Written by
Kahlil Gibran |
One heavy day I ran away from the grim face of society and the dizzying clamor of the city and directed my weary step to the spacious alley. I pursued the beckoning course of the rivulet and the musical sounds of the birds until I reached a lonely spot where the flowing branches of the trees prevented the sun from the touching the earth.
I stood there, and it was entertaining to my soul - my thirsty soul who had seen naught but the mirage of life instead of its sweetness.
I was engrossed deeply in thought and my spirits were sailing the firmament when a hour, wearing a sprig of grapevine that covered part of her naked body, and a wreath of poppies about her golden hair, suddenly appeared to me. As she she realized my astonishment, she greeted me saying, "Fear me not; I am the Nymph of the Jungle."
"How can beauty like yours be committed to live in this place? Please tell me who your are, and whence you come?" I asked. She sat gracefully on the green grass and responded, "I am the symbol of nature! I am the ever virgin your forefathers worshipped, and to my honor they erected shrines and temples at Baalbek and Jbeil." And I dared say, "But those temples and shrines were laid waste and the bones of my adoring ancestors became a part of the earth; nothing was left to commemorate their goddess save a pitiful few and the forgotten pages in the book of history."
She replied, "Some goddesses live in the lives of their worshippers and die in their deaths, while some live an eternal and infinite life. My life is sustained by the world of beauty which you will see where ever you rest your eyes, and this beauty is nature itself; it is the beginning of the shepherds joy among the hills, and a villagers happiness in the fields, and the pleasure of the awe filled tribes between the mountains and the plains. This Beauty promotes the wise into the throne the truth."
Then I said, "Beauty is a terrible power!" And she retorted, "Human beings fear all things, even yourselves. You fear heaven, the source of spiritual peace; you fear nature, the haven of rest and tranquility; you fear the God of goodness and accuse him of anger, while he is full of love and mercy."
After a deep silence, mingled with sweet dreams, I asked, "Speak to me of that beauty which the people interpret and define, each one according to his own conception; I have seen her honored and worshipped in different ways and manners."
She answered, "Beauty is that which attracts your soul, and that which loves to give and not to receive. When you meet Beauty, you feel that the hands deep within your inner self are stretched forth to bring her into the domain of your heart. It is the magnificence combined of sorrow and joy; it is the Unseen which you see, and the Vague which you understand, and the Mute which you hear - it is the Holy of Holies that begins in yourself and ends vastly beyond your earthly imagination."
Then the Nymph of the Jungle approached me and laid her scented hands upon my eyes. And as she withdrew, I found me alone in the valley. When I returned to the city, whose turbulence no longer vexed me, I repeated her words:
"Beauty is that which attracts your soul, and that which loves to give and not to receive."
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Written by
Louise Gluck |
To say I'm without fear--
It wouldn't be true.
I'm afraid of sickness, humiliation.
Like anyone, I have my dreams.
But I've learned to hide them,
To protect myself
From fulfillment: all happiness
Attracts the Fates' anger.
They are sisters, savages--
In the end they have
No emotion but envy.
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Written by
Ralph Waldo Emerson |
Because I was content with these poor fields,
Low, open meads, slender and sluggish streams,
And found a home in haunts which others scorned,
The partial wood-gods overpaid my love,
And granted me the freedom of their state,
And in their secret senate have prevailed
With the dear, dangerous lords that rule our life,
Made moon and planets parties to their bond,
And through my rock-like, solitary wont
Shot million rays of thought and tenderness.
For me, in showers, insweeping showers, the Spring
Visits the valley;--break away the clouds,--
I bathe in the morn's soft and silvered air,
And loiter willing by yon loitering stream.
Sparrows far off, and nearer, April's bird,
Blue-coated, flying before from tree to tree,
Courageous sing a delicate overture
To lead the tardy concert of the year.
Onward and nearer rides the sun of May;
And wide around, the marriage of the plants
Is sweetly solemnized. Then flows amain
The surge of summer's beauty; dell and crag,
Hollow and lake, hillside and pine arcade,
Are touched with genius. Yonder ragged cliff
Has thousand faces in a thousand hours.
Beneath low hills, in the broad interval
Through which at will our Indian rivulet
Winds mindful still of sannup and of squaw,
Whose pipe and arrow oft the plough unburies,
Here in pine houses built of new-fallen trees,
Supplanters of the tribe, the farmers dwell.
Traveller, to thee, perchance, a tedious road,
Or, it may be, a picture; to these men,
The landscape is an armory of powers,
Which, one by one, they know to draw and use.
