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Written by Charles Bukowski | Create an image from this poem

Let It Enfold You

 either peace or happiness,
let it enfold you

when i was a young man
I felt these things were
dumb,unsophisticated.
I had bad blood,a twisted mind, a pecarious upbringing.
I was hard as granite,I leered at the sun.
I trusted no man and especially no woman.
I was living a hell in small rooms, I broke things, smashed things, walked through glass, cursed.
I challenged everything, was continually being evicted,jailed,in and out of fights,in and aout of my mind.
women were something to screw and rail at,i had no male freinds, I changed jobs and cities,I hated holidays, babies,history, newspapers, museums, grandmothers, marriage, movies, spiders, garbagemen, english accents,spain, france,italy,walnuts and the color orange.
algebra angred me, opera sickened me, charlie chaplin was a fake and flowers were for pansies.
peace an happiness to me were signs of inferiority, tenants of the weak an addled mind.
but as I went on with my alley fights, my suicidal years, my passage through any number of women-it gradually began to occur to me that I wasn't diffrent from the others, I was the same, they were all fulsome with hatred, glossed over with petty greivances, the men I fought in alleys had hearts of stone.
everybody was nudging, inching, cheating for some insignificant advantage, the lie was the weapon and the plot was emptey, darkness was the dictator.
cautiously, I allowed myself to feel good at times.
I found moments of peace in cheap rooms just staring at the knobs of some dresser or listening to the rain in the dark.
the less i needed the better i felt.
maybe the other life had worn me down.
I no longer found glamour in topping somebody in conversation.
or in mounting the body of some poor drunken female whose life had slipped away into sorrow.
I could never accept life as it was, i could never gobble down all its poisons but there were parts, tenous magic parts open for the asking.
I re formulated I don't know when, date,time,all that but the change occured.
something in me relaxed, smoothed out.
i no longer had to prove that i was a man, I did'nt have to prove anything.
I began to see things: coffe cups lined up behind a counter in a cafe.
or a dog walking along a sidewalk.
or the way the mouse on my dresser top stopped there with its body, its ears, its nose, it was fixed, a bit of life caught within itself and its eyes looked at me and they were beautiful.
then- it was gone.
I began to feel good, I began to feel good in the worst situations and there were plenty of those.
like say, the boss behind his desk, he is going to have to fire me.
I've missed too many days.
he is dressed in a suit, necktie, glasses, he says, "i am going to have to let you go" "it's all right" i tell him.
He must do what he must do, he has a wife, a house, children.
expenses, most probably a girlfreind.
I am sorry for him he is caught.
I walk onto the blazing sunshine.
the whole day is mine temporailiy, anyhow.
(the whole world is at the throat of the world, everybody feels angry, short-changed, cheated, everybody is despondent, dissillusioned) I welcomed shots of peace, tattered shards of happiness.
I embraced that stuff like the hottest number, like high heels,breasts, singing,the works.
(dont get me wrong, there is such a thing as cockeyed optimism that overlooks all basic problems justr for the sake of itself- this is a sheild and a sickness.
) The knife got near my throat again, I almost turned on the gas again but when the good moments arrived again I did'nt fight them off like an alley adversary.
I let them take me, i luxuriated in them, I bade them welcome home.
I even looked into the mirror once having thought myself to be ugly, I now liked what I saw,almost handsome,yes, a bit ripped and ragged, scares,lumps, odd turns, but all in all, not too bad, almost handsome, better at least than some of those movie star faces like the cheeks of a babys butt.
and finally I discovered real feelings fo others, unhearleded, like latley, like this morning, as I was leaving, for the track, i saw my wif in bed, just the shape of her head there (not forgetting centuries of the living and the dead and the dying, the pyarimids, Mozart dead but his music still there in the room, weeds growing, the earth turning, the toteboard waiting for me) I saw the shape of my wife's head, she so still, i ached for her life, just being there under the covers.
i kissed her in the, forehead, got down the stairway, got outside, got into my marvelous car, fixed the seatbelt, backed out the drive.
feeling warm to the fingertips, down to my foot on the gas pedal, I entered the world once more, drove down the hill past the houses full and emptey of people, i saw the mailman, honked, he waved back at me.


Written by Walt Whitman | Create an image from this poem

To Think of Time

 1
TO think of time—of all that retrospection! 
To think of to-day, and the ages continued henceforward! 

Have you guess’d you yourself would not continue? 
Have you dreaded these earth-beetles? 
Have you fear’d the future would be nothing to you?

