Written by
T S (Thomas Stearns) Eliot |
I
In my beginning is my end.
In succession
Houses rise and fall, crumble, are extended,
Are removed, destroyed, restored, or in their place
Is an open field, or a factory, or a by-pass.
Old stone to new building, old timber to new fires,
Old fires to ashes, and ashes to the earth
Which is already flesh, fur and faeces,
Bone of man and beast, cornstalk and leaf.
Houses live and die: there is a time for building
And a time for living and for generation
And a time for the wind to break the loosened pane
And to shake the wainscot where the field-mouse trots
And to shake the tattered arras woven with a silent motto.
In my beginning is my end.
Now the light falls
Across the open field, leaving the deep lane
Shuttered with branches, dark in the afternoon,
Where you lean against a bank while a van passes,
And the deep lane insists on the direction
Into the village, in the electric heat
Hypnotised.
In a warm haze the sultry light
Is absorbed, not refracted, by grey stone.
The dahlias sleep in the empty silence.
Wait for the early owl.
In that open field
If you do not come too close, if you do not come too close,
On a summer midnight, you can hear the music
Of the weak pipe and the little drum
And see them dancing around the bonfire
The association of man and woman
In daunsinge, signifying matrimonie—
A dignified and commodiois sacrament.
Two and two, necessarye coniunction,
Holding eche other by the hand or the arm
Whiche betokeneth concorde.
Round and round the fire
Leaping through the flames, or joined in circles,
Rustically solemn or in rustic laughter
Lifting heavy feet in clumsy shoes,
Earth feet, loam feet, lifted in country mirth
Mirth of those long since under earth
Nourishing the corn.
Keeping time,
Keeping the rhythm in their dancing
As in their living in the living seasons
The time of the seasons and the constellations
The time of milking and the time of harvest
The time of the coupling of man and woman
And that of beasts.
Feet rising and falling.
Eating and drinking.
Dung and death.
Dawn points, and another day
Prepares for heat and silence.
Out at sea the dawn wind
Wrinkles and slides.
I am here
Or there, or elsewhere.
In my beginning.
II
What is the late November doing
With the disturbance of the spring
And creatures of the summer heat,
And snowdrops writhing under feet
And hollyhocks that aim too high
Red into grey and tumble down
Late roses filled with early snow?
Thunder rolled by the rolling stars
Simulates triumphal cars
Deployed in constellated wars
Scorpion fights against the Sun
Until the Sun and Moon go down
Comets weep and Leonids fly
Hunt the heavens and the plains
Whirled in a vortex that shall bring
The world to that destructive fire
Which burns before the ice-cap reigns.
That was a way of putting it—not very satisfactory:
A periphrastic study in a worn-out poetical fashion,
Leaving one still with the intolerable wrestle
With words and meanings.
The poetry does not matter.
It was not (to start again) what one had expected.
What was to be the value of the long looked forward to,
Long hoped for calm, the autumnal serenity
And the wisdom of age? Had they deceived us
Or deceived themselves, the quiet-voiced elders,
Bequeathing us merely a receipt for deceit?
The serenity only a deliberate hebetude,
The wisdom only the knowledge of dead secrets
Useless in the darkness into which they peered
Or from which they turned their eyes.
There is, it seems to us,
At best, only a limited value
In the knowledge derived from experience.
The knowledge imposes a pattern, and falsifies,
For the pattern is new in every moment
And every moment is a new and shocking
Valuation of all we have been.
We are only undeceived
Of that which, deceiving, could no longer harm.
In the middle, not only in the middle of the way
But all the way, in a dark wood, in a bramble,
On the edge of a grimpen, where is no secure foothold,
And menaced by monsters, fancy lights,
Risking enchantment.
Do not let me hear
Of the wisdom of old men, but rather of their folly,
Their fear of fear and frenzy, their fear of possession,
Of belonging to another, or to others, or to God.
The only wisdom we can hope to acquire
Is the wisdom of humility: humility is endless.
The houses are all gone under the sea.
The dancers are all gone under the hill.
III
O dark dark dark.
