10 Best Famous Asia Poems

Here is a collection of the top 10 all-time best famous Asia poems. This is a select list of the best famous Asia poetry. Reading, writing, and enjoying famous Asia poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of asia poems.

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To Think of Time

by Walt Whitman
 1
TO think of time—of all that retrospection! 
To think of to-day, and the ages continued henceforward! 

Have you guess’d you yourself would not continue? 
Have you dreaded these earth-beetles? 
Have you fear’d the future would be nothing to you?

Is to-day nothing? Is the beginningless past nothing? 
If the future is nothing, they are just as surely nothing. 

To think that the sun rose in the east! that men and women were flexible, real, alive!
 that
 everything was alive! 
To think that you and I did not see, feel, think, nor bear our part! 
To think that we are now here, and bear our part!

2
Not a day passes—not a minute or second, without an accouchement! 
Not a day passes—not a minute or second, without a corpse! 

The dull nights go over, and the dull days also, 
The soreness of lying so much in bed goes over, 
The physician, after long putting off, gives the silent and terrible look for an answer,
The children come hurried and weeping, and the brothers and sisters are sent for, 
Medicines stand unused on the shelf—(the camphor-smell has long pervaded the rooms,) 
The faithful hand of the living does not desert the hand of the dying, 
The twitching lips press lightly on the forehead of the dying, 
The breath ceases, and the pulse of the heart ceases,
The corpse stretches on the bed, and the living look upon it, 
It is palpable as the living are palpable. 

The living look upon the corpse with their eye-sight, 
But without eye-sight lingers a different living, and looks curiously on the corpse. 

3
To think the thought of Death, merged in the thought of materials!
To think that the rivers will flow, and the snow fall, and fruits ripen, and act upon
 others as
 upon us now—yet not act upon us! 
To think of all these wonders of city and country, and others taking great interest in
 them—and we taking no interest in them! 

To think how eager we are in building our houses! 
To think others shall be just as eager, and we quite indifferent! 

(I see one building the house that serves him a few years, or seventy or eighty years at
 most,
I see one building the house that serves him longer than that.) 

Slow-moving and black lines creep over the whole earth—they never cease—they are
 the
 burial lines, 
He that was President was buried, and he that is now President shall surely be buried. 

4
A reminiscence of the vulgar fate, 
A frequent sample of the life and death of workmen,
Each after his kind: 
Cold dash of waves at the ferry-wharf—posh and ice in the river, half-frozen mud in
 the
 streets, a gray, discouraged sky overhead, the short, last daylight of Twelfth-month, 
A hearse and stages—other vehicles give place—the funeral of an old Broadway
 stage-driver, the cortege mostly drivers. 

Steady the trot to the cemetery, duly rattles the death-bell, the gate is pass’d, the
 new-dug grave is halted at, the living alight, the hearse uncloses, 
The coffin is pass’d out, lower’d and settled, the whip is laid on the coffin,
 the
 earth is swiftly shovel’d in,
The mound above is flatted with the spades—silence, 
A minute—no one moves or speaks—it is done, 
He is decently put away—is there anything more? 

He was a good fellow, free-mouth’d, quick-temper’d, not bad-looking, able to
 take his
 own part, witty, sensitive to a slight, ready with life or death for a friend, fond of
 women,
 gambled, ate hearty, drank hearty, had known what it was to be flush, grew low-spirited
 toward
 the last, sicken’d, was help’d by a contribution, died, aged forty-one
 years—and
 that was his funeral. 

Thumb extended, finger uplifted, apron, cape, gloves, strap, wet-weather clothes, whip
 carefully chosen, boss, spotter, starter, hostler, somebody loafing on you, you loafing
 on
 somebody, headway, man before and man behind, good day’s work, bad day’s work,
 pet
 stock, mean stock, first out, last out, turning-in at night;
To think that these are so much and so nigh to other drivers—and he there takes no
 interest in them! 

5
The markets, the government, the working-man’s wages—to think what account they
 are
 through our nights and days! 
To think that other working-men will make just as great account of them—yet we make
 little
 or no account! 

The vulgar and the refined—what you call sin, and what you call goodness—to
 think how
 wide a difference! 
To think the difference will still continue to others, yet we lie beyond the difference.

To think how much pleasure there is! 
Have you pleasure from looking at the sky? have you pleasure from poems? 
Do you enjoy yourself in the city? or engaged in business? or planning a nomination and
 election? or with your wife and family? 
Or with your mother and sisters? or in womanly housework? or the beautiful maternal cares?

—These also flow onward to others—you and I flow onward,
But in due time, you and I shall take less interest in them. 

Your farm, profits, crops,—to think how engross’d you are! 
To think there will still be farms, profits, crops—yet for you, of what avail? 

6
What will be, will be well—for what is, is well, 
To take interest is well, and not to take interest shall be well.

The sky continues beautiful, 
The pleasure of men with women shall never be sated, nor the pleasure of women with men,
 nor
 the pleasure from poems, 
The domestic joys, the daily housework or business, the building of houses—these are
 not
 phantasms—they have weight, form, location; 
Farms, profits, crops, markets, wages, government, are none of them phantasms, 
The difference between sin and goodness is no delusion,
The earth is not an echo—man and his life, and all the things of his life, are
 well-consider’d. 

You are not thrown to the winds—you gather certainly and safely around yourself; 
Yourself! Yourself! Yourself, forever and ever! 

7
It is not to diffuse you that you were born of your mother and father—it is to
 identify
 you; 
It is not that you should be undecided, but that you should be decided;
Something long preparing and formless is arrived and form’d in you, 
You are henceforth secure, whatever comes or goes. 

The threads that were spun are gather’d, the weft crosses the warp, the pattern is
 systematic. 

The preparations have every one been justified, 
The orchestra have sufficiently tuned their instruments—the baton has given the
 signal.

