Written by
Edwin Arlington Robinson |
She fears him, and will always ask
What fated her to choose him;
She meets in his engaging mask
All reason to refuse him.
But what she meets and what she fears
Are less than are the downward years,
Drawn slowly to the foamless weirs
Of age, were she to lose him.
Between a blurred sagacity
That once had power to sound him,
And Love, that will not let him be
The Judas that she found him,
Her pride assuages her almost
As if it were alone the cost--
He sees that he will not be lost,
And waits, and looks around him.
A sense of ocean and old trees
Envelops and allures him;
Tradition, touching all he sees,
Beguiles and reassures him.
And all her doubts of what he says
Are dimmed by what she knows of days,
Till even Prejudice delays
And fades, and she secures him.
The falling leaf inaugurates
The reign of her confusion;
The pounding wave reverberates
The dirge of her illusion.
And Home, where passion lived and died,
Becomes a place where she can hide,
While all the town and harbor side
Vibrate with her seclusion.
We tell you, tapping on our brows,
The story as it should be,
As if the story of a house
Were told, or ever could be.
We'll have no kindly veil between
Her visions and those we have seen--
As if we guessed what hers have been,
Or what they are or would be.
Meanwhile we do no harm, for they
That with a god have striven,
Not hearing much of what we say,
Take what the god has given.
Though like waves breaking it may be,
Or like a changed familiar tree,
Or like a stairway to the sea,
Where down the blind are driven.
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Written by
Algernon Charles Swinburne |
Take, since you bade it should bear,
These, of the seed of your sowing,
Blossom or berry or weed.
Sweet though they be not, or fair,
That the dew of your word kept growing,
Sweet at least was the seed.
Men bring you love-offerings of tears,
And sorrow the kiss that assuages,
And slaves the hate-offering of wrongs,
And time the thanksgiving of years,
And years the thanksgiving of ages;
I bring you my handful of songs.
If a perfume be left, if a bloom,
Let it live till Italia be risen,
To be strewn in the dust of her car
When her voice shall awake from the tomb
England, and France from her prison,
Sisters, a star by a star.
I bring you the sword of a song,
The sword of my spirit's desire,
Feeble; but laid at your feet,
That which was weak shall be strong,
That which was cold shall take fire,
That which was bitter be sweet.
It was wrought not with hands to smite,
Nor hewn after swordsmiths' fashion,
Nor tempered on anvil of steel;
But with visions and dreams of the night,
But with hope, and the patience of passion,
And the signet of love for a seal.
Be it witness, till one more strong,
Till a loftier lyre, till a rarer
Lute praise her better than I,
Be it witness before you, my song,
That I knew her, the world's banner-bearer,
Who shall cry the republican cry.
Yea, even she as at first,
Yea, she alone and none other,
Shall cast down, shall build up, shall bring home;
Slake earth's hunger and thirst,
Lighten, and lead as a mother;
First name of the world's names, Rome.
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Written by
Rg Gregory |
wherever there's a tear in the fabric
around weymouth - portland appears
from abbotsbury hill it's just a long
thin line humped at one end
closer (from chesil beach) a head-on
massive lump of rock gnashed by the sea
if you stand at sandsfoot castle
there's a military feel - an armed guard
of an island harsh with prisons
snarling with secrets visitors don't probe
but on the road up out of town
towards the east a different spirit
rides inland over caravans and hedges
especially in soft light
portland softens like a pear
in syrup (yearning to be consumed)
elsewhere at other times it broods
a sleeping lion its paw upon
the carcase of its prey - but look
at portland if you can by night
its outline traced by street lights
its harshnesses seduced to
shadows - then the island hangs
beneath the sky in still festivity
its truths intact its wounds of stone
find blessing in the herbal dark
nothing of this of course is meaningful
unless inside us all there rests
a portland ravaged daily ill-at-ease
that has to use the night-time
for its solace - and each glimpse we get
of it assuages different guilts
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Written by
Emily Dickinson |
They say that "Time assuages" --
Time never did assuage --
An actual suffering strengthens
As Sinews do, with age --
Time is a Test of Trouble --
But not a Remedy --
If such it prove, it prove too
There was no Malady --
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Written by
Edwin Arlington Robinson |
Where a faint light shines alone,
Dwells a Demon I have known.
Most of you had better say
"The Dark House," and go your way.
Do not wonder if I stay.
For I know the Demon's eyes
And their lure that never dies.
Banish all your fond alarms,
For I know the foiling charms
Of her eyes and of her arms,
And I know that in one room
Burns a lamp as in a tomb;
And I see the shadow glide,
Back and forth, of one denied
Power to find herself outside.
There he is who was my friend,
Damned, he fancies, to the end--
Vanquished, ever since a door
Closed, he thought, for evermore
On the life that was before.
And the friend who knows him best
Sees him as he sees the rest
Who are striving to be wise
While a Demon's arms and eyes
Hold them as a web would flies.
All the words of all the world,
Aimed together, and then hurled,
Would be stiller in his ears
Than a closing of still shears
On a thread made out of years.
But there lives another sound,
More compelling, more profound;
There's a music, so it seems,
That assuages and redeems,
More than reason, more than dreams.
There's a music yet unheard
By the creature of the word,
Though it matters little more
Than a wave-wash on the shore--
Till a Demon shuts a door.
So, if he be very still
With his Demon, and one will,
Murmurs of it may be blown
To my friend who is alone
In a room that I have known.
After that from everywhere
Singing life will find him there;
And my friend, again outside,
Will be living, having died.
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Written by
Denise Levertov |
"I am a landscape," he said,
"a landscape and a person walking in that landscape.
There are daunting cliffs there,
and plains glad in their way
of brown monotony.
But especially
there are sinkholes, places
of sudden terror, of small circumference
and malevolent depths.
"
"I know," she said.
"When I set forth
to walk in myself, as it might be
on a fine afternoon, forgetting,
sooner or later I come to where sedge
and clumps of white flowers, rue perhaps,
mark the bogland, and I know
there are quagmires there that can pull you
down, and sink you in bubbling mud.
"
"We had an old dog," he told her, "when I was a boy,
a good dog, friendly.
But there was an injured spot
on his head, if you happened
just to touch it he'd jump up yelping
and bite you.
He bit a young child,
they had to take him to the vet's and destroy him.
"
"No one knows where it is," she said,
"and even by accident no one touches it:
It's inside my landscape, and only I, making my way
preoccupied through my life, crossing my hills,
sleeping on green moss of my own woods,
I myself without warning touch it,
and leap up at myself--"
"--or flinch back
just in time.
"
"Yes, we learn that
It's not terror, it's pain we're talking about:
those places in us, like your dog's bruised head,
that are bruised forever, that time
never assuages, never.
"
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