and
she'd come back with that special stink again,
and she did
she came in at 3 a.
m in the morning
filthy like a dung eating swine
and
he took out a butchers knife
and she screamed
backing into the roominghouse wall
still pretty somehow
in spite of love's reek
and he finished the glass of wine.
that yellow dress
his favorite
and she screamed again.
and he took up the knife
and unhooked his belt
and tore away the cloth before her
and cut off his balls.
and carried them in his hands
like apricots
and flushed them down the
toilet bowl
and she kept screaming
as the room became red
GOD O GOD!
WHAT HAVE YOU DONE?
and he sat there holding 3 towels
between his legs
no caring now wether she lft or
stayed
wore yellow or green or
anything at all.
and one hand holding and one hand
lifting he poured
another wine
|
Written by
Carl Sandburg |
YOU come along.
.
.
tearing your shirt.
.
.
yelling about
Jesus.
Where do you get that stuff?
What do you know about Jesus?
Jesus had a way of talking soft and outside of a few
bankers and higher-ups among the con men of Jerusalem
everybody liked to have this Jesus around because
he never made any fake passes and everything
he said went and he helped the sick and gave the
people hope.
You come along squirting words at us, shaking your fist
and calling us all damn fools so fierce the froth slobbers
over your lips.
.
.
always blabbing we're all
going to hell straight off and you know all about it.
I've read Jesus' words.
I know what he said.
You don't
throw any scare into me.
I've got your number.
I
know how much you know about Jesus.
He never came near clean people or dirty people but
they felt cleaner because he came along.
It was your
crowd of bankers and business men and lawyers
hired the sluggers and murderers who put Jesus out
of the running.
I say the same bunch backing you nailed the nails into
the hands of this Jesus of Nazareth.
He had lined
up against him the same crooks and strong-arm men
now lined up with you paying your way.
This Jesus was good to look at, smelled good, listened
good.
He threw out something fresh and beautiful
from the skin of his body and the touch of his hands
wherever he passed along.
You slimy bunkshooter, you put a smut on every human
blossom in reach of your rotten breath belching
about hell-fire and hiccupping about this Man who
lived a clean life in Galilee.
When are you going to quit making the carpenters build
emergency hospitals for women and girls driven
crazy with wrecked nerves from your gibberish about
Jesus--I put it to you again: Where do you get that
stuff; what do you know about Jesus?
Go ahead and bust all the chairs you want to.
Smash
a whole wagon load of furniture at every performance.
Turn sixty somersaults and stand on your
nutty head.
If it wasn't for the way you scare the
women and kids I'd feel sorry for you and pass the hat.
I like to watch a good four-flusher work, but not when
he starts people puking and calling for the doctors.
I like a man that's got nerve and can pull off a great
original performance, but you--you're only a bug-
house peddler of second-hand gospel--you're only
shoving out a phoney imitation of the goods this
Jesus wanted free as air and sunlight.
You tell people living in shanties Jesus is going to fix it
up all right with them by giving them mansions in
the skies after they're dead and the worms have
eaten 'em.
You tell $6 a week department store girls all they need
is Jesus; you take a steel trust wop, dead without
having lived, gray and shrunken at forty years of
age, and you tell him to look at Jesus on the cross
and he'll be all right.
You tell poor people they don't need any more money
on pay day and even if it's fierce to be out of a job,
Jesus'll fix that up all right, all right--all they gotta
do is take Jesus the way you say.
I'm telling you Jesus wouldn't stand for the stuff you're
handing out.
Jesus played it different.
The bankers
and lawyers of Jerusalem got their sluggers and
murderers to go after Jesus just because Jesus
wouldn't play their game.
He didn't sit in with
the big thieves.
I don't want a lot of gab from a bunkshooter in my religion.
I won't take my religion from any man who never works
except with his mouth and never cherishes any memory
except the face of the woman on the American
silver dollar.
I ask you to come through and show me where you're
pouring out the blood of your life.
I've been to this suburb of Jerusalem they call Golgotha,
where they nailed Him, and I know if the story is
straight it was real blood ran from His hands and
the nail-holes, and it was real blood spurted in red
drops where the spear of the Roman soldier rammed
in between the ribs of this Jesus of Nazareth.
|
Written by
Andrew Barton Paterson |
'Twas the horse thief, Andy Regan, that was hunted like a dog
By the troopers of the upper Murray side,
They had searched in every gully -- they had looked in every log,
But never sight or track of him they spied,
Till the priest at Kiley's Crossing heard a knocking very late
And a whisper "Father Riley -- come across!"