The guest that was coming—he waited long, for reasons—he is now housed, 
He is one of those who are beautiful and happy—he is one of those that to look upon
 and be
 with is enough. 

The law of the past cannot be eluded, 
The law of the present and future cannot be eluded, 
The law of the living cannot be eluded—it is eternal,
The law of promotion and transformation cannot be eluded, 
The law of heroes and good-doers cannot be eluded, 
The law of drunkards, informers, mean persons—not one iota thereof can be eluded. 

8
Slow moving and black lines go ceaselessly over the earth, 
Northerner goes carried, and Southerner goes carried, and they on the Atlantic side, and
 they
 on the Pacific, and they between, and all through the Mississippi country, and all over
 the
 earth.

The great masters and kosmos are well as they go—the heroes and good-doers are well, 
The known leaders and inventors, and the rich owners and pious and distinguish’d, may
 be
 well, 
But there is more account than that—there is strict account of all. 

The interminable hordes of the ignorant and wicked are not nothing, 
The barbarians of Africa and Asia are not nothing,
The common people of Europe are not nothing—the American aborigines are not nothing, 
The infected in the immigrant hospital are not nothing—the murderer or mean person is
 not
 nothing, 
The perpetual successions of shallow people are not nothing as they go, 
The lowest prostitute is not nothing—the mocker of religion is not nothing as he
 goes. 

9
Of and in all these things,
I have dream’d that we are not to be changed so much, nor the law of us changed, 
I have dream’d that heroes and good-doers shall be under the present and past law, 
And that murderers, drunkards, liars, shall be under the present and past law, 
For I have dream’d that the law they are under now is enough. 

If otherwise, all came but to ashes of dung,
If maggots and rats ended us, then Alarum! for we are betray’d! 
Then indeed suspicion of death. 

Do you suspect death? If I were to suspect death, I should die now, 
Do you think I could walk pleasantly and well-suited toward annihilation? 

10
Pleasantly and well-suited I walk,
Whither I walk I cannot define, but I know it is good, 
The whole universe indicates that it is good, 
The past and the present indicate that it is good. 

How beautiful and perfect are the animals! 
How perfect the earth, and the minutest thing upon it!

What is called good is perfect, and what is called bad is just as perfect, 
The vegetables and minerals are all perfect, and the imponderable fluids are perfect; 
Slowly and surely they have pass’d on to this, and slowly and surely they yet pass
 on. 

11
I swear I think now that everything without exception has an eternal Soul! 
The trees have, rooted in the ground! the weeds of the sea have! the animals!

I swear I think there is nothing but immortality! 
That the exquisite scheme is for it, and the nebulous float is for it, and the cohering is
 for
 it; 
And all preparation is for it! and identity is for it! and life and materials are
 altogether
 for it

Love Song

by Dorothy Parker
My own dear love, he is strong and bold
And he cares not what comes after.
His words ring sweet as a chime of gold,
And his eyes are lit with laughter.
He is jubilant as a flag unfurled—
Oh, a girl, she’d not forget him.
My own dear love, he is all my world,—
And I wish I’d never met him.

My love, he’s mad, and my love, he’s fleet,
And a wild young wood-thing bore him!
The ways are fair to his roaming feet,
And the skies are sunlit for him.
As sharply sweet to my heart he seems
As the fragrance of acacia.
My own dear love, he is all my dreams,—
And I wish he were in Asia.

Be Angry At The Sun

by Robinson Jeffers
 That public men publish falsehoods
Is nothing new. That America must accept
Like the historical republics corruption and empire
Has been known for years.

Be angry at the sun for setting
If these things anger you. Watch the wheel slope and turn,
They are all bound on the wheel, these people, those warriors.
This republic, Europe, Asia.

Observe them gesticulating,
Observe them going down. The gang serves lies, the passionate
Man plays his part; the cold passion for truth
Hunts in no pack.

You are not Catullus, you know,
To lampoon these crude sketches of Caesar. You are far
From Dante's feet, but even farther from his dirty
Political hatreds.

Let boys want pleasure, and men
Struggle for power, and women perhaps for fame,
And the servile to serve a Leader and the dupes to be duped.
Yours is not theirs.

America

by Allen Ginsberg
 America I've given you all and now I'm nothing. 
America two dollars and twentyseven cents January 
 17, 1956. 
I can't stand my own mind. 
America when will we end the human war? 
Go **** yourself with your atom bomb. 
I don't feel good don't bother me. 
I won't write my poem till I'm in my right mind. 
America when will you be angelic? 
When will you take off your clothes? 
When will you look at yourself through the grave? 
When will you be worthy of your million Trotskyites? 
America why are your libraries full of tears? 
America when will you send your eggs to India? 
I'm sick of your insane demands. 
When can I go into the supermarket and buy what I 
 need with my good looks? 
America after all it is you and I who are perfect not 
 the next world. 
Your machinery is too much for me. 
You made me want to be a saint. 
There must be some other way to settle this argument. 
Burroughs is in Tangiers I don't think he'll come back 
 it's sinister. 
Are you being sinister or is this some form of practical 
 joke? 
I'm trying to come to the point. 
I refuse to give up my obsession. 
America stop pushing I know what I'm doing. 
America the plum blossoms are falling. 
I haven't read the newspapers for months, everyday 
 somebody goes on trial for murder. 
America I feel sentimental about the Wobblies. 
America I used to be a communist when I was a kid 
 I'm not sorry. 
I smoke marijuana every chance I get. 
I sit in my house for days on end and stare at the roses 
 in the closet. 
When I go to Chinatown I get drunk and never get laid. 
My mind is made up there's going to be trouble. 
You should have seen me reading Marx. 
My psychoanalyst thinks I'm perfectly right. 
I won't say the Lord's Prayer. 
I have mystical visions and cosmic vibrations. 
America I still haven't told you what you did to Uncle 
 Max after he came over from Russia.

