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Best Famous Aster Poems

Here is a collection of the all-time best famous Aster poems. This is a select list of the best famous Aster poetry. Reading, writing, and enjoying famous Aster poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of aster poems.

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Written by Robert Frost | Create an image from this poem

A Late Walk

 When I go up through the mowing field,
The headless aftermath,
Smooth-laid like thatch with the heavy dew,
Half closes the garden path.
And when I come to the garden ground, The whir of sober birds Up from the tangle of withered weeds Is sadder than any words A tree beside the wall stands bare, But a leaf that lingered brown, Disturbed, I doubt not, by my thought, Comes softly rattling down.
I end not far from my going forth By picking the faded blue Of the last remaining aster flower To carry again to you.


Written by Ralph Waldo Emerson | Create an image from this poem

The Apology

 Think me not unkind and rude,
That I walk alone in grove and glen;
I go to the god of the wood
To fetch his word to men.
Tax not my sloth that I Fold my arms beside the brook; Each cloud that floated in the sky Writes a letter in my book.
Chide me not, laborious band, For the idle flowers I brought; Every aster in my hand Goes home loaded with a thought.
There was never mystery, But 'tis figured in the flowers, Was never secret history, But birds tell it in the bowers.
One harvest from thy field Homeward brought the oxen strong; A second crop thine acres yield, Which I gather in a song.
Written by William Cullen Bryant | Create an image from this poem

The Death of the Flowers

THE MELANCHOLY days have come the saddest of the year  
Of wailing winds and naked woods and meadows brown and sere; 
Heaped in the hollows of the grove the autumn leaves lie dead; 
They rustle to the eddying gust and to the rabbit's tread; 
The robin and the wren are flown and from the shrubs the jay 5 
And from the wood-top calls the crow through all the gloomy day.
Where are the flowers the fair young flowers that lately sprang and stood In brighter light and softer airs a beauteous sisterhood? Alas! they all are in their graves the gentle race of flowers Are lying in their lowly beds with the fair and good of ours.
10 The rain is falling where they lie but the cold November rain Calls not from out the gloomy earth the lovely ones again.
The wind-flower and the violet they perished long ago And the brier-rose and the orchis died amid the summer glow; But on the hill the goldenrod and the aster in the wood 15 And the blue sunflower by the brook in autumn beauty stood Till fell the frost from the clear cold heaven as falls the plague on men And the brightness of their smile was gone from upland glade and glen.
And now when comes the calm mild day as still such days will come To call the squirrel and the bee from out their winter home; 20 When the sound of dropping nuts is heard though all the trees are still And twinkle in the smoky light the waters of the rill The south wind searches for the flowers whose fragrance late he bore And sighs to find them in the wood and by the stream no more.
And then I think of one who in her youthful beauty died 25 The fair meek blossom that grew up and faded by my side.
In the cold moist earth we laid her when the forests cast the leaf And we wept that one so lovely should have a life so brief: Yet not unmeet it was that one like that young friend of ours So gentle and so beautiful should perish with the flowers.
30
Written by Helen Hunt Jackson | Create an image from this poem

A Calendar of Sonnets: November

 This is the treacherous month when autumn days 
With summer's voice come bearing summer's gifts.
Beguiled, the pale down-trodden aster lifts Her head and blooms again.
The soft, warm haze Makes moist once more the sere and dusty ways, And, creeping through where dead leaves lie in drifts, The violet returns.
Snow noiseless sifts Ere night, an icy shroud, which morning's rays Willidly shine upon and slowly melt, Too late to bid the violet live again.
The treachery, at last, too late, is plain; Bare are the places where the sweet flowers dwelt.
What joy sufficient hath November felt? What profit from the violet's day of pain?
Written by John Greenleaf Whittier | Create an image from this poem

My Triumph

 The autumn-time has come; 
On woods that dream of bloom, 
And over purpling vines, 
The low sun fainter shines.
The aster-flower is failing, The hazel's gold is paling; Yet overhead more near The eternal stars appear! And present gratitude Insures the future's good, And for the things I see I trust the things to be; That in the paths untrod, And the long days of God, My feet shall still be led, My heart be comforted.
O living friends who love me! O dear ones gone above me! Careless of other fame, I leave to you my name.
Hide it from idle praises, Save it from evil phrases: Why, when dear lips that spake it Are dumb, should strangers wake it? Let the thick curtain fall; I better know than all How little I have gained, How vast the unattained.
Not by the page word-painted Let life be banned or sainted: Deeper than written scroll The colors of the soul.
Sweeter than any sung My songs that found no tongue; Nobler than any fact My wish that failed of act.
Others shall sing the song, Others shall right the wrong, -- Finish what I begin, And all I fail of win.
What matter, I or they? Mine or another's day, So the right word be said And life the sweeter made? Hail to the coming singers! Hail to the brave light-bringers! Forward I reach and share All that they sing and dare.
The airs of heaven blow o'er me; A glory shines before me Of what mankind shall be, -- Pure, generous, brave, and free.
A dream of man and woman Diviner but still human, Solving the riddle old, Shaping the Age of Gold! The love of God and neighbor; An equal-handed labor; The richer life, where beauty Walks hand in hand with duty.
Ring, bells in unreared steeples, The joy of unborn peoples! Sound, trumpets far off blown, Your triumph is my own! Parcel and part of all, I keep the festival, Fore-reach the good to be, And share the victory.
I feel the earth move sunward, I join the great march onward, And take, by faith, while living, My freehold of thanksgiving.