Is to-day nothing? Is the beginningless past nothing? 
If the future is nothing, they are just as surely nothing.
To think that the sun rose in the east! that men and women were flexible, real, alive! that everything was alive! To think that you and I did not see, feel, think, nor bear our part! To think that we are now here, and bear our part! 2 Not a day passes—not a minute or second, without an accouchement! Not a day passes—not a minute or second, without a corpse! The dull nights go over, and the dull days also, The soreness of lying so much in bed goes over, The physician, after long putting off, gives the silent and terrible look for an answer, The children come hurried and weeping, and the brothers and sisters are sent for, Medicines stand unused on the shelf—(the camphor-smell has long pervaded the rooms,) The faithful hand of the living does not desert the hand of the dying, The twitching lips press lightly on the forehead of the dying, The breath ceases, and the pulse of the heart ceases, The corpse stretches on the bed, and the living look upon it, It is palpable as the living are palpable.
The living look upon the corpse with their eye-sight, But without eye-sight lingers a different living, and looks curiously on the corpse.
3 To think the thought of Death, merged in the thought of materials! To think that the rivers will flow, and the snow fall, and fruits ripen, and act upon others as upon us now—yet not act upon us! To think of all these wonders of city and country, and others taking great interest in them—and we taking no interest in them! To think how eager we are in building our houses! To think others shall be just as eager, and we quite indifferent! (I see one building the house that serves him a few years, or seventy or eighty years at most, I see one building the house that serves him longer than that.
) Slow-moving and black lines creep over the whole earth—they never cease—they are the burial lines, He that was President was buried, and he that is now President shall surely be buried.
4 A reminiscence of the vulgar fate, A frequent sample of the life and death of workmen, Each after his kind: Cold dash of waves at the ferry-wharf—posh and ice in the river, half-frozen mud in the streets, a gray, discouraged sky overhead, the short, last daylight of Twelfth-month, A hearse and stages—other vehicles give place—the funeral of an old Broadway stage-driver, the cortege mostly drivers.
Steady the trot to the cemetery, duly rattles the death-bell, the gate is pass’d, the new-dug grave is halted at, the living alight, the hearse uncloses, The coffin is pass’d out, lower’d and settled, the whip is laid on the coffin, the earth is swiftly shovel’d in, The mound above is flatted with the spades—silence, A minute—no one moves or speaks—it is done, He is decently put away—is there anything more? He was a good fellow, free-mouth’d, quick-temper’d, not bad-looking, able to take his own part, witty, sensitive to a slight, ready with life or death for a friend, fond of women, gambled, ate hearty, drank hearty, had known what it was to be flush, grew low-spirited toward the last, sicken’d, was help’d by a contribution, died, aged forty-one years—and that was his funeral.
Thumb extended, finger uplifted, apron, cape, gloves, strap, wet-weather clothes, whip carefully chosen, boss, spotter, starter, hostler, somebody loafing on you, you loafing on somebody, headway, man before and man behind, good day’s work, bad day’s work, pet stock, mean stock, first out, last out, turning-in at night; To think that these are so much and so nigh to other drivers—and he there takes no interest in them! 5 The markets, the government, the working-man’s wages—to think what account they are through our nights and days! To think that other working-men will make just as great account of them—yet we make little or no account! The vulgar and the refined—what you call sin, and what you call goodness—to think how wide a difference! To think the difference will still continue to others, yet we lie beyond the difference.
To think how much pleasure there is! Have you pleasure from looking at the sky? have you pleasure from poems? Do you enjoy yourself in the city? or engaged in business? or planning a nomination and election? or with your wife and family? Or with your mother and sisters? or in womanly housework? or the beautiful maternal cares? —These also flow onward to others—you and I flow onward, But in due time, you and I shall take less interest in them.
Your farm, profits, crops,—to think how engross’d you are! To think there will still be farms, profits, crops—yet for you, of what avail? 6 What will be, will be well—for what is, is well, To take interest is well, and not to take interest shall be well.
The sky continues beautiful, The pleasure of men with women shall never be sated, nor the pleasure of women with men, nor the pleasure from poems, The domestic joys, the daily housework or business, the building of houses—these are not phantasms—they have weight, form, location; Farms, profits, crops, markets, wages, government, are none of them phantasms, The difference between sin and goodness is no delusion, The earth is not an echo—man and his life, and all the things of his life, are well-consider’d.
You are not thrown to the winds—you gather certainly and safely around yourself; Yourself! Yourself! Yourself, forever and ever! 7 It is not to diffuse you that you were born of your mother and father—it is to identify you; It is not that you should be undecided, but that you should be decided; Something long preparing and formless is arrived and form’d in you, You are henceforth secure, whatever comes or goes.
The threads that were spun are gather’d, the weft crosses the warp, the pattern is systematic.
The preparations have every one been justified, The orchestra have sufficiently tuned their instruments—the baton has given the signal.
The guest that was coming—he waited long, for reasons—he is now housed, He is one of those who are beautiful and happy—he is one of those that to look upon and be with is enough.
The law of the past cannot be eluded, The law of the present and future cannot be eluded, The law of the living cannot be eluded—it is eternal, The law of promotion and transformation cannot be eluded, The law of heroes and good-doers cannot be eluded, The law of drunkards, informers, mean persons—not one iota thereof can be eluded.
8 Slow moving and black lines go ceaselessly over the earth, Northerner goes carried, and Southerner goes carried, and they on the Atlantic side, and they on the Pacific, and they between, and all through the Mississippi country, and all over the earth.
The great masters and kosmos are well as they go—the heroes and good-doers are well, The known leaders and inventors, and the rich owners and pious and distinguish’d, may be well, But there is more account than that—there is strict account of all.
The interminable hordes of the ignorant and wicked are not nothing, The barbarians of Africa and Asia are not nothing, The common people of Europe are not nothing—the American aborigines are not nothing, The infected in the immigrant hospital are not nothing—the murderer or mean person is not nothing, The perpetual successions of shallow people are not nothing as they go, The lowest prostitute is not nothing—the mocker of religion is not nothing as he goes.
9 Of and in all these things, I have dream’d that we are not to be changed so much, nor the law of us changed, I have dream’d that heroes and good-doers shall be under the present and past law, And that murderers, drunkards, liars, shall be under the present and past law, For I have dream’d that the law they are under now is enough.
If otherwise, all came but to ashes of dung, If maggots and rats ended us, then Alarum! for we are betray’d! Then indeed suspicion of death.
Do you suspect death? If I were to suspect death, I should die now, Do you think I could walk pleasantly and well-suited toward annihilation? 10 Pleasantly and well-suited I walk, Whither I walk I cannot define, but I know it is good, The whole universe indicates that it is good, The past and the present indicate that it is good.
How beautiful and perfect are the animals! How perfect the earth, and the minutest thing upon it! What is called good is perfect, and what is called bad is just as perfect, The vegetables and minerals are all perfect, and the imponderable fluids are perfect; Slowly and surely they have pass’d on to this, and slowly and surely they yet pass on.
11 I swear I think now that everything without exception has an eternal Soul! The trees have, rooted in the ground! the weeds of the sea have! the animals! I swear I think there is nothing but immortality! That the exquisite scheme is for it, and the nebulous float is for it, and the cohering is for it; And all preparation is for it! and identity is for it! and life and materials are altogether for it
Written by Anne Sexton | Create an image from this poem