I'm addressing you. 
Are you going to let your emotional life be run by 
 Time Magazine? 
I'm obsessed by Time Magazine. 
I read it every week. 
Its cover stares at me every time I slink past the corner 
 candystore. 
I read it in the basement of the Berkeley Public Library. 
It's always telling me about responsibility. Business-
 men are serious. Movie producers are serious. 
 Everybody's serious but me. 
It occurs to me that I am America. 
I am talking to myself again. 

Asia is rising against me. 
I haven't got a chinaman's chance. 
I'd better consider my national resources. 
My national resources consist of two joints of 
 marijuana millions of genitals an unpublishable 
 private literature that goes 1400 miles an hour 
 and twenty-five-thousand mental institutions. 
I say nothing about my prisons nor the millions of 
 underprivileged who live in my flowerpots 
 under the light of five hundred suns. 
I have abolished the whorehouses of France, Tangiers 
 is the next to go. 
My ambition is to be President despite the fact that 
 I'm a Catholic. 
America how can I write a holy litany in your silly 
 mood? 
I will continue like Henry Ford my strophes are as 
 individual as his automobiles more so they're 
 all different sexes. 
America I will sell you strophes $2500 apiece $500 
 down on your old strophe 
America free Tom Mooney 
America save the Spanish Loyalists 
America Sacco & Vanzetti must not die 
America I am the Scottsboro boys. 
America when I was seven momma took me to Com-
 munist Cell meetings they sold us garbanzos a 
 handful per ticket a ticket costs a nickel and the 
 speeches were free everybody was angelic and 
 sentimental about the workers it was all so sin-
 cere you have no idea what a good thing the 
 party was in 1835 Scott Nearing was a grand 
 old man a real mensch Mother Bloor made me 
 cry I once saw Israel Amter plain. Everybody 
 must have been a spy. 
America you don't really want to go to war. 
America it's them bad Russians. 
Them Russians them Russians and them Chinamen. 
 And them Russians. 
The Russia wants to eat us alive. The Russia's power 
 mad. She wants to take our cars from out our 
 garages. 
Her wants to grab Chicago. Her needs a Red Readers' 
 Digest. Her wants our auto plants in Siberia. 
 Him big bureaucracy running our fillingsta-
 tions. 
That no good. Ugh. Him make Indians learn read. 
 Him need big black niggers. Hah. Her make us 
 all work sixteen hours a day. Help. 
America this is quite serious. 
America this is the impression I get from looking in 
 the television set. 
America is this correct? 
I'd better get right down to the job. 
It's true I don't want to join the Army or turn lathes 
 in precision parts factories, I'm nearsighted and 
 psychopathic anyway. 
America I'm putting my ***** shoulder to the wheel. 

 Berkeley, January 17, 1956

As a Strong Bird on Pinions Free

by Walt Whitman
 1
AS a strong bird on pinions free, 
Joyous, the amplest spaces heavenward cleaving, 
Such be the thought I’d think to-day of thee, America, 
Such be the recitative I’d bring to-day for thee. 

The conceits of the poets of other lands I bring thee not,
Nor the compliments that have served their turn so long, 
Nor rhyme—nor the classics—nor perfume of foreign court, or indoor library; 
But an odor I’d bring to-day as from forests of pine in the north, in Maine—or
 breath
 of an Illinois prairie, 
With open airs of Virginia, or Georgia, or Tennessee—or from Texas uplands, or
 Florida’s glades, 
With presentment of Yellowstone’s scenes, or Yosemite;
And murmuring under, pervading all, I’d bring the rustling sea-sound, 
That endlessly sounds from the two great seas of the world. 

And for thy subtler sense, subtler refrains, O Union! 
Preludes of intellect tallying these and thee—mind-formulas fitted for
 thee—real, and
 sane, and large as these and thee; 
Thou, mounting higher, diving deeper than we knew—thou transcendental Union!
By thee Fact to be justified—blended with Thought; 
Thought of Man justified—blended with God: 
Through thy Idea—lo! the immortal Reality! 
Through thy Reality—lo! the immortal Idea! 

2
Brain of the New World! what a task is thine!
To formulate the Modern.....Out of the peerless grandeur of the modern, 
Out of Thyself—comprising Science—to recast Poems, Churches, Art, 
(Recast—may-be discard them, end them—May-be their work is done—who knows?)

By vision, hand, conception, on the background of the mighty past, the dead, 
To limn, with absolute faith, the mighty living present.

(And yet, thou living, present brain! heir of the dead, the Old World brain! 
Thou that lay folded, like an unborn babe, within its folds so long! 
Thou carefully prepared by it so long!—haply thou but unfoldest it—only maturest
 it; 
It to eventuate in thee—the essence of the by-gone time contain’d in thee; 
Its poems, churches, arts, unwitting to themselves, destined with reference to thee,
The fruit of all the Old, ripening to-day in thee.) 

3
Sail—sail thy best, ship of Democracy! 
Of value is thy freight—’tis not the Present only, 
The Past is also stored in thee! 
Thou holdest not the venture of thyself alone—not of thy western continent alone;
Earth’s résumé entire floats on thy keel, O ship—is
 steadied by
 thy spars; 
With thee Time voyages in trust—the antecedent nations sink or swim with thee; 
With all their ancient struggles, martyrs, heroes, epics, wars, thou bear’st the
 other
 continents; 
Theirs, theirs as much as thine, the destination-port triumphant: 
—Steer, steer with good strong hand and wary eye, O helmsman—thou carryest great
 companions,
Venerable, priestly Asia sails this day with thee, 
And royal, feudal Europe sails with thee. 

