Written by
William Butler Yeats |
I
Blessed be this place,
More blessed still this tower;
A bloody, arrogant power
Rose out of the race
Uttering, mastering it,
Rose like these walls from these
Storm-beaten cottages -
In mockery I have set
A powerful emblem up,
And sing it rhyme upon rhyme
In mockery of a time
Half dead at the top.
II
Alexandria's was a beacon tower, and Babylon's
An image of the moving heavens, a log-book of the sun's journey and the moon's;
And Shelley had his towers, thought's crowned powers he called them once.
I declare this tower is my symbol; I declare
This winding, gyring, spiring treadmill of a stair is my ancestral stair;
That Goldsmith and the Dean, Berkeley and Burke have travelled there.
Swift beating on his breast in sibylline frenzy blind
Because the heart in his blood-sodden breast had dragged him down into mankind,
Goldsmith deliberately sipping at the honey-pot of his mind,
And haughtier-headed Burke that proved the State a tree,
That this unconquerable labyrinth of the birds, century after century,
Cast but dead leaves to mathematical equality;
And God-appointed Berkeley that proved all things a dream,
That this pragmatical, preposterous pig of a world, its farrow that so solid seem,
Must vanish on the instant if the mind but change its theme;
Saeva Indignatio and the labourer's hire,
The strength that gives our blood and state magnanimity of its own desire;
Everything that is not God consumed with intellectual fire.
III
The purity of the unclouded moon
Has flung its atrowy shaft upon the floor.
Seven centuries have passed and it is pure,
The blood of innocence has left no stain.
There, on blood-saturated ground, have stood
Soldier, assassin, executioner.
Whether for daily pittance or in blind fear
Or out of abstract hatred, and shed blood,
But could not cast a single jet thereon.
Odour of blood on the ancestral stair!
And we that have shed none must gather there
And clamour in drunken frenzy for the moon.
IV
Upon the dusty, glittering windows cling,
And seem to cling upon the moonlit skies,
Tortoiseshell butterflies, peacock butterflies,
A couple of night-moths are on the wing.
Is every modern nation like the tower,
Half dead at the top? No matter what I said,
For wisdom is the property of the dead,
A something incompatible with life; and power,
Like everything that has the stain of blood,
A property of the living; but no stain
Can come upon the visage of the moon
When it has looked in glory from a cloud.
|
Written by
William Cullen Bryant |
Oh! could I hope the wise and pure in heart
Might hear my song without a frown, nor deem
My voice unworthy of the theme it tries,--
I would take up the hymn to Death, and say
To the grim power, The world hath slandered thee
And mocked thee.
On thy dim and shadowy brow
They place an iron crown, and call thee king
Of terrors, and the spoiler of the world,
Deadly assassin, that strik'st down the fair,
The loved, the good--that breath'st upon the lights
Of virtue set along the vale of life,
And they go out in darkness.
I am come,
Not with reproaches, not with cries and prayers,
Such as have stormed thy stern insensible ear
From the beginning.
I am come to speak
Thy praises.
True it is, that I have wept
Thy conquests, and may weep them yet again:
And thou from some I love wilt take a life
Dear to me as my own.
Yet while the spell
Is on my spirit, and I talk with thee
In sight of all thy trophies, face to face,
Meet is it that my voice should utter forth
Thy nobler triumphs: I will teach the world
To thank thee.
--Who are thine accusers?--Who?
The living!--they who never felt thy power,
And know thee not.
The curses of the wretch
Whose crimes are ripe, his sufferings when thy hand
Is on him, and the hour he dreads is come,
Are writ among thy praises.
But the good--
Does he whom thy kind hand dismissed to peace,
Upbraid the gentle violence that took off
His fetters, and unbarred his prison cell?
Raise then the Hymn to Death.
Deliverer!
God hath anointed thee to free the oppressed
And crush the oppressor.
When the armed chief,
The conqueror of nations, walks the world,
And it is changed beneath his feet, and all
Its kingdoms melt into one mighty realm--
Thou, while his head is loftiest, and his heart
Blasphemes, imagining his own right hand
Almighty, sett'st upon him thy stern grasp,
And the strong links of that tremendous chain
That bound mankind are crumbled; thou dost break
Sceptre and crown, and beat his throne to dust.