Written by Theodore Roethke | Create an image from this poem

The Geranium

 When I put her out, once, by the garbage pail,
She looked so limp and bedraggled,
So foolish and trusting, like a sick poodle,
Or a wizened aster in late September,
I brought her back in again
For a new routine--
Vitamins, water, and whatever
Sustenance seemed sensible
At the time: she'd lived
So long on gin, bobbie pins, half-smoked cigars, dead beer,
Her shriveled petals falling
On the faded carpet, the stale
Steak grease stuck to her fuzzy leaves.
(Dried-out, she creaked like a tulip.
) The things she endured!-- The dumb dames shrieking half the night Or the two of us, alone, both seedy, Me breathing booze at her, She leaning out of her pot toward the window.
Near the end, she seemed almost to hear me-- And that was scary-- So when that snuffling cretin of a maid Threw her, pot and all, into the trash-can, I said nothing.
But I sacked the presumptuous hag the next week, I was that lonely.
Written by Edgar Bowers | Create an image from this poem

Variations on an Elizabethan Theme

 Long days, short nights, this Southern summer 
Fixes the mind within its timeless place.
Athwart pale limbs the brazen hummer Hangs and is gone, warm sound its quickened space.
Butterfly weed and cardinal flower, Orange and red, with indigo the band, Perfect themselves unto the hour.
And blood suffused within the sunlit hand, Within the glistening eye the dew, Are slow with their slow moving.
Watch their passing, As lightly the shade covers you: All colors and all shapes enrich its massing.
Once I endured such gentle season.
Blood-root, trillium, sweet flag, and swamp aster— In their mild urgency, the reason Knew each and kept each chosen from disaster.
Now even dusk destroys; the bright Leucotho? dissolves before the eyes And poised upon the reach of light Leaves only what no reasoning dare surmise.
Dim isolation holds the sense Of being, intimate as breathing; around, Voices, unmeasured and intense, Throb with the heart below the edge of sound.
Written by Louisa May Alcott | Create an image from this poem

Thoreaus Flute

 We sighing said, "Our Pan is dead; 
His pipe hangs mute beside the river 
Around it wistful sunbeams quiver, 
But Music's airy voice is fled.
Spring mourns as for untimely frost; The bluebird chants a requiem; The willow-blossom waits for him; The Genius of the wood is lost.
" Then from the flute, untouched by hands, There came a low, harmonious breath: "For such as he there is no death; His life the eternal life commands; Above man's aims his nature rose.
The wisdom of a just content Made one small spot a continent And turned to poetry life's prose.
"Haunting the hills, the stream, the wild, Swallow and aster, lake and pine, To him grew human or divine, Fit mates for this large-hearted child.
Such homage Nature ne'er forgets, And yearly on the coverlid 'Neath which her darling lieth hid Will write his name in violets.
"To him no vain regrets belong Whose soul, that finer instrument, Gave to the world no poor lament, But wood-notes ever sweet and strong.
O lonely friend! he still will be A potent presence, though unseen, Steadfast, sagacious, and serene; Seek not for him -- he is with thee.
"
Written by Bliss Carman | Create an image from this poem