They all go into the dark,
The vacant interstellar spaces, the vacant into the vacant,
The captains, merchant bankers, eminent men of letters,
The generous patrons of art, the statesmen and the rulers,
Distinguished civil servants, chairmen of many committees,
Industrial lords and petty contractors, all go into the dark,
And dark the Sun and Moon, and the Almanach de Gotha
And the Stock Exchange Gazette, the Directory of Directors,
And cold the sense and lost the motive of action.
And we all go with them, into the silent funeral,
Nobody's funeral, for there is no one to bury.
I said to my soul, be still, and let the dark come upon you
Which shall be the darkness of God.
As, in a theatre,
The lights are extinguished, for the scene to be changed
With a hollow rumble of wings, with a movement of darkness on darkness,
And we know that the hills and the trees, the distant panorama
And the bold imposing façade are all being rolled away—
Or as, when an underground train, in the tube, stops too long between stations
And the conversation rises and slowly fades into silence
And you see behind every face the mental emptiness deepen
Leaving only the growing terror of nothing to think about;
Or when, under ether, the mind is conscious but conscious of nothing—
I said to my soul, be still, and wait without hope
For hope would be hope for the wrong thing; wait without love,
For love would be love of the wrong thing; there is yet faith
But the faith and the love and the hope are all in the waiting.
Wait without thought, for you are not ready for thought:
So the darkness shall be the light, and the stillness the dancing.
Whisper of running streams, and winter lightning.
The wild thyme unseen and the wild strawberry,
The laughter in the garden, echoed ecstasy
Not lost, but requiring, pointing to the agony
Of death and birth.
You say I am repeating
Something I have said before.
I shall say it again.
Shall I say it again? In order to arrive there,
To arrive where you are, to get from where you are not,
You must go by a way wherein there is no ecstasy.
In order to arrive at what you do not know
You must go by a way which is the way of ignorance.
In order to possess what you do not possess
You must go by the way of dispossession.
In order to arrive at what you are not
You must go through the way in which you are not.
And what you do not know is the only thing you know
And what you own is what you do not own
And where you are is where you are not.
IV
The wounded surgeon plies the steel
That questions the distempered part;
Beneath the bleeding hands we feel
The sharp compassion of the healer's art
Resolving the enigma of the fever chart.
Our only health is the disease
If we obey the dying nurse
Whose constant care is not to please
But to remind of our, and Adam's curse,
And that, to be restored, our sickness must grow worse.
The whole earth is our hospital
Endowed by the ruined millionaire,
Wherein, if we do well, we shall
Die of the absolute paternal care
That will not leave us, but prevents us everywhere.
The chill ascends from feet to knees,
The fever sings in mental wires.
If to be warmed, then I must freeze
And quake in frigid purgatorial fires
Of which the flame is roses, and the smoke is briars.
The dripping blood our only drink,
The bloody flesh our only food:
In spite of which we like to think
That we are sound, substantial flesh and blood—
Again, in spite of that, we call this Friday good.
V
So here I am, in the middle way, having had twenty years—
Twenty years largely wasted, the years of l'entre deux guerres
Trying to use words, and every attempt
Is a wholly new start, and a different kind of failure
Because one has only learnt to get the better of words
For the thing one no longer has to say, or the way in which
One is no longer disposed to say it.
And so each venture
Is a new beginning, a raid on the inarticulate
With shabby equipment always deteriorating
In the general mess of imprecision of feeling,
Undisciplined squads of emotion.
And what there is to conquer
By strength and submission, has already been discovered
Once or twice, or several times, by men whom one cannot hope
To emulate—but there is no competition—
There is only the fight to recover what has been lost
And found and lost again and again: and now, under conditions
That seem unpropitious.
But perhaps neither gain nor loss.
For us, there is only the trying.
The rest is not our business.
Home is where one starts from.
As we grow older
The world becomes stranger, the pattern more complicated
Of dead and living.
Not the intense moment
Isolated, with no before and after,
But a lifetime burning in every moment
And not the lifetime of one man only
But of old stones that cannot be deciphered.
There is a time for the evening under starlight,
A time for the evening under lamplight
(The evening with the photograph album).