Then the earth shouts with gladness, and her tribes
Gather within their ancient bounds again.
Else had the mighty of the olden time,
Nimrod, Sesostris, or the youth who feigned
His birth from Lybian Ammon, smote even now
The nations with a rod of iron, and driven
Their chariot o'er our necks.
Thou dost avenge,
In thy good time, the wrongs of those who know
No other friend.
Nor dost thou interpose
Only to lay the sufferer asleep,
Where he who made him wretched troubles not
His rest--thou dost strike down his tyrant too.
Oh, there is joy when hands that held the scourge
Drop lifeless, and the pitiless heart is cold.
Thou too dost purge from earth its horrible
And old idolatries; from the proud fanes
Each to his grave their priests go out, till none
Is left to teach their worship; then the fires
Of sacrifice are chilled, and the green moss
O'ercreeps their altars; the fallen images
Cumber the weedy courts, and for loud hymns,
Chanted by kneeling crowds, the chiding winds
Shriek in the solitary aisles.
When he
Who gives his life to guilt, and laughs at all
The laws that God or man has made, and round
Hedges his seat with power, and shines in wealth,--
Lifts up his atheist front to scoff at Heaven,
And celebrates his shame in open day,
Thou, in the pride of all his crimes, cutt'st off
The horrible example.
Touched by thine,
The extortioner's hard hand foregoes the gold
Wrong from the o'er-worn poor.
The perjurer,
Whose tongue was lithe, e'en now, and voluble
Against his neighbour's life, and he who laughed
And leaped for joy to see a spotless fame
Blasted before his own foul calumnies,
Are smit with deadly silence.
He, who sold
His conscience to preserve a worthless life,
Even while he hugs himself on his escape,
Trembles, as, doubly terrible, at length,
Thy steps o'ertake him, and there is no time
For parley--nor will bribes unclench thy grasp.
Oft, too, dost thou reform thy victim, long
Ere his last hour.
And when the reveller,
Mad in the chase of pleasure, stretches on,
And strains each nerve, and clears the path of life
Like wind, thou point'st him to the dreadful goal,
And shak'st thy hour-glass in his reeling eye,
And check'st him in mid course.
Thy skeleton hand
Shows to the faint of spirit the right path,
And he is warned, and fears to step aside.
Thou sett'st between the ruffian and his crime
Thy ghastly countenance, and his slack hand
Drops the drawn knife.
But, oh, most fearfully
Dost thou show forth Heaven's justice, when thy shafts
Drink up the ebbing spirit--then the hard
Of heart and violent of hand restores
The treasure to the friendless wretch he wronged.
Then from the writhing bosom thou dost pluck
The guilty secret; lips, for ages sealed,
Are faithless to the dreadful trust at length,
And give it up; the felon's latest breath
Absolves the innocent man who bears his crime;
The slanderer, horror smitten, and in tears,
Recalls the deadly obloquy he forged
To work his brother's ruin.
Thou dost make
Thy penitent victim utter to the air
The dark conspiracy that strikes at life,
And aims to whelm the laws; ere yet the hour
Is come, and the dread sign of murder given.
Thus, from the first of time, hast thou been found
On virtue's side; the wicked, but for thee,
Had been too strong for the good; the great of earth
Had crushed the weak for ever.
Schooled in guile
For ages, while each passing year had brought
Its baneful lesson, they had filled the world
With their abominations; while its tribes,
Trodden to earth, imbruted, and despoiled,
Had knelt to them in worship; sacrifice
Had smoked on many an altar, temple roofs
Had echoed with the blasphemous prayer and hymn:
But thou, the great reformer of the world,
Tak'st off the sons of violence and fraud
In their green pupilage, their lore half learned--
Ere guilt has quite o'errun the simple heart
God gave them at their birth, and blotted out
His image.
Thou dost mark them, flushed with hope,
As on the threshold of their vast designs
Doubtful and loose they stand, and strik'st them down.
Alas, I little thought that the stern power
Whose fearful praise I sung, would try me thus
Before the strain was ended.
