Written by
Allen Ginsberg |
When I die
I don't care what happens to my body
throw ashes in the air, scatter 'em in East River
bury an urn in Elizabeth New Jersey, B'nai Israel Cemetery
But l want a big funeral
St.
Patrick's Cathedral, St.
Mark's Church, the largest synagogue in
Manhattan
First, there's family, brother, nephews, spry aged Edith stepmother
96, Aunt Honey from old Newark,
Doctor Joel, cousin Mindy, brother Gene one eyed one ear'd, sister-
in-law blonde Connie, five nephews, stepbrothers & sisters
their grandchildren,
companion Peter Orlovsky, caretakers Rosenthal & Hale, Bill Morgan--
Next, teacher Trungpa Vajracharya's ghost mind, Gelek Rinpoche,
there Sakyong Mipham, Dalai Lama alert, chance visiting
America, Satchitananda Swami
Shivananda, Dehorahava Baba, Karmapa XVI, Dudjom Rinpoche,
Katagiri & Suzuki Roshi's phantoms
Baker, Whalen, Daido Loorie, Qwong, Frail White-haired Kapleau
Roshis, Lama Tarchen --
Then, most important, lovers over half-century
Dozens, a hundred, more, older fellows bald & rich
young boys met naked recently in bed, crowds surprised to see each
other, innumerable, intimate, exchanging memories
"He taught me to meditate, now I'm an old veteran of the thousand
day retreat --"
"I played music on subway platforms, I'm straight but loved him he
loved me"
"I felt more love from him at 19 than ever from anyone"
"We'd lie under covers gossip, read my poetry, hug & kiss belly to belly
arms round each other"
"I'd always get into his bed with underwear on & by morning my
skivvies would be on the floor"
"Japanese, always wanted take it up my bum with a master"
"We'd talk all night about Kerouac & Cassady sit Buddhalike then
sleep in his captain's bed.
"
"He seemed to need so much affection, a shame not to make him happy"
"I was lonely never in bed nude with anyone before, he was so gentle my
stomach
shuddered when he traced his finger along my abdomen nipple to hips-- "
"All I did was lay back eyes closed, he'd bring me to come with mouth
& fingers along my waist"
"He gave great head"
So there be gossip from loves of 1948, ghost of Neal Cassady commin-
gling with flesh and youthful blood of 1997
and surprise -- "You too? But I thought you were straight!"
"I am but Ginsberg an exception, for some reason he pleased me.
"
"I forgot whether I was straight gay ***** or funny, was myself, tender
and affectionate to be kissed on the top of my head,
my forehead throat heart & solar plexus, mid-belly.
on my prick,
tickled with his tongue my behind"
"I loved the way he'd recite 'But at my back allways hear/ time's winged
chariot hurrying near,' heads together, eye to eye, on a
pillow --"
Among lovers one handsome youth straggling the rear
"I studied his poetry class, 17 year-old kid, ran some errands to his
walk-up flat,
seduced me didn't want to, made me come, went home, never saw him
again never wanted to.
.
.
"
"He couldn't get it up but loved me," "A clean old man.
