Written by
Anthony Hecht |
What is unwisdom but the lusting after
Longevity: to be old and full of days!
For the vast and unremitting tide of years
Casts up to view more sorrowful things than joyful;
And as for pleasures, once beyond our prime,
They all drift out of reach, they are washed away.
And the same gaunt bailiff calls upon us all.
Summoning into Darkness, to those wards
Where is no music, dance, or marriage hymn
That soothes or gladdens. To the tenements of Death.
Not to be born is, past all yearning, best.
And second best is, having seen the light.
To return at once to deep oblivion.
When youth has gone, and the baseless dreams of youth,
What misery does not then jostle man's elbow,
Join him as a companion, share his bread?
Betrayal, envy, calumny and bloodshed
Move in on him, and finally Old Age--
Infirm, despised Old Age--joins in his ruin,
The crowning taunt of his indignities.
So is it with that man, not just with me.
He seems like a frail jetty facing North
Whose pilings the waves batter from all quarters;
From where the sun comes up, from where it sets,
From freezing boreal regions, from below,
A whole winter of miseries now assails him,
Thrashes his sides and breaks over his head.
|
Written by
Alexander Pope |
She said: the pitying audience melt in tears,
But Fate and Jove had stopp'd the Baron's ears.
In vain Thalestris with reproach assails,
For who can move when fair Belinda fails?
Not half so fix'd the Trojan could remain,
While Anna begg'd and Dido rag'd in vain.
Then grave Clarissa graceful wav'd her fan;
Silence ensu'd, and thus the nymph began.
"Say, why are beauties prais'd and honour'd most,
The wise man's passion, and the vain man's toast?
Why deck'd with all that land and sea afford,
Why angels call'd, and angel-like ador'd?
Why round our coaches crowd the white-glov'd beaux,
Why bows the side-box from its inmost rows?
How vain are all these glories, all our pains,
Unless good sense preserve what beauty gains:
That men may say, when we the front-box grace:
'Behold the first in virtue, as in face!'
Oh! if to dance all night, and dress all day,
Charm'd the smallpox, or chas'd old age away;
Who would not scorn what housewife's cares produce,
Or who would learn one earthly thing of use?
To patch, nay ogle, might become a saint,
Nor could it sure be such a sin to paint.
But since, alas! frail beauty must decay,
Curl'd or uncurl'd, since locks will turn to grey,
Since painted, or not painted, all shall fade,
And she who scorns a man, must die a maid;
What then remains but well our pow'r to use,
And keep good humour still whate'er we lose?
And trust me, dear! good humour can prevail,
When airs, and flights, and screams, and scolding fail.
Beauties in vain their pretty eyes may roll;
Charms strike the sight, but merit wins the soul."
So spoke the dame, but no applause ensu'd;
Belinda frown'd, Thalestris call'd her prude.
"To arms, to arms!" the fierce virago cries,
And swift as lightning to the combat flies.
All side in parties, and begin th' attack;
Fans clap, silks rustle, and tough whalebones crack;
Heroes' and heroines' shouts confus'dly rise,
And bass, and treble voices strike the skies.
No common weapons in their hands are found,
Like gods they fight, nor dread a mortal wound.
So when bold Homer makes the gods engage,
And heav'nly breasts with human passions rage;
'Gainst Pallas, Mars; Latona, Hermes arms;
And all Olympus rings with loud alarms.
Jove's thunder roars, heav'n trembles all around;
Blue Neptune storms, the bellowing deeps resound;
Earth shakes her nodding tow'rs, the ground gives way;
And the pale ghosts start at the flash of day!
Triumphant Umbriel on a sconce's height
Clapp'd his glad wings, and sate to view the fight:
Propp'd on their bodkin spears, the sprites survey
The growing combat, or assist the fray.
While through the press enrag'd Thalestris flies,
And scatters death around from both her eyes,
A beau and witling perish'd in the throng,
One died in metaphor, and one in song.
"O cruel nymph! a living death I bear,"
Cried Dapperwit, and sunk beside his chair.
