Written by
Hilaire Belloc |
1 The golden-rod is yellow;
2 The corn is turning brown;
3 The trees in apple orchards
4 With fruit are bending down.
5 The gentian's bluest fringes
6 Are curling in the sun;
7 In dusty pods the milkweed
8 Its hidden silk has spun.
9 The sedges flaunt their harvest,
10 In every meadow nook;
11 And asters by the brook-side
12 Make asters in the brook,
13 From dewy lanes at morning
14 The grapes' sweet odors rise;
15 At noon the roads all flutter
16 With yellow butterflies.
17 By all these lovely tokens
18 September days are here,
19 With summer's best of weather,
20 And autumn's best of cheer.
21 But none of all this beauty
22 Which floods the earth and air
23 Is unto me the secret
24 Which makes September fair.
25 'T is a thing which I remember;
26 To name it thrills me yet:
27 One day of one September
28 I never can forget.
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Written by
Marianne Moore |
Dürer would have seen a reason for living
in a town like this, with eight stranded whales
to look at; with the sweet sea air coming into your house
on a fine day, from water etched
with waves as formal as the scales
on a fish.
One by one in two's and three's, the seagulls keep
flying back and forth over the town clock,
or sailing around the lighthouse without moving their wings --
rising steadily with a slight
quiver of the body -- or flock
mewing where
a sea the purple of the peacock's neck is
paled to greenish azure as Dürer changed
the pine green of the Tyrol to peacock blue and guinea
gray. You can see a twenty-five-
pound lobster; and fish nets arranged
to dry. The
whirlwind fife-and-drum of the storm bends the salt
marsh grass, disturbs stars in the sky and the
star on the steeple; it is a privilege to see so
much confusion. Disguised by what
might seem the opposite, the sea-
side flowers and
trees are favored by the fog so that you have
the tropics first hand: the trumpet-vine,
fox-glove, giant snap-dragon, a salpiglossis that has
spots and stripes; morning-glories, gourds,
or moon-vines trained on fishing-twine
at the back door;
cat-tails, flags, blueberries and spiderwort,
striped grass, lichens, sunflowers, asters, daisies --
yellow and crab-claw ragged sailors with green bracts -- toad-plant,
petunias, ferns; pink lilies, blue
ones, tigers; poppies; black sweet-peas.
The climate
is not right for the banyan, frangipani, or
jack-fruit trees; or for exotic serpent
life. Ring lizard and snake-skin for the foot, if you see fit;
but here they've cats, not cobras, to
keep down the rats. The diffident
little newt
with white pin-dots on black horizontal spaced-
out bands lives here; yet there is nothing that
ambition can buy or take away. The college student
named Ambrose sits on the hillside
with his not-native books and hat
and sees boats
at sea progress white and rigid as if in
a groove. Liking an elegance of which
the sourch is not bravado, he knows by heart the antique
sugar-bowl shaped summer-house of
interlacing slats, and the pitch
of the church
spire, not true, from which a man in scarlet lets
down a rope as a spider spins a thread;
he might be part of a novel, but on the sidewalk a
sign says C. J. Poole, Steeple Jack,
in black and white; and one in red
and white says
Danger. The church portico has four fluted
columns, each a single piece of stone, made
modester by white-wash. Theis would be a fit haven for
waifs, children, animals, prisoners,
and presidents who have repaid
sin-driven
senators by not thinking about them. The
place has a school-house, a post-office in a
store, fish-houses, hen-houses, a three-masted schooner on
the stocks. The hero, the student,
the steeple-jack, each in his way,
is at home.
It could not be dangerous to be living
in a town like this, of simple people,
who have a steeple-jack placing danger signs by the church
while he is gilding the solid-
pointed star, which on a steeple
stands for hope.
|
Written by
Lucy Maud Montgomery |
Now on the hill
The fitful wind is so still
That never a wimpling mist uplifts,
Nor a trembling leaf drop-laden stirs;
From the ancient firs
Aroma of balsam drifts,
And the silent places are filled
With elusive odors distilled
By the rain from asters empearled and frilled,
And a wild wet savor that dwells
Far adown in tawny fallows and bracken dells.