Briar Rose (Sleeping Beauty)

 Consider
a girl who keeps slipping off,
arms limp as old carrots,
into the hypnotist's trance,
into a spirit world
speaking with the gift of tongues.
She is stuck in the time machine, suddenly two years old sucking her thumb, as inward as a snail, learning to talk again.
She's on a voyage.
She is swimming further and further back, up like a salmon, struggling into her mother's pocketbook.
Little doll child, come here to Papa.
Sit on my knee.
I have kisses for the back of your neck.
A penny for your thoughts, Princess.
I will hunt them like an emerald.
Come be my snooky and I will give you a root.
That kind of voyage, rank as a honeysuckle.
Once a king had a christening for his daughter Briar Rose and because he had only twelve gold plates he asked only twelve fairies to the grand event.
The thirteenth fairy, her fingers as long and thing as straws, her eyes burnt by cigarettes, her uterus an empty teacup, arrived with an evil gift.
She made this prophecy: The princess shall prick herself on a spinning wheel in her fifteenth year and then fall down dead.
Kaputt! The court fell silent.
The king looked like Munch's Scream Fairies' prophecies, in times like those, held water.
However the twelfth fairy had a certain kind of eraser and thus she mitigated the curse changing that death into a hundred-year sleep.
The king ordered every spinning wheel exterminated and exorcised.
Briar Rose grew to be a goddess and each night the king bit the hem of her gown to keep her safe.
He fastened the moon up with a safety pin to give her perpetual light He forced every male in the court to scour his tongue with Bab-o lest they poison the air she dwelt in.
Thus she dwelt in his odor.
Rank as honeysuckle.
On her fifteenth birthday she pricked her finger on a charred spinning wheel and the clocks stopped.
Yes indeed.
She went to sleep.
The king and queen went to sleep, the courtiers, the flies on the wall.
The fire in the hearth grew still and the roast meat stopped crackling.
The trees turned into metal and the dog became china.
They all lay in a trance, each a catatonic stuck in a time machine.
Even the frogs were zombies.
Only a bunch of briar roses grew forming a great wall of tacks around the castle.
Many princes tried to get through the brambles for they had heard much of Briar Rose but they had not scoured their tongues so they were held by the thorns and thus were crucified.
In due time a hundred years passed and a prince got through.
The briars parted as if for Moses and the prince found the tableau intact.
He kissed Briar Rose and she woke up crying: Daddy! Daddy! Presto! She's out of prison! She married the prince and all went well except for the fear -- the fear of sleep.
Briar Rose was an insomniac.
.
.
She could not nap or lie in sleep without the court chemist mixing her some knock-out drops and never in the prince's presence.
If if is to come, she said, sleep must take me unawares while I am laughing or dancing so that I do not know that brutal place where I lie down with cattle prods, the hole in my cheek open.
Further, I must not dream for when I do I see the table set and a faltering crone at my place, her eyes burnt by cigarettes as she eats betrayal like a slice of meat.
I must not sleep for while I'm asleep I'm ninety and think I'm dying.
Death rattles in my throat like a marble.
I wear tubes like earrings.
I lie as still as a bar of iron.
You can stick a needle through my kneecap and I won't flinch.
I'm all shot up with Novocain.
This trance girl is yours to do with.
You could lay her in a grave, an awful package, and shovel dirt on her face and she'd never call back: Hello there! But if you kissed her on the mouth her eyes would spring open and she'd call out: Daddy! Daddy! Presto! She's out of prison.
There was a theft.
That much I am told.
I was abandoned.
That much I know.
I was forced backward.
I was forced forward.
I was passed hand to hand like a bowl of fruit.
Each night I am nailed into place and forget who I am.
Daddy? That's another kind of prison.
It's not the prince at all, but my father drunkeningly bends over my bed, circling the abyss like a shark, my father thick upon me like some sleeping jellyfish.
What voyage is this, little girl? This coming out of prison? God help -- this life after death?
Written by Walt Whitman | Create an image from this poem