Behind the Arras

 I like the old house tolerably well, 
Where I must dwell 
Like a familiar gnome; 
And yet I never shall feel quite at home.
I love to roam.
Day after day I loiter and explore From door to door; So many treasures lure The curious mind.
What histories obscure They must immure! I hardly know which room I care for best; This fronting west, With the strange hills in view, Where the great sun goes,—where I may go too, When my lease is through,— Or this one for the morning and the east, Where a man may feast His eyes on looming sails, And be the first to catch their foreign hails Or spy their bales Then the pale summer twilights towards the pole! It thrills my soul With wonder and delight, When gold-green shadows walk the world at night, So still, so bright.
There at the window many a time of year, Strange faces peer, Solemn though not unkind, Their wits in search of something left behind Time out of mind; As if they once had lived here, and stole back To the window crack For a peep which seems to say, "Good fortune, brother, in your house of clay!" And then, "Good day!" I hear their footsteps on the gravel walk, Their scraps of talk, And hurrying after, reach Only the crazy sea-drone of the beach In endless speech.
And often when the autumn noons are still, By swale and hill I see their gipsy signs, Trespassing somewhere on my border lines; With what designs? I forth afoot; but when I reach the place, Hardly a trace, Save the soft purple haze Of smouldering camp-fires, any hint betrays Who went these ways.
Or tatters of pale aster blue, descried By the roadside, Reveal whither they fled; Or the swamp maples, here and there a shred Of Indian red.
But most of all, the marvellous tapestry Engrosses me, Where such strange things are rife, Fancies of beasts and flowers, and love and strife, Woven to the life; Degraded shapes and splendid seraph forms, And teeming swarms Of creatures gauzy dim That cloud the dusk, and painted fish that swim, At the weaver's whim; And wonderful birds that wheel and hang in the air; And beings with hair, And moving eyes in the face, And white bone teeth and hideous grins, who race From place to place; They build great temples to their John-a-nod, And fume and plod To deck themselves with gold, And paint themselves like chattels to be sold, Then turn to mould.
Sometimes they seem almost as real as I; I hear them sigh; I see them bow with grief, Or dance for joy like any aspen leaf; But that is brief.
They have mad wars and phantom marriages; Nor seem to guess There are dimensions still, Beyond thought's reach, though not beyond love's will, For soul to fill.
And some I call my friends, and make believe Their spirits grieve, Brood, and rejoice with mine; I talk to them in phrases quaint and fine Over the wine; I tell them all my secrets; touch their hands; One understands Perhaps.
How hard he tries To speak! And yet those glorious mild eyes, His best replies! I even have my cronies, one or two, My cherished few.
But ah, they do not stay! For the sun fades them and they pass away, As I grow gray.
Yet while they last how actual they seem! Their faces beam; I give them all their names, Bertram and Gilbert, Louis, Frank and James, Each with his aims; One thinks he is a poet, and writes verse His friends rehearse; Another is full of law; A third sees pictures which his hand can draw Without a flaw.
Strangest of all, they never rest.
Day long They shift and throng, Moved by invisible will, Like a great breath which puffs across my sill, And then is still; It shakes my lovely manikins on the wall; Squall after squall, Gust upon crowding gust, It sweeps them willy nilly like blown dust With glory or lust.
It is the world-ghost, the time-spirit, come None knows wherefrom, The viewless draughty tide And wash of being.
I hear it yaw and glide, And then subside, Along these ghostly corridors and halls Like faint footfalls; The hangings stir in the air; And when I start and challenge, "Who goes there?" It answers, "Where?" The wail and sob and moan of the sea's dirge, Its plangor and surge; The awful biting sough Of drifted snows along some arctic bluff, That veer and luff, And have the vacant boding human cry, As they go by;— Is it a banished soul Dredging the dark like a distracted mole Under a knoll? Like some invisible henchman old and gray, Day after day I hear it come and go, With stealthy swift unmeaning to and fro, Muttering low, Ceaseless and daft and terrible and blind, Like a lost mind.
I often chill with fear When I bethink me, What if it should peer At my shoulder here! Perchance he drives the merry-go-round whose track Is the zodiac; His name is No-man's-friend; And his gabbling parrot-talk has neither trend, Beginning, nor end.
A prince of madness too, I'd cry, "A rat!" And lunge thereat,— Let out at one swift thrust The cunning arch-delusion of the dust I so mistrust, But that I fear I should disclose a face Wearing the trace Of my own human guise, Piteous, unharmful, loving, sad, and wise With the speaking eyes.
I would the house were rid of his grim pranks, Moaning from banks Of pine trees in the moon, Startling the silence like a demoniac loon At dead of noon.
Or whispering his fool-talk to the leaves About my eaves.
And yet how can I know 'T is not a happy Ariel masking so In mocking woe? Then with a little broken laugh I say, Snatching away The curtain where he grinned (My feverish sight thought) like a sin unsinned, "Only the wind!" Yet often too he steals so softly by.
With half a sigh, I deem he must be mild, Fair as a woman, gentle as a child, And forest wild.
Passing the door where an old wind-harp swings, With its five strings, Contrived long years ago By my first predecessor bent to show His handcraft so, He lay his fingers on the aeolian wire, As a core of fire Is laid upon the blast To kindle and glow and fill the purple vast Of dark at last.
Weird wise, and low, piercing and keen and glad, Or dim and sad As a forgotten strain Born when the broken legions of the rain Swept through the plain— He plays, like some dread veiled mysteriarch, Lighting the dark, Bidding the spring grow warm, The gendering merge and loosing of spirit in form, Peace out of storm.
For music is the sacrament of love; He broods above The virgin silence, till She yields for rapture shuddering, yearning still To his sweet will.
I hear him sing, "Your harp is like a mesh, Woven of flesh And spread within the shoal Of life, where runs the tide-race of the soul In my control.
"Though my wild way may ruin what it bends, It makes amends To the frail downy clocks, Telling their seed a secret that unlocks The granite rocks.
"The womb of silence to the crave of sound Is heaven unfound, Till I, to soothe and slake Being's most utter and imperious ache, Bid rhythm awake.
"If with such agonies of bliss, my kin, I enter in Your prison house of sense, With what a joyous freed intelligence I shall go hence.
" I need no more to guess the weaver's name, Nor ask his aim, Who hung each hall and room With swarthy-tinged vermilion upon gloom; I know that loom.
Give me a little space and time enough, From ravelings rough I could revive, reweave, A fabric of beauty art might well believe Were past retrieve.
O men and women in that rich design, Sleep-soft, sun-fine, Dew-tenuous and free, A tone of the infinite wind-themes of the sea, Borne in to me, Reveals how you were woven to the might Of shadow and light.
You are the dream of One Who loves to haunt and yet appears to shun My door in the sun; As the white roving sea tern fleck and skim The morning's rim; Or the dark thrushes clear Their flutes of music leisurely and sheer, Then hush to hear.
I know him when the last red brands of day Smoulder away, And when the vernal showers Bring back the heart to all my valley flowers In the soft hours.
O hand of mine and brain of mine, be yours, While time endures, To acquiesce and learn! For what we best may dare and drudge and yearn, Let soul discern.
So, fellows, we shall reach the gusty gate, Early or late, And part without remorse, A cadence dying down unto its source In music's course; You to the perfect rhythms of flowers and birds, Colors and words, The heart-beats of the earth, To be remoulded always of one worth From birth to birth; I to the broken rhythm of thought and man, The sweep and span Of memory and hope About the orbit where they still must grope For wider scope, To be through thousand springs restored, renewed, With love imbrued, With increments of will Made strong, perceiving unattainment still From each new skill.
Always the flawless beauty, always the chord Of the Overword, Dominant, pleading, sure, No truth too small to save and make endure.
No good too poor! And since no mortal can at last disdain That sweet refrain, But lets go strife and care, Borne like a strain of bird notes on the air, The wind knows where; Some quiet April evening soft and strange, When comes the change No spirit can deplore, I shall be one with all I was before, In death once more.
Written by John Greenleaf Whittier | Create an image from this poem