Love is most nearly itself
When here and now cease to matter.
Old men ought to be explorers
Here or there does not matter
We must be still and still moving
Into another intensity
For a further union, a deeper communion
Through the dark cold and the empty desolation,
The wave cry, the wind cry, the vast waters
Of the petrel and the porpoise.
In my end is my beginning.
|
Written by
Vladimir Mayakovsky |
Thoughts, go your way home.
Embrace,
depths of the soul and the sea.
In my view,
it is
stupid
to be
always serene.
My cabin is the worst
of all cabins -
All night above me
Thuds a smithy of feet.
All night,
stirring the ceiling’s calm,
dancers stampede
to a moaning motif:
“Marquita,
Marquita,
Marquita my darling,
why won’t you,
Marquita,
why won’t you love me …”
But why
Should marquita love me?!
I have
no francs to spare.
And Marquita
(at the slightest wink!)
for a hundred francs
she’d be brought to your room.
The sum’s not large -
just live for show -
No,
you highbrow,
ruffling your matted hair,
you would thrust upon her
a sewing machine,
in stitches
scribbling
the silk of verse.
Proletarians
arrive at communism
from below -
by the low way of mines,
sickles,
and pitchforks -
But I,
from poetry’s skies,
plunge into communism,
because
without it
I feel no love.
Whether
I’m self-exiled
or sent to mamma -
the steel of words corrodes,
the brass of the brass tarnishes.
Why,
beneath foreign rains,
must I soak,
rot,
and rust?
Here I recline,
having gone oversea,
in my idleness
barely moving
my machine parts.
I myself
feel like a Soviet
factory,
manufacturing happiness.
I object
to being torn up,
like a flower of the fields,
after a long day’s work.
I want
the Gosplan to sweat
in debate,
assignning me
goals a year ahead.
I want
a commissar
with a decree
to lean over the thought of the age.
I want
the heart to earn
its love wage
at a specialist’s rate.
I want
the factory committee
to lock
My lips
when the work is done.
I want
the pen to be on a par
with the bayonet;
and Stalin
to deliver his Politbureau
reports
about verse in the making
as he would about pig iron
and the smelting of steel.
“That’s how it is,
the way it goes …
We’ve attained
the topmost level,
climbing from the workers’ bunks:
in the Union
of Republics
the understanding of verse
now tops
the prewar norm …”
Transcribed: by Mitch Abidor.
|
Written by
Mahmoud Darwish |
Here on the slopes of hills, facing the dusk and the cannon of time
Close to the gardens of broken shadows,
We do what prisoners do,
And what the jobless do:
We cultivate hope.
***
A country preparing for dawn.
We grow less intelligent
For we closely watch the hour of victory:
No night in our night lit up by the shelling
Our enemies are watchful and light the light for us
In the darkness of cellars.
***
Here there is no "I".
Here Adam remembers the dust of his clay.
***
On the verge of death, he says:
I have no trace left to lose:
Free I am so close to my liberty.
My future lies in my own hand.
Soon I shall penetrate my life,
I shall be born free and parentless,
And as my name I shall choose azure letters.
.
.
***
You who stand in the doorway, come in,
Drink Arabic coffee with us
And you will sense that you are men like us
You who stand in the doorways of houses
Come out of our morningtimes,
We shall feel reassured to be
Men like you!
***
When the planes disappear, the white, white doves
Fly off and wash the cheeks of heaven
With unbound wings taking radiance back again, taking possession
Of the ether and of play.
Higher, higher still, the white, white doves
Fly off.
Ah, if only the sky
Were real [a man passing between two bombs said to me].
***
Cypresses behind the soldiers, minarets protecting
The sky from collapse.
Behind the hedge of steel
Soldiers piss—under the watchful eye of a tank—
And the autumnal day ends its golden wandering in
A street as wide as a church after Sunday mass.
.
.
***
[To a killer] If you had contemplated the victim’s face
And thought it through, you would have remembered your mother in the
Gas chamber, you would have been freed from the reason for the rifle
And you would have changed your mind: this is not the way
to find one’s identity again.