It must cease--
For he is in his grave who taught my youth
The art of verse, and in the bud of life
Offered me to the muses.
Oh, cut off
Untimely! when thy reason in its strength,
Ripened by years of toil and studious search
And watch of Nature's silent lessons, taught
Thy hand to practise best the lenient art
To which thou gavest thy laborious days.
And, last, thy life.
And, therefore, when the earth
Received thee, tears were in unyielding eyes
And on hard cheeks, and they who deemed thy skill
Delayed their death-hour, shuddered and turned pale
When thou wert gone.
This faltering verse, which thou
Shalt not, as wont, o'erlook, is all I have
To offer at thy grave--this--and the hope
To copy thy example, and to leave
A name of which the wretched shall not think
As of an enemy's, whom they forgive
As all forgive the dead.
Rest, therefore, thou
Whose early guidance trained my infant steps--
Rest, in the bosom of God, till the brief sleep
Of death is over, and a happier life
Shall dawn to waken thine insensible dust.
Now thou art not--and yet the men whose guilt
Has wearied Heaven for vengeance--he who bears
False witness--he who takes the orphan's bread,
And robs the widow--he who spreads abroad
Polluted hands in mockery of prayer,
Are left to cumber earth.
Shuddering I look
On what is written, yet I blot not out
The desultory numbers--let them stand.
The record of an idle revery.
|
Written by
Derek Walcott |
There were still shards of an ancient pastoral
in those shires of the island where the cattle drank
their pools of shadow from an older sky,
surviving from when the landscape copied such objects as
"Herefords at Sunset in the valley of the Wye.
"
The mountain water that fell white from the mill wheel
sprinkling like petals from the star-apple trees,
and all of the windmills and sugar mills moved by mules
on the treadmill of Monday to Monday, would repeat
in tongues of water and wind and fire, in tongues
of Mission School pickaninnies, like rivers remembering
their source, Parish Trelawny, Parish St David, Parish
St Andrew, the names afflicting the pastures,
the lime groves and fences of marl stone and the cattle
with a docile longing, an epochal content.
And there were, like old wedding lace in an attic,
among the boas and parasols and the tea-colored
daguerreotypes, hints of an epochal happiness
as ordered and infinite to the child
as the great house road to the Great House
down a perspective of casuarinas plunging green manes
in time to the horses, an orderly life
reduced by lorgnettes day and night, one disc the sun,
the other the moon, reduced into a pier glass:
nannies diminished to dolls, mahogany stairways
no larger than those of an album in which
the flash of cutlery yellows, as gamboge as
the piled cakes of teatime on that latticed
bougainvillea verandah that looked down toward
a prospect of Cuyp-like Herefords under a sky
lurid as a porcelain souvenir with these words:
"Herefords at Sunset in the Valley of the Wye.
"
Strange, that the rancor of hatred hid in that dream
of slow rivers and lily-like parasols, in snaps
of fine old colonial families, curled at the edge
not from age of from fire or the chemicals, no, not at all,
but because, off at its edges, innocently excluded
stood the groom, the cattle boy, the housemaid, the gardeners,
the tenants, the good ******* down in the village,
their mouth in the locked jaw of a silent scream.
A scream which would open the doors to swing wildly
all night, that was bringing in heavier clouds,
more black smoke than cloud, frightening the cattle
in whose bulging eyes the Great House diminished;
a scorching wind of a scream
that began to extinguish the fireflies,
that dried the water mill creaking to a stop
as it was about to pronounce Parish Trelawny
all over, in the ancient pastoral voice,
a wind that blew all without bending anything,
neither the leaves of the album nor the lime groves;
blew Nanny floating back in white from a feather
to a chimerical, chemical pin speck that shrank
the drinking Herefords to brown porcelain cows
on a mantelpiece, Trelawny trembling with dusk,
the scorched pastures of the old benign Custos; blew
far the decent servants and the lifelong cook,
and shriveled to a shard that ancient pastoral
of dusk in a gilt-edged frame now catching the evening sun
in Jamaica, making both epochs one.