My Psalm

I mourn no more my vanished years
    Beneath a tender rain,
    An April rain of smiles and tears,
    My heart is young again.
The west-winds blow, and, singing low, I hear the glad streams run; The windows of my soul I throw Wide open to the sun.
No longer forward nor behind I look in hope or fear; But, grateful, take the good I find, The best of now and here.
I plough no more a desert land, To harvest weed and tare; The manna dropping from God's hand Rebukes my painful care.
I break my pilgrim staff, I lay Aside the toiling oar; The angel sought so far away I welcome at my door.
The airs of spring may never play Among the ripening corn, Nor freshness of the flowers of May Blow through the autumn morn.
Yet shall the blue-eyed gentian look Through fringed lids to heaven, And the pale aster in the brook Shall see its image given; The woods shall wear their robes of praise, The south-wind softly sigh, And sweet, calm days in golden haze Melt down the amber sky.
Not less shall manly deed and word Rebuke an age of wrong; The graven flowers that wreathe the sword Make not the blade less strong.
But smiting hands shall learn to heal, To build as to destroy; Nor less my heart for others feel That I the more enjoy.
All as God wills, who wisely heeds To give or to withhold, And knoweth more of all my needs Than all my prayers have told.
Enough that blessings undeserved Have marked my erring track; That wheresoe'er my feet have swerved, His chastening turned me back; That more and more a Providence Of love is understood, Making the springs of time and sense Sweet with eternal good; That death seems but a covered way Which opens into light, Wherein no blinded child can stray Beyond the Father's sight; That care and trial seem at last, Through Memory's sunset air, Like mountain-ranges overpast, In purple distance fair; That all the jarring notes of life Seem blending in a psalm, And all the angles of its strife Slow rounding into calm.
And so the shadows fall apart, And so the west-winds play; And all the windows of my heart I open to the day.

Book: Shattered Sighs