Written by
Stephen Dunn |
It was no place for the faithless,
so I felt a little odd
walking the marshland with my daughters,
Canada geese all around and the blue
herons just standing there;
safe, and the abundance of swans.
The girls liked saying the words,
gosling,
egret, whooping crane, and they liked
when I agreed.
The casinos were a few miles
to the east.
I liked saying craps and croupier
and sometimes I wanted to be lost
in those bright
windowless ruins.
It was April,
the gnats and black flies
weren't out yet.
The mosquitoes hadn't risen
from their stagnant pools to trouble
paradise and to give us
the great right to complain.
I loved these girls.
The world
beyond Brigantine
awaited their beauty and beauty
is what others want to own.
I'd keep that
to myself.
The obvious
was so sufficient just then.
Sandpiper.
Red-wing
Blackbird.
"Yes," I said.
But already we were near the end.
Praise refuge,
I thought.
Praise whatever you can.
|
Written by
W. E. B. Du Bois |
Softly, quite softly—
For I hear, above the murmur of the sea,
Faint and far-fallen footsteps, as of One
Who comes from out beyond the endless ends of Time,
With voice that downward looms thro' singing stars;
Its subtle sound I see thro' these long-darkened eyes,
I hear the Light He bringeth on His hands—
Almighty Death!
Softly, oh, softly, lest He pass me by,
And that unquivering Light toward which my longing soul
And tortured body through these years have writhed,
Fade to the dun darkness of my days.
Softly, full softly, let me rise and greet
The strong, low luting of that long-awaited call;
Swiftly be all my good and going gone,
And this vast veiled and vanquished vigor of my soul
Seek somehow otherwhere its rest and goal,
Where endless spaces stretch,
Where endless time doth moan,
Where endless light doth pour
Thro' the black kingdoms of eternal death.
Then haply I may see what things I have not seen,
Then I may know what things I have not known;
Then may I do my dreams.
Farewell! No sound of idle mourning let there be
To shudder this full silence—save the voice
Of children—little children, white and black,
Whispering the deeds I tried to do for them;
While I at last unguided and alone
Pass softly, full softly.
|
Written by
Victor Hugo |
("O douleur! j'ai voulu savoir.")
{XXXIV. i., October, 183-.}
I have wished in the grief of my heart to know
If the vase yet treasured that nectar so clear,
And to see what this beautiful valley could show
Of all that was once to my soul most dear.
In how short a span doth all Nature change,
How quickly she smoothes with her hand serene—
And how rarely she snaps, in her ceaseless range,
The links that bound our hearts to the scene.
Our beautiful bowers are all laid waste;
The fir is felled that our names once bore;
Our rows of roses, by urchins' haste,
Are destroyed where they leap the barrier o'er.
The fount is walled in where, at noonday pride,
She so gayly drank, from the wood descending;
In her fairy hand was transformed the tide,
And it turned to pearls through her fingers wending
The wild, rugged path is paved with spars,
Where erst in the sand her footsteps were traced,
When so small were the prints that the surface mars,
That they seemed to smile ere by mine effaced.
The bank on the side of the road, day by day,
Where of old she awaited my loved approach,
Is now become the traveller's way
To avoid the track of the thundering coach.
Here the forest contracts, there the mead extends,
Of all that was ours, there is little left—
Like the ashes that wildly are whisked by winds,
Of all souvenirs is the place bereft.
Do we live no more—is our hour then gone?
Will it give back naught to our hungry cry?
The breeze answers my call with a mocking tone,
The house that was mine makes no reply.
True! others shall pass, as we have passed,
As we have come, so others shall meet,
And the dream that our mind had sketched in haste,
Shall others continue, but never complete.
For none upon earth can achieve his scheme,
The best as the worst are futile here:
We awake at the selfsame point cf the dream—
All is here begun, and finished elsewhere.
Yes! others shall come in the bloom of the heart,
To enjoy in this pure and happy retreat,
All that nature to timid love can impart
Of solemn repose and communion sweet.
In our fields, in our paths, shall strangers stray,
In thy wood, my dearest, new lovers go lost,
And other fair forms in the stream shall play
Which of old thy delicate feet have crossed.
Author of "Critical Essays."
|
Written by
T S (Thomas Stearns) Eliot |
The river's tent is broken: the last fingers of leaf
Clutch and sink into the wet bank.
The wind
Crosses the brown land, unheard.