He looked out from the Great House windows on
clouds that still held the fragrance of fire,
he saw the Botanical Gardens officially drown
in a formal dusk, where governors had strolled
and black gardeners had smiled over glinting shears
at the lilies of parasols on the floating lawns,
the flame trees obeyed his will and lowered their wicks,
the flowers tightened their fists in the name of thrift,
the porcelain lamps of ripe cocoa, the magnolia's jet
dimmed on the one circuit with the ginger lilies
and left a lonely bulb on the verandah,
and, had his mandate extended to that ceiling
of star-apple candelabra, he would have ordered
the sky to sleep, saying, I'm tired,
save the starlight for victories, we can't afford it,
leave the moon on for one more hour,and that's it.
But though his power, the given mandate, extended
from tangerine daybreaks to star-apple dusks,
his hand could not dam that ceaseless torrent of dust
that carried the shacks of the poor, to their root-rock music,
down the gullies of Yallahs and August Town,
to lodge them on thorns of maca, with their rags
crucified by cactus, tins, old tires, cartons;
from the black Warieka Hills the sky glowed fierce as
the dials of a million radios,
a throbbing sunset that glowed like a grid
where the dread beat rose from the jukebox of Kingston.
He saw the fountains dried of quadrilles, the water-music
of the country dancers, the fiddlers like fifes
put aside.
He had to heal
this malarial island in its bath of bay leaves,
its forests tossing with fever, the dry cattle
groaning like winches, the grass that kept shaking
its head to remember its name.
No vowels left
in the mill wheel, the river.
Rock stone.
Rock stone.
The mountains rolled like whales through phosphorous stars,
as he swayed like a stone down fathoms into sleep,
drawn by that magnet which pulls down half the world
between a star and a star, by that black power
that has the assassin dreaming of snow,
that poleaxes the tyrant to a sleeping child.
The house is rocking at anchor, but as he falls
his mind is a mill wheel in moonlight,
and he hears, in the sleep of his moonlight, the drowned
bell of Port Royal's cathedral, sees the copper pennies
of bubbles rising from the empty eye-pockets
of green buccaneers, the parrot fish floating
from the frayed shoulders of pirates, sea horses
drawing gowned ladies in their liquid promenade
across the moss-green meadows of the sea;
he heard the drowned choirs under Palisadoes,
a hymn ascending to earth from a heaven inverted
by water, a crab climbing the steeple,
and he climbed from that submarine kingdom
as the evening lights came on in the institute,
the scholars lamplit in their own aquarium,
he saw them mouthing like parrot fish, as he passed
upward from that baptism, their history lessons,
the bubbles like ideas which he could not break:
Jamaica was captured by Penn and Venables,
Port Royal perished in a cataclysmic earthquake.
Before the coruscating façades of cathedrals
from Santiago to Caracas, where penitential archbishops
washed the feet of paupers (a parenthetical moment
that made the Caribbean a baptismal font,
turned butterflies to stone, and whitened like doves
the buzzards circling municipal garbage),
the Caribbean was borne like an elliptical basin
in the hands of acolytes, and a people were absolved
of a history which they did not commit;
the slave pardoned his whip, and the dispossessed
said the rosary of islands for three hundred years,
a hymn that resounded like the hum of the sea
inside a sea cave, as their knees turned to stone,
while the bodies of patriots were melting down walls
still crusted with mute outcries of La Revolucion!
"San Salvador, pray for us,St.
Thomas, San Domingo,
ora pro nobis, intercede for us, Sancta Lucia
of no eyes," and when the circular chaplet
reached the last black bead of Sancta Trinidad
they began again, their knees drilled into stone,
where Colon had begun, with San Salvador's bead,
beads of black colonies round the necks of Indians.
And while they prayed for an economic miracle,
ulcers formed on the municipal portraits,
the hotels went up, and the casinos and brothels,
and the empires of tobacco, sugar, and bananas,
until a black woman, shawled like a buzzard,
climbed up the stairs and knocked at the door
of his dream, whispering in the ear of the keyhole:
"Let me in, I'm finished with praying, I'm the Revolution.
I am the darker, the older America.