4
Beautiful World of new, superber Birth, that rises to my eyes, 
Like a limitless golden cloud, filling the western sky; 
Emblem of general Maternity, lifted above all;
Sacred shape of the bearer of daughters and sons; 
Out of thy teeming womb, thy giant babes in ceaseless procession issuing, 
Acceding from such gestation, taking and giving continual strength and life; 
World of the Real! world of the twain in one! 
World of the Soul—born by the world of the real alone—led to identity, body, by
 it
 alone;
Yet in beginning only—incalculable masses of composite, precious materials, 
By history’s cycles forwarded—by every nation, language, hither sent, 
Ready, collected here—a freer, vast, electric World, to be constructed here, 
(The true New World—the world of orbic Science, Morals, Literatures to come,) 
Thou Wonder World, yet undefined, unform’d—neither do I define thee;
How can I pierce the impenetrable blank of the future? 
I feel thy ominous greatness, evil as well as good; 
I watch thee, advancing, absorbing the present, transcending the past; 
I see thy light lighting and thy shadow shadowing, as if the entire globe; 
But I do not undertake to define thee—hardly to comprehend thee;
I but thee name—thee prophecy—as now! 
I merely thee ejaculate! 

Thee in thy future; 
Thee in thy only permanent life, career—thy own unloosen’d mind—thy soaring
 spirit; 
Thee as another equally needed sun, America—radiant, ablaze, swift-moving,
 fructifying
 all;
Thee! risen in thy potent cheerfulness and joy—thy endless, great hilarity! 
(Scattering for good the cloud that hung so long—that weigh’d so long upon the
 mind
 of man, 
The doubt, suspicion, dread, of gradual, certain decadence of man;) 
Thee in thy larger, saner breeds of Female, Male—thee in thy athletes, moral,
 spiritual,
 South, North, West, East, 
(To thy immortal breasts, Mother of All, thy every daughter, son, endear’d alike,
 forever
 equal;)
Thee in thy own musicians, singers, artists, unborn yet, but certain; 
Thee in thy moral wealth and civilization (until which thy proudest material wealth and
 civilization must remain in vain;) 
Thee in thy all-supplying, all-enclosing Worship—thee in no single bible, saviour,
 merely,

Thy saviours countless, latent within thyself—thy bibles incessant, within thyself,
 equal
 to any, divine as any; 
Thee in an education grown of thee—in teachers, studies, students, born of thee;
Thee in thy democratic fetes, en masse—thy high original festivals, operas,
 lecturers,
 preachers; 
Thee in thy ultimata, (the preparations only now completed—the edifice on sure
 foundations
 tied,) 
Thee in thy pinnacles, intellect, thought—thy topmost rational joys—thy love,
 and
 godlike aspiration, 
In thy resplendent coming literati—thy full-lung’d orators—thy sacerdotal
 bards—kosmic savans, 
These! these in thee, (certain to come,) to-day I prophecy.

5
Land tolerating all—accepting all—not for the good alone—all good for thee;

Land in the realms of God to be a realm unto thyself; 
Under the rule of God to be a rule unto thyself. 

(Lo! where arise three peerless stars, 
To be thy natal stars, my country—Ensemble—Evolution—Freedom,
Set in the sky of Law.) 

Land of unprecedented faith—God’s faith! 
Thy soil, thy very subsoil, all upheav’d; 
The general inner earth, so long, so sedulously draped over, now and hence for what it is,
 boldly laid bare, 
Open’d by thee to heaven’s light, for benefit or bale.

Not for success alone; 
Not to fair-sail unintermitted always; 
The storm shall dash thy face—the murk of war, and worse than war, shall cover thee
 all
 over; 
(Wert capable of war—its tug and trials? Be capable of peace, its trials; 
For the tug and mortal strain of nations come at last in peace—not war;)
In many a smiling mask death shall approach, beguiling thee—thou in disease shalt
 swelter;

The livid cancer spread its hideous claws, clinging upon thy breasts, seeking to strike
 thee
 deep within; 
Consumption of the worst—moral consumption—shall rouge thy face with hectic: 
But thou shalt face thy fortunes, thy diseases, and surmount them all, 
Whatever they are to-day, and whatever through time they may be,
They each and all shall lift, and pass away, and cease from thee; 
While thou, Time’s spirals rounding—out of thyself, thyself still extricating,
 fusing, 
Equable, natural, mystical Union thou—(the mortal with immortal blent,) 
Shalt soar toward the fulfilment of the future—the spirit of the body and the mind, 
The Soul—its destinies.

The Soul, its destinies—the real real, 
(Purport of all these apparitions of the real;) 
In thee, America, the Soul, its destinies; 
Thou globe of globes! thou wonder nebulous! 
By many a throe of heat and cold convuls’d—(by these thyself solidifying;)
Thou mental, moral orb! thou New, indeed new, Spiritual World! 
The Present holds thee not—for such vast growth as thine—for such
 unparallel’d
 flight as thine, 
The Future only holds thee, and can hold thee.

The Women Who Loved Elvis All Their Lives

by Fleda Brown
She reads, of course, what he's doing, shaking Nixon's hand, 
dating this starlet or that, while he is faithful to her 
like a stone in her belly, like the actual love child, 
its bills and diapers. Once he had kissed her 
and time had stood still, at least some point seems to 
remain back there as a place to return to, to wait for. 
What is she waiting for? He will not marry her, nor will he 
stop very often. Desireé will grow up to say her father is dead. 
Desireé will imagine him standing on a timeless street, 
hungry for his child. She will wait for him, not in the original, 
but in a gesture copied to whatever lover she takes. 
He will fracture and change to landscape, to the Pope, maybe, 
or President Kennedy, or to a pain that darkens her eyes. 

"Once," she will say, as if she remembers, 
and the memory will stick like a fishbone. She knows 
how easily she will comply when a man puts his hand 
on the back of her neck and gently steers her. 
She knows how long she will wait for rescue, how the world 
will go on expanding outside. She will see her mother's photo 
of Elvis shaking hands with Nixon, the terrifying conjunction. 
A whole war with Asia will begin slowly, 
in her lifetime, out of such irreconcilable urges. 
The Pill will become available to the general public, 
starting up a new waiting in that other depth. 
The egg will have to keep believing in its timeless moment 
of completion without any proof except in the longing 
of its own body. Maris will break Babe Ruth's record 
while Orbison will have his first major hit with 
"Only the Lonely," trying his best to sound like Elvis.