They harness beast, bird, insect, to their work;
They prove the virtues of each bed of rock,
And, like the chemist 'mid his loaded jars
Draw from each stratum its adapted use
To drug their crops or weapon their arts withal.
They turn the frost upon their chemic heap,
They set the wind to winnow pulse and grain,
They thank the spring-flood for its fertile slime,
And, on cheap summit-levels of the snow,
Slide with the sledge to inaccessible woods
O'er meadows bottomless. So, year by year,
They fight the elements with elements
(That one would say, meadow and forest walked.
Transmuted in these men to rule their like),
And by the order in the field disclose
The order regnant in the yeoman's brain.
What these strong masters wrote at large in miles,
I followed in small copy in my acre;
For there's no rood has not a star above it;
The cordial quality of pear or plum
Ascends as gladly in a single tree
As in broad orchards resonant with bees;
And every atom poises for itself,
And for the whole. The gentle deities
Showed me the lore of colors and of sounds,
The innumerable tenements of beauty,
The miracle of generative force,
Far-reaching concords of astronomy
Felt in the plants and in the punctual birds;
Better, the linked purpose of the whole,
And, chiefest prize, found I true liberty
In the glad home plain-dealing Nature gave.
The polite found me impolite; the great
Would mortify me, but in vain; for still
I am a willow of the wilderness,
Loving the wind that bent me. All my hurts
My garden spade can heal. A woodland walk,
A quest of river-grapes, a mocking thrush,
A wild-rose, or rock-loving columbine,
Salve my worst wounds.
For thus the wood-gods murmured in my ear:
'Dost love our mannersi Canst thou silent lie?
Canst thou, thy pride forgot, like Nature pass
Into the winter night's extinguished mood?
Canst thou shine now, then darkle,
And being latent, feel thyself no less?
As, when the all-worshipped moon attracts the eye,
The river, hill, stems, foliage are obscure,
Yet envies none, none are unenviable.'
|
Written by
Ralph Waldo Emerson |
Because I was content with these poor fields,
Low open meads, slender and sluggish streams,
And found a home in haunts which others scorned,
The partial wood-gods overpaid my love,
And granted me the freedom of their state,
And in their secret senate have prevailed
With the dear dangerous lords that rule our life,
Made moon and planets parties to their bond,
And pitying through my solitary wont
Shot million rays of thought and tenderness.
For me in showers, in sweeping showers, the spring
Visits the valley:—break away the clouds,
I bathe in the morn's soft and silvered air,
And loiter willing by yon loitering stream.
Sparrows far off, and, nearer, yonder bird
Blue-coated, flying before, from tree to tree,
Courageous sing a delicate overture,
To lead the tardy concert of the year.
Onward, and nearer draws the sun of May,
And wide around the marriage of the plants
Is sweetly solemnized; then flows amain
The surge of summer's beauty; dell and crag,
Hollow and lake, hill-side, and pine arcade,
Are touched with genius. Yonder ragged cliff
Has thousand faces in a thousand hours.
Here friendly landlords, men ineloquent,
Inhabit, and subdue the spacious farms.
Traveller! to thee, perchance, a tedious road,
Or soon forgotten picture,— to these men
The landscape is an armory of powers,
Which, one by one, they know to draw and use.
They harness, beast, bird, insect, to their work;
They prove the virtues of each bed of rock,
And, like a chemist 'mid his loaded jars,
Draw from each stratum its adapted use,
To drug their crops, or weapon their arts withal.
They turn the frost upon their chemic heap;
They set the wind to winnow vetch and grain;
They thank the spring-flood for its fertile slime;
And, on cheap summit-levels of the snow,
Slide with the sledge to inaccessible woods,
O'er meadows bottomless. So, year by year,
They fight the elements with elements,
(That one would say, meadow and forest walked
Upright in human shape to rule their like.)
And by the order in the field disclose,
The order regnant in the yeoman's brain.
What these strong masters wrote at large in miles,
I followed in small copy in my acre:
For there's no rood has not a star above it;
The cordial quality of pear or plum
Ascends as gladly in a single tree,
As in broad orchards resonant with bees;
And every atom poises for itself,
And for the whole. The gentle Mother of all
Showed me the lore of colors and of sounds;
The innumerable tenements of beauty;
The miracle of generative force;
Far-reaching concords of astronomy
Felt in the plants and in the punctual birds;
Mainly, the linked purpose of the whole;
And, chiefest prize, found I true liberty,
The home of homes plain-dealing Nature gave.