***
The siege is a waiting period
Waiting on the tilted ladder in the middle of the storm.
***
Alone, we are alone as far down as the sediment
Were it not for the visits of the rainbows.
***
We have brothers behind this expanse.
Excellent brothers.
They love us.
They watch us and weep.
Then, in secret, they tell each other:
"Ah! if this siege had been declared.
.
.
" They do not finish their sentence:
"Don’t abandon us, don’t leave us.
"
***
Our losses: between two and eight martyrs each day.
And ten wounded.
And twenty homes.
And fifty olive trees.
.
.
Added to this the structural flaw that
Will arrive at the poem, the play, and the unfinished canvas.
***
A woman told the cloud: cover my beloved
For my clothing is drenched with his blood.
***
If you are not rain, my love
Be tree
Sated with fertility, be tree
If you are not tree, my love
Be stone
Saturated with humidity, be stone
If you are not stone, my love
Be moon
In the dream of the beloved woman, be moon
[So spoke a woman
to her son at his funeral]
***
Oh watchmen! Are you not weary
Of lying in wait for the light in our salt
And of the incandescence of the rose in our wound
Are you not weary, oh watchmen?
***
A little of this absolute and blue infinity
Would be enough
To lighten the burden of these times
And to cleanse the mire of this place.
***
It is up to the soul to come down from its mount
And on its silken feet walk
By my side, hand in hand, like two longtime
Friends who share the ancient bread
And the antique glass of wine
May we walk this road together
And then our days will take different directions:
I, beyond nature, which in turn
Will choose to squat on a high-up rock.
***
On my rubble the shadow grows green,
And the wolf is dozing on the skin of my goat
He dreams as I do, as the angel does
That life is here.
.
.
not over there.
***
In the state of siege, time becomes space
Transfixed in its eternity
In the state of siege, space becomes time
That has missed its yesterday and its tomorrow.
***
The martyr encircles me every time I live a new day
And questions me: Where were you? Take every word
You have given me back to the dictionaries
And relieve the sleepers from the echo’s buzz.
***
The martyr enlightens me: beyond the expanse
I did not look
For the virgins of immortality for I love life
On earth, amid fig trees and pines,
But I cannot reach it, and then, too, I took aim at it
With my last possession: the blood in the body of azure.
***
The martyr warned me: Do not believe their ululations
Believe my father when, weeping, he looks at my photograph
How did we trade roles, my son, how did you precede me.
I first, I the first one!
***
The martyr encircles me: my place and my crude furniture are all that I have changed.
I put a gazelle on my bed,
And a crescent of moon on my finger
To appease my sorrow.
***
The siege will last in order to convince us we must choose an enslavement that does no harm, in fullest liberty!
***
Resisting means assuring oneself of the heart’s health,
The health of the testicles and of your tenacious disease:
The disease of hope.
***
And in what remains of the dawn, I walk toward my exterior
And in what remains of the night, I hear the sound of footsteps inside me.
***
Greetings to the one who shares with me an attention to
The drunkenness of light, the light of the butterfly, in the
Blackness of this tunnel!
***
Greetings to the one who shares my glass with me
In the denseness of a night outflanking the two spaces:
Greetings to my apparition.
***
My friends are always preparing a farewell feast for me,
A soothing grave in the shade of oak trees
A marble epitaph of time
And always I anticipate them at the funeral:
Who then has died.
.
.
who?
***
Writing is a puppy biting nothingness
Writing wounds without a trace of blood.
***
Our cups of coffee.
Birds green trees
In the blue shade, the sun gambols from one wall
To another like a gazelle
The water in the clouds has the unlimited shape of what is left to us
Of the sky.
And other things of suspended memories
Reveal that this morning is powerful and splendid,
And that we are the guests of eternity.
|
Written by
Wendell Berry |
I.
I dream of you walking at night along the streams
of the country of my birth, warm blooms and the nightsongs
of birds opening around you as you walk.
You are holding in your body the dark seed of my sleep.
II.
This comes after silence.
Was it something I said
that bound me to you, some mere promise
or, worse, the fear of loneliness and death?