© 1999, Fleda Brown
(first published in The Iowa Review, 29 [1999])

Proud Music of The Storm

by Walt Whitman
 1
PROUD music of the storm! 
Blast that careers so free, whistling across the prairies! 
Strong hum of forest tree-tops! Wind of the mountains! 
Personified dim shapes! you hidden orchestras! 
You serenades of phantoms, with instruments alert,
Blending, with Nature’s rhythmus, all the tongues of nations; 
You chords left us by vast composers! you choruses! 
You formless, free, religious dances! you from the Orient! 
You undertone of rivers, roar of pouring cataracts; 
You sounds from distant guns, with galloping cavalry!
Echoes of camps, with all the different bugle-calls! 
Trooping tumultuous, filling the midnight late, bending me powerless, 
Entering my lonesome slumber-chamber—Why have you seiz’d me? 

2
Come forward, O my Soul, and let the rest retire; 
Listen—lose not—it is toward thee they tend;
Parting the midnight, entering my slumber-chamber, 
For thee they sing and dance, O Soul. 

A festival song! 
The duet of the bridegroom and the bride—a marriage-march, 
With lips of love, and hearts of lovers, fill’d to the brim with love;
The red-flush’d cheeks, and perfumes—the cortege swarming, full of friendly
 faces,
 young and old, 
To flutes’ clear notes, and sounding harps’ cantabile. 

3
Now loud approaching drums! 
Victoria! see’st thou in powder-smoke the banners torn but flying? the rout of the
 baffled? 
Hearest those shouts of a conquering army?

(Ah, Soul, the sobs of women—the wounded groaning in agony, 
The hiss and crackle of flames—the blacken’d ruins—the embers of cities, 
The dirge and desolation of mankind.) 

4
Now airs antique and medieval fill me! 
I see and hear old harpers with their harps, at Welsh festivals:
I hear the minnesingers, singing their lays of love, 
I hear the minstrels, gleemen, troubadours, of the feudal ages. 

5
Now the great organ sounds, 
Tremulous—while underneath, (as the hid footholds of the earth, 
On which arising, rest, and leaping forth, depend,
All shapes of beauty, grace and strength—all hues we know, 
Green blades of grass, and warbling birds—children that gambol and play—the
 clouds of
 heaven above,) 
The strong base stands, and its pulsations intermits not, 
Bathing, supporting, merging all the rest—maternity of all the rest; 
And with it every instrument in multitudes,
The players playing—all the world’s musicians, 
The solemn hymns and masses, rousing adoration, 
All passionate heart-chants, sorrowful appeals, 
The measureless sweet vocalists of ages, 
And for their solvent setting, Earth’s own diapason,
Of winds and woods and mighty ocean waves; 
A new composite orchestra—binder of years and climes—ten-fold renewer, 
As of the far-back days the poets tell—the Paradiso, 
The straying thence, the separation long, but now the wandering done, 
The journey done, the Journeyman come home,
And Man and Art, with Nature fused again. 

6
Tutti! for Earth and Heaven! 
The Almighty Leader now for me, for once has signal’d with his wand. 

The manly strophe of the husbands of the world, 
And all the wives responding.

The tongues of violins! 
(I think, O tongues, ye tell this heart, that cannot tell itself; 
This brooding, yearning heart, that cannot tell itself.) 

7
Ah, from a little child, 
Thou knowest, Soul, how to me all sounds became music;
My mother’s voice, in lullaby or hymn; 
(The voice—O tender voices—memory’s loving voices! 
Last miracle of all—O dearest mother’s, sister’s, voices;) 
The rain, the growing corn, the breeze among the long-leav’d corn, 
The measur’d sea-surf, beating on the sand,
The twittering bird, the hawk’s sharp scream, 
The wild-fowl’s notes at night, as flying low, migrating north or south, 
The psalm in the country church, or mid the clustering trees, the open air camp-meeting, 
The fiddler in the tavern—the glee, the long-strung sailor-song, 
The lowing cattle, bleating sheep—the crowing cock at dawn.

8
All songs of current lands come sounding ’round me, 
The German airs of friendship, wine and love, 
Irish ballads, merry jigs and dances—English warbles, 
Chansons of France, Scotch tunes—and o’er the rest, 
Italia’s peerless compositions.

Across the stage, with pallor on her face, yet lurid passion, 
Stalks Norma, brandishing the dagger in her hand. 

I see poor crazed Lucia’s eyes’ unnatural gleam; 
Her hair down her back falls loose and dishevell’d. 

I see where Ernani, walking the bridal garden,
Amid the scent of night-roses, radiant, holding his bride by the hand, 
Hears the infernal call, the death-pledge of the horn. 

To crossing swords, and grey hairs bared to heaven, 
The clear, electric base and baritone of the world, 
The trombone duo—Libertad forever!

From Spanish chestnut trees’ dense shade, 
By old and heavy convent walls, a wailing song, 
Song of lost love—the torch of youth and life quench’d in despair, 
Song of the dying swan—Fernando’s heart is breaking. 

Awaking from her woes at last, retriev’d Amina sings;
Copious as stars, and glad as morning light, the torrents of her joy. 

(The teeming lady comes! 
The lustrious orb—Venus contralto—the blooming mother, 
Sister of loftiest gods—Alboni’s self I hear.) 

9
I hear those odes, symphonies, operas;
I hear in the William Tell, the music of an arous’d and angry people; 
I hear Meyerbeer’s Huguenots, the Prophet, or Robert; 
Gounod’s Faust, or Mozart’s Don Juan. 

10
I hear the dance-music of all nations, 
The waltz, (some delicious measure, lapsing, bathing me in bliss;)
The bolero, to tinkling guitars and clattering castanets. 