A mournful glance Sir Fopling upwards cast,
"Those eyes are made so killing"--was his last.
Thus on Mæeander's flow'ry margin lies
Th' expiring swan, and as he sings he dies.
When bold Sir Plume had drawn Clarissa down,
Chloe stepp'd in, and kill'd him with a frown;
She smil'd to see the doughty hero slain,
But at her smile, the beau reviv'd again.
Now Jove suspends his golden scales in air,
Weighs the men's wits against the lady's hair;
The doubtful beam long nods from side to side;
At length the wits mount up, the hairs subside.
See, fierce Belinda on the baron flies,
With more than usual lightning in her eyes,
Nor fear'd the chief th' unequal fight to try,
Who sought no more than on his foe to die.
But this bold lord with manly strength endu'd,
She with one finger and a thumb subdu'd:
Just where the breath of life his nostrils drew,
A charge of snuff the wily virgin threw;
The Gnomes direct, to ev'ry atom just,
The pungent grains of titillating dust.
Sudden, with starting tears each eye o'erflows,
And the high dome re-echoes to his nose.
"Now meet thy fate", incens'd Belinda cried,
And drew a deadly bodkin from her side.
(The same, his ancient personage to deck,
Her great great grandsire wore about his neck
In three seal-rings; which after, melted down,
Form'd a vast buckle for his widow's gown:
Her infant grandame's whistle next it grew,
The bells she jingled, and the whistle blew;
Then in a bodkin grac'd her mother's hairs,
Which long she wore, and now Belinda wears.)
"Boast not my fall," he cried, "insulting foe!
Thou by some other shalt be laid as low.
Nor think, to die dejects my lofty mind;
All that I dread is leaving you benind!
Rather than so, ah let me still survive,
And burn in Cupid's flames--but burn alive."
"Restore the lock!" she cries; and all around
"Restore the lock!" the vaulted roofs rebound.
Not fierce Othello in so loud a strain
Roar'd for the handkerchief that caus'd his pain.
But see how oft ambitious aims are cross'd,
The chiefs contend 'till all the prize is lost!
The lock, obtain'd with guilt, and kept with pain,
In ev'ry place is sought, but sought in vain:
With such a prize no mortal must be blest,
So Heav'n decrees! with Heav'n who can contest?
Some thought it mounted to the lunar sphere,
Since all things lost on earth are treasur'd there.
There hero's wits are kept in pond'rous vases,
And beaux' in snuff boxes and tweezercases.
There broken vows and deathbed alms are found,
And lovers' hearts with ends of riband bound;
The courtier's promises, and sick man's prayers,
The smiles of harlots, and the tears of heirs,
Cages for gnats, and chains to yoke a flea,
Dried butterflies, and tomes of casuistry.
But trust the Muse--she saw it upward rise,
Though mark'd by none but quick, poetic eyes:
(So Rome's great founder to the heav'ns withdrew,
To Proculus alone confess'd in view)
A sudden star, it shot through liquid air,
And drew behind a radiant trail of hair.
Not Berenice's locks first rose so bright,
The heav'ns bespangling with dishevell'd light.
The Sylphs behold it kindling as it flies,
And pleas'd pursue its progress through the skies.
This the beau monde shall from the Mall survey,
And hail with music its propitious ray.
This the blest lover shall for Venus take,
And send up vows from Rosamonda's lake.
This Partridge soon shall view in cloudless skies,
When next he looks through Galileo's eyes;
And hence th' egregious wizard shall foredoom
The fate of Louis, and the fall of Rome.
Then cease, bright nymph! to mourn thy ravish'd hair,
Which adds new glory to the shining sphere!
Not all the tresses that fair head can boast
Shall draw such envy as the lock you lost.
For, after all the murders of your eye,
When, after millions slain, yourself shall die:
When those fair suns shall set, as set they must,
And all those tresses shall be laid in dust,
This lock, the Muse shall consecrate to fame
And 'midst the stars inscribe Belinda's name.
|
Written by
Robert William Service |
Courage mes gars:
La guerre est proche.