A man lost in the woods in the dark, I stood
still and said nothing.
And then there rose in me,
like the earth's empowering brew rising
in root and branch, the words of a dream of you
I did not know I had dreamed.
I was a wanderer
who feels the solace of his native land
under his feet again and moving in his blood.
I went on, blind and faithful.
Where I stepped
my track was there to steady me.
It was no abyss
that lay before me, but only the level ground.
III.
Sometimes our life reminds me
of a forest in which there is a graceful clearing
and in that opening a house,
an orchard and garden,
comfortable shades, and flowers
red and yellow in the sun, a pattern
made in the light for the light to return to.
The forest is mostly dark, its ways
to be made anew day after day, the dark
richer than the light and more blessed,
provided we stay brave
enough to keep on going in.
IV.
How many times have I come to you out of my head
with joy, if ever a man was,
for to approach you I have given up the light
and all directions.
I come to you
lost, wholly trusting as a man who goes
into the forest unarmed.
It is as though I descend
slowly earthward out of the air.
I rest in peace
in you, when I arrive at last.
V.
Our bond is no little economy based on the exchange
of my love and work for yours, so much for so much
of an expendable fund.
We don't know what its limits are--
that puts us in the dark.
We are more together
than we know, how else could we keep on discovering
we are more together than we thought?
You are the known way leading always to the unknown,
and you are the known place to which the unknown is always
leading me back.
More blessed in you than I know,
I possess nothing worthy to give you, nothing
not belittled by my saying that I possess it.
Even an hour of love is a moral predicament, a blessing
a man may be hard up to be worthy of.
He can only
accept it, as a plant accepts from all the bounty of the light
enough to live, and then accepts the dark,
passing unencumbered back to the earth, as I
have fallen tine and again from the great strength
of my desire, helpless, into your arms.
VI.
What I am learning to give you is my death
to set you free of me, and me from myself
into the dark and the new light.
Like the water
of a deep stream, love is always too much.
We
did not make it.
Though we drink till we burst
we cannot have it all, or want it all.
In its abundance it survives our thirst.
In the evening we come down to the shore
to drink our fill, and sleep, while it
flows through the regions of the dark.
It does not hold us, except we keep returning
to its rich waters thirsty.
We enter,
willing to die, into the commonwealth of its joy.
VII.
I give you what is unbounded, passing from dark to dark,
containing darkness: a night of rain, an early morning.
I give you the life I have let live for the love of you:
a clump of orange-blooming weeds beside the road,
the young orchard waiting in the snow, our own life
that we have planted in the ground, as I
have planted mine in you.
I give you my love for all
beautiful and honest women that you gather to yourself
again and again, and satisfy--and this poem,
no more mine than any man's who has loved a woman.
|
Written by
Walt Whitman |
1
AS the time draws nigh, glooming, a cloud,
A dread beyond, of I know not what, darkens me.
I shall go forth,
I shall traverse The States awhile—but I cannot tell whither or how long;
Perhaps soon, some day or night while I am singing, my voice will suddenly cease.
2
O book, O chants! must all then amount to but this?
Must we barely arrive at this beginning of us?.
.
.
And yet it is enough, O soul!
O soul! we have positively appear’d—that is enough.
|
Written by
Anne Kingsmill Finch |
A WIT, transported with Inditing,
Unpay'd, unprais'd, yet ever Writing;
Who, for all Fights and Fav'rite Friends,
Had Poems at his Fingers Ends;
For new Events was still providing;
Yet now desirous to be riding,
He pack'd-up ev'ry Ode and Ditty
And in Vacation left the City;
So rapt with Figures, and Allusions,
With secret Passions, sweet Confusions;
With Sentences from Plays well-known,
And thousand Couplets of his own;
That ev'n the chalky Road look'd gay,
And seem'd to him the Milky Way.
But Fortune, who the Ball is tossing,
And Poets ever will be crossing,
Misled the Steed, which ill he guided,
Where several gloomy Paths divided.
The steepest in Descent he follow'd,
Enclos'd by Rocks, which Time had hollow'd;
Till, he believ'd, alive and booted,
He'd reach'd the Shades by Homer quoted.