I see religious dances old and new, 
I hear the sound of the Hebrew lyre, 
I see the Crusaders marching, bearing the cross on high, to the martial clang of cymbals; 
I hear dervishes monotonously chanting, interspers’d with frantic shouts, as they
 spin
 around, turning always towards Mecca;
I see the rapt religious dances of the Persians and the Arabs; 
Again, at Eleusis, home of Ceres, I see the modern Greeks dancing, 
I hear them clapping their hands, as they bend their bodies, 
I hear the metrical shuffling of their feet. 

I see again the wild old Corybantian dance, the performers wounding each other;
I see the Roman youth, to the shrill sound of flageolets, throwing and catching their
 weapons, 
As they fall on their knees, and rise again. 

I hear from the Mussulman mosque the muezzin calling; 
I see the worshippers within, (nor form, nor sermon, argument, nor word, 
But silent, strange, devout—rais’d, glowing heads—extatic faces.)

11
I hear the Egyptian harp of many strings, 
The primitive chants of the Nile boatmen; 
The sacred imperial hymns of China, 
To the delicate sounds of the king, (the stricken wood and stone;) 
Or to Hindu flutes, and the fretting twang of the vina,
A band of bayaderes. 

12
Now Asia, Africa leave me—Europe, seizing, inflates me; 
To organs huge, and bands, I hear as from vast concourses of voices, 
Luther’s strong hymn, Eine feste Burg ist unser Gott; 
Rossini’s Stabat Mater dolorosa;
Or, floating in some high cathedral dim, with gorgeous color’d windows, 
The passionate Agnus Dei, or Gloria in Excelsis. 

13
Composers! mighty maestros! 
And you, sweet singers of old lands—Soprani! Tenori! Bassi! 
To you a new bard, carolling free in the west,
Obeisant, sends his love. 

(Such led to thee, O Soul! 
All senses, shows and objects, lead to thee, 
But now, it seems to me, sound leads o’er all the rest.) 

14
I hear the annual singing of the children in St. Paul’s Cathedral;
Or, under the high roof of some colossal hall, the symphonies, oratorios of Beethoven,
 Handel,
 or Haydn; 
The Creation, in billows of godhood laves me. 

Give me to hold all sounds, (I, madly struggling, cry,) 
Fill me with all the voices of the universe, 
Endow me with their throbbings—Nature’s also,
The tempests, waters, winds—operas and chants—marches and dances, 
Utter—pour in—for I would take them all. 

15
Then I woke softly, 
And pausing, questioning awhile the music of my dream, 
And questioning all those reminiscences—the tempest in its fury,
And all the songs of sopranos and tenors, 
And those rapt oriental dances, of religious fervor, 
And the sweet varied instruments, and the diapason of organs, 
And all the artless plaints of love, and grief and death, 
I said to my silent, curious Soul, out of the bed of the slumber-chamber,
Come, for I have found the clue I sought so long, 
Let us go forth refresh’d amid the day, 
Cheerfully tallying life, walking the world, the real, 
Nourish’d henceforth by our celestial dream. 

And I said, moreover,
Haply, what thou hast heard, O Soul, was not the sound of winds, 
Nor dream of raging storm, nor sea-hawk’s flapping wings, nor harsh scream, 
Nor vocalism of sun-bright Italy, 
Nor German organ majestic—nor vast concourse of voices—nor layers of harmonies; 
Nor strophes of husbands and wives—nor sound of marching soldiers,
Nor flutes, nor harps, nor the bugle-calls of camps; 
But, to a new rhythmus fitted for thee, 
Poems, bridging the way from Life to Death, vaguely wafted in night air, uncaught,
 unwritten, 
Which, let us go forth in the bold day, and write.

The Missionary

by Charlotte Bronte
 Lough, vessel, plough the British main,
Seek the free ocean's wider plain; 
Leave English scenes and English skies,
Unbind, dissever English ties; 
Bear me to climes remote and strange, 
Where altered life, fast-following change,
Hot action, never-ceasing toil, 
Shall stir, turn, dig, the spirit's soil; 
Fresh roots shall plant, fresh seed shall sow, 
Till a new garden there shall grow, 
Cleared of the weeds that fill it now,­ 
Mere human love, mere selfish yearning, 
Which, cherished, would arrest me yet. 
I grasp the plough, there's no returning, 
Let me, then, struggle to forget. 

But England's shores are yet in view, 
And England's skies of tender blue 
Are arched above her guardian sea. 
I cannot yet Remembrance flee; 
I must again, then, firmly face 
That task of anguish, to retrace. 
Wedded to home­I home forsake, 
Fearful of change­I changes make; 
Too fond of ease­I plunge in toil; 
Lover of calm­I seek turmoil: 
Nature and hostile Destiny 
Stir in my heart a conflict wild; 
And long and fierce the war will be 
Ere duty both has reconciled. 

What other tie yet holds me fast
To the divorced, abandoned past?
Smouldering, on my heart's altar lies
The fire of some great sacrifice,
Not yet half quenched. The sacred steel
But lately struck my carnal will, 
My life-long hope, first joy and last, 
What I loved well, and clung to fast; 
What I wished wildly to retain, 
What I renounced with soul-felt pain; 
What­when I saw it, axe-struck, perish­ 
Left me no joy on earth to cherish; 
A man bereft­yet sternly now 
I do confirm that Jephtha vow: 
Shall I retract, or fear, or flee ? 
Did Christ, when rose the fatal tree 
Before him, on Mount Calvary ? 
'Twas a long fight, hard fought, but won, 
And what I did was justly done. 

Yet, Helen ! from thy love I turned,
When my heart most for thy heart burned;
I dared thy tears, I dared thy scorn­
Easier the death-pang had been borne.
Helen ! thou mightst not go with me,
I could not­dared not stay for thee !
I heard, afar, in bonds complain
The savage from beyond the main;
And that wild sound rose o'er the cry
Wrung out by passion's agony;
And even when, with the bitterest tear
I ever shed, mine eyes were dim,
Still, with the spirit's vision clear,
I saw Hell's empire, vast and grim,
Spread on each Indian river's shore,
Each realm of Asia covering o'er. 