I plant my little plot of beans,
I sit beneath my cyprus tree;
I do not know what trouble means,
I cultivate tranquillity . . .
But as to-day my walk I made
In all serenity and cheer,
I saw cut in an agave blade:
"Courage, my comrades, war is near!"
Seward I went, my feet were slow,
Awhile I dowsed upon the shore;
And then I roused with fear for lo!
I saw six grisly ships of war.
A grim, grey line of might and dread
Against the skyline looming sheer:
With horror to myself I said:
"Courage, my comrades, war is near!"
I saw my cottage on the hill
With rambling roses round the door;
It was so peaceful and so still
I sighed . . . and then it was no more.
A flash of flame, a rubble heap;
I cried aloud with woe and fear . . .
And wok myself from troubled sleep -
My home was safe, war was not near.
Oh, I am old, my step is frail,
My carcase bears a score of scars,
And as I climbed my homeward trail
Sadly I thought of other wars.
And when that agave leaf I saw
With vicious knife I made a blear
Of words clean-cut into the raw:
"Courage, my comrades, war is near!"
Who put hem there I do not know -
One of these rabid reds, no doubt;
But I for freedom struck my blow,
With bitter blade I scraped them out.
There now, said I, I will forget,
And smoke my pipe and drink my beer -
Yet in my mind these words were set:
"Courage, my comrades, war is near!"
"Courage, my comrades, war is near!"
I hear afar its hateful drums;
Its horrid din assails my ear:
I hope I die before it comes. . . .
Yet as into the town I go,
And listen to the rabble cheer,
I think with heart of weary woe:
War is not coming - WAR IS HERE.
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Written by
Alexander Pushkin |
Deep in the desert's misery,
far in the fury of the sand,
there stands the awesome Upas Tree
lone watchman of a lifeless land.
The wilderness, a world of thirst,
in wrath engendered it and filled
its every root, every accursed
grey leafstalk with a sap that killed.
Dissolving in the midday sun
the poison oozes through its bark,
and freezing when the day is done
gleams thick and gem-like in the dark.
No bird flies near, no tiger creeps;
alone the whirlwind, wild and black,
assails the tree of death and sweeps
away with death upon its back.
And though some roving cloud may stain
with glancing drops those leaden leaves,
the dripping of a poisoned rain
is all the burning sand receives.
But man sent man with one proud look
towards the tree, and he was gone,
the humble one, and there he took
the poison and returned at dawn.
He brought the deadly gum; with it
he brought some leaves, a withered bough,
while rivulets of icy sweat
ran slowly down his livid brow.
He came, he fell upon a mat,
and reaping a poor slave's reward,
died near the painted hut where sat
his now unconquerable lord.
The king, he soaked his arrows true
in poison, and beyond the plains
dispatched those messengers and slew
his neighbors in their own domains.
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Written by
Robert Burns |
MY lord, I know your noble ear
Woe ne’er assails in vain;
Embolden’d thus, I beg you’ll hear
Your humble slave complain,
How saucy Phoebus’ scorching beams,
In flaming summer-pride,
Dry-withering, waste my foamy streams,
And drink my crystal tide. 1
The lightly-jumping, glowrin’ trouts,
That thro’ my waters play,
If, in their random, wanton spouts,
They near the margin stray;
If, hapless chance! they linger lang,
I’m scorching up so shallow,
They’re left the whitening stanes amang,
In gasping death to wallow.
Last day I grat wi’ spite and teen,
As poet Burns came by.
That, to a bard, I should be seen
Wi’ half my channel dry;
A panegyric rhyme, I ween,
Ev’n as I was, he shor’d me;
But had I in my glory been,
He, kneeling, wad ador’d me.
Here, foaming down the skelvy rocks,
In twisting strength I rin;
There, high my boiling torrent smokes,
Wild-roaring o’er a linn:
Enjoying each large spring and well,
As Nature gave them me,
I am, altho’ I say’t mysel’,
Worth gaun a mile to see.