Thoughts

 1
OF these years I sing, 
How they pass and have pass’d, through convuls’d pains as through parturitions; 
How America illustrates birth, muscular youth, the promise, the sure fulfillment, the
 Absolute
 Success, despite of people—Illustrates evil as well as good; 
How many hold despairingly yet to the models departed, caste, myths, obedience,
 compulsion, and
 to infidelity; 
How few see the arrived models, the Athletes, the Western States—or see freedom or
 spirituality—or hold any faith in results,
(But I see the Athletes—and I see the results of the war glorious and
 inevitable—and
 they again leading to other results;) 
How the great cities appear—How the Democratic masses, turbulent, wilful, as I love
 them; 
How the whirl, the contest, the wrestle of evil with good, the sounding and resounding,
 keep on
 and on; 
How society waits unform’d, and is for awhile between things ended and things begun; 
How America is the continent of glories, and of the triumph of freedom, and of the
 Democracies,
 and of the fruits of society, and of all that is begun;
And how The States are complete in themselves—And how all triumphs and glories are
 complete in themselves, to lead onward, 
And how these of mine, and of The States, will in their turn be convuls’d, and serve
 other
 parturitions and transitions, 
And how all people, sights, combinations, the Democratic masses, too, serve—and how
 every
 fact, and war itself, with all its horrors, serves, 
And how now, or at any time, each serves the exquisite transition of death.
2 OF seeds dropping into the ground—of birth, Of the steady concentration of America, inland, upward, to impregnable and swarming places, Of what Indiana, Kentucky, Ohio and the rest, are to be, Of what a few years will show there in Nebraska, Colorado, Nevada, and the rest; (Or afar, mounting the Northern Pacific to Sitka or Aliaska;) Of what the feuillage of America is the preparation for—and of what all sights, North, South, East and West, are; Of This Union, soak’d, welded in blood—of the solemn price paid—of the unnamed lost, ever present in my mind; —Of the temporary use of materials, for identity’s sake, Of the present, passing, departing—of the growth of completer men than any yet, Of myself, soon, perhaps, closing up my songs by these shores, Of California, of Oregon—and of me journeying to live and sing there; Of the Western Sea—of the spread inland between it and the spinal river, Of the great pastoral area, athletic and feminine, of all sloping down there where the fresh free giver, the mother, the Mississippi flows, Of future women there—of happiness in those high plateaus, ranging three thousand miles, warm and cold; Of mighty inland cities yet unsurvey’d and unsuspected, (as I am also, and as it must be;) Of the new and good names—of the modern developments—of inalienable homesteads; Of a free and original life there—of simple diet and clean and sweet blood; Of litheness, majestic faces, clear eyes, and perfect physique there; Of immense spiritual results, future years, far west, each side of the Anahuacs; Of these leaves, well understood there, (being made for that area;) Of the native scorn of grossness and gain there; (O it lurks in me night and day—What is gain, after all, to savageness and freedom?)
Written by Robert Browning | Create an image from this poem

