Written by
Conrad Aiken |
This is the house. On one side there is darkness,
On one side there is light.
Into the darkness you may lift your lanterns—
O, any number—it will still be night.
And here are echoing stairs to lead you downward
To long sonorous halls.
And here is spring forever at these windows,
With roses on the walls.
This is her room. On one side there is music—
On one side not a sound.
At one step she could move from love to silence,
Feel myriad darkness coiling round.
And here are balconies from which she heard you,
Your steady footsteps on the stair.
And here the glass in which she saw your shadow
As she unbound her hair.
Here is the room—with ghostly walls dissolving—
The twilight room in which she called you 'lover';
And the floorless room in which she called you 'friend.'
So many times, in doubt, she ran between them!—
Through windy corridors of darkening end.
Here she could stand with one dim light above her
And hear far music, like a sea in caverns,
Murmur away at hollowed walls of stone.
And here, in a roofless room where it was raining,
She bore the patient sorrow of rain alone.
Your words were walls which suddenly froze around her.
Your words were windows,—large enough for moonlight,
Too small to let her through.
Your letters—fragrant cloisters faint with music.
The music that assuaged her there was you.
How many times she heard your step ascending
Yet never saw your face!
She heard them turn again, ring slowly fainter,
Till silence swept the place.
Why had you gone? . . . The door, perhaps, mistaken . . .
You would go elsewhere. The deep walls were shaken.
A certain rose-leaf—sent without intention—
Became, with time, a woven web of fire—
She wore it, and was warm.
A certain hurried glance, let fall at parting,
Became, with time, the flashings of a storm.
Yet, there was nothing asked, no hint to tell you
Of secret idols carved in secret chambers
From all you did and said.
Nothing was done, until at last she knew you.
Nothing was known, till, somehow, she was dead.
How did she die?—You say, she died of poison.
Simple and swift. And much to be regretted.
You did not see her pass
So many thousand times from light to darkness,
Pausing so many times before her glass;
You did not see how many times she hurried
To lean from certain windows, vainly hoping,
Passionate still for beauty, remembered spring.
You did not know how long she clung to music,
You did not hear her sing.
Did she, then, make the choice, and step out bravely
From sound to silence—close, herself, those windows?
Or was it true, instead,
That darkness moved,—for once,—and so possessed her? . . .
We'll never know, you say, for she is dead.
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Written by
Algernon Charles Swinburne |
from Atalanta in Calydon
When the hounds of spring are on winter's traces,
The mother of months in meadow or plain
Fills the shadows and windy places
With lisp of leaves and ripple of rain;
And the brown bright nigthingale amorous
Is half assuaged for Itylus,
For the Thracian ships and the foreign faces,
The tongueless vigil, and all the pain.
Come with bows bent and emptying of quivers,
Maiden most perfect, lady of light,
With a noise of winds and many rivers,
With a clamour of waters, and with might;
Bind on thy sandals, O thou most fleet,
Over the splendour and speed of thy feet;
For the faint east quickens, the wan west shivers,
Round the feet of the day and the feet of the night.
Where shall we find her, how shall we sing to her,
Fold our hands round her knees, and cling?
O that man's heart were as fire and could spring to her,
Fire, or the strength of the streams that spring!
For the stars and the winds are unto her
As raiment, as songs of the harp-player;
For the risen stars and the fallen cling to her,
And the southwest-wind and the west-wind sing.
For winter's rains and ruins are over,
And all the season of snows and sins;
The days dividing lover and lover,
The light that loses, the night that wins;
And time remembered is grief forgotten,
And frosts are slain and flowers begotten,
And in green underwood and cover
Blossom by blossom the spring begins.
The full streams feed on flower of rushes,
Ripe grasses trammel a travelling foot,
The faint fresh flame of the young year flushes
From leaf to flower and flower to fruit;
And fruit and leaf are as gold and fire,
And the oat is heard above the lyre,
And the hoofed heel of a satyr crushes
The chestnut-husk at the chestnut-root.