The nymphs are departed.
Sweet Thames, run softly, till I end my song.
The river bears no empty bottles, sandwich papers,
Silk handkerchiefs, cardboard boxes, cigarette ends
Or other testimony of summer nights.
The nymphs are departed.
And their friends, the loitering heirs of city directors; 180
Departed, have left no addresses.
Line 161 ALRIGHT.
This spelling occurs also in
the Hogarth Press edition— Editor.
By the waters of Leman I sat down and wept .
.
.
Sweet Thames, run softly till I end my song,
Sweet Thames, run softly, for I speak not loud or long.
But at my back in a cold blast I hear
The rattle of the bones, and chuckle spread from ear to ear.
A rat crept softly through the vegetation
Dragging its slimy belly on the bank
While I was fishing in the dull canal
On a winter evening round behind the gashouse 190
Musing upon the king my brother's wreck
And on the king my father's death before him.
White bodies naked on the low damp ground
And bones cast in a little low dry garret,
Rattled by the rat's foot only, year to year.
But at my back from time to time I hear
The sound of horns and motors, which shall bring
Sweeney to Mrs.
Porter in the spring.
O the moon shone bright on Mrs.
Porter
And on her daughter 200
They wash their feet in soda water
Et O ces voix d'enfants, chantant dans la coupole!
Twit twit twit
Jug jug jug jug jug jug
So rudely forc'd.
Tereu
Unreal City
Under the brown fog of a winter noon
Mr.
Eugenides, the Smyrna merchant
Unshaven, with a pocket full of currants 210
C.
i.
f.
London: documents at sight,
Asked me in demotic French
To luncheon at the Cannon Street Hotel
Followed by a weekend at the Metropole.
At the violet hour, when the eyes and back
Turn upward from the desk, when the human engine waits
Like a taxi throbbing waiting,
I Tiresias, though blind, throbbing between two lives,
Old man with wrinkled female breasts, can see
At the violet hour, the evening hour that strives 220
Homeward, and brings the sailor home from sea,
The typist home at teatime, clears her breakfast, lights
Her stove, and lays out food in tins.
Out of the window perilously spread
Her drying combinations touched by the sun's last rays,
On the divan are piled (at night her bed)
Stockings, slippers, camisoles, and stays.
I Tiresias, old man with wrinkled dugs
Perceived the scene, and foretold the rest—
I too awaited the expected guest.
230
He, the young man carbuncular, arrives,
A small house agent's clerk, with one bold stare,
One of the low on whom assurance sits
As a silk hat on a Bradford millionaire.
The time is now propitious, as he guesses,
The meal is ended, she is bored and tired,
Endeavours to engage her in caresses
Which still are unreproved, if undesired.
Flushed and decided, he assaults at once;
Exploring hands encounter no defence; 240
His vanity requires no response,
And makes a welcome of indifference.
(And I Tiresias have foresuffered all
Enacted on this same divan or bed;
I who have sat by Thebes below the wall
And walked among the lowest of the dead.
)
Bestows one final patronising kiss,
And gropes his way, finding the stairs unlit .
.
.
She turns and looks a moment in the glass,
Hardly aware of her departed lover; 250
Her brain allows one half-formed thought to pass:
"Well now that's done: and I'm glad it's over.
"
When lovely woman stoops to folly and
Paces about her room again, alone,
She smoothes her hair with automatic hand,
And puts a record on the gramophone.
"This music crept by me upon the waters"
And along the Strand, up Queen Victoria Street.
O City city, I can sometimes hear
Beside a public bar in Lower Thames Street, 260
The pleasant whining of a mandoline
And a clatter and a chatter from within
Where fishmen lounge at noon: where the walls
Of Magnus Martyr hold
Inexplicable splendour of Ionian white and gold.
The river sweats
Oil and tar
The barges drift
With the turning tide
Red sails 270
Wide
To leeward, swing on the heavy spar.
The barges wash
Drifting logs
Down Greenwich reach
Past the Isle of Dogs.
Weialala leia
Wallala leialala
Elizabeth and Leicester
Beating oars 280
The stern was formed
A gilded shell
Red and gold
The brisk swell
Rippled both shores
Southwest wind
Carried down stream
The peal of bells
White towers
Weialala leia 290
Wallala leialala
"Trams and dusty trees.
Highbury bore me.
Richmond and Kew
Undid me.
By Richmond I raised my knees
Supine on the floor of a narrow canoe.