The Glove

 (PETER RONSARD _loquitur_.
) ``Heigho!'' yawned one day King Francis, ``Distance all value enhances! ``When a man's busy, why, leisure ``Strikes him as wonderful pleasure: `` 'Faith, and at leisure once is he? ``Straightway he wants to be busy.
``Here we've got peace; and aghast I'm ``Caught thinking war the true pastime.
``Is there a reason in metre? ``Give us your speech, master Peter!'' I who, if mortal dare say so, Ne'er am at loss with my Naso, ``Sire,'' I replied, ``joys prove cloudlets: ``Men are the merest Ixions''--- Here the King whistled aloud, ``Let's ``---Heigho---go look at our lions!'' Such are the sorrowful chances If you talk fine to King Francis.
And so, to the courtyard proceeding, Our company, Francis was leading, Increased by new followers tenfold Before be arrived at the penfold; Lords, ladies, like clouds which bedizen At sunset the western horizon.
And Sir De Lorge pressed 'mid the foremost With the dame he professed to adore most.
Oh, what a face! One by fits eyed Her, and the horrible pitside; For the penfold surrounded a hollow Which led where the eye scarce dared follow, And shelved to the chamber secluded Where Bluebeard, the great lion, brooded.
The King bailed his keeper, an Arab As glossy and black as a scarab,*1 And bade him make sport and at once stir Up and out of his den the old monster.
They opened a hole in the wire-work Across it, and dropped there a firework, And fled: one's heart's beating redoubled; A pause, while the pit's mouth was troubled, The blackness and silence so utter, By the firework's slow sparkling and sputter; Then earth in a sudden contortion Gave out to our gaze her abortion.
Such a brute! Were I friend Clement Marot (Whose experience of nature's but narrow, And whose faculties move in no small mist When he versifies David the Psalmist) I should study that brute to describe you _Illim Juda Leonem de Tribu_.
One's whole blood grew curdling and creepy To see the black mane, vast and heapy, The tail in the air stiff and straining, The wide eyes, nor waxing nor waning, As over the barrier which bounded His platform, and us who surrounded The barrier, they reached and they rested On space that might stand him in best stead: For who knew, he thought, what the amazement, The eruption of clatter and blaze meant, And if, in this minute of wonder, No outlet, 'mid lightning and thunder, Lay broad, and, his shackles all shivered, The lion at last was delivered? Ay, that was the open sky o'erhead! And you saw by the flash on his forehead, By the hope in those eyes wide and steady, He was leagues in the desert already, Driving the flocks up the mountain, Or catlike couched hard by the fountain To waylay the date-gathering negress: So guarded he entrance or egress.
``How he stands!'' quoth the King: ``we may well swear, (``No novice, we've won our spurs elsewhere ``And so can afford the confession,) ``We exercise wholesome discretion ``In keeping aloof from his threshold; ``Once hold you, those jaws want no fresh hold, ``Their first would too pleasantly purloin ``The visitor's brisket or surloin: ``But who's he would prove so fool-hardy? ``Not the best man of Marignan, pardie!'' The sentence no sooner was uttered, Than over the rails a glove flattered, Fell close to the lion, and rested: The dame 'twas, who flung it and jested With life so, De Lorge had been wooing For months past; he sat there pursuing His suit, weighing out with nonchalance Fine speeches like gold from a balance.
Sound the trumpet, no true knight's a tarrier! De Lorge made one leap at the barrier, Walked straight to the glove,---while the lion Neer moved, kept his far-reaching eye on The palm-tree-edged desert-spring's sapphire, And the musky oiled skin of the Kaffir,--- Picked it up, and as calmly retreated, Leaped back where the lady was seated, And full in the face of its owner Flung the glove.
``Your heart's queen, you dethrone her? ``So should I!''---cried the King---``'twas mere vanity, ``Not love, set that task to humanity!'' Lords and ladies alike turned with loathing From such a proved wolf in sheep's clothing.
Not so, I; for I caught an expression In her brow's undisturbed self-possession Amid the Court's scoffing and merriment,--- As if from no pleasing experiment She rose, yet of pain not much heedful So long as the process was needful,--- As if she had tried in a crucible, To what ``speeches like gold'' were reducible, And, finding the finest prove copper, Felt the smoke in her face was but proper; To know what she had _not_ to trust to, Was worth all the ashes and dust too.
She went out 'mid hooting and laughter; Clement Marot stayed; I followed after, And asked, as a grace, what it all meant? If she wished not the rash deed's recalment? ``For I''---so I spoke---``am a poet: ``Human nature,---behoves that I know it!'' She told me, ``Too long had I heard ``Of the deed proved alone by the word: ``For my love---what De Lorge would not dare! ``With my scorn---what De Lorge could compare! ``And the endless descriptions of death ``He would brave when my lip formed a breath, ``I must reckon as braved, or, of course, ``Doubt his word---and moreover, perforce, ``For such gifts as no lady could spurn, ``Must offer my love in return.
``When I looked on your lion, it brought ``All the dangers at once to my thought, ``Encountered by all sorts of men, ``Before he was lodged in his den,--- ``From the poor slave whose club or bare hands ``Dug the trap, set the snare on the sands, ``With no King and no Court to applaud, ``By no shame, should he shrink, overawed, ``Yet to capture the creature made shift, ``That his rude boys might laugh at the gift, ``---To the page who last leaped o'er the fence ``Of the pit, on no greater pretence ``Than to get back the bonnet he dropped, ``Lest his pay for a week should be stopped.
``So, wiser I judged it to make ``One trial what `death for my sake' ``Really meant, while the power was yet mine, ``Than to wait until time should define ``Such a phrase not so simply as I, ``Who took it to mean just `to die.
' ``The blow a glove gives is but weak: ``Does the mark yet discolour my cheek? ``But when the heart suffers a blow, ``Will the pain pass so soon, do you know?'' I looked, as away she was sweeping, And saw a youth eagerly keeping As close as he dared to the doorway.
No doubt that a noble should more weigh His life than befits a plebeian; And yet, had our brute been Nemean--- (I judge by a certain calm fervour The youth stepped with, forward to serve her) ---He'd have scarce thought you did him the worst turn If you whispered ``Friend, what you'd get, first earn!'' And when, shortly after, she carried Her shame from the Court, and they married, To that marriage some happiness, maugre The voice of the Court, I dared augur.
For De Lorge, he made women with men vie, Those in wonder and praise, these in envy; And in short stood so plain a head taller That he wooed and won .
.
.
how do you call her? The beauty, that rose in the sequel To the King's love, who loved her a week well.
And 'twas noticed he never would honour De Lorge (who looked daggers upon her) With the easy commission of stretching His legs in the service, and fetching His wife, from her chamber, those straying Sad gloves she was always mislaying, While the King took the closet to chat in,--- But of course this adventure came pat in.
And never the King told the story, How bringing a glove brought such glory, But the wife smiled---``His nerves are grown firmer: ``Mine he brings now and utters no murmur.
'' _Venienti occurrite morbo!_ With which moral I drop my theorbo.
*1 A beetle.


