Written by
Rudyard Kipling |
There is sorrow enough in the natural way
From men and women to fill our day;
And when we are certain of sorrow in store,
Why do we always arrange for more?
Brothers and Sisters, I bid you beware
Of giving your heart to a dog to tear.
Buy a pup and your money will buy
Love unflinching that cannot lie --
Perfect passion and worship fed
By a kick in the ribs or a pat on the head.
Nevertheless it is hardly fair
To risk your heart for a dog to tear.
When the fourteen years which Nature permits
Are closing in asthma, or tumour, or fits,
And the vet's unspoken prescription runs
To lethal chambers or loaded guns,
Then you will find -- it's your own affair --
But .
.
.
you've given your heart to a dog to tear.
When the body that lived at your single will,
With its whimper of welcome, is stilled (how still!)
When the spirit hat answered your every mood
Is gone -- wherever it goes -- for good,
You will discover how much you care,
And will give your heart to a dog to tear.
We've sorrow enough in the natural way,
When it comes to burying Christian clay.
Our loves are not given, but only lent,
At compound interest of cent per cent.
Though it is not always the case, I believe,
That the longer we've kept'em, the more do we grieve;
For, when debts are payable, right or wrong,
A short-time loan is as bad as a long --
So why in -- Heaven (before we are there)
Should we give our hearts to a dog to tear?
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Written by
David Berman |
She woke me up at dawn,
her suitcase like a little brown dog at her heels.
I sat up and looked out the window
at the snow falling in the stand of blackjack trees.
A bus ticket in her hand.
Then she brought something black up to her mouth,
a plum I thought, but it was an asthma inhaler.
I reached under the bed for my menthols
and she asked if I ever thought of cancer.
Yes, I said, but always as a tree way up ahead
in the distance where it doesn't matter
And I suppose a dead soul must look back at that tree,
so far behind his wagon where it also doesn't matter.
except as a memory of rest or water.
Though to believe any of that, I thought,
you have to accept the premise
that she woke me up at all.
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Written by
Denise Duhamel |
my mother pushed my sister out of the apartment door with an empty
suitcase because she kept threatening to run away my sister was sick of me
getting the best of everything the bathrobe with the pink stripes instead of
the red the soft middle piece of bread while she got the crust I was sick with
asthma and she thought this made me a favorite
I wanted to be like the girl in the made-for-tv movie Maybe I'll Come Home
in the Spring which was supposed to make you not want to run away but it
looked pretty fun especially all of the agony it put your parents through and
the girl was in California or someplace warm with a boyfriend and they
always found good food in the dumpsters at least they could eat pizza and
candy and not meat loaf the runaway actress was Sally Field or at least
someone who looked like Sally Field as a teenager the Flying Nun propelled
by the huge wings on the sides of her wimple Arnold the Pig getting drafted
in Green Acres my understanding then of Vietnam I read Go Ask Alice and
The Peter Pan Bag books that were designed to keep a young girl home but
there were the sex scenes and if anything this made me want to cut my hair
with scissors in front of the mirror while I was high on marijuana but I
couldn't inhale because of my lungs my sister was the one to pass out
behind the church for both of us rum and angel dust
and that's how it was my sister standing at the top of all those stairs that
lead up to the apartment and she pushed down the empty suitcase that
banged the banister and wall as it tumbled and I was crying on the other side
of the door because I was sure it was my sister who fell all ketchup blood and
stuck out bones my mother wouldn't let me open the door to let my sister
back in I don't know if she knew it was just the suitcase or not she was cold
rubbing her sleeves a mug of coffee in her hand and I had to decide she said I
had to decide right then
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Written by
Ruth L Schwartz |
Isn't one of your prissy richpeoples' swans
Wouldn't be at home on some pristine pond
Chooses the whole stinking shoreline, candy wrappers, condoms
in its tidal fringe
Prefers to curve its muscular, slightly grubby neck
into the body of a Great Lake,
Swilling whatever it is swans swill,
Chardonnay of algae with bouquet of crud,
While Clevelanders walk by saying Look
at that big duck!
Beauty isn't the point here; of course
the swan is beautiful,
But not like Lorie at 16, when
Everything was possible--no
More like Lorie at 27
Smoking away her days off in her dirty kitchen,
Her kid with asthma watching TV,
The boyfriend who doesn't know yet she's gonna
Leave him, washing his car out back--and
He's a runty little guy, and drinks too much, and
It's not his kid anyway, but he loves her, he
Really does, he loves them both--
That's the kind of swan this is.
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Written by
John Crowe Ransom |
Conrad, Conrad, aren't you old
To sit so late in your mouldy garden?
And I think Conrad knows it well,
Nursing his knees, too rheumy and cold
To warm the wraith of a Forest of Arden.
Neuralgia in the back of his neck,
His lungs filling with such miasma,
His feet dipping in leafage and muck:
Conrad! you've forgotten asthma.
Conrad's house has thick red walls,
The log on Conrad's hearth is blazing,
Slippers and pipe and tea are served,
Butter and toast are meant for pleasing!
Still Conrad's back is not uncurved
And here's an autumn on him, teasing.
Autumn days in our section
Are the most used-up thing on earth
(Or in the waters under the earth)
Having no more color nor predilection
Than cornstalks too wet for the fire,
A ribbon rotting on the byre,
A man's face as weathered as straw
By the summer's flare and winter's flaw.
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Written by
Johann Wolfgang von Goethe |
IF Venus in the evening sky
Is seen in radiant majesty,
If rod-like comets, red as blood,
Are 'mongst the constellations view'd,
Out springs the Ignoramus, yelling:
"The star's exactly o'er my dwelling!
What woeful prospect, ah, for me!
Then calls his neighbour mournfully:
"Behold that awful sign of evil,
Portending woe to me, poor devil!
My mother's asthma ne'er will leave her,
My child is sick with wind and fever;
I dread the illness of my wife,
A week has pass'd, devoid of strife,--
And other things have reach'd my ear;
The Judgment Day has come, I fear!"
His neighbour answered: "Friend, you're right!
Matters look very had to-night.
Let's go a street or two, though, hence,
And gaze upon the stars from thence.
"--
No change appears in either case.
Let each remain then in his place,
And wisely do the best he can,
Patient as any other man.
1821.
*
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Written by
John Keats |
Cat! who hast pass’d thy grand climacteric,
How many mice and rats hast in thy days
Destroy’d? How many tit bits stolen? Gaze
With those bright languid segments green, and prick
Those velvet ears - but pr’ythee do not stick
Thy latent talons in me - and upraise
Thy gentle mew - and tell me all thy frays,
Of fish and mice, and rats and tender chick.
Nay, look not down, nor lick thy dainty wrists -
For all thy wheezy asthma - and for all
Thy tail’s tip is nick’d off - and though the fists
Of many a maid have given thee many a maul,
Still is that fur as soft, as when the lists
In youth thou enter’dest on glass bottled wall.
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