"
"My feet are at Moorgate, and my heart
Under my feet.
After the event
He wept.
He promised 'a new start'.
I made no comment.
What should I resent?"
"On Margate Sands.
300
I can connect
Nothing with nothing.
The broken fingernails of dirty hands.
My people humble people who expect
Nothing.
"
la la
To Carthage then I came
Burning burning burning burning
O Lord Thou pluckest me out
O Lord Thou pluckest 310
burning
|
Written by
Vachel Lindsay |
[Concerning O.
Henry (Sidney Porter)]
"He could not forget that he was a Sidney.
"
Is this Sir Philip Sidney, this loud clown,
The darling of the glad and gaping town?
This is that dubious hero of the press
Whose slangy tongue and insolent address
Were spiced to rouse on Sunday afternoon
The man with yellow journals round him strewn.
We laughed and dozed, then roused and read again,
And vowed O.
Henry funniest of men.
He always worked a triple-hinged surprise
To end the scene and make one rub his eyes.
He comes with vaudeville, with stare and leer.
He comes with megaphone and specious cheer.
His troupe, too fat or short or long or lean,
Step from the pages of the magazine
With slapstick or sombrero or with cane:
The rube, the cowboy or the masher vain.
They over-act each part.
But at the height
Of banter and of canter and delight
The masks fall off for one ***** instant there
And show real faces: faces full of care
And desperate longing: love that's hot or cold;
And subtle thoughts, and countenances bold.
The masks go back.
'Tis one more joke.
Laugh on!
The goodly grown-up company is gone.
No doubt had he occasion to address
The brilliant court of purple-clad Queen Bess,
He would have wrought for them the best he knew
And led more loftily his actor-crew.
How coolly he misquoted.
'Twas his art —
Slave-scholar, who misquoted — from the heart.
So when we slapped his back with friendly roar
Æsop awaited him without the door, —
Æsop the Greek, who made dull masters laugh
With little tales of fox and dog and calf .
And be it said, mid these his pranks so odd
With something nigh to chivalry he trod
And oft the drear and driven would defend —
The little shopgirls' knight unto the end.
Yea, he had passed, ere we could understand
The blade of Sidney glimmered in his hand.
Yea, ere we knew, Sir Philip's sword was drawn
With valiant cut and thrust, and he was gone.
|
Written by
Mary Darby Robinson |
High, on the Solitude of Alpine Hills,
O'er-topping the grand imag'ry of Nature,
Where one eternal winter seem'd to reign;
An HERMIT'S threshold, carpetted with moss,
Diversified the Scene.
Above the flakes
Of silv'ry snow, full many a modest flow'r
Peep'd through its icy veil, and blushing ope'd
Its variegated hues; The ORCHIS sweet,
The bloomy CISTUS, and the fragrant branch
Of glossy MYRTLE.
In his rushy cell,
The lonely ANCHORET consum'd his days,
Unnotic'd, and unblest.
In early youth,
Cross'd in the fond affections of his soul
By false Ambition, from his parent home
He, solitary, wander'd; while the Maid
Whose peerless beauty won his yielding heart
Pined in monastic horrors ! Near his sill
A little cross he rear'd, where, prostrate low
At day's pale glimpse, or when the setting Sun
Tissued the western sky with streamy gold,
His Orisons he pour'd, for her, whose hours
Were wasted in oblivion.
Winters pass'd,
And Summers faded, slow, unchearly all
To the lone HERMIT'S sorrows: For, still, Love
A dark, though unpolluted altar, rear'd
On the white waste of wonders!
From the peak
Which mark'd his neighb'ring Hut, his humid Eye
Oft wander'd o'er the rich expanse below;
Oft trac'd the glow of vegetating Spring,
The full-blown Summer splendours, and the hue
Of tawny scenes Autumnal: Vineyards vast,
Clothing the upland scene, and spreading wide
The promised tide nectareous; while for him
The liquid lapse of the slow brook was seen
Flashing amid the trees, its silv'ry wave!
Far distant, the blue mist of waters rose
Veiling the ridgy outline, faintly grey,
Blended with clouds, and shutting out the Sun.
The Seasons still revolv'd, and still was he
By all forgotten, save by her, whose breast
Sigh'd in responsive sadness to the gale
That swept her prison turrets.
Five long years,
Had seen his graces wither ere his Spring
Of life was wasted.