" "He made
sure I came first"
This the crowd most surprised proud at ceremonial place of honor--
Then poets & musicians -- college boys' grunge bands -- age-old rock
star Beatles, faithful guitar accompanists, gay classical con-
ductors, unknown high Jazz music composers, funky trum-
peters, bowed bass & french horn black geniuses, folksinger
fiddlers with dobro tamborine harmonica mandolin auto-
harp pennywhistles & kazoos
Next, artist Italian romantic realists schooled in mystic 60's India,
Late fauve Tuscan painter-poets, Classic draftsman Massa-
chusets surreal jackanapes with continental wives, poverty
sketchbook gesso oil watercolor masters from American
provinces
Then highschool teachers, lonely Irish librarians, delicate biblio-
philes, sex liberation troops nay armies, ladies of either sex
"I met him dozens of times he never remembered my name I loved
him anyway, true artist"
"Nervous breakdown after menopause, his poetry humor saved me
from suicide hospitals"
"Charmant, genius with modest manners, washed sink, dishes my
studio guest a week in Budapest"
Thousands of readers, "Howl changed my life in Libertyville Illinois"
"I saw him read Montclair State Teachers College decided be a poet-- "
"He turned me on, I started with garage rock sang my songs in Kansas
City"
"Kaddish made me weep for myself & father alive in Nevada City"
"Father Death comforted me when my sister died Boston l982"
"I read what he said in a newsmagazine, blew my mind, realized
others like me out there"
Deaf & Dumb bards with hand signing quick brilliant gestures
Then Journalists, editors's secretaries, agents, portraitists & photo-
graphy aficionados, rock critics, cultured laborors, cultural
historians come to witness the historic funeral
Super-fans, poetasters, aging Beatnicks & Deadheads, autograph-
hunters, distinguished paparazzi, intelligent gawkers
Everyone knew they were part of 'History" except the deceased
who never knew exactly what was happening even when I was alive
February 22, 1997
|
Written by
Oliver Wendell Holmes |
YES, write, if you want to, there's nothing like trying;
Who knows what a treasure your casket may hold?
I'll show you that rhyming's as easy as lying,
If you'll listen to me while the art I unfold.
Here's a book full of words; one can choose as he fancies,
As a painter his tint, as a workman his tool;
Just think! all the poems and plays and romances
Were drawn out of this, like the fish from a pool!
You can wander at will through its syllabled mazes,
And take all you want, not a copper they cost,--
What is there to hinder your picking out phrases
For an epic as clever as "Paradise Lost"?
Don't mind if the index of sense is at zero,
Use words that run smoothly, whatever they mean;
Leander and Lilian and Lillibullero
Are much the same thing in the rhyming machine.
There are words so delicious their sweetness will smother
That boarding-school flavor of which we're afraid,
There is "lush"is a good one, and "swirl" is another,--
Put both in one stanza, its fortune is made.
With musical murmurs and rhythmical closes
You can cheat us of smiles when you've nothing to tell
You hand us a nosegay of milliner's roses,
And we cry with delight, "Oh, how sweet they do smell!"
Perhaps you will answer all needful conditions
For winning the laurels to which you aspire,
By docking the tails of the two prepositions
I' the style o' the bards you so greatly admire.
As for subjects of verse, they are only too plenty
For ringing the changes on metrical chimes;
A maiden, a moonbeam, a lover of twenty
Have filled that great basket with bushels of rhymes.
Let me show you a picture--'t is far from irrelevant--
By a famous old hand in the arts of design;
'T is only a photographed sketch of an elephant,--
The name of the draughtsman was Rembrandt of Rhine.
How easy! no troublesome colors to lay on,
It can't have fatigued him,-- no, not in the least,--
A dash here and there with a haphazard crayon,
And there stands the wrinkled-skinned, baggy-limbed beast.
Just so with your verse,-- 't is as easy as sketching,--
You can reel off a song without knitting your brow,
As lightly as Rembrandt a drawing or etching;
It is nothing at all, if you only know how.
Well; imagine you've printed your volume of verses:
Your forehead is wreathed with the garland of fame,
Your poems the eloquent school-boy rehearses,
Her album the school-girl presents for your name;
Each morning the post brings you autograph letters;
You'll answer them promptly,-- an hour isn't much
For the honor of sharing a page with your betters,
With magistrates, members of Congress, and such.
Of course you're delighted to serve the committees
That come with requests from the country all round,
You would grace the occasion with poems and ditties
When they've got a new schoolhouse, or poorhouse, or pound.
With a hymn for the saints and a song for the sinners,
You go and are welcome wherever you please;
You're a privileged guest at all manner of dinners,
You've a seat on the platform among the grandees.
At length your mere presence becomes a sensation,
Your cup of enjoyment is filled to its brim
With the pleasure Horatian of digitmonstration,
As the whisper runs round of "That's he!" or "That's him!"
But remember, O dealer in phrases sonorous,
So daintily chosen, so tunefully matched,
Though you soar with the wings of the cherubim o'er us,
The ovum was human from which you were hatched.