Written by Charles Bukowski | Create an image from this poem

We Aint Got No Money Honey But We Got Rain

 call it the greenhouse effect or whatever
but it just doesn't rain like it used to.
I particularly remember the rains of the depression era.
there wasn't any money but there was plenty of rain.
it wouldn't rain for just a night or a day, it would RAIN for 7 days and 7 nights and in Los Angeles the storm drains weren't built to carry off taht much water and the rain came down THICK and MEAN and STEADY and you HEARD it banging against the roofs and into the ground waterfalls of it came down from roofs and there was HAIL big ROCKS OF ICE bombing exploding smashing into things and the rain just wouldn't STOP and all the roofs leaked- dishpans, cooking pots were placed all about; they dripped loudly and had to be emptied again and again.
the rain came up over the street curbings, across the lawns, climbed up the steps and entered the houses.
there were mops and bathroom towels, and the rain often came up through the toilets:bubbling, brown, crazy,whirling, and all the old cars stood in the streets, cars that had problems starting on a sunny day, and the jobless men stood looking out the windows at the old machines dying like living things out there.
the jobless men, failures in a failing time were imprisoned in their houses with their wives and children and their pets.
the pets refused to go out and left their waste in strange places.
the jobless men went mad confined with their once beautiful wives.
there were terrible arguments as notices of foreclosure fell into the mailbox.
rain and hail, cans of beans, bread without butter;fried eggs, boiled eggs, poached eggs; peanut butter sandwiches, and an invisible chicken in every pot.
my father, never a good man at best, beat my mother when it rained as I threw myself between them, the legs, the knees, the screams until they seperated.
"I'll kill you," I screamed at him.
"You hit her again and I'll kill you!" "Get that son-of-a-bitching kid out of here!" "no, Henry, you stay with your mother!" all the households were under seige but I believe that ours held more terror than the average.
and at night as we attempted to sleep the rains still came down and it was in bed in the dark watching the moon against the scarred window so bravely holding out most of the rain, I thought of Noah and the Ark and I thought, it has come again.
we all thought that.
and then, at once, it would stop.
and it always seemed to stop around 5 or 6 a.
m.
, peaceful then, but not an exact silence because things continued to drip drip drip and there was no smog then and by 8 a.
m.
there was a blazing yellow sunlight, Van Gogh yellow- crazy, blinding! and then the roof drains relieved of the rush of water began to expand in the warmth: PANG!PANG!PANG! and everybody got up and looked outside and there were all the lawns still soaked greener than green will ever be and there were birds on the lawn CHIRPING like mad, they hadn't eaten decently for 7 days and 7 nights and they were weary of berries and they waited as the worms rose to the top, half drowned worms.
the birds plucked them up and gobbled them down;there were blackbirds and sparrows.
the blackbirds tried to drive the sparrows off but the sparrows, maddened with hunger, smaller and quicker, got their due.
the men stood on their porches smoking cigarettes, now knowing they'd have to go out there to look for that job that probably wasn't there, to start that car that probably wouldn't start.
and the once beautiful wives stood in their bathrooms combing their hair, applying makeup, trying to put their world back together again, trying to forget that awful sadness that gripped them, wondering what they could fix for breakfast.
and on the radio we were told that school was now open.
and soon there I was on the way to school, massive puddles in the street, the sun like a new world, my parents back in that house, I arrived at my classroom on time.
Mrs.
Sorenson greeted us with, "we won't have our usual recess, the grounds are too wet.
" "AW!" most of the boys went.
"but we are going to do something special at recess," she went on, "and it will be fun!" well, we all wondered what that would be and the two hour wait seemed a long time as Mrs.
Sorenson went about teaching her lessons.
I looked at the little girls, they looked so pretty and clean and alert, they sat still and straight and their hair was beautiful in the California sunshine.
the the recess bells rang and we all waited for the fun.
then Mrs.
Sorenson told us: "now, what we are going to do is we are going to tell each other what we did during the rainstorm! we'll begin in the front row and go right around! now, Michael, you're first!.
.
.
" well, we all began to tell our stories, Michael began and it went on and on, and soon we realized that we were all lying, not exactly lying but mostly lying and some of the boys began to snicker and some of the girls began to give them dirty looks and Mrs.
Sorenson said, "all right! I demand a modicum of silence here! I am interested in what you did during the rainstorm even if you aren't!" so we had to tell our stories and they were stories.
one girl said that when the rainbow first came she saw God's face at the end of it.
only she didn't say which end.
one boy said he stuck his fishing pole out the window and caught a little fish and fed it to his cat.
almost everybody told a lie.
the truth was just too awful and embarassing to tell.
then the bell rang and recess was over.
"thank you," said Mrs.
Sorenson, "that was very nice.
and tomorrow the grounds will be dry and we will put them to use again.
" most of the boys cheered and the little girls sat very straight and still, looking so pretty and clean and alert, their hair beautiful in a sunshine that the world might never see again.
and
Written by Delmira Agustini | Create an image from this poem