But all, that he cou'd there discover,
Was, in a Pit with Thorns grown over,
Old Mammon digging, straining, sweating,
As Bags of Gold he thence was getting;
Who, when reprov'd for such Dejections
By him, who liv'd on high Reflections,
Reply'd; Brave Sir, your Time is ended,
And Poetry no more befriended.
I hid this Coin, when Charles was swaying;
When all was Riot, Masking, Playing;
When witty Beggars were in fashion,
And Learning had o'er-run the Nation,
But, since Mankind is so much wiser,
That none is valued like the Miser,
I draw it hence, and now these Sums
In proper Soil grow up to {1} Plumbs;
Which gather'd once, from that rich Minute
We rule the World, and all that's in it.
But, quoth the Poet,can you raise,
As well as Plumb-trees, Groves of Bays?
Where you, which I wou'd chuse much rather,
May Fruits of Reputation gather?
Will Men of Quality, and Spirit,
Regard you for intrinsick Merit?
And seek you out, before your Betters,
For Conversation, Wit, and Letters?
Fool, quoth the Churl, who knew no Breeding;
Have these been Times for such Proceeding?
Instead of Honour'd, and Rewarded,
Are you not Slighted, or Discarded?
What have you met with, but Disgraces?
Your PRIOR cou'd not keep in Places;
And your VAN-BRUG had found no Quarter,
But for his dabbling in the Morter.
ROWE no Advantages cou'd hit on,
Till Verse he left, to write North-Briton.
PHILIPS, who's by the Shilling known,
Ne'er saw a Shilling of his own.
Meets {2} PHILOMELA, in the Town
Her due Proportion of Renown?
What Pref'rence has ARDELIA seen,
T'expel, tho' she cou'd write the Spleen?
Of Coach, or Tables, can you brag,
Or better Cloaths than Poet RAG?
Do wealthy Kindred, when they meet you,
With Kindness, or Distinction, greet you?
Or have your lately flatter'd Heroes
Enrich'd you like the Roman Maroes?
No–quoth the Man of broken Slumbers:
Yet we have Patrons for our Numbers;
There are Mecænas's among 'em.
Quoth Mammon,pray Sir, do not wrong 'em;
But in your Censures use a Conscience,
Nor charge Great Men with thriftless Nonsense:
Since they, as your own Poets sing,
Now grant no Worth in any thing
But so much Money as 'twill bring.
Then, never more from your Endeavours
Expect Preferment, or less Favours.
But if you'll 'scape Contempt, or worse,
Be sure, put Money in your Purse;
Money! which only can relieve you
When Fame and Friendship will deceive you.
Sir, (quoth the Poet humbly bowing,
And all that he had said allowing)
Behold me and my airy Fancies
Subdu'd, like Giants in Romances.
I here submit to your Discourses;
Which since Experience too enforces,
I, in that solitary Pit,
Your Gold withdrawn, will hide my Wit:
Till Time, which hastily advances,
And gives to all new Turns and Chances,
Again may bring it into use;
Roscommons may again produce;
New Augustean Days revive,
When Wit shall please, and Poets thrive.
Till when, let those converse in private,
Who taste what others don't arrive at;
Yielding that Mammonists surpass us;
And let the Bank out-swell Parnassus.
|
Written by
Richard Brautigan |
1.
Get enough food to eat,
and eat it.
2.
Find a place to sleep where it is quiet,
and sleep there.
3.
Reduce intellectual and emotional noise
until you arrive at the silence of yourself,
and listen to it.
|
Written by
Johann Wolfgang von Goethe |
"OH, would we were further! Oh, would we were home,
The phantoms of night tow'rd us hastily come,
The band of the Sorceress sisters.
They hitherward speed, and on finding us here,
They'll drink, though with toil we have fetch'd it, the beer,
And leave us the pitchers all empty.
"
Thus speaking, the children with fear take to flight,
When sudden an old man appears in their sight:
"Be quiet, child! children, be quiet!
From hunting they come, and their thirst they would still,
So leave them to swallow as much as they will,
And the Evil Ones then will be gracious.