Would then my noble master please
To grant my highest wishes,
He’ll shade my banks wi’ tow’ring trees,
And bonie spreading bushes.
Delighted doubly then, my lord,
You’ll wander on my banks,
And listen mony a grateful bird
Return you tuneful thanks.
The sober lav’rock, warbling wild,
Shall to the skies aspire;
The gowdspink, Music’s gayest child,
Shall sweetly join the choir;
The blackbird strong, the lintwhite clear,
The mavis mild and mellow;
The robin pensive Autumn cheer,
In all her locks of yellow.
This, too, a covert shall ensure,
To shield them from the storm;
And coward maukin sleep secure,
Low in her grassy form:
Here shall the shepherd make his seat,
To weave his crown of flow’rs;
Or find a shelt’ring, safe retreat,
From prone-descending show’rs.
And here, by sweet, endearing stealth,
Shall meet the loving pair,
Despising worlds, with all their wealth,
As empty idle care;
The flow’rs shall vie in all their charms,
The hour of heav’n to grace;
And birks extend their fragrant arms
To screen the dear embrace.
Here haply too, at vernal dawn,
Some musing bard may stray,
And eye the smoking, dewy lawn,
And misty mountain grey;
Or, by the reaper’s nightly beam,
Mild-chequering thro’ the trees,
Rave to my darkly dashing stream,
Hoarse-swelling on the breeze.
Let lofty firs, and ashes cool,
My lowly banks o’erspread,
And view, deep-bending in the pool,
Their shadow’s wat’ry bed:
Let fragrant birks, in woodbines drest,
My craggy cliffs adorn;
And, for the little songster’s nest,
The close embow’ring thorn.
So may old Scotia’s darling hope,
Your little angel band
Spring, like their fathers, up to prop
Their honour’d native land!
So may, thro’ Albion’s farthest ken,
To social-flowing glasses,
The grace be—“Athole’s honest men,
And Athole’s bonie lasses!”
Note 1. Bruar Falls, in Athole, are exceedingly picturesque and beautiful; but their effect is much impaired by the want of trees and shrubs.—R. B. [back]
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Written by
Friedrich von Schiller |
A youth, impelled by a burning thirst for knowledge
To roam to Sais, in fair Egypt's land,
The priesthood's secret learning to explore,
Had passed through many a grade with eager haste,
And still was hurrying on with fond impatience.
Scarce could the Hierophant impose a rein
Upon his headlong efforts. "What avails
A part without the whole?" the youth exclaimed;
"Can there be here a lesser or a greater?
The truth thou speak'st of, like mere earthly dross,
Is't but a sum that can be held by man
In larger or in smaller quantity?
Surely 'tis changeless, indivisible;
Deprive a harmony of but one note,
Deprive the rainbow of one single color,
And all that will remain is naught, so long
As that one color, that one note, is wanting."
While thus they converse held, they chanced to stand
Within the precincts of a lonely temple,
Where a veiled statue of gigantic size
The youth's attention caught. In wonderment
He turned him toward his guide, and asked him, saying,
"What form is that concealed beneath yon veil?"
"Truth!" was the answer. "What!" the young man cried,
"When I am striving after truth alone,
Seekest thou to hide that very truth from me?"
"The Godhead's self alone can answer thee,"
Replied the Hierophant. "'Let no rash mortal
Disturb this veil,' said he, 'till raised by me;
For he who dares with sacrilegious hand
To move the sacred mystic covering,
He'--said the Godhead--" "Well?"--"'will see the truth.'"
"Strangely oracular, indeed! And thou
Hast never ventured, then, to raise the veil?"
"I? Truly not! I never even felt
The least desire."--"Is't possible? If I
Were severed from the truth by nothing else
Than this thin gauze--" "And a divine decree,"
His guide broke in. "Far heavier than thou thinkest
Is this thin gauze, my son. Light to thy hand
It may be--but most weighty to thy conscience."
