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Best Famous Attest Poems

Here is a collection of the all-time best famous Attest poems. This is a select list of the best famous Attest poetry. Reading, writing, and enjoying famous Attest poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of attest poems.

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Written by Phillis Wheatley | Create an image from this poem

On Imagination

 Thy various works, imperial queen, we see,
 How bright their forms! how deck'd with pomp by thee!
Thy wond'rous acts in beauteous order stand,
And all attest how potent is thine hand.
From Helicon's refulgent heights attend, Ye sacred choir, and my attempts befriend: To tell her glories with a faithful tongue, Ye blooming graces, triumph in my song.
Now here, now there, the roving Fancy flies, Till some lov'd object strikes her wand'ring eyes, Whose silken fetters all the senses bind, And soft captivity involves the mind.
Imagination! who can sing thy force? Or who describe the swiftness of thy course? Soaring through air to find the bright abode, Th' empyreal palace of the thund'ring God, We on thy pinions can surpass the wind, And leave the rolling universe behind: >From star to star the mental optics rove, Measure the skies, and range the realms above.
There in one view we grasp the mighty whole, Or with new worlds amaze th' unbounded soul.
Though Winter frowns to Fancy's raptur'd eyes The fields may flourish, and gay scenes arise; The frozen deeps may break their iron bands, And bid their waters murmur o'er the sands.
Fair Flora may resume her fragrant reign, And with her flow'ry riches deck the plain; Sylvanus may diffuse his honours round, And all the forest may with leaves be crown'd: Show'rs may descend, and dews their gems disclose, And nectar sparkle on the blooming rose.
Such is thy pow'r, nor are thine orders vain, O thou the leader of the mental train: In full perfection all thy works are wrought, And thine the sceptre o'er the realms of thought.
Before thy throne the subject-passions bow, Of subject-passions sov'reign ruler thou; At thy command joy rushes on the heart, And through the glowing veins the spirits dart.
Fancy might now her silken pinions try To rise from earth, and sweep th' expanse on high: >From Tithon's bed now might Aurora rise, Her cheeks all glowing with celestial dies, While a pure stream of light o'erflows the skies.
The monarch of the day I might behold, And all the mountains tipt with radiant gold, But I reluctant leave the pleasing views, Which Fancy dresses to delight the Muse; Winter austere forbids me to aspire, And northern tempests damp the rising fire; They chill the tides of Fancy's flowing sea, Cease then, my song, cease the unequal lay.


Written by Elizabeth Barrett Browning | Create an image from this poem

A Sea-Side Walk

 We walked beside the sea,
After a day which perished silently
Of its own glory---like the Princess weird
Who, combating the Genius, scorched and seared,
Uttered with burning breath, 'Ho! victory!'
And sank adown, an heap of ashes pale;
So runs the Arab tale.
The sky above us showed An universal and unmoving cloud, On which, the cliffs permitted us to see Only the outline of their majesty, As master-minds, when gazed at by the crowd! And, shining with a gloom, the water grey Swang in its moon-taught way.
Nor moon nor stars were out.
They did not dare to tread so soon about, Though trembling, in the footsteps of the sun.
The light was neither night's nor day's, but one Which, life-like, had a beauty in its doubt; And Silence's impassioned breathings round Seemed wandering into sound.
O solemn-beating heart Of nature! I have knowledge that thou art Bound unto man's by cords he cannot sever--- And, what time they are slackened by him ever, So to attest his own supernal part, Still runneth thy vibration fast and strong, The slackened cord along.
For though we never spoke Of the grey water **** the shaded rock,--- Dark wave and stone, unconsciously, were fused Into the plaintive speaking that we used, Of absent friends and memories unforsook; And, had we seen each other's face, we had Seen haply, each was sad.
Written by Alfred Austin | Create an image from this poem