The polite found me impolite; the great
Would mortify me, but in vain:
I am a willow of the wilderness,
Loving the wind that bent me. All my hurts
My garden-spade can heal. A woodland walk,
A wild rose, or rock-loving columbine,
Salve my worst wounds, and leave no cicatrice.
For thus the wood-gods murmured in my ear,
Dost love our manners? Canst thou silent lie?
Canst thou, thy pride forgot, like nature pass
Into the winter night's extinguished mood?
Canst thou shine now, then darkle,
And being latent, feel thyself no less?
As when the all-worshipped moon attracts the eye,
The river, hill, stems, foliage, are obscure,
Yet envies none, none are unenviable.
|
Written by
Ann Taylor |
1 Whatever 'tis, whose beauty here below
2 Attracts thee thus and makes thee stream and flow,
3 And wind and curl, and wink and smile,
4 Shifting thy gate and guile;
5 Though thy close commerce nought at all imbars
6 My present search, for eagles eye not stars,
7 And still the lesser by the best
8 And highest good is blest;
9 Yet, seeing all things that subsist and be,
10 Have their commissions from divinity,
11 And teach us duty, I will see
12 What man may learn from thee.
13 First, I am sure, the subject so respected
14 Is well dispos'd, for bodies once infected,
15 Deprav'd, or dead, can have with thee
16 No hold, nor sympathy.
17 Next, there's in it a restless, pure desire
18 And longing for thy bright and vital fire,
19 Desire that never will be quench'd,
20 Nor can be writh'd, nor wrench'd.
21 These are the magnets which so strongly move
22 And work all night upon thy light and love,
23 As beauteous shapes, we know not why,
24 Command and guide the eye.
25 For where desire, celestial, pure desire
26 Hath taken root, and grows, and doth not tire,
27 There God a commerce states, and sheds
28 His secret on their heads.
29 This is the heart he craves, and who so will
30 But give it him, and grudge not, he shall feel
31 That God is true, as herbs unseen
32 Put on their youth and green.
|
Written by
Eugene Field |
There are two phrases, you must know,
So potent (yet so small)
That wheresoe'er a man may go
He needs none else at all;
No servile guide to lead the way
Nor lackey at his heel,
If he be learned enough to say
"Comme bien" and "Wie viel."
The sleek, pomaded Parleyvoo
Will air his sweetest airs
And quote the highest rates when you
"Comme bien" for his wares;
And, though the German stolid be,
His so-called heart of steel
Becomes as soft as wax when he
Detects the words "Wie viel."
Go, search the boulevards and rues
From Havre to Marseilles--
You'll find all eloquence you use
Except "Comme bien" fails;
Or in the country auf der Rhine
Essay a business deal
And all your art is good fuhr nein
Beyond the point--"Wie viel."
It matters not what game or prey
Attracts your greedy eyes--
You must pursue the good old way
If you would win the prize;
It is to get a titled mate
All run down at the heel,
If you inquire of stock effete,
"Comme bien" or "Wie viel."
So he is wise who envieth not
A wealth of foreign speech,
Since with two phrases may be got
Whatever's in his reach;
For Europe is a soulless shrine
In which all classes kneel
Before twin idols, deemed divine--
"Comme bien" and "Wie viel."
|
Written by
Johann Wolfgang von Goethe |
[written in a post-chaise.]
(* In the original, Schwager, which has the
twofold meaning of brother-in-law and postilion.)
HASTEN thee, Kronos!
On with clattering trot
Downhill goeth thy path;
Loathsome dizziness ever,
When thou delayest, assails me.
Quick, rattle along,
Over stock and stone let thy trot
Into life straightway lead
Now once more
Up the toilsome ascent
Hasten, panting for breath!
Up, then, nor idle be,--
Striving and hoping, up, up!
Wide, high, glorious the view
Gazing round upon life,
While from mount unto mount
Hovers the spirit eterne,
Life eternal foreboding.
Sideways a roof's pleasant shade
Attracts thee,
And a look that promises coolness
On the maidenly threshold.
There refresh thee! And, maiden,
Give me this foaming draught also,
Give me this health-laden look!
Down, now! quicker still, down!
See where the sun sets
Ere he sets, ere old age
Seizeth me in the morass,
Ere my toothless jaws mumble,
And my useless limbs totter;
While drunk with his farewell beam
Hurl me,--a fiery sea
Foaming still in mine eye,--
Hurl me, while dazzled and reeling,
Down to the gloomy portal of hell.