From the social scenes
Of human energy an alien driv'n,
He almost had forgot the face of Man.
--
No voice had met his ear, save, when perchance
The Pilgrim wand'rer, or the Goatherd Swain,
Bewilder'd in the starless midnight hour
Implored the HERMIT'S aid, the HERMIT'S pray'rs;
And nothing loath by pity or by pray'r
Was he, to save the wretched.
On the top
Of his low rushy Dome, a tinkling bell
Oft told the weary Trav'ller to approach
Fearless of danger.
The small silver sound
In quick vibrations echo'd down the dell
To the dim valley's quiet, while the breeze
Slept on the glassy LEMAN.
Thus he past
His melancholy days, an alien Man
From all the joys of social intercourse,
Alone, unpitied, by the world forgot!
His Scrip each morning bore the day's repast
Gather'd on summits, mingling with the clouds,
From whose bleak altitude the Eye look'd down
While fast the giddy brain was rock'd by fear.
Oft would he start from visionary rest
When roaming wolves their midnight chorus howl'd,
Or blasts infuriate shatter'd the white cliffs,
While the huge fragments, rifted by the storm,
Plung'd to the dell below.
Oft would he sit
In silent sadness on the jutting block
Of snow-encrusted ice, and, shudd'ring mark
(Amid the wonders of the frozen world)
Dissolving pyramids, and threatening peaks,
Hang o'er his hovel, terribly Sublime.
And oft, when Summer breath'd ambrosial gales,
Soft sailing o'er the waste of printless dew
Or twilight gossamer, his pensive gaze
Trac'd the swift storm advancing, whose broad wing
Blacken'd the rushy dome of his low Hut;
While the pale lightning smote the pathless top
Of tow'ring CENIS, scatt'ring high and wide
A mist of fleecy Snow.
Then would he hear,
(While MEM'RY brought to view his happier days)
The tumbling torrent, bursting wildly forth
From its thaw'd prison, sweep the shaggy cliff
Vast and Stupendous ! strength'ning as it fell,
And delving, 'mid the snow, a cavern rude!
So liv'd the HERMIT, like an hardy Tree
Plac'd on a mountain's solitary brow,
And destin'd, thro' the Seasons, to endure
Their wond'rous changes.
To behold the face
Of ever-varying Nature, and to mark
In each grand lineament, the work of GOD!
And happier he, in total Solitude
Than the poor toil-worn wretch, whose ardent Soul
That GOD has nobly organiz'd, but taught,
For purposes unknown, to bear the scourge
Of sharp adversity, and vulgar pride.
Happier, O ! happier far, than those who feel,
Yet live amongst the unfeeling ! feeding still
The throbbing heart, with anguish, or with Scorn.
One dreary night when Winter's icy breath
Half petrified the scene, when not a star
Gleam'd o'er the black infinity of space,
Sudden, the HERMIT started from his couch
Fear-struck and trembling! Ev'ry limb was shook
With painful agitation.
On his cheek
The blanch'd interpreter of horror mute
Sat terribly impressive! In his breast
The ruddy fount of life convulsive flow'd
And his broad eyes, fix'd motionless as death,
Gaz'd vacantly aghast ! His feeble lamp
Was wasting rapidly; the biting gale
Pierc'd the thin texture of his narrow cell;
And Silence, like a fearful centinel
Marking the peril which awaited near,
Conspir'd with sullen Night, to wrap the scene
In tenfold horrors.
Thrice he rose; and thrice
His feet recoil'd; and still the livid flame
Lengthen'd and quiver'd as the moaning wind
Pass'd thro' the rushy crevice, while his heart
Beat, like the death-watch, in his shudd'ring breast.
Like the pale Image of Despair he sat,
The cold drops pacing down his hollow cheek,
When a deep groan assail'd his startled ear,
And rous'd him into action.
To the sill
Of his low hovel he rush'd forth, (for fear
Will sometimes take the shape of fortitude,
And force men into bravery) and soon
The wicker bolt unfasten'd.
The swift blast,
Now unrestrain'd, flew by; and in its course
The quiv'ring lamp extinguish'd, and again
His soul was thrill'd with terror.
On he went,
E'en to the snow-fring'd margin of the cragg,
Which to his citadel a platform made
Slipp'ry and perilous! 'Twas darkness, all!