The youth now sought his home, absorbed in thought;
His burning wish to solve the mystery
Banished all sleep; upon his couch he lay,
Tossing his feverish limbs. When midnight came,
He rose, and toward the temple timidly,
Led by a mighty impulse, bent his way.
The walls he scaled, and soon one active spring
Landed the daring boy beneath the dome.
Behold him now, in utter solitude,
Welcomed by naught save fearful, deathlike silence,--
A silence which the echo of his steps
Alone disturbs, as through the vaults he paces.
Piercing an opening in the cupola,
The moon cast down her pale and silvery beams,
And, awful as a present deity,
Glittering amid the darkness of the pile,
In its long veil concealed, the statue stands.
With hesitating step, he now draws near--
His impious hand would fain remove the veil--
Sudden a burning chill assails his bones
And then an unseen arm repulses him.
"Unhappy one, what wouldst thou do?" Thus cries
A faithful voice within his trembling breast.
"Wouldst thou profanely violate the All-Holy?"
"'Tis true the oracle declared, 'Let none
Venture to raise the veil till raised by me.'
But did the oracle itself not add,
That he who did so would behold the truth?
Whate'er is hid behind, I'll raise the veil."
And then he shouted: "Yes! I will behold it!"
"Behold it!"
Repeats in mocking tone the distant echo.
He speaks, and, with the word, lifts up the veil.
Would you inquire what form there met his eye?
I know not,--but, when day appeared, the priests
Found him extended senseless, pale as death,
Before the pedestal of Isis' statue.
What had been seen and heard by him when there
He never would disclose, but from that hour
His happiness in life had fled forever,
And his deep sorrow soon conducted him
To an untimely grave. "Woe to that man,"
He warning said to every questioner,
"Woe to that man who wins the truth by guilt,
For truth so gained will ne'er reward its owner."
|
Written by
Johann Wolfgang von Goethe |
[written in a post-chaise.]
(* In the original, Schwager, which has the
twofold meaning of brother-in-law and postilion.)
HASTEN thee, Kronos!
On with clattering trot
Downhill goeth thy path;
Loathsome dizziness ever,
When thou delayest, assails me.
Quick, rattle along,
Over stock and stone let thy trot
Into life straightway lead
Now once more
Up the toilsome ascent
Hasten, panting for breath!
Up, then, nor idle be,--
Striving and hoping, up, up!
Wide, high, glorious the view
Gazing round upon life,
While from mount unto mount
Hovers the spirit eterne,
Life eternal foreboding.
Sideways a roof's pleasant shade
Attracts thee,
And a look that promises coolness
On the maidenly threshold.
There refresh thee! And, maiden,
Give me this foaming draught also,
Give me this health-laden look!
Down, now! quicker still, down!
See where the sun sets
Ere he sets, ere old age
Seizeth me in the morass,
Ere my toothless jaws mumble,
And my useless limbs totter;
While drunk with his farewell beam
Hurl me,--a fiery sea
Foaming still in mine eye,--
Hurl me, while dazzled and reeling,
Down to the gloomy portal of hell.
Blow, then, gossip, thy horn,
Speed on with echoing trot,
So that Orcus may know we are coming;
So that our host may with joy
Wait at the door to receive us.
1774.
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Written by
Edna St. Vincent Millay |
Pity me not because the light of day
At close of day no longer walks the sky;
Pity me not for beauties passed away
From field and thicket as the the year goes by;
Pity me not the waning of the moon,
Nor that the ebbing tide goes out to sea,
Nor that a man's desire is hushed so soon,
And you no longer look with love on me.
This have I known always: Love is no more
Than the wide blossom which the wind assails,
Than the great tide that treads the shifting shore,
Strewing fresh wreckage gathered in the gales:
Pity me that the heart is slow to learn
What the swift mind beholds at ever turn.
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Written by
Omar Khayyam |
Would that the lover [the true believer] were intoxicated
the whole year, mad, absorbed with wine, covered
with dishonor! For, when we have sound reason, chagrin
assails us on all sides; but when we are in wine, well,
let come what will!
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