No will of your own with its puny compulsion
Can summon the spirit that quickens the lyre;
It comes, if at all, like the Sibyl's convulsion
And touches the brain with a finger of fire.
So perhaps, after all, it's as well to he quiet
If you've nothing you think is worth saying in prose,
As to furnish a meal of their cannibal diet
To the critics, by publishing, as you propose.
But it's all of no use, and I'm sorry I've written,--
I shall see your thin volume some day on my shelf;
For the rhyming tarantula surely has bitten,
And music must cure you, so pipe it yourself.
|
Written by
Carolyn Kizer |
For Ann London
As you described your mastectomy in calm detail
and bared your chest so I might see
the puckered scar,
"They took a hatchet to your breast!" I said.
"What an
Amazon you are.
"
When we were girls we climbed Mt.
Tamalpais
chewing bay leaves we had plucked
along the way;
we got high all right, from animal pleasure in each other,
shouting to the sky.
On your houseboat we tried to ignore the impossible guy
you had married to enrage your family,
a typical ploy.
We were great fools let loose in the No Name bar
on Sausalito's bay.
In San Francisco we'd perch on a waterfront pier
chewing sourdough and cheese, swilling champagne,
kicking our heels;
crooning lewd songs, hooting like seagulls,
we bayed with the seals.
Then you married someone in Mexico,
broke up in two weeks, didn't bother to divorce,
claimed it didn't count.
You dumped number three, fled to Albany
to become a pedant.
Averse to domesticity, you read for your Ph.
D.
Your four-year-old looked like a miniature
John Lennon.
You fed him peanut butter from your jar and raised him
on Beowulf and Grendal.
Much later in New York we reunited;
in an elevator at Sak's a woman asked for
your autograph.
You glowed like a star, like Anouk Aimee
at forty, close enough.
Your pedantry found its place in the Women's Movement.
You rose fast, seen suddenly as the morning star;
wrote the ERA
found the right man at last, a sensitive artist;
flying too high
not to crash.
When the cancer caught you
you went on talk shows to say you had no fear
or faith.
In Baltimore we joked on your bed as you turned into
a witty wraith.
When you died I cleaned out your bureau drawers:
your usual disorder; an assortment of gorgeous wigs
and prosthetic breasts
tossed in garbage bags, to spare your gentle spouse.
Then the bequests
you had made to every friend you had!
For each of us a necklace or a ring.
A snapshot for me:
We two, barefoot in chiffon, laughing amid blossoms
your last wedding day.
|
Written by
David St John |
It was in the old days,
When she used to hang out at a place
Called Club Zombie,
A black cabaret that the police liked
To raid now and then.
As she
Stepped through the door, the light
Would hit her platinum hair,
And believe me, heads would turn.
Maestro
Loved it; he'd have her by
The arm as he led us through the packed crowd
To a private corner
Where her secluded oak table always waited.
She'd say, Jordan.
.
.
And I'd order her usual,
A champagne cocktail with a tall shot of bourbon
On the side.
She'd let her eyes
Trail the length of the sleek neck
Of the old stand-up bass, as
The bass player knocked out the bottom line,
His forehead glowing, glossy
With sweat in the blue lights;
Her own face, smooth and shining, as
The liquor slowly blanketed the pills
She'd slipped beneath her tongue.
Maestro'd kick the **** out of anybody
Who tried to sneak up for an autograph;
He'd say, Jordan, just let me know if
Somebody gets too close.
.
.
.
Then he'd turn to her and whisper, Here's
Where you get to be Miss Nobody.
.
.
And she'd smile as she let him
Kiss her hand.
For a while, there was a singer
At the club, a guy named Louis--
But Maestro'd change his name to "Michael Champion";
Well, when this guy leaned forward,
Cradling the microphone in his huge hands,
All the legs went weak
Underneath the ladies.
He'd look over at her, letting his eyelids
Droop real low, singing, Oh Baby I.
.
.
Oh Baby I Love.
.
.
I Love You.
.
.
And she'd be gone, those little mermaid tears
Running down her cheeks.
Maestro
Was always cool.
He'd let them use his room upstairs,
Sometimes, because they couldn't go out--
Black and white couldn't mix like that then.