At His Grave

 LEAVE me a little while alone, 
Here at his grave that still is strown 
With crumbling flower and wreath; 
The laughing rivulet leaps and falls, 
The thrush exults, the cuckoo calls, 
And he lies hush’d beneath.
With myrtle cross and crown of rose, And every lowlier flower that blows, His new-made couch is dress’d; Primrose and cowslip, hyacinth wild, Gather’d by monarch, peasant, child, A nation’s grief attest.
I stood not with the mournful crowd That hither came when round his shroud Pious farewells were said.
In the fam’d city that he sav’d, By minaret crown’d, by billow lav’d, I heard that he was dead.
Now o’er his tomb at last I bend, No greeting get, no greeting tend, Who never came before Unto his presence, but I took, From word or gesture, tone or look, Some wisdom from his door.
And must I now unanswer’d wait, And, though a suppliant at the gate, No sound my ears rejoice? Listen! Yes, even as I stand, I feel the pressure of his hand, The comfort of his voice.
How poor were Fame, did grief confess That death can make a great life less, Or end the help it gave! Our wreaths may fade, our flowers may wane, But his well-ripen’d deeds remain, Untouch’d, above his grave.
Let this, too, soothe our widow’d minds; Silenced are the opprobrious winds Whene’er the sun goes down; And free henceforth from noonday noise, He at a tranquil height enjoys The starlight of renown.
Thus hence we something more may take Than sterile grief, than formless ache, Or vainly utter’d vow; Death hath bestow’d what life withheld And he round whom detraction swell’d Hath peace with honor now.
The open jeer, the covert taunt, The falsehood coin’d in factious haunt, These loving gifts reprove.
They never were but thwarted sound Of ebbing waves that bluster round A rock that will not move.
And now the idle roar rolls off, Hush’d is the gibe and sham’d the scoff, Repress’d the envious gird; Since death, the looking-glass of life, Clear’d of the misty breath of strife, Reflects his face unblurr’d.
From callow youth to mellow age, Men turn the leaf and scan the page, And note, with smart of loss, How wit to wisdom did mature, How duty burn’d ambition pure, And purged away the dross.
Youth is self-love; our manhood lends Its heart to pleasure, mistress, friends, So that when age steals nigh, How few find any worthier aim Than to protract a flickering flame, Whose oil hath long run dry! But he, unwitting youth once flown, With England’s greatness link’d his own, And, steadfast to that part, Held praise and blame but fitful sound, And in the love of country found Full solace for his heart.
Now in an English grave he lies: With flowers that tell of English skies And mind of English air, A grateful sovereign decks his bed, And hither long with pilgrim tread Will English feet repair.
Yet not beside his grave alone We seek the glance, the touch, the tone; His home is nigh,—but there, See from the hearth his figure fled, The pen unrais’d, the page unread, Untenanted the chair! Vainly the beechen boughs have made A fresh green canopy of shade, Vainly the peacocks stray; While Carlo, with despondent gait, Wonders how long affairs of State Will keep his lord away.
Here most we miss the guide, the friend; Back to the churchyard let me wend, And, by the posied mound, Lingering where late stood worthier feet, Wish that some voice, more strong, more sweet, A loftier dirge would sound.
At least I bring not tardy flowers: Votive to him life’s budding powers, Such as they were, I gave— He not rejecting, so I may Perhaps these poor faint spices lay, Unchidden, on his grave!
Written by Eugene Field | Create an image from this poem

The Sugar-Plum Tree

 Have you ever heard of the Sugar-Plum Tree?
'T is a marvel of great renown!
It blooms on the shore of the Lollipop sea
In the garden of Shut-Eye Town;
The fruit that it bears is so wondrously sweet
(As those who have tasted it say)
That good little children have only to eat
Of that fruit to be happy next day.
When you 've got to the tree, you would have a hard time To capture the fruit which I sing; The tree is so tall that no person could climb To the boughs where the sugar-plums swing! But up in that tree sits a chocolate cat, And a gingerbread dog prowls below--- And this is the way you contrive to get at Those sugar-plums tempting you so: You say but the word to that gingerbread dog And he barks with such terrible zest That the chocolate cat is at once all agog, As her swelling proportions attest.
And the chocolate cat goes cavorting around From this leafy limb unto that, And the sugar-plums tumble, of course, to the ground--- Hurrah for that chocolate cat! There are marshmallows, gumdrops, and peppermint canes, With stripings of scarlet or gold, And you carry away of the treasure that rains As much as your apron can hold! So come, little child, cuddle closer to me In your dainty white nightcap and gown, And I 'll rock you away to that Sugar-Plum Tree In the garden of Shut-Eye Town.
Written by John Berryman | Create an image from this poem

Dream Song 126: A Thurn

 A Thurn

Among them marble where the man may lie
lie chieftains grand in final phase, or pause,
'O rare Ben Jonson',
dictator too, & the thinky other Johnson,
dictator too, backhanders down of laws,
men of fears, weird & sly.
Not of these least is borne to rest.
If grandeur & mettle prompted his lone journey neither oh crowded shelved nor this slab I celebrates attest his complex slow fame forever (more or less).
I imagine the Abbey among their wonders will be glad of him whom some are sorry for his griefs across the world grievously understated and grateful for that bounty, for bright whims of heavy mind across the tiresome world which the tiresome world debated, complicated.