So his Rev'rence in pyjamas trotted softly to the gate
And admitted Andy Regan -- and a horse!
"Now, it's listen, Father Riley, to the words I've got to say,
For it's close upon my death I am tonight.
With the troopers hard behind me I've been hiding all the day
In the gullies keeping close and out of sight.
But they're watching all the ranges till there's not a bird could fly,
And I'm fairly worn to pieces with the strife,
So I'm taking no more trouble, but I'm going home to die,
'Tis the only way I see to save my life.
"Yes, I'm making home to mother's, and I'll die o' Tuesday next
An' be buried on the Thursday -- and, of course,
I'm prepared to meet my penance, but with one thing I'm perplexed
And it's -- Father, it's this jewel of a horse!
He was never bought nor paid for, and there's not a man can swear
To his owner or his breeder, but I know,
That his sire was by Pedantic from the Old Pretender mare
And his dam was close related to The Roe.
"And there's nothing in the district that can race him for a step,
He could canter while they're going at their top:
He's the king of all the leppers that was ever seen to lep,
A five-foot fence -- he'd clear it in a hop!
So I'll leave him with you, Father, till the dead shall rise again,
Tis yourself that knows a good 'un; and, of course,
You can say he's got by Moonlight out of Paddy Murphy's plain
If you're ever asked the breeding of the horse!
"But it's getting on to daylight and it's time to say goodbye,
For the stars above the east are growing pale.
And I'm making home to mother -- and it's hard for me to die!
But it's harder still, is keeping out of gaol!
You can ride the old horse over to my grave across the dip
Where the wattle bloom is waving overhead.
Sure he'll jump them fences easy -- you must never raise the whip
Or he'll rush 'em! -- now, goodbye!" and he had fled!
So they buried Andy Regan, and they buried him to rights,
In the graveyard at the back of Kiley's Hill;
There were five-and-twenty mourners who had five-and-twenty fights
Till the very boldest fighters had their fill.
There were fifty horses racing from the graveyard to the pub,
And their riders flogged each other all the while.
And the lashin's of the liquor! And the lavin's of the grub!
Oh, poor Andy went to rest in proper style.
Then the races came to Kiley's -- with a steeplechase and all,
For the folk were mostly Irish round about,
And it takes an Irish rider to be fearless of a fall,
They were training morning in and morning out.
But they never started training till the sun was on the course
For a superstitious story kept 'em back,
That the ghost of Andy Regan on a slashing chestnut horse,
Had been training by the starlight on the track.
And they read the nominations for the races with surprise
And amusement at the Father's little joke,
For a novice had been entered for the steeplechasing prize,
And they found it was Father Riley's moke!
He was neat enough to gallop, he was strong enough to stay!
But his owner's views of training were immense,
For the Reverend Father Riley used to ride him every day,
And he never saw a hurdle nor a fence.
And the priest would join the laughter: "Oh," said he, "I put him in,
For there's five-and-twenty sovereigns to be won.
And the poor would find it useful, if the chestnut chanced to win,
And he'll maybe win when all is said and done!"
He had called him Faugh-a-ballagh, which is French for 'Clear the course',
And his colours were a vivid shade of green:
All the Dooleys and O'Donnells were on Father Riley's horse,
While the Orangemen were backing Mandarin!
It was Hogan, the dog poisoner -- aged man and very wise,
Who was camping in the racecourse with his swag,
And who ventured the opinion, to the township's great surprise,
That the race would go to Father Riley's nag.
"You can talk about your riders -- and the horse has not been schooled,
And the fences is terrific, and the rest!
When the field is fairly going, then ye'll see ye've all been fooled,
And the chestnut horse will battle with the best.
"For there's some has got condition, and they think the race is sure,
And the chestnut horse will fall beneath the weight,
But the hopes of all the helpless, and the prayers of all the poor,
Will be running by his side to keep him straight.
And it's what's the need of schoolin' or of workin' on the track,
Whin the saints are there to guide him round the course!
I've prayed him over every fence -- I've prayed him out and back!
And I'll bet my cash on Father Riley's horse!"
*
Oh, the steeple was a caution! They went tearin' round and round,
And the fences rang and rattled where they struck.
There was some that cleared the water -- there was more fell in and drowned,
Some blamed the men and others blamed the luck!
But the whips were flying freely when the field came into view,
For the finish down the long green stretch of course,
And in front of all the flyers -- jumpin' like a kangaroo,
Came the rank outsider -- Father Riley's horse!
Oh, the shouting and the cheering as he rattled past the post!