I mean, think about it--
This kid star and a cool beauty who made King Cole
Sound raw? No, they had to keep it
To the club; though sometimes,
Near the end, he'd come out to her place
At the beach, always taking the iced whisky
I brought to him with a sly, sweet smile.
Once, sweeping his arm out in a slow
Half-circle, the way at the club he'd
Show the audience how far his endless love
Had grown, he marked
The circumference of the glare whitening the patio
Where her friends all sat, sunglasses
Masking their eyes.
.
.
And he said to me, Jordan, why do
White people love the sun so?--
God's spotlight, my man?
Leaning back, he looked over to where she
Stood at one end of the patio, watching
The breakers flatten along the beach below,
Her body reflected and mirrored
Perfectly in the bedroom's sliding black glass
Door.
He stared at her
Reflection for a while, then looked up at me
And said, Jordan, I think that I must be
Like a pool of water in a cave that sometimes
She steps into.
.
.
Later, as I drove him back into the city,
He hummed a Bessie Smith tune he'd sing
For her, but he didn't say a word until
We stopped at last back at the club.
He stepped
slowly out of the back
Of the Cadillac, and reaching to shake my hand
Through the open driver's window, said,
My man, Jordan.
.
.
Goodbye.
|
Written by
John Greenleaf Whittier |
I write my name as one,
On sands by waves o'errun
Or winter's frosted pane,
Traces a record vain.
Oblivion's blankness claims
Wiser and better names,
And well my own may pass
As from the strand or glass.
Wash on, O waves of time!
Melt, noons, the frosty rime!
Welcome the shadow vast,
The silence that shall last!
When I and all who know
And love me vanish so,
What harm to them or me
Will the lost memory be?
If any words of mine,
Through right of life divine,
Remain, what matters it
Whose hand the message writ?
Why should the "crowner's quest"
Sit on my worst or best?
Why should the showman claim
The poor ghost of my name?
Yet, as when dies a sound
Its spectre lingers round,
Haply my spent life will
Leave some faint echo still.
A whisper giving breath
Of praise or blame to death,
Soothing or saddening such
As loved the living much.
Therefore with yearnings vain
And fond I still would fain
A kindly judgment seek,
A tender thought bespeak.
And, while my words are read,
Let this at least be said:
"Whate'er his life's defeatures,
He loved his fellow-creatures.
"If, of the Law's stone table,
To hold he scarce was able
The first great precept fast,
He kept for man the last.
"Through mortal lapse and dulness
What lacks the Eternal Fulness,
If still our weakness can
Love Him in loving man?
"Age brought him no despairing
Of the world's future faring;
In human nature still
He found more good than ill.
"To all who dumbly suffered,
His tongue and pen he offered;
His life was not his own,
Nor lived for self alone.
"Hater of din and riot
He lived in days unquiet;
And, lover of all beauty,
Trod the hard ways of duty.
"He meant no wrong to any
He sought the good of many,
Yet knew both sin and folly, --
May God forgive him wholly!"
|
Written by
Sidney Lanier |
Written for the Art Autograph during the Irish Famine, 1880.
Heartsome Ireland, winsome Ireland,
Charmer of the sun and sea,
Bright beguiler of old anguish,
How could Famine frown on thee?
As our Gulf-Stream, drawn to thee-ward,
Turns him from his northward flow,
And our wintry western headlands
Send thee summer from their snow,
Thus the main and cordial current
Of our love sets over sea, --
Tender, comely, valiant Ireland,
Songful, soulful, sorrowful Ireland, --
Streaming warm to comfort thee.
|
Written by
John Milton |
XIII
To Mr.
H.
Lawes, on his Aires.
Harry whose tuneful and well measur'd Song
First taught our English Musick how to span
Words with just note and accent, not to scan
With Midas Ears, committing short and long;
Thy worth and skill exempts thee from the throng,
With praise enough for Envy to look wan;
To after age thou shalt be writ the man,
That with smooth aire couldst humor best our tongue
Thou honour'st Verse, and Verse must send her wing
To honour thee, the Priest of Phoebus Quire
That tun'st their happiest lines in Hymn or Story
Dante shall give Fame leave to set thee higher
Then his Casella, whom he woo'd to sing
Met in the milder shades of Purgatory.