And Pan by noon and Bacchus by night,
Fleeter of foot than the fleet-foot kid,
Follows with dancing and fills with delight
The Maenad and the Bassarid;
And soft as lips that laugh and hide
The laughing leaves of the trees divide,
And screen from seeing and leave in sight
The god pursuing, the maiden hid.
The ivy falls with the Bacchanal's hair
Over her eyebrows hiding her eyes;
The wild vine slipping down leaves bare
Her bright breast shortening with sighs;
The wild vine slips with the weight of its leaves,
But the berried ivy catches and cleaves
To the limbs that glitter, the feet that scare
The wolf that follows, the fawn that flies.
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Written by
Rg Gregory |
(1) the ordinary
you are not interested in me
a receiver of food and a giver of ****
my brain knuckled under
i have rendered the skills of my
limbs to generations of caesars
and caesar's gods have siphoned off my spirit
by day i have been trained to dismember my own brothers
my own pieces travel through the night yearning for union
in every land i am the bulk
the bricks you build with
in every land mine is the back that bends
the face that gets shoved in the earth
i am told how costly it is to allow me to breathe
i am not told how much your palaces (private or stately) depend on
my breathing
i must eat so that i may be eaten
i must labour so that others may find space for their estates
i am grasses told to lie down as lawn
i am shrubs being clipped into hedges
i am weeds being torn out of lines
i am dirt being churned into mud
i am mat that must always be shaken
but choke me i must breathe
crush me i must rise
wipe me out i am everywhere
whip me my blood runs into air
destroy me i shall run out of doors
my fingers root in the earth and shoot stars
(2) loud hosannas (and a bowl of cherries) to the ordinary
ordinary holds the world
in a hat - it is a grey hat
(grey - if you can but see it -
is the brightest of colours)
the world hates its grey sky
endlessly moaning
what a gloomy day
how mediocre
but ordinary holds the world
it's about time someone
gave loud hosannas
(and a bowl of cherries)
to the ordinary
without it the sky
loses its air
fields give up grass
meals do without salt
bodies have no skin
blood mourns its arteries
language has no tongue
at the foot of mountains
there is no earth
ordinary has been kicked
in the teeth (and of course
in the privates) every
second of every
minute of every
hour of every
day of every
week of every
month of every
year of existence
and every second of every
etc. ordinary sits up
a grin bubbling through
its spilled blood (and
of course keeping
its privates to itself)
and simply says
i am i am
i am i am i am
wham
more
blood and
another
grin
etc
ordinary is where it all
started and where it is
eternally - square one the
universal square
one or two
claim to have reached
square one and a half - they
slip back but they
eventually slip back
their arses red
with shame
no man can
put his foot down where
there is no banana skin
the ordinary runs
down to the sea and
without trying
encompasses all views
blends all colours
and (in the end) copes
quietly with death
poets spend a lifetime
in their songs
hoping (not daring)
to touch it
it is wellwater
the mountain spring
the stream running
throughout man
bathing his wounds
cooling his fevers
it is the untransplantable heart
it speaks all languages
it eludes science
it wracks art
it is the lavatory the fool
and the wise man share
it discerns truly
man if you are not ordinary
you are a bloated
nothing
when you burst you spill
your ordinary intestines
and in no time
your stink is
assuaged by the stream
|
Written by
Edward Lear |
There was an old man whose despairInduced him to purchase a hare:Whereon one fine day he rode wholly away,Which partly assuaged his despair.
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Written by
Adela Florence Cory Nicolson |
How one loves them
These wide horizons; whether Desert or Sea,—
Vague and vast and infinite; faintly clear—
Surely, hid in the far away, unknown "There,"
Lie the things so longed for and found not, found not, Here.
Only where some passionate, level land
Stretches itself in reaches of golden sand,
Only where the sea line is joined to the sky-line, clear,
Beyond the curve of ripple or white foamed crest,—
Shall the weary eyes
Distressed by the broken skies,—
Broken by Minaret, mountain, or towering tree,—
Shall the weary eyes be assuaged,—be assuaged,—and rest.
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