I Live I Die I Burn I Drown

 I live, I die, I burn, I drown
I endure at once chill and cold
Life is at once too soft and too hard
I have sore troubles mingled with joys

Suddenly I laugh and at the same time cry
And in pleasure many a grief endure
My happiness wanes and yet it lasts unchanged
All at once I dry up and grow green

Thus I suffer love's inconstancies
And when I think the pain is most intense
Without thinking, it is gone again.
Then when I feel my joys certain And my hour of greatest delight arrived I find my pain beginning all over once again.
Written by Rita Dove | Create an image from this poem

The Bistro Styx

 She was thinner, with a mannered gauntness
as she paused just inside the double
glass doors to survey the room, silvery cape
billowing dramatically behind her.
What's this, I thought, lifting a hand until she nodded and started across the parquet; that's when I saw she was dressed all in gray, from a kittenish cashmere skirt and cowl down to the graphite signature of her shoes.
"Sorry I'm late," she panted, though she wasn't, sliding into the chair, her cape tossed off in a shudder of brushed steel.
We kissed.
Then I leaned back to peruse my blighted child, this wary aristocratic mole.
"How's business?" I asked, and hazarded a motherly smile to keep from crying out: Are you content to conduct your life as a cliché and, what's worse, an anachronism, the brooding artist's demimonde? Near the rue Princesse they had opened a gallery cum souvenir shop which featured fuzzy off-color Monets next to his acrylics, no doubt, plus beared African drums and the occasional miniature gargoyle from Notre Dame the Great Artist had carved at breakfast with a pocket knife.
"Tourists love us.
The Parisians, of course"-- she blushed--"are amused, though not without a certain admiration .
.
.
" The Chateaubriand arrived on a bone-white plate, smug and absolute in its fragrant crust, a black plug steaming like the heart plucked from the chest of a worthy enemy; one touch with her fork sent pink juices streaming.
"Admiration for what?"Wine, a bloody Pinot Noir, brought color to her cheeks.
"Why, the aplomb with which we've managed to support our Art"--meaning he'd convinced her to pose nude for his appalling canvases, faintly futuristic landscapes strewn with carwrecks and bodies being chewed by rabid cocker spaniels.
"I'd like to come by the studio," I ventured, "and see the new stuff.
" "Yes, if you wish .
.
.
"A delicate rebuff before the warning: "He dresses all in black now.
Me, he drapes in blues and carmine-- and even though I think it's kinda cute, in company I tend toward more muted shades.
" She paused and had the grace to drop her eyes.
She did look ravishing, spookily insubstantial, a lipstick ghost on tissue, or as if one stood on a fifth-floor terrace peering through a fringe of rain at Paris' dreaming chimney pots, each sooty issue wobbling skyward in an ecstatic oracular spiral.
"And he never thinks of food.
I wish I didn't have to plead with him to eat.
.
.
.
"Fruit and cheese appeared, arrayed on leaf-green dishes.
I stuck with café crème.
"This Camembert's so ripe," she joked, "it's practically grown hair," mucking a golden glob complete with parsley sprig onto a heel of bread.
Nothing seemed to fill her up: She swallowed, sliced into a pear, speared each tear-shaped lavaliere and popped the dripping mess into her pretty mouth.
Nowhere the bright tufted fields, weighted vines and sun poured down out of the south.
"But are you happy?"Fearing, I whispered it quickly.
"What?You know, Mother"-- she bit into the starry rose of a fig-- "one really should try the fruit here.
" I've lost her, I thought, and called for the bill.
Written by Raymond Carver | Create an image from this poem

Circulation

 And all at length are gathered in.
--LOUISE BOGAN By the time I came around to feeling pain and woke up, moonlight flooded the room.
My arm lay paralyzed, propped up like an old anchor under your back.
You were in a dream, you said later, where you'd arrived early for the dance.
But after a moment's anxiety you were okay because it was really a sidewalk sale, and the shoes you were wearing, or not wearing, were fine for that.
* "Help me," I said.
And tried to hoist my arm.
But it just lay there, aching, unable to rise on its own.
Even after you said, "What is it? What's wrong?" it stayed put -- deaf, unmoved by any expression of fear or amazement.
We shouted at it, and grew afraid when it didn't answer.
"It's gone to sleep," I said, and hearing those words knew how absurd this was.
But I couldn't laugh.
Somehow, between the two of us, we managed to raise it.
This can't be my arm is what I kept thinking as we thumped it, squeezed it, and prodded it back to life.
Shook it until that stinging went away.
We said a few words to each other.
I don't remember what.
Whatever reassuring things people who love each other say to each other given the hour and such odd circumstance.
I do remember you remarked how it was light enough in the room that you could see circles under my eyes.
You said I needed more regular sleep, and I agreed.
Each of us went to the bathroom, and climbed back into bed on our respective sides.
Pulled the covers up.
"Good night," you said, for the second time that night.
And fell asleep.
Maybe into that same dream, or else another.
* I lay until daybreak, holding both arms fast across my chest.
Working my fingers now and then.
While my thoughts kept circling around and around, but always going back where they'd started from.
That one inescapable fact: even while we undertake this trip, there's another, far more bizarre, we still have to make.
Written by William Topaz McGonagall | Create an image from this poem