Then with a rush,
Breaking the beautiful hush
Where the only sound was the lisping, low
Converse of raindrops, or the dear sound
Close to the ground,
That grasses make when they grow,
Comes the wind in a gay,
Rollicking, turbulent way,
To winnow each bough and toss each spray,
Piping and whistling in glee
With the vibrant notes of a merry minstrelsy.
The friendly rain
Sings many a haunting strain,
Now of gladness and now of dole,
Anon of the glamor and the dream
That ever seem
To wait on a pilgrim soul;
Yea, we can hear
The grief of an elder year,
And laughter half-forgotten and dear;
In the wind and the rain we find
Fellowship meet for each change of mood or mind.
|
Written by
Amy Lowell |
I walk down the garden paths,
And all the daffodils
Are blowing, and the bright blue squills.
I walk down the patterned garden-paths
In my stiff, brocaded gown.
With my powdered hair and jewelled fan,
I too am a rare
Pattern. As I wander down
The garden paths.
My dress is richly figured,
And the train
Makes a pink and silver stain
On the gravel, and the thrift
Of the borders.
Just a plate of current fashion,
Tripping by in high-heeled, ribboned shoes.
Not a softness anywhere about me,
Only whalebone and brocade.
And I sink on a seat in the shade
Of a lime tree. For my passion
Wars against the stiff brocade.
The daffodils and squills
Flutter in the breeze
As they please.
And I weep;
For the lime-tree is in blossom
And one small flower has dropped upon my bosom.
And the plashing of waterdrops
In the marble fountain
Comes down the garden-paths.
The dripping never stops.
Underneath my stiffened gown
Is the softness of a woman bathing in a marble basin,
A basin in the midst of hedges grown
So thick, she cannot see her lover hiding,
But she guesses he is near,
And the sliding of the water
Seems the stroking of a dear
Hand upon her.
What is Summer in a fine brocaded gown!
I should like to see it lying in a heap upon the ground.
All the pink and silver crumpled up on the ground.
I would be the pink and silver as I ran along the
paths,
And he would stumble after,
Bewildered by my laughter.
I should see the sun flashing from his sword-hilt and the buckles
on his shoes.
I would choose
To lead him in a maze along the patterned paths,
A bright and laughing maze for my heavy-booted lover,
Till he caught me in the shade,
And the buttons of his waistcoat bruised my body as he clasped me,
Aching, melting, unafraid.
With the shadows of the leaves and the sundrops,
And the plopping of the waterdrops,
All about us in the open afternoon --
I am very like to swoon
With the weight of this brocade,
For the sun sifts through the shade.
Underneath the fallen blossom
In my bosom,
Is a letter I have hid.
It was brought to me this morning by a rider from the Duke.
"Madam, we regret to inform you that Lord Hartwell
Died in action Thursday se'nnight."
As I read it in the white, morning sunlight,
The letters squirmed like snakes.
"Any answer, Madam," said my footman.
"No," I told him.
"See that the messenger takes some refreshment.
No, no answer."
And I walked into the garden,
Up and down the patterned paths,
In my stiff, correct brocade.
The blue and yellow flowers stood up proudly in the sun,
Each one.
I stood upright too,
Held rigid to the pattern
By the stiffness of my gown.
Up and down I walked,
Up and down.
In a month he would have been my husband.
In a month, here, underneath this lime,
We would have broke the pattern;
He for me, and I for him,
He as Colonel, I as Lady,
On this shady seat.
He had a whim
That sunlight carried blessing.
And I answered, "It shall be as you have said."
Now he is dead.
In Summer and in Winter I shall walk
Up and down
The patterned garden-paths
In my stiff, brocaded gown.
The squills and daffodils
Will give place to pillared roses, and to asters, and to snow.
I shall go
Up and down,
In my gown.
Gorgeously arrayed,
Boned and stayed.
And the softness of my body will be guarded from embrace
By each button, hook, and lace.