"
She was as beautiful as a stone in the sunrise,
her voice had the gutturals of machine guns
across khaki deserts where the cactus flower
detonates like grenades, her sex was the slit throat
of an Indian, her hair had the blue-black sheen of the crow.
She was a black umbrella blown inside out
by the wind of revolution, La Madre Dolorosa,
a black rose of sorrow, a black mine of silence,
raped wife, empty mother, Aztec virgin
transfixed by arrows from a thousand guitars,
a stone full of silence, which, if it gave tongue
to the tortures done in the name of the Father,
would curdle the blood of the marauding wolf,
the fountain of generals, poets, and cripples
who danced without moving over their graves
with each revolution; her Caesarean was stitched
by the teeth of machine guns,and every sunset
she carried the Caribbean's elliptical basin
as she had once carried the penitential napkins
to be the footbath of dictators, Trujillo, Machado,
and those whose faces had yellowed like posters
on municipal walls.
Now she stroked his hair
until it turned white, but she would not understand
that he wanted no other power but peace,
that he wanted a revolution without any bloodshed,
he wanted a history without any memory,
streets without statues,
and a geography without myth.
He wanted no armies
but those regiments of bananas, thick lances of cane,
and he sobbed,"I am powerless, except for love.
"
She faded from him, because he could not kill;
she shrunk to a bat that hung day and night
in the back of his brain.
He rose in his dream.
(to be continued)
|
Written by
Robert William Service |
'Twas in the bleary middle of the hard-boiled Arctic night,
I was lonesome as a loon, so if you can,
Imagine my emotions of amazement and delight
When I bumped into that Missionary Man.
He was lying lost and dying in the moon's unholy leer,
And frozen from his toes to finger-tips'
The famished wolf-pack ringed him; but he didn't seem to fear,
As he pressed his ice-bond Bible to his lips.
'Twas the limit of my trap-line, with the cabin miles away,
And every step was like a stab of pain;
But I packed him like a baby, and I nursed him night and day,
Till I got him back to health and strength again.
So there we were, benighted in the shadow of the Pole,
And he might have proved a priceless little pard,
If he hadn't got to worrying about my blessed soul,
And a-quotin' me his Bible by the yard.
Now there was I, a husky guy, whose god was Nicotine,
With a "coffin-nail" a fixture in my mug;
I rolled them in the pages of a pulpwood magazine,
And hacked them with my jack-knife from the plug.
For, Oh to know the bliss and glow that good tobacco means,
Just live among the everlasting ice .
.
.
So judge my horror when I found my stock of magazines
Was chewed into a chowder by the mice.
A woeful week went by and not a single pill I had,
Me that would smoke my forty in a day;
I sighed, I swore, I strode the floor; I felt I would go mad:
The gospel-plugger watched me with dismay.
My brow was wet, my teeth were set, my nerves were rasping raw;
And yet that preacher couldn't understand:
So with despair I wrestled there - when suddenly I saw
The volume he was holding in his hand.
Then something snapped inside my brain, and with an evil start
The wolf-man in me woke to rabid rage.
"I saved your lousy life," says I; "so show you have a heart,
And tear me out a solitary page.
"
He shrank and shrivelled at my words; his face went pewter white;
'Twas just as if I'd handed him a blow:
And then .
.
.
and then he seemed to swell, and grow to Heaven's height,
And in a voice that rang he answered: "No!"
I grabbed my loaded rifle and I jabbed it to his chest:
"Come on, you shrimp, give me that Book," says I.
Well sir, he was a parson, but he stacked up with the best,
And for grit I got to hand it to the guy.
"If I should let you desecrate this Holy Word," he said,
"My soul would be eternally accurst;
So go on, Bill, I'm ready.
You can pump me full of lead
And take it, but - you've got to kill me first.
"
Now I'm no foul assassin, though I'm full of sinful ways,
And I knew right there the fellow had me beat;
For I felt a yellow mongrel in the glory of his gaze,
And I flung my foolish firearm at his feet,
Then wearily I turned away, and dropped upon my bunk,
And there I lay and blubbered like a kid.
"Forgive me, pard," says I at last, "for acting like a skunk,
But hide the blasted rifle.
.
.
" Which he did.