All, solitary gloom!--The concave vast
Of Heav'n frown'd chaos; for all varied things
Of air, and earth, and waters, blended, lost
Their forms, in blank oblivion ! Yet not long
Did Nature wear her sable panoply,
For, while the HERMIT listen'd, from below
A stream of light ascended, spreading round
A partial view of trackless solitudes;
And mingling voices seem'd, with busy hum,
To break the spell of horrors.
Down the steep
The HERMIT hasten'd, when a shriek of death
Re-echoed to the valley.
As he flew,
(The treach'rous pathway yielding to his speed,)
Half hoping, half despairing, to the scene
Of wonder-waking anguish, suddenly
The torches were extinct; and second night
Came doubly hideous, while the hollow tongues
Of cavern'd winds, with melancholy sound
Increas'd the HERMIT'S fears.
Four freezing hours
He watch'd and pray'd: and now the glimm'ring dawn
Peer'd on the Eastern Summits; (the blue light
Shedding cold lustre on the colder brows
Of Alpine desarts;) while the filmy wing
Of weeping Twilight, swept the naked plains
Of the Lombardian landscape.
On his knees
The ANCHORET blest Heav'n, that he had 'scap'd
The many perilous and fearful falls
Of waters wild and foamy, tumbling fast
From the shagg'd altitude.
But, ere his pray'rs
Rose to their destin'd Heav'n, another sight,
Than all preceding far more terrible,
Palsied devotion's ardour.
On the Snow,
Dappled with ruby drops, a track was made
By steps precipitate; a rugged path
Down the steep frozen chasm had mark'd the fate
Of some night traveller, whose bleeding form
Had toppled from the Summit.
Lower still
The ANCHORET descended, 'till arrived
At the first ridge of silv'ry battlements,
Where, lifeless, ghastly, paler than the snow
On which her cheek repos'd, his darling Maid
Slept in the dream of Death ! Frantic and wild
He clasp'd her stiff'ning form, and bath'd with tears
The lilies of her bosom,--icy cold--
Yet beautiful and spotless.
Now, afar
The wond'ring HERMIT heard the clang of arms
Re-echoing from the valley: the white cliffs
Trembled as though an Earthquake shook their base
With terrible concussion ! Thund'ring peals
From warfare's brazen throat, proclaim'd th' approach
Of conquering legions: onward they extend
Their dauntless columns ! In the foremost group
A Ruffian met the HERMIT'S startled Eyes
Like Hell's worst Demon ! For his murd'rous hands
Were smear'd with gore; and on his daring breast
A golden cross, suspended, bore the name
Of his ill-fated Victim!--ANCHORET!
Thy VESTAL Saint, by his unhallow'd hands
Torn from RELIGION'S Altar, had been made
The sport of a dark Fiend, whose recreant Soul
Had sham'd the cause of Valour ! To his cell
The Soul-struck Exile turn'd his trembling feet,
And after three lone weeks, of pain and pray'r,
Shrunk from the scene of Solitude--and DIED!
|
Written by
Robert Pinsky |
The opening scene.
The yellow, coal-fed fog
Uncurling over the tainted city river,
A young girl rowing and her anxious father
Scavenging for corpses.
Funeral meats.
The clever
Abandoned orphan.
The great athletic killer
Sulking in his tent.
As though all stories began
With someone dying.
When her mother died,
My mother refused to attend the funeral--
In fact, she sulked in her tent all through the year
Of the old lady's dying.
I don't know why:
She said, because she loved her mother so much
She couldn't bear to see the way the doctors,
Or her father, or--someone--was letting her mother die.
"Follow your saint, follow with accents sweet;
Haste you, sad notes, fall at her flying feet.
"
She fogs things up, she scavenges the taint.
Possibly that's the reason I write these poems.
But they did speak: on the phone.
Wept and argued,
So fiercely one or the other often cut off
A sentence by hanging up in rage--like lovers,
But all that year she never saw her face.
They lived on the same block, four doors apart.
"Absence my presence is; strangeness my grace;
With them that walk against me is my sun.
"
"Synagogue" is a word I never heard,
We called it shul, the Yiddish word for school.
Elms, terra-cotta, the ocean a few blocks east.
"Lay institution": she taught me we didn't think
God lived in it.
The rabbi is just a teacher.
But what about the hereditary priests,
Descendants of the Cohanes of the Temple,
Like Walter Holtz--I called him Uncle Walter,
When I was small.
A big man with a face
Just like a boxer dog or a cartoon sergeant.
