Written by
Elizabeth Bishop |
From narrow provinces
of fish and bread and tea,
home of the long tides
where the bay leaves the sea
twice a day and takes
the herrings long rides,
where if the river
enters or retreats
in a wall of brown foam
depends on if it meets
the bay coming in,
the bay not at home;
where, silted red,
sometimes the sun sets
facing a red sea,
and others, veins the flats'
lavender, rich mud
in burning rivulets;
on red, gravelly roads,
down rows of sugar maples,
past clapboard farmhouses
and neat, clapboard churches,
bleached, ridged as clamshells,
past twin silver birches,
through late afternoon
a bus journeys west,
the windshield flashing pink,
pink glancing off of metal,
brushing the dented flank
of blue, beat-up enamel;
down hollows, up rises,
and waits, patient, while
a lone traveller gives
kisses and embraces
to seven relatives
and a collie supervises.
Goodbye to the elms,
to the farm, to the dog.
The bus starts. The light
grows richer; the fog,
shifting, salty, thin,
comes closing in.
Its cold, round crystals
form and slide and settle
in the white hens' feathers,
in gray glazed cabbages,
on the cabbage roses
and lupins like apostles;
the sweet peas cling
to their wet white string
on the whitewashed fences;
bumblebees creep
inside the foxgloves,
and evening commences.
One stop at Bass River.
Then the Economies
Lower, Middle, Upper;
Five Islands, Five Houses,
where a woman shakes a tablecloth
out after supper.
A pale flickering. Gone.
The Tantramar marshes
and the smell of salt hay.
An iron bridge trembles
and a loose plank rattles
but doesn't give way.
On the left, a red light
swims through the dark:
a ship's port lantern.
Two rubber boots show,
illuminated, solemn.
A dog gives one bark.
A woman climbs in
with two market bags,
brisk, freckled, elderly.
"A grand night. Yes, sir,
all the way to Boston."
She regards us amicably.
Moonlight as we enter
the New Brunswick woods,
hairy, scratchy, splintery;
moonlight and mist
caught in them like lamb's wool
on bushes in a pasture.
The passengers lie back.
Snores. Some long sighs.
A dreamy divagation
begins in the night,
a gentle, auditory,
slow hallucination. . . .
In the creakings and noises,
an old conversation
--not concerning us,
but recognizable, somewhere,
back in the bus:
Grandparents' voices
uninterruptedly
talking, in Eternity:
names being mentioned,
things cleared up finally;
what he said, what she said,
who got pensioned;
deaths, deaths and sicknesses;
the year he remarried;
the year (something) happened.
She died in childbirth.
That was the son lost
when the schooner foundered.
He took to drink. Yes.
She went to the bad.
When Amos began to pray
even in the store and
finally the family had
to put him away.
"Yes . . ." that peculiar
affirmative. "Yes . . ."
A sharp, indrawn breath,
half groan, half acceptance,
that means "Life's like that.
We know it (also death)."
Talking the way they talked
in the old featherbed,
peacefully, on and on,
dim lamplight in the hall,
down in the kitchen, the dog
tucked in her shawl.
Now, it's all right now
even to fall asleep
just as on all those nights.
--Suddenly the bus driver
stops with a jolt,
turns off his lights.
A moose has come out of
the impenetrable wood
and stands there, looms, rather,
in the middle of the road.
It approaches; it sniffs at
the bus's hot hood.
Towering, antlerless,
high as a church,
homely as a house
(or, safe as houses).
A man's voice assures us
"Perfectly harmless. . . ."
Some of the passengers
exclaim in whispers,
childishly, softly,
"Sure are big creatures."
"It's awful plain."
"Look! It's a she!"
Taking her time,
she looks the bus over,
grand, otherworldly.
Why, why do we feel
(we all feel) this sweet
sensation of joy?
"Curious creatures,"
says our quiet driver,
rolling his r's.
"Look at that, would you."
Then he shifts gears.
For a moment longer,
by craning backward,
the moose can be seen
on the moonlit macadam;
then there's a dim
smell of moose, an acrid
smell of gasoline.
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Written by
John Donne |
What if this present were the world's last night?
Mark in my heart, O soul, where thou dost dwell,
The picture of Christ crucified, and tell
Whether that countenance can thee affright,
Tears in his eyes quench the amazing light,
Blood fills his frowns, which from his pierced head fell.
And can that tongue adjudge thee unto hell,
Which prayed forgiveness for his foes' fierce spite?
No, no; but as in my idolatry
I said to all my profane mistresses,
Beauty, of pity, foulness only is
A sign of rigour: so I say to thee,
To wicked spirits are horrid shapes assigned,
This beauteous form assures a piteous mind.
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Written by
Delmore Schwartz |
The beautiful American word, Sure,
As I have come into a room, and touch
The lamp's button, and the light blooms with such
Certainty where the darkness loomed before,
As I care for what I do not know, and care
Knowing for little she might not have been,
And for how little she would be unseen,
The intercourse of lives miraculous and dear.
Where the light is, and each thing clear,
separate from all others, standing in its place,
I drink the time and touch whatever's near,
And hope for day when the whole world has that face:
For what assures her present every year?