There the weak, trampled by the strong,
Live but to suffer­hopeless die; 
There pagan-priests, whose creed is Wrong, 
Extortion, Lust, and Cruelty, 
Crush our lost race­and brimming fill 
The bitter cup of human ill; 
And I­who have the healing creed, 
The faith benign of Mary's Son; 
Shall I behold my brother's need 
And selfishly to aid him shun ? 
I­who upon my mother's knees, 
In childhood, read Christ's written word, 
Received his legacy of peace, 
His holy rule of action heard; 
I­in whose heart the sacred sense 
Of Jesus' love was early felt; 
Of his pure full benevolence, 
His pitying tenderness for guilt; 
His shepherd-care for wandering sheep, 
For all weak, sorrowing, trembling things, 
His mercy vast, his passion deep 
Of anguish for man's sufferings; 
I­schooled from childhood in such lore­ 
Dared I draw back or hesitate, 
When called to heal the sickness sore 
Of those far off and desolate ? 
Dark, in the realm and shades of Death, 
Nations and tribes and empires lie, 
But even to them the light of Faith 
Is breaking on their sombre sky: 
And be it mine to bid them raise 
Their drooped heads to the kindling scene, 
And know and hail the sunrise blaze 
Which heralds Christ the Nazarene. 
I know how Hell the veil will spread 
Over their brows and filmy eyes, 
And earthward crush the lifted head 
That would look up and seek the skies; 
I know what war the fiend will wage 
Against that soldier of the cross, 
Who comes to dare his demon-rage, 
And work his kingdom shame and loss. 
Yes, hard and terrible the toil 
Of him who steps on foreign soil, 
Resolved to plant the gospel vine, 
Where tyrants rule and slaves repine; 
Eager to lift Religion's light 
Where thickest shades of mental night 
Screen the false god and fiendish rite; 
Reckless that missionary blood, 
Shed in wild wilderness and wood, 
Has left, upon the unblest air, 
The man's deep moan­the martyr's prayer. 
I know my lot­I only ask 
Power to fulfil the glorious task; 
Willing the spirit, may the flesh 
Strength for the day receive afresh. 
May burning sun or deadly wind 
Prevail not o'er an earnest mind; 
May torments strange or direst death
Nor trample truth, nor baffle faith.
Though such blood-drops should fall from me
As fell in old Gethsemane,
Welcome the anguish, so it gave
More strength to work­more skill to save.
And, oh ! if brief must be my time,
If hostile hand or fatal clime
Cut short my course­still o'er my grave, 
Lord, may thy harvest whitening wave. 
So I the culture may begin,
Let others thrust the sickle in;
If but the seed will faster grow,
May my blood water what I sow ! 

What ! have I ever trembling stood,
And feared to give to God that blood ?
What ! has the coward love of life
Made me shrink from the righteous strife ?
Have human passions, human fears
Severed me from those Pioneers,
Whose task is to march first, and trace
Paths for the progress of our race ?
It has been so; but grant me, Lord,
Now to stand steadfast by thy word !
Protected by salvation's helm,
Shielded by faith­with truth begirt,
To smile when trials seek to whelm
And stand 'mid testing fires unhurt ! 
Hurling hell's strongest bulwarks down, 
Even when the last pang thrills my breast, 
When Death bestows the Martyr's crown, 
And calls me into Jesus' rest. 
Then for my ultimate reward­ 
Then for the world-rejoicing word­ 
The voice from Father­Spirit­Son: 
" Servant of God, well hast thou done !"

A Tale of Two Cities

by Rudyard Kipling
 Where the sober-colored cultivator smiles
 On his byles;
Where the cholera, the cyclone, and the crow
 Come and go;
Where the merchant deals in indigo and tea,
 Hides and ghi;
Where the Babu drops inflammatory hints
 In his prints;
Stands a City -- Charnock chose it -- packed away
 Near a Bay --
By the Sewage rendered fetid, by the sewer
 Made impure,
By the Sunderbunds unwholesome, by the swamp
 Moist and damp;
And the City and the Viceroy, as we see,
 Don't agree.
Once, two hundered years ago, the trader came
 Meek and tame.
Where his timid foot first halted, there he stayed,
 Till mere trade
Grew to Empire, and he sent his armies forth
 South and North
Till the country from Peshawur to Ceylon
 Was his own.
Thus the midday halt of Charnock -- more's the pity!
 Grew a City.
As the fungus sprouts chaotic from its bed,
 So it spread --
Chance-directed, chance-erected, laid and built
 On the silt --
Palace, byre, hovel -- poverty and pride --
 Side by side;
And, above the packed and pestilential town,
 Death looked down.
But the Rulers in that City by the Sea
 Turned to flee --
Fled, with each returning spring-tide from its ills
 To the Hills.
From the clammy fogs of morning, from the blaze
 Of old days,
From the sickness of the noontide, from the heat,
 Beat retreat;
For the country from Peshawur to Ceylon
 Was their own.
But the Merchant risked the perils of the Plain
 For his gain.
Now the resting-place of Charnock, 'neath the palms,
 Asks an alms,
And the burden of its lamentation is, Briefly, this:
"Because for certain months, we boil and stew,
 So should you.
Cast the Viceroy and his Council, to perspire
 In our fire!"
And for answer to the argument, in vain
 We explain
That an amateur Saint Lawrence cannot fry:
 "All must fry!"
That the Merchant risks the perils of the Plain
 For gain.
Nor can Rulers rule a house that men grow rich in,
 From its kitchen.
Let the Babu drop inflammatory hints
 In his prints;
And mature -- consistent soul -- his plan for stealing
 To Darjeeling:
Let the Merchant seek, who makes his silver pile,
 England's isle;
Let the City Charnock pitched on -- evil day!
 Go Her way.
Though the argosies of Asia at Her doors
 Heap their stores,
Though Her enterprise and energy secure
 Income sure,
Though "out-station orders punctually obeyed"
 Swell Her trade --
Still, for rule, administration, and the rest,
 Simla's best.