And he also hid his Bible, which was maybe just as well,
For the sight of all that paper gave me pain;
And there were crimson moments when I felt I'd o to hell
To have a single cigarette again.
And so I lay day after day, and brooded dark and deep,
Until one night I thought I'd end it all;
Then rough I roused the preacher, where he stretched pretending sleep,
With his map of horror turned towards the wall.
"See here, my pious pal," says I, "I've stood it long enough.
.
.
Behold! I've mixed some strychnine in a cup;
Enough to kill a dozen men - believe me it's no bluff;
Now watch me, for I'm gonna drink it up.
You've seen me bludgeoned by despair through bitter days and nights,
And now you'll see me squirming as I die.
You're not to blame, you've played the game according to your lights.
.
.
But how would Christ have played it? - Well, good-bye.
.
.
"
With that I raised the deadly drink and laid it to my lips,
But he was on me with a tiger-bound;
And as we locked and reeled and rocked with wild and wicked grips,
The poison cup went crashing to the ground.
"Don't do it, Bill," he madly shrieked.
"Maybe I acted wrong.
See, here's my Bible - use it as you will;
But promise me - you'll read a little as you go along.
.
.
You do! Then take it, Brother; smoke your fill.
"
And so I did.
I smoked and smoked from Genesis to Job,
And as I smoked I read each blessed word;
While in the shadow of his bunk I heard him sigh and sob,
And then .
.
.
a most peculiar thing occurred.
I got to reading more and more, and smoking less and less,
Till just about the day his heart was broke,
Says I: "Here, take it back, me lad.
I've had enough I guess.
Your paper makes a mighty rotten smoke.
"
So then and there with plea and prayer he wrestled for my soul,
And I was racked and ravaged by regrets.
But God was good, for lo! next day there came the police patrol,
With paper for a thousand cigarettes.
.
.
So now I'm called Salvation Bill; I teach the Living Law,
And Bally-hoo the Bible with the best;
And if a guy won't listen - why, I sock him on the jaw,
And preach the Gospel sitting on his chest.
|
Written by
Stephen Crane |
A man feared that he might find an assassin;
Another that he might find a victim.
One was more wise than the other.
|
Written by
Carl Sandburg |
WHEN Abraham Lincoln was shoveled into the tombs, he forgot the copperheads and the assassin … in the dust, in the cool tombs.
And Ulysses Grant lost all thought of con men and Wall Street, cash and collateral turned ashes … in the dust, in the cool tombs.
Pocahontas’ body, lovely as a poplar, sweet as a red haw in November or a pawpaw in May, did she wonder? does she remember? … in the dust, in the cool tombs?
Take any streetful of people buying clothes and groceries, cheering a hero or throwing confetti and blowing tin horns … tell me if the lovers are losers … tell me if any get more than the lovers … in the dust … in the cool tombs.
|
Written by
Edwin Arlington Robinson |
Take it away, and swallow it yourself.
Ha! Look you, there’s a rat.
Last night there were a dozen on that shelf,
And two of them were living in my hat.
Look! Now he goes, but he’ll come back—
Ha? But he will, I say …
Il reviendra-z-à Pâques,
Ou à la Trinité …
Be very sure that he’ll return again;
For said the Lord: Imprimis, we have rats,
And having rats, we have rain.
—
So on the seventh day
He rested, and made Pain.
—Man, if you love the Lord, and if the Lord
Love liars, I will have you at your word
And swallow it.
Voilà.
Bah!
Where do I say it is
That I have lain so long?
Where do I count myself among the dead,
As once above the living and the strong?
And what is this that comes and goes,
Fades and swells and overflows,
Like music underneath and overhead?
What is it in me now that rings and roars
Like fever-laden wine?
What ruinous tavern-shine
Is this that lights me far from worlds and wars
And women that were mine?
Where do I say it is
That Time has made my bed?
What lowering outland hostelry is this
For one the stars have disinherited?