She told me whenever he helped a pretty woman
Try on a shoe in his store, he'd touch her calf
And ask her, "How does that feel?" I was too little
To get the point but pretended to understand.
"Desire, be steady; hope is your delight,
An orb wherein no creature can ever be sorry.
"
She didn't go to my bar mitzvah, either.
I can't say why: she was there, and then she wasn't.
I looked around before I mounted the steps
To chant that babble and the speech the rabbi wrote
And there she wasn't, and there was Uncle Walter
The Cohane frowning with his doggy face:
"She's missing her own son's musaf.
" Maybe she just
Doesn't like rituals.
Afterwards, she had a reason
I don't remember.
I wasn't upset: the truth
Is, I had decided to be the clever orphan
Some time before.
By now, it's all a myth.
What is a myth but something that seems to happen
Always for the first time over and over again?
And ten years later, she missed my brother's, too.
I'm sorry: I think it was something about a hat.
"Hot sun, cool fire, tempered with sweet air,
Black shade, fair nurse, shadow my white hair;
Shine, sun; burn, fire; breathe, air, and ease me.
"
She sees the minister of the Nation of Islam
On television, though she's half-blind in one eye.
His bow tie is lime, his jacket crocodile green.
Vigorously he denounces the Jews who traded in slaves,
The Jews who run the newspapers and the banks.
"I see what this guy is mad about now," she says,
"It must have been some Jew that sold him the suit.
"
"And the same wind sang and the same wave whitened,
And or ever the garden's last petals were shed,
In the lips that had whispered, the eyes that had lightened.
"
But when they unveiled her mother's memorial stone,
Gathered at the graveside one year after the death,
According to custom, while we were standing around
About to begin the prayers, her car appeared.
It was a black car; the ground was deep in snow.
My mother got out and walked toward us, across
The field of gravestones capped with snow, her coat
Black as the car, and they waited to start the prayers
Until she arrived.
I think she enjoyed the drama.
I can't remember if she prayed or not,
But that may be the way I'll remember her best:
Dark figure, awaited, attended, aware, apart.
"The present time upon time passëd striketh;
With Phoebus's wandering course the earth is graced.
The air still moves, and by its moving, cleareth;
The fire up ascends, and planets feedeth;
The water passeth on, and all lets weareth;
The earth stands still, yet change of changes breedeth.
"
|
Written by
Andrew Barton Paterson |
Weary and listless, sad and slow,
Without any conversation,
Was a man that worked on The Overflow,
The butt of the shed and the station.
The shearers christened him Noisy Ned,
With an alias "Silent Waters",
But never a needless word he said
In the hut or the shearers' quarters.
Which caused annoyance to Big Barcoo,
The shed's unquestioned ringer,
Whose name was famous Australia through
As a dancer, fighter and singer.
He was fit for the ring, if he'd had his rights
As an agent of devastation;
And the number of men he had killed in fights
Was his principal conversation.
"I have known blokes go to their doom," said he,
"Through actin' with haste and rashness:
But the style that this Noisy Ned assumes,
It's nothing but silent flashness.
"We may just be dirt, from his point of view,
Unworthy a word in season;
But I'll make him talk like a cockatoo
Or I'll get him to show the reason.
"
Was it chance or fate, that King Condamine,
A king who had turned a black tracker,
Had captured a baby purcupine,
Which he swapped for a "fig tobacker"?
With the porcupine in the Silent's bed
The shearers were quite elated,
And the things to be done, and the words to be said,
Were anxiously awaited.
With a screech and a howl and an eldritch cry
That nearly deafened his hearers
He sprang from his bunk, and his fishy eye
Looked over the laughing shearers.
He looked them over and he looked them through
As a cook might look through a larder;
"Now, Big Barcoo, I must pick on you,
You're big, but you'll fall the harder.
"
Now, the silent man was but slight and thin
And of middleweight conformation,
But he hung one punch on the Barcoo's chin
And it ended the altercation.
"You've heard of the One-round Kid," said he,
"That hunted 'em all to shelter?
The One-round Finisher -- that was me,
When I fought as the Champion Welter.
"And this Barcoo bloke on his back reclines
For being a bit too clever,
For snakes and wombats and porcupines
Are nothing to me whatever.
"But the golden rule that I've had to learn
In the ring, and for years I've tried it,
Is only to talk when it comes your turn,
And never to talk outside it.