A Tale of the Sea

 A pathetic tale of the sea I will unfold,
Enough to make one's blood run cold;
Concerning four fishermen cast adrift in a dory.
As I've been told I'll relate the story.
T'was on the 8th April on the afternoon of that day That the village of Louisburg was thrown into a wild state or dismay, And the villagers flew to the beach in a state of wild uproar And in a dory they found four men were cast ashore.
Then the villagers, in surprise assembled about the dory, And they found that the bottom of the boat was gory; Then their hearts were seized with sudden dread, when they discovered that two of the men were dead.
And the two survivors were exhausted from exposure, hunger, and cold, Which used the spectators to shudder when them they did behold; And with hunger the poor men couldn't stand on their feet, They felt so weakly on their legs for want of meat.
They were carried to a boarding-house without delay, But those that were looking on were stricken with dismay, When the remains of James and Angus McDonald were found in the boat, Likewise three pieces or flesh in a pool or blood afloat.
Angus McDonald's right arm was missing from the elbow, and the throat was cut in a sickening manner which filled the villagers hearts with woe, Especially when they saw two pieces of flesh had been cut from each thigh, 'Twas then the kind-hearted villagers did murmur and sigh.
Angus McDonald must have felt the pangs of hunger before he did try to cut two pieces of fiesh from James McDonald's thigh, But, Oh heaven! the pangs of hunger are very hard to thole, And anything that's eatable is precious unto an hungry soul.
Alas it is most pitiful and horrible to think That with hunger christians will each other's blood drink And eat each other's flesh to save themselves from starvation; But the pangs or hunger makes them mad, and drives them to desperation.
An old American soldier that had passed through the Civil War, Declared the scene surpassed anything he's seen by far, And at the sight, the crowd in horror turned away, which no doubt they will remember for many a day.
Colin Chisholm, one of the survivors was looking very pale, Stretched on a sofa at the boarding-house, making his wail: Poor fellow! his feet was greatly swollen, and with a melancholy air, He gave the following account of the distressing affair: We belonged to the American fishing schooner named "Cicely", And our captain was a brave man, called McKenzie; And the vessel had fourteen hands altogether And during the passage we had favourable weather.
'Twas on March the 17th we sailed from Gloucester on the Wednesday And all our hearts felt buoyant and gay; And we arrived on the Western banks on the succeeding Tuesday, While the time unto us seemed to pass merrily away.
About eight O'clock in the morning, we left the vessel in a dory, And I hope all kind christians will take heed to my story; Well, while we were at our work, the sky began to frown, And with a dense fog we were suddenly shut down Then we hunted and shouted, and every nerve did strain, Thinking to find our schooner but, alas! it was all in vain: Because the thick fog hid the vessel from our view, And to keep ourselves warm we closely to each other drew.
We had not one drop of water , nor provisions of any kind, Which, alas soon began to tell on our mind; Especially upon James McDonald who was very thinly clad, And with the cold and hunger he felt almost mad.
And looking from the stern where he was lying, he said Good bye, mates, Oh! I am dying! Poor fellow we kept his body thinking the rest of us would be saved, Then, with hunger, Angus McDonald began to cry and madly raved.
And he cried, Oh, God! send us some kind of meat, Because I'm resolved to have something to eat; Oh! do not let us starve on the briny flood Or else I will drink of poor Jim's blood.
Then he suddenly seized his knife and cut off poor Jim's arm, Not thinking in his madness he'd done any harm; Then poor Jim's blood he did drink and his flesh did eat, Declaring that the blood tasted like cream, and was a treat.
Then he asked me to taste it, saying It was good without doubt, Then I tasted it, but in disgust I instantly spat it out; Saying, if I was to die within an hour on the briny flood, I would neither eat the flesh nor drink the blood.
Then in the afternoon again he turned to me, Saying, I'm going to cut Jim's throat for more blood d'ye see; Then I begged of him, for God's sake not to cut the throat of poor Jim, But he cried, Ha! ha! to save my own life I consider it no sin.
I tried to prevent him but he struck me without dismay And cut poor Jim's throat in defiance of me, or all I could say, Also a piece of flesh from each thigh, and began to eat away, But poor fellow he sickened about noon, and died on the Sunday.
Now it is all over and I will thank all my life, Who has preserved me and my mate, McEachern, in the midst of danger and strife; And I hope that all landsmen of low and high degree, Will think of the hardships of poor mariners while at sea.

Book: Reflection on the Important Things