An island, I have said:
A peak, where fiery dreams and far desires
Are rained on, like old fires:
A vermin region by the stars abhorred,
Where falls the flaming word
By which I consecrate with unsuccess
An acreage of God’s forgetfulness,
Left here above the foam and long ago
Made right for my duress;
Where soon the sea,
My foaming and long-clamoring enemy,
Will have within the cryptic, old embrace
Of her triumphant arms—a memory.
Why then, the place?
What forage of the sky or of the shore
Will make it any more,
To me, than my award of what was left
Of number, time, and space?
And what is on me now that I should heed
The durance or the silence or the scorn?
I was the gardener who had the seed
Which holds within its heart the food and fire
That gives to man a glimpse of his desire;
And I have tilled, indeed,
Much land, where men may say that I have planted
Unsparingly my corn—
For a world harvest-haunted
And for a world unborn.
Meanwhile, am I to view, as at a play,
Through smoke the funeral flames of yesterday
And think them far away?
Am I to doubt and yet be given to know
That where my demon guides me, there I go?
An island? Be it so.
For islands, after all is said and done,
Tell but a wilder game that was begun,
When Fate, the mistress of iniquities,
The mad Queen-spinner of all discrepancies,
Beguiled the dyers of the dawn that day,
And even in such a curst and sodden way
Made my three colors one.
—So be it, and the way be as of old:
So be the weary truth again retold
Of great kings overthrown
Because they would be kings, and lastly kings alone.
Fling to each dog his bone.
Flags that are vanished, flags that are soiled and furled,
Say what will be the word when I am gone:
What learned little acrid archive men
Will burrow to find me out and burrow again,—
But all for naught, unless
To find there was another Island.
… Yes,
There are too many islands in this world,
There are too many rats, and there is too much rain.
So three things are made plain
Between the sea and sky:
Three separate parts of one thing, which is Pain …
Bah, what a way to die!—
To leave my Queen still spinning there on high,
Still wondering, I dare say,
To see me in this way …
Madame à sa tour monte
Si haut qu’elle peut monter—
Like one of our Commissioners… ai! ai!
Prometheus and the women have to cry,
But no, not I …
Faugh, what a way to die!
But who are these that come and go
Before me, shaking laurel as they pass?
Laurel, to make me know
For certain what they mean:
That now my Fate, my Queen,
Having found that she, by way of right reward,
Will after madness go remembering,
And laurel be as grass,—
Remembers the one thing
That she has left to bring.
The floor about me now is like a sward
Grown royally.
Now it is like a sea
That heaves with laurel heavily,
Surrendering an outworn enmity
For what has come to be.
But not for you, returning with your curled
And haggish lips.
And why are you alone?
Why do you stay when all the rest are gone?
Why do you bring those treacherous eyes that reek
With venom and hate the while you seek
To make me understand?—
Laurel from every land,
Laurel, but not the world?
Fury, or perjured Fate, or whatsoever,
Tell me the bloodshot word that is your name
And I will pledge remembrance of the same
That shall be crossed out never;
Whereby posterity
May know, being told, that you have come to me,
You and your tongueless train without a sound,
With covetous hands and eyes and laurel all around,
Foreshowing your endeavor
To mirror me the demon of my days,
To make me doubt him, loathe him, face to face.
Bowed with unwilling glory from the quest
That was ordained and manifest,
You shake it off and wish me joy of it?
Laurel from every place,
Laurel, but not the rest?
Such are the words in you that I divine,
Such are the words of men.
So be it, and what then?
Poor, tottering counterfeit,
Are you a thing to tell me what is mine?
Grant we the demon sees
An inch beyond the line,
What comes of mine and thine?
A thousand here and there may shriek and freeze,
Or they may starve in fine.
The Old Physician has a crimson cure
For such as these,
And ages after ages will endure
The minims of it that are victories.
The wreath may go from brow to brow,
The state may flourish, flame, and cease;
But through the fury and the flood somehow
The demons are acquainted and at ease,
And somewhat hard to please.
Mine, I believe, is laughing at me now
In his primordial way,
Quite as he laughed of old at Hannibal,
Or rather at Alexander, let us say.
Therefore, be what you may,
Time has no further need
Of you, or of your breed.