Blow, then, gossip, thy horn,
Speed on with echoing trot,
So that Orcus may know we are coming;
So that our host may with joy
Wait at the door to receive us.
1774.
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Written by
Anne Kingsmill Finch |
Sooner I'd praise a Cloud which Light beguiles,
Than thy rash Hand which robs this Face of Smiles;
And does that sweet and pleasing Air control,
Which to us paints the fair CLEONE's Soul.
'Tis vain to boast of Rules or labour'd Art;
I miss the Look that captivates my Heart,
Attracts my Love, and tender Thoughts inspires;
Nor can my Breast be warm'd by common Fires;
Nor can ARDELIA love but where she first admires.
Like Jupiter's, thy Head was sure in Pain
When this Virago struggl'd in thy Brain;
And strange it is, thou hast not made her wield
A mortal Dart, or penetrating Shield,
Giving that Hand of disproportion'd size
The Pow'r, of which thou hast disarm'd her Eyes:
As if, like Amazons, she must oppose,
And into Lovers force her vanquish'd Foes.
Had to THEANOR thus her Form been shown
To gain her Heart, he had not lost his own;
Nor, by the gentlest Bands of Human Life,
At once secur'd the Mistress and the Wife.
For still CLEONE's Beauties are the same,
And what first lighten'd, still upholds his Flame.
Fain his Compassion wou'd thy Works approve,
Were pitying thee consistent with his Love,
Or with the Taste which Italy has wrought
In his refin'd and daily heighten'd Thought,
Where Poetry, or Painting find no place,
Unless perform'd with a superior Grace.
Cou'd but my Wish some Influence infuse,
Ne'er shou'd the Pencil, or the Sister-Muse
Be try'd by those who easily excuse:
But strictest Censors shou'd of either judge,
Applaud the Artist, and despise the Drudge.
Then never wou'd thy Colours have debas'd
CLEONE's Features, and her Charms defac'd:
Nor had my Pen (more subject to their Laws)
Assay'd to vindicate her Beauty's Cause.
A rigid Fear had kept us both in Awe,
Nor I compos'd, nor thou presum'd to draw;
But in CLEONE viewing with Surprize
That Excellence, to which we ne'er cou'd rise,
By less Attempts we safely might have gain'd
That humble Praise which neither has obtain'd,
Since to thy Shadowings, or my ruder Verse,
It is not giv'n to shew, or to rehearse
What Nature in CLEONE's Face has writ,
A soft Endearment, and a chearful Wit,
That all-subduing, that enliv'ning Air
By which, a sympathizing Joy we share,
For who forbears to smile, when smil'd on by the Fair?
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Written by
Francesco Petrarch |
SONNET CLXXVI. Voglia mi sprona; Amor mi guida e scorge. HE DESCRIBES HIS STATE, SPECIFYING THE DATE OF HIS ATTACHMENT. Passion impels me, Love escorts and leads,Pleasure attracts me, habits old enchain,Hope with its flatteries comforts me again,And, at my harass'd heart, with fond touch pleads.Poor wretch! it trusts her still, and little heedsThe blind and faithless leader of our train;Reason is dead, the senses only reign:One fond desire another still succeeds.Virtue and honour, beauty, courtesy,With winning words and many a graceful way,My heart entangled in that laurel sweet.In thirteen hundred seven and twenty, I—'Twas April, the first hour, on its sixth day—Enter'd Love's labyrinth, whence is no retreat. Macgregor. By will impell'd, Love o'er my path presides;By Pleasure led, o'ercome by Habit's reign,Sweet Hope deludes, and comforts me again;At her bright touch, my heart's despair subsides.It takes her proffer'd hand, and there confides.To doubt its blind disloyal guide were vain;Each sense usurps poor Reason's broken rein;On each desire, another wilder rides!Grace, virtue, honour, beauty, words so dear,Have twined me with that laurell'd bough, whose power[Pg 192]My heart hath tangled in its lab'rinth sweet:The thirteen hundred twenty-seventh year,The sixth of April's suns—in that first hour,My entrance mark'd, whence I see no retreat. Wollaston.
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Written by
Ehsan Sehgal |
"Spirituality is a magnet, and the magnet attracts iron, not wood or stone. Similarly, faith and devotion is an iron, who has that, spirituality will attract him, not an unbeliever."
Ehsan Sehgal
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