Note: 9 send] lend Cambridge Autograph MS.
|
Written by
Fannie Isabelle Sherrick |
The crown of stars is broken in parts,
Its jewels brighter than the day,
Have one by one been stolen away
To shine in other homes and hearts.
—[Hanging of the Crane.]
Each poem is a star that shines
Within your crown of light;
Each jeweled thought—a fadeless gem
That dims the stars of night.
A flower here and there, so sweet,
Its fragrance fills the earth,
Is woven in among the gems
Of proud, immortal birth.
Each wee Forget-me-not hath eyes
As blue as yonder skies,
To tell the world each song of thine
Is one that never dies.
The purple pansies stained with gold,
The roses royal red,
In softened splendor shadow forth
The truths thy life hath said.
Oh would the earth were filled with flowers
To crown thee poet-king!
And all the world unto thy feet
Its wealth of love could fling.
And would I were one lowly flower
That fell beneath thy feet;
That even in dying I might win
One verse of music sweet.
The poet-heart doth hold the power
To thrill the hearts of men;
And though the chain is broken quite
It joins the links again.
No hand like thine can sweep the chords,
No heart like thine can sing;
The poet-world is full of song
And thou alone art king!
Oh would my eyes could see thy face
On which the glory shines!
And would my soul could trace the thought
That lies between the lines!
But though my eyes may never see,
My heart will worship still;
And at the fountain of thy song
My soul will drink its fill.
Thy crown of stars will never break,
Its circle is complete;
And yet each heart some gem will keep
To make its life more sweet.
The following autograph letter was received from the poet:
Dear Miss Sherrick:—I am much pleased and touched by the graceful and beautiful tribute you have paid me in your poem. I beg you to accept my best thanks for these kind words, and for the friendly expressions of your letter, which I have left too long unanswered. Pardon the delay and believe me with great regard,
Yours sincerely,
Henry W. Longfellow.
|
Written by
John Milton |
XIV
When Faith and Love which parted from thee never,
Had ripen'd thy just soul to dwell with God,
Meekly thou didst resign this earthy load
Of Death, call'd Life; which us from Life doth sever
Thy Works and Alms and all thy good Endeavour
Staid not behind, nor in the grave were trod;
But as Faith pointed with her golden rod,
Follow'd thee up to joy and bliss for ever.
Love led them on, and Faith who knew them best
Thy hand-maids, clad them o're with purple beams
And azure wings, that up they flew so drest,
And speak the truth of thee on glorious Theams
Before the Judge, who thenceforth bid thee rest
And drink thy fill of pure immortal streams.
Note: Camb.
Autograph supplies title, On the Religious
Memory of Catherine Thomson, my Christian Friend, deceased
16 Decemb.
, 1646.
|
Written by
Robert William Service |
Said he: "You saw the Master clear;
By Rushy Pond alone he sat,
Serene and silent as a seer,
in tweedy coat and seedy hat.
you tell me you did not intrude,
(Although his book was in your hand,)
Upon his melancholy mood .
.
.
I do not understand.
"You did not tell him: 'I have come
From o'er the sea to speak to you.
'
You did not dare, your lips were dumb .
.
.
You thought a little zephyr blew
From Rushy Pond a touch of him
You'll cherish to your dying day,
Perhaps with tears your eyes were dim .
.
.
And then - you went away.
"And down the years you will proclaim:
'O call me dullard, dub me dunce!
But let this be my meed of fame:
I looked on Thomas Hardy once.
Aye, by a stile I stood a span
And with these eyes did plainly see
A little, shrinking, shabby man .
.
.
But Oh a god to me!'"
Said I: "'Tis true, I scarce dared look,
yet he would have been kind, I'm sure;
But though I clutched his precious book
I feared to beg his signature.
Ah yes, my friend, I merit mirth.
You're bold, you have the right to laugh,
And if Christ came again to earth
You'd cadge his autograph.
"
|