My demon, irretrievably astray,
Has ruined the last chorus of a play
That will, so he avers, be played again some day;
And you, poor glowering ghost,
Have staggered under laurel here to boast
Above me, dying, while you lean
In triumph awkward and unclean,
About some words of his that you have read?
Thing, do I not know them all?
He tells me how the storied leaves that fall
Are tramped on, being dead?
They are sometimes: with a storm foul enough
They are seized alive and they are blown far off
To mould on islands.
—What else have you read?
He tells me that great kings look very small
When they are put to bed;
And this being said,
He tells me that the battles I have won
Are not my own,
But his—howbeit fame will yet atone
For all defect, and sheave the mystery:
The follies and the slaughters I have done
Are mine alone,
And so far History.
So be the tale again retold
And leaf by clinging leaf unrolled
Where I have written in the dawn,
With ink that fades anon,
Like Cæsar’s, and the way be as of old.
Ho, is it you? I thought you were a ghost.
Is it time for you to poison me again?
Well, here’s our friend the rain,—
Mironton, mironton, mirontaine.
.
.
Man, I could murder you almost,
You with your pills and toast.
Take it away and eat it, and shoot rats.
Ha! there he comes.
Your rat will never fail,
My punctual assassin, to prevail—
While he has power to crawl,
Or teeth to gnaw withal—
Where kings are caged.
Why has a king no cats?
You say that I’ll achieve it if I try?
Swallow it?—No, not I …
God, what a way to die!
|
Written by
Nick Flynn |
Hover
the imagined center, our tongues
grew long to please it, licking
the walls, a chamber built of scent,
a moment followed by a lesser moment
& a hunger to return.
It couldn't last.
Resin
flowed glacially from wounds in the bark
pinned us in our entering
as the orchids opened wider.
First,
liquid, so we swam until we couldn't.
Then it felt like sleep, the taste of nectar
still inside us.
Sometimes a flower
became submerged with us.
A million years
went by.
A hundred.
Swarm of hoverflies,
cockroach, assassin bug, all
trapped, suspended
in that moment of fullness,
a Pompeii, the mother
covering her child's head forever.
|
Written by
Stephen Crane |
A youth in apparel that glittered
Went to walk in a grim forest.
There he met an assassin
Attired all in garb of old days;
He, scowling through the thickets,
And dagger poised quivering,
Rushed upon the youth.
"Sir," said this latter,
"I am enchanted, believe me,
To die, thus,
In this medieval fashion,
According to the best legends;
Ah, what joy!"
Then took he the wound, smiling,
And died, content.
|
Written by
Aleister Crowley |
El Arabi! El Arabi! Burn in thy brilliance, mine own!
O Beautiful! O Barbarous! Seductive as a serpent is
That poises head and hood, and makes his body tremble to the drone
Of tom-tom and of cymbal wooed by love's assassin sorceries!
El Arabi! El Arabi!
The moon is down; we are alone;
May not our mouths meet, madden, mix, melt in the starlight of a kiss?
El Arabi!
There by the palms, the desert's edge, I drew thee to my heart and held
Thy shy slim beauty for a splendid second; and fell moaning back,
Smitten by Love's forked flashing rod -as if the uprooted mandrake yelled!
As if I had seen God, and died! I thirst! I writhe upon the rack!
El Arabi! El Arabi!
It is not love! I am compelled
By some fierce fate, a vulture poised, heaven's single ominous speck of black.
El Arabi!
There in the lonely bordj across the dreadful lines of sleeping men,
Swart sons of the Sahara, thou didst writhe slim, sinuous and swift,
Warning me with a viper's hiss -and was not death upon us then,
No bastard of thy maiden kiss? God's grace, the all-surpassing gift!
El Arabi! El Arabi!
Yea, death is man's Elixir when
Life's pale wine foams and splashes over his imagination's rim!
El Arabi!
El Arabi! El Arabi! witch-amber and obsidian
Thine eyes are, to ensorcell me, and leonine thy male caress.
Will not God grant us Paradise to end the music Earth began?
We play with loaded dice! He cannot choose but raise right hand to bless.
El Arabi! El Arabi!
Great is the love of God and man
While I am trembling in thine arms, wild wanderer of the wilderness!
El Arabi!
|