For he left the others standing, in the straight;
And the rider -- well they reckoned it was Andy Regan's ghost,
And it beat 'em how a ghost would draw the weight!
But he weighed in, nine stone seven, then he laughed and disappeared,
Like a banshee (which is Spanish for an elf),
And old Hogan muttered sagely, "If it wasn't for the beard
They'd be thinking it was Andy Regan's self!"
And the poor of Kiley's Crossing drank the health at Christmastide
Of the chestnut and his rider dressed in green.
There was never such a rider, not since Andy Regan died,
And they wondered who on earth he could have been.
But they settled it among 'em, for the story got about,
'Mongst the bushmen and the people on the course,
That the Devil had been ordered to let Andy Regan out
For the steeplechase on Father Riley's horse!
|
Written by
Robert Burns |
FY, let us a’ to Kirkcudbright,
For there will be bickerin’ there;
For Murray’s light horse are to muster,
And O how the heroes will swear!
And there will be Murray, Commander,
And Gordon, the battle to win;
Like brothers they’ll stand by each other,
Sae knit in alliance and kin.
And there will be black-nebbit Johnie,
The tongue o’ the trump to them a’;
An he get na Hell for his haddin’,
The Deil gets na justice ava.
And there will be Kempleton’s birkie,
A boy no sae black at the bane;
But as to his fine Nabob fortune,
We’ll e’en let the subject alane.
And there will be Wigton’s new Sheriff;
Dame Justice fu’ brawly has sped,
She’s gotten the heart of a Bushby,
But, Lord! what’s become o’ the head?
And there will be Cardoness, Esquire,
Sae mighty in Cardoness’ eyes;
A wight that will weather damnation,
The Devil the prey will despise.
And there will be Douglasses doughty,
New christening towns far and near;
Abjuring their democrat doings,
By kissin’ the —— o’ a Peer:
And there will be folk frae Saint Mary’s
A house o’ great merit and note;
The deil ane but honours them highly—
The deil ane will gie them his vote!
And there will be Kenmure sae gen’rous,
Whose honour is proof to the storm,
To save them from stark reprobation,
He lent them his name in the Firm.
And there will be lads o’ the gospel,
Muirhead wha’s as gude as he’s true;
And there will be Buittle’s Apostle,
Wha’s mair o’ the black than the blue.
And there will be Logan M’Dowall,
Sculdudd’ry an’ he will be there,
And also the Wild Scot o’ Galloway,
Sogering, gunpowder Blair.
But we winna mention Redcastle,
The body, e’en let him escape!
He’d venture the gallows for siller,
An ’twere na the cost o’ the rape.
But where is the Doggerbank hero,
That made “Hogan Mogan” to skulk?
Poor Keith’s gane to hell to be fuel,
The auld rotten wreck of a Hulk.
And where is our King’s Lord Lieutenant,
Sae fam’d for his gratefu’ return?
The birkie is gettin’ his Questions
To say in Saint Stephen’s the morn.
But mark ye! there’s trusty Kerroughtree,
Whose honor was ever his law;
If the Virtues were pack’d in a parcel,
His worth might be sample for a’;
And strang an’ respectfu’s his backing,
The maist o’ the lairds wi’ him stand;
Nae gipsy-like nominal barons,
Wha’s property’s paper—not land.
And there, frae the Niddisdale borders,
The Maxwells will gather in droves,
Teugh Jockie, staunch Geordie, an’ Wellwood,
That griens for the fishes and loaves;
And there will be Heron, the Major,
Wha’ll ne’er be forgot in the Greys;
Our flatt’ry we’ll keep for some other,
HIM, only it’s justice to praise.
And there will be maiden Kilkerran,
And also Barskimming’s gude Knight,
And there will be roarin Birtwhistle,
Yet luckily roars i’ the right.
And there’ll be Stamp Office Johnie,
(Tak tent how ye purchase a dram!)
And there will be gay Cassencarry,
And there’ll be gleg Colonel Tam.
And there’ll be wealthy young Richard,
Dame Fortune should hing by the neck,
For prodigal, thriftless bestowing—
His merit had won him respect.
And there will be rich brother Nabobs,
(Tho’ Nabobs, yet men not the worst,)
And there will be Collieston’s whiskers,
And Quintin—a lad o’ the first.
Then hey! the chaste Interest o’ Broughton
And hey! for the blessin’s ’twill bring;
It may send Balmaghie to the Commons,
In Sodom ’twould make him a king;
And hey! for the sanctified Murray,
Our land wha wi’ chapels has stor’d;
He founder’d his horse among harlots,
But gied the auld naig to the Lord.
|