Written by Emily Dickinson | Create an image from this poem

Conscious am I in my Chamber

 Conscious am I in my Chamber,
Of a shapeless friend --
He doth not attest by Posture --
Nor Confirm -- by Word --

Neither Place -- need I present Him --
Fitter Courtesy
Hospitable intuition
Of His Company --

Presence -- is His furthest license --
Neither He to Me
Nor Myself to Him -- by Accent --
Forfeit Probity --

Weariness of Him, were quainter
Than Monotony
Knew a Particle -- of Space's
Vast Society

Neither if He visit Other --
Do He dwell -- or Nay -- know I --
But Instinct esteem Him
Immortality --
Written by John Greenleaf Whittier | Create an image from this poem

By Their Works

 Call him not heretic whose works attest
His faith in goodness by no creed confessed.
Whatever in love's name is truly done To free the bound and lift the fallen one Is done to Christ.
Whoso in deed and word Is not against Him labours for our Lord.
When he, who, sad and weary, longing sore For love's sweet service sought the sisters' door One saw the heavenly, one the human guest But who shall say which loved the master best?
Written by Rudyard Kipling | Create an image from this poem

The Plea of the Simla Dancers

  Too late, alas! the song
 To remedy the wrong; --
The rooms are taken from us, swept and
 garnished for their fate.
But these tear-besprinkled pages Shall attest to future ages That we cried against the crime of it -- too late, alas! too late! "What have we ever done to bear this grudge?" Was there no room save only in Benmore For docket, duftar, and for office drudge, That you usurp our smoothest dancing floor? Must babus do their work on polished teak? Are ball-rooms fittest for the ink you spill? Was there no other cheaper house to seek? You might have left them all at Strawberry Hill.
We never harmed you! Innocent our guise, Dainty our shining feet, our voices low; And we revolved to divers melodies, And we were happy but a year ago.
To-night, the moon that watched our lightsome wiles -- That beamed upon us through the deodars -- Is wan with gazing on official files, And desecrating desks disgust the stars.
Nay! by the memory of tuneful nights -- Nay! by the witchery of flying feet -- Nay! by the glamour of foredone delights -- By all things merry, musical, and meet -- By wine that sparkled, and by sparkling eyes -- By wailing waltz -- by reckless gallop's strain -- By dim verandas and by soft replies, Give us our ravished ball-room back again! Or -- hearken to the curse we lay on you! The ghosts of waltzes shall perplex your brain, And murmurs of past merriment pursue Your 'wildered clerks that they indite in vain; And when you count your poor Provincial millions, The only figures that your pen shall frame Shall be the figures of dear, dear cotillions Danced out in tumult long before you came.
Yea! "See Saw" shall upset your estimates, "Dream Faces" shall your heavy heads bemuse, Because your hand, unheeding, desecrates Our temple; fit for higher, worthier use.
And all the long verandas, eloquent With echoes of a score of Simla years, Shall plague you with unbidden sentiment -- Babbling of kisses, laughter, love, and tears.
So shall you mazed amid old memories stand, So shall you toil, and shall accomplish nought, And ever in your ears a phantom Band Shall blare away the staid official thought.
Wherefore -- and ere this awful curse he spoken, Cast out your swarthy sacrilegious train, And give -- ere dancing cease and hearts be broken -- Give us our ravished ball-room back again!
Written by Walt Whitman | Create an image from this poem

To the Leaven'd Soil They Trod

 TO the leaven’d soil they trod, calling, I sing, for the last; 
(Not cities, nor man alone, nor war, nor the dead, 
But forth from my tent emerging for good—loosing, untying the tent-ropes;) 
In the freshness, the forenoon air, in the far-stretching circuits and vistas, again to
 peace
 restored, 
To the fiery fields emanative, and the endless vistas beyond—to the south and the
 north;
To the leaven’d soil of the general western world, to attest my songs, 
(To the average earth, the wordless earth, witness of war and peace,) 
To the Alleghanian hills, and the tireless Mississippi, 
To the rocks I, calling, sing, and all the trees in the woods, 
To the plain of the poems of heroes, to the prairie spreading wide,
To the far-off sea, and the unseen winds, and the same impalpable air; 
.
.
.
And responding, they answer all, (but not in words,) The average earth, the witness of war and peace, acknowledges mutely; The prairie draws me close, as the father, to bosom broad, the son; The Northern ice and rain, that began me, nourish me to the end; But the hot sun of the South is to ripen my songs.
Written by Elizabeth Barrett Browning | Create an image from this poem

The Meaning Of The Look

 I think that look of Christ might seem to say--
'Thou Peter ! art thou then a common stone
Which I at last must break my heart upon
For all God's charge to his high angels may
Guard my foot better ? Did I yesterday
Wash thy feet, my beloved, that they should run
Quick to deny me 'neath the morning sun ?
And do thy kisses, like the rest, betray ?
The cock crows coldly.
--GO, and manifest A late contrition, but no bootless fear ! For when thy final need is dreariest, Thou shalt not be denied, as I am here; My voice to God and angels shall attest, Because I KNOW this man, let him be clear.
'

Book: Shattered Sighs