In dark accidents the mind's sufficient grace.
|
Written by
Francesco Petrarch |
SONNET XXVI. Già fiammeggiava l' amorosa stella. LAURA, WHO IS ILL, APPEARS TO HIM IN A DREAM, AND ASSURES HIM THAT SHE STILL LIVES. Throughout the orient now began to flameThe star of love; while o'er the northern skyThat, which has oft raised Juno's jealousy,Pour'd forth its beauteous scintillating beam:Beside her kindled hearth the housewife dame,Half-dress'd, and slipshod, 'gan her distaff ply:And now the wonted hour of woe drew nigh,That wakes to tears the lover from his dream:When my sweet hope unto my mind appear'd,Not in the custom'd way unto my sight;For grief had bathed my lids, and sleep had weigh'd;Ah me, how changed that form by love endear'd!"Why lose thy fortitude?" methought she said,"These eyes not yet from thee withdraw their light." Nott. Already in the east the amorous starIllumined heaven, while from her northern heightGreat Juno's rival through the dusky nightHer beamy radiance shot. Returning careHad roused th' industrious hag, with footstep bare,And loins ungirt, the sleeping fire to light;And lovers thrill'd that season of despight,Which wont renew their tears, and wake despair.[Pg 37]When my soul's hope, now on the verge of fate,(Not by th' accustomed way; for that in sleepWas closed, and moist with griefs,) attain'd my heart.Alas, how changed! "Servant, no longer weep,"She seem'd to say; "resume thy wonted state:Not yet thine eyes from mine are doom'd to part." Charlemont. Already, in the east, the star of loveWas flaming, and that other in the north,Which Juno's jealousy is wont to move,Its beautiful and lustrous rays shot forth;Barefooted and half clad, the housewife oldHad stirr'd her fire, and set herself to weave;Each tender heart the thoughtful time controll'dWhich evermore the lover wakes to grieve,When my fond hope, already at life's last,Came to my heart, not by the wonted way,Where sleep its seal, its dew where sorrow cast—Alas! how changed—and said, or seem'd to say,"Sight of these eyes not yet does Heaven refuse,Then wherefore should thy tost heart courage lose?" Macgregor.
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Written by
Mark Van Doren |
The deepest dream is of mad governors,
Down, down we feel it, till the very crust
Of the world cracks, and where there was no dust,
Atoms of ruin rise. Confusion stirs,
And fear; and all our thoughts--dark scavengers--
Feed on the center's refuse. Hope is thrust
Like wind away, and love sinks into lust
For merest safety, meanest of levelers.
And then we wake. Or do we? Sleep endures
More than the morning can, when shadows lie
Sharper than mountains, and the cleft is real
Between us and our kings. What sun assures
Our courage, and what evening by and by
Descends to rest us, and perhaps to heal?
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Written by
Isaac Watts |
Faith of things unseen.
Heb. 11
Faith is the brightest evidence
Of things beyond our sight,
Breaks through the clouds of flesh and sense,
And dwells in heav'nly light.
It sets times past in present view,
Brings distant prospects home,
Of things a thousand years ago,
Or thousand years to come.
By faith we know the worlds were made
By God's almighty word;
Abram, to unknown countries led,
By faith obeyed the Lord.
He sought a city fair and high,
Built by th' eternal hands,
And faith assures us, though we die,
That heav'nly building stands.
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Written by
Thomas Moore |
Great Sultan, how wise are thy state compositions!
And oh, above all, I admire that Decree,
In which thou command'st, that all she politicians
Shall forthwith be strangled and cast in the sea.
'Tis my fortune to know a lean Benthamite spinster --
A maid, who her faith in old Jeremy puts;
Who talks, with a lisp, of the "last new Westminster,"
And hopes you're delighted with "Mill upon Gluts";
Who tells you how clever one Mr. Fun-blank is,
How charming his Articles 'gainst the Nobility; --
And assures you that even a gentleman's rank is,
In Jeremy's school, of no sort of utility.
To see her, ye Gods, a new number perusing --
Art. 1 - "On the Needle's variations", by Pl--e;
Art. 2 - By her fav'rite Fun-blank - so amusing!
"Dear man! he makes poetry quite a Law case."
Art. 3 -"Upon Fallacies", Jeremy's own --
(Chief Fallacy being, his hope to find readers); -
Art. 4 - "Upon Honesty", author unkown; --
Art. 5 - (by the young Mr. M--) "Hints to Breeders".
Oh, Sultan, oh, Sultan, though oft for the bag
And the bowstring, like thee, I am tempted to call --
Though drowning's too good for each blue-stocking hag,
I would bag this she Benthamite first of them all!
And, lest she should ever again lift her head
From the watery bottom, her clack to renew --
As a clog, as a sinker, far better than lead,
I would hang round her neck her own darling Review.
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Written by
Francesco Petrarch |
SONNET CXLV. Amor mi sprona in un tempo ed affrena. HE HEARS THE VOICE OF REASON, BUT CANNOT OBEY. Love in one instant spurs me and restrains,Assures and frightens, freezes me and burns,Smiles now and scowls, now summons me and spurns,In hope now holds me, plunges now in pains:Now high, now low, my weary heart he hurls,Until fond passion loses quite the path,And highest pleasure seems to stir but wrath—My harass'd mind on such strange errors feeds!A friendly thought there points the proper track,Not of such grief as from the full eye breaks,To go where soon it hopes to be at ease,But, as if greater power thence turn'd it back,Despite itself, another way it takes,And to its own slow death and mine agrees. Macgregor.
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