"
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Written by
Robert Hayden |
Steel doors – guillotine gates –
of the doorless house closed massively.
We were locked in with loss.
Guards frisked us, marked our wrists,
then let us into the drab Rec Hall –
splotched green walls, high windows barred –
where the dispossessed awaited us.
Hands intimate with knife and pistol,
hands that had cruelly grasped and throttled
clasped ours in welcome.
I sensed the plea
of men denied: Believe us human
like yourselves, who but for Grace .
.
.
We shared reprieving Hidden Words
revealed by the Godlike imprisoned
One, whose crime was truth.
And I read poems I hoped were true.
It's like you been there, brother, been there,
the scarred young lifer said.
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Written by
Ralph Waldo Emerson |
The Sphinx is drowsy,
Her wings are furled:
Her ear is heavy,
She broods on the world.
"Who'll tell me my secret,
The ages have kept?--
I awaited the seer
While they slumbered and slept:--
"The fate of the man-child,
The meaning of man;
Known fruit of the unknown;
Daedalion plan;
Out of sleeping a waking,
Out of waking a sleep;
Life death overtaking;
Deep underneath deep?
"Erect as a sunbeam,
Unspringeth the palm;
The elephant browses,
Undaunted and calm;
In beautiful motion
The thrush plies his wings;
King leaves of his covert,
Your silence he sings.
"The waves, unashamed,
In difference sweet,
Play glad with the breezes,
Old playfellows meet;
The journeying atoms,
Primordial wholes,
Firmly draw, firmly drive,
By their animate poles.
"Sea, earth, air, sound, silence,
Plant, quadruped, bird,
By one music enchanted,
One deity stirred,--
Each the other adorning,
Accompany still;
Night veileth the morning,
The vapor the hill.
"The babe by its mother
Lies bathed in joy;
Glide its hours uncounted,--
The sun is its toy;
Shines the peace of all being,
Without cloud, in its eyes;
And the sum of the world
In soft miniature lies.
"But man crouches and blushes,
Absconds and conceals;
He creepeth and peepeth,
He palters and steals;
Infirm, melancholy,
Jealous glancing around,
An oaf, an accomplice,
He poisons the ground.
"Out spoke the great mother,
Beholding his fear;--
At the sound of her accents
Cold shuddered the sphere:--
'Who, has drugged my boy's cup?
Who, has mixed my boy's bread?
Who, with sadness and madness,
Has turned my child's head?'"
I heard a poet answer
Aloud and cheerfully
"Say on, sweet Sphinx! thy dirges
Are pleasant songs to me.
Deep love lieth under
These pictures of time;
They fade in the light of
Their meaning sublime.
"The fiend that man harries
Is love of the Best;
Yawns the pit of the Dragon,
Lit by rays from the Blest.
The Lethe of Nature
Can't trance him again,
Whose soul sees the perfect,
Which his eyes seek in vain.
"To vision profounder,
Man's spirit must dive;
His aye-rolling orb
At no goal will arrive;
The heavens that now draw him
With sweetness untold,
Once found,--for new heavens
He spurneth the old.
"Pride ruined the angels,
Their shame them restores;
Lurks the joy that is sweetest
In stings of remorse.
Have I a lover
Who is noble and free?--
I would he were nobler
Than to love me.
"Eterne alternation
Now follows, now flies;
And under pain, pleasure,--
Under pleasure, pain lies.
Love works at the centre,
Heart-heaving alway;
Forth speed the strong pulses
To the borders of day.
"Dull Sphinx, Jove keep thy five wits;
Thy sight is growing blear;
Rue, myrrh and cummin for the Sphinx,
Her muddy eyes to clear!"
The old Sphinx bit her thick lip,--
Said, "Who taught thee me to name?
I am the spirit, yoke-fellow;
Of thine eye I am eyebeam.
"Thou art the unanswered question;
Couldst see thy proper eye,
Always it asketh, asketh;
And each answer is a lie.
So take thy quest through nature,
It through thousand natures ply;
Ask on, thou clothed eternity;
Time is the false reply.
"
Uprose the merry Sphinx,
And crouched no more in stone;
She melted into purple cloud,
She silvered in the moon;
She spired into a yellow flame;
She flowered in blossoms red;
She flowed into a foaming wave:
She stood Monadnoc's head.
Thorough a thousand voices
Spoke the universal dame;
"Who telleth one of my meanings
Is master of all I am.
"
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