A Broadway Pageant

by Walt Whitman
 1
OVER the western sea, hither from Niphon come, 
Courteous, the swart-cheek’d two-sworded envoys, 
Leaning back in their open barouches, bare-headed, impassive, 
Ride to-day through Manhattan. 

Libertad!
I do not know whether others behold what I behold, 
In the procession, along with the nobles of Asia, the errand-bearers, 
Bringing up the rear, hovering above, around, or in the ranks marching; 
But I will sing you a song of what I behold, Libertad. 

2
When million-footed Manhattan, unpent, descends to her pavements;
When the thunder-cracking guns arouse me with the proud roar I love; 
When the round-mouth’d guns, out of the smoke and smell I love, spit their salutes; 
When the fire-flashing guns have fully alerted me—when heaven-clouds canopy my city with a
 delicate thin haze; 
When, gorgeous, the countless straight stems, the forests at the wharves, thicken with
 colors;

When every ship, richly drest, carries her flag at the peak;
When pennants trail, and street-festoons hang from the windows; 
When Broadway is entirely given up to foot-passengers and foot-standers—when the mass is
 densest;

When the façades of the houses are alive with people—when eyes gaze, riveted, tens of
 thousands
 at a time; 
When the guests from the islands advance—when the pageant moves forward, visible; 
When the summons is made—when the answer that waited thousands of years, answers;
I too, arising, answering, descend to the pavements, merge with the crowd, and gaze with
 them.


3
Superb-faced Manhattan! 
Comrade Americanos!—to us, then, at last, the Orient comes. 

To us, my city, 
Where our tall-topt marble and iron beauties range on opposite sides—to walk in the space
 between,
To-day our Antipodes comes. 

The Originatress comes, 
The nest of languages, the bequeather of poems, the race of eld, 
Florid with blood, pensive, rapt with musings, hot with passion, 
Sultry with perfume, with ample and flowing garments,
With sunburnt visage, with intense soul and glittering eyes, 
The race of Brahma comes! 

4
See, my cantabile! these, and more, are flashing to us from the procession; 
As it moves, changing, a kaleidoscope divine it moves, changing, before us. 

For not the envoys, nor the tann’d Japanee from his island only;
Lithe and silent, the Hindoo appears—the Asiatic continent itself appears—the Past, the
 dead, 
The murky night morning of wonder and fable, inscrutable, 
The envelop’d mysteries, the old and unknown hive-bees, 
The North—the sweltering South—eastern Assyria—the Hebrews—the Ancient of Ancients, 
Vast desolated cities—the gliding Present—all of these, and more, are in the
 pageant-procession.

Geography, the world, is in it; 
The Great Sea, the brood of islands, Polynesia, the coast beyond; 
The coast you, henceforth, are facing—you Libertad! from your Western golden shores 
The countries there, with their populations—the millions en-masse, are curiously here; 
The swarming market places—the temples, with idols ranged along the sides, or at the
 end—bonze,
 brahmin, and lama;
The mandarin, farmer, merchant, mechanic, and fisherman; 
The singing-girl and the dancing-girl—the ecstatic person—the secluded Emperors, 
Confucius himself—the great poets and heroes—the warriors, the castes, all, 
Trooping up, crowding from all directions—from the Altay mountains, 
From Thibet—from the four winding and far-flowing rivers of China,
From the Southern peninsulas, and the demi-continental islands—from Malaysia; 
These, and whatever belongs to them, palpable, show forth to me, and are seiz’d by me, 
And I am seiz’d by them, and friendlily held by them, 
Till, as here, them all I chant, Libertad! for themselves and for you. 

5
For I too, raising my voice, join the ranks of this pageant;
I am the chanter—I chant aloud over the pageant; 
I chant the world on my Western Sea; 
I chant, copious, the islands beyond, thick as stars in the sky; 
I chant the new empire, grander than any before—As in a vision it comes to me; 
I chant America, the Mistress—I chant a greater supremacy;
I chant, projected, a thousand blooming cities yet, in time, on those groups of
 sea-islands; 
I chant my sail-ships and steam-ships threading the archipelagoes; 
I chant my stars and stripes fluttering in the wind; 
I chant commerce opening, the sleep of ages having done its work—races, reborn, refresh’d;

Lives, works, resumed—The object I know not—but the old, the Asiatic, renew’d, as it must
 be,
Commencing from this day, surrounded by the world. 

6
And you, Libertad of the world! 
You shall sit in the middle, well-pois’d, thousands of years; 
As to-day, from one side, the nobles of Asia come to you; 
As to-morrow, from the other side, the Queen of England sends her eldest son to you.

7
The sign is reversing, the orb is enclosed, 
The ring is circled, the journey is done; 
The box-lid is but perceptibly open’d—nevertheless the perfume pours copiously out of the
 whole
 box. 

8
Young Libertad! 
With the venerable Asia, the all-mother,
Be considerate with her, now and ever, hot Libertad—for you are all; 
Bend your proud neck to the long-off mother, now sending messages over the archipelagoes
 to
 you; 
Bend your proud neck low for once, young Libertad. 

9
Were the children straying westward so long? so wide the tramping? 
Were the precedent dim ages debouching westward from Paradise so long?
Were the centuries steadily footing it that way, all the while unknown, for you, for
 reasons? 

They are justified—they are accomplish’d—they shall now be turn’d the other way also, to
 travel toward you thence; 
They shall now also march obediently eastward, for your sake, Libertad.
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Book: Diverse Voices: The Poetry of Human Rights and the Pursuit of Peace