For the man who should loose me is dead,
Fighting with the Duke in Flanders,
In a pattern called a war.
Christ! What are patterns for?
|
Written by
Edna St. Vincent Millay |
Once from a big, big building,
When I was small, small,
The ***** folk in the windows
Would smile at me and call.
And in the hard wee gardens
Such pleasant men would hoe:
"Sir, may we touch the little girl's hair!"—
It was so red, you know.
They cut me coloured asters
With shears so sharp and neat,
They brought me grapes and plums and pears
And pretty cakes to eat.
And out of all the windows,
No matter where we went,
The merriest eyes would follow me
And make me compliment.
There were a thousand windows,
All latticed up and down.
And up to all the windows,
When we went back to town,
The ***** folk put their faces,
As gentle as could be;
"Come again, little girl!" they called, and I
Called back, "You come see me!"
|
Written by
Helen Hunt Jackson |
Unto one who lies at rest
'Neath the sunset, in the West,
Clover-blossoms on her breast.
Lover of each gracious thing
Which makes glad the summer-tide,
From the daisies clustering
And the violets purple-eyed,
To those shy and hidden blooms
Which in forest coverts stay,
Sending wandering perfumes
Out as guide to show the way,
All she knew, to all was kind;
None so humble or so small
That she did not seek and find
Silent friendship from them all.
Moss-cups, tiarella leaves,
Dappld like the adder's skin,
Fungus huts with ivory eaves
Which the fairies harbor in,
Regiments of fronded ferns,
Golden-rod and asters frail,
Every flaming leaf that burns
Red against the autumn pale,
Every pink-cupped wayside rose,--
All to her were dear and known;
But above them all she chose
Clover-blossoms for her own.
So they laid her to her rest
In the sun-warmed, bounteous West,
Clover-blossoms on her breast.
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Written by
Mark Van Doren |
After long drought, commotion in the sky;
After dead silence, thunder. Then it comes,
The rain. It slashes leaves, and doubly drums
On tin and shingle; beats and bends awry
The flower heads; puddles dust, and with a sigh
Like love sinks into grasses, where it hums
As bees did once, among chrysanthemums
And asters when the summer thought to die.
The whole world dreamed of this, and has it now.
Nor was the waking easy. The dull root
Is jealous of its death; the sleepy brow
Smiles in its slumber; and a heart can fear
The very flood it longed for, roaring near.
The spirit best remembers being mute.
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Written by
Lucy Maud Montgomery |
Through the pungent hours of the afternoon,
On the autumn slopes we have lightly wandered
Where the sunshine lay in a golden swoon
And the lingering year all its sweetness squandered.
Oh, it was blithesome to roam at will
Over the crest of each westering hill,
Over those dreamy, enchanted lands
Where the trees held to us their friendly hands!
Winds in the pine boughs softly crooned,
Or in the grasses complained most sweetly,
With all the music of earth attuned
In this dear ripe time that must pass so fleetly:
Golden rod as we idled by
Held its torches of flame on high,
And the asters beckoned along our way
Like fair fine ladies in silk array.
We passed by woods where the day aside
Knelt like a pensive nun and tender,
We looked on valleys of purple pride
Where she reigned a queen in her misty splendor;
But out on the hills she was wild and free,
A comrade to wander right gipsily,
Luring us on over waste and wold
With the charm of a message half sung, half told,
And now, when far in the shining west
She has dropped her flowers on the sunset meadow,
We turn away from our witching quest
To the kindly starshine and gathering shadow;
Filled to the lips of our souls are we
With the beauty given so lavishly,
And hand in hand with the night we come
Back to the light and the hearth of home.
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Written by
James Schuyler |
A nothing day full of
wild beauty and the
timer pings. Roll up
the silver off the bay
take down the clouds
sort the spruce and
send to laundry marked,
more starch. Goodbye
golden- and silver-
rod, asters, bayberry
crisp in elegance.
Little fish stream
by, a river in water.
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Written by
Emily Dickinson |
While Asters --
On the Hill --
Their Everlasting fashions -- set --
And Covenant Gentians -- Frill!
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