"
As said, so 'twas done! and the phantoms draw near,
And shadowlike seem they, and grey they appear,
~Yet blithely they sip and they revel
The beer has all vanish'd, the pitchers are void;
With cries and with shouts the wild hunters, o'erjoy'd,
Speed onward o'er vale and o'er mountain.
The children in terror fly nimbly tow'rd home,
And with them the kind one is careful to come:
"My darlings, oh, be not so mournful!--
"They'll blame us and beat us, until we are dead.
"--
"No, no! ye will find that all goes well," he said;
"Be silent as mice, then, and listen!
"And he by whose counsels thus wisely ye're taught,
Is he who with children loves ever to sport.
The trusty and faithful old Eckart.
Ye have heard of the wonder for many a day,
But ne'er had a proof of the marvellous lay,--
Your hands hold a proof most convincing.
"
They arrive at their home, and their pitchers they place
By the side of their parents, with fear on their face,
Awaiting a beating and scolding.
But see what they're tasting: the choicest of beer!
Though three times and four times they quaff the good cheer
The pitchers remain still unemptied.
The marvel it lasts till the dawning of day;
All people who hear of it doubtless will say:
"What happen'd at length to the pitchers?"
In secret the children they smile, as they wait;
At last, though, they stammer, and stutter, and prate,
And straightway the pitchers were empty.
And if, children, with kindness address'd ye may be,
Whether father, or master, or alderman he,
Obey him, and follow his bidding!
And if 'tis unpleasant to bridle the tongue,
Yet talking is bad, silence good for the young--
And then will the beer fill your pitchers!
1813.
|
Written by
Isaac Watts |
Characters of Christ; borrowed from inanimate things in Scripture.
Go, worship at Immanuel's feet,
See in his face what wonders meet!
Earth is too narrow to express
His worth, his glory, or his grace.
[The whole creation can afford
But some faint shadows of my Lord;
Nature, to make his beauties known,
Must mingle colors not her own.
]
[Is he compared to wine or bread?
Dear Lord, our souls would thus be fed
That flesh, that dying blood of thine,
Is bread of life, is heav'nly wine.
]
[Is he a tree? The world receives
Salvation from his healing leaves;
That righteous branch, that fruitful bough,
Is David's root and offspring too.
]
[Is he a rose? Not Sharon yields
Such fragrancy in all her fields:
Or if the lily he assume,
The valleys bless the rich perfume.
]
[Is he a vine? His heav'nly root
Supplies the boughs with life and fruit
O let a lasting union join
My soul the branch to Christ the vine!]
[Is he the head? Each member lives,
And owns the vital powers he gives;
The saints below and saints above
Joined by his Spirit and his love.
]
[Is he a fountain? There I bathe,
And heal the plague of sin and death
These waters all my soul renew,
And cleanse my spotted garments too.
]
[Is he a fire? He'll purge my dross;
But the true gold sustains no loss:
Like a refiner shall he sit,
And tread the refuse with his feet.
]
[Is he a rock? How firm he proves!
The Rock of ages never moves;
Yet the sweet streams that from him flow
Attend us all the desert through.
]
[Is he a way? He leads to God,
The path is drawn in lines of blood;
There would I walk with hope and zeal,
Till I arrive at Zion's hill.
]
[Is he a door? I'll enter in
Behold the pastures large and green,
A paradise divinely fair;
None but the sheep have freedom there.
]
[Is he designed the corner-stone,
For men to build their heav'n upon?
I'll make him my foundation too,
Nor fear the plots of hell below.
]
[Is he a temple? I adore
Th' indwelling majesty and power
And still to this most holy place,
Whene'er I pray, I turn my face.
]
[Is he a star? He breaks the night
Piercing the shades with dawning light;
I know his glories from afar,
I know the bright, the morning star.
]
[Is he a sun? His beams are grace,
His course is joy and righteousness;
Nations rejoice when he appears
To chase their clouds and dry their tears.
O let me climb those higher skies,
Where storms and darkness never rise!
There he displays his power abroad,
And shines and reigns th' incarnate God.
]
Nor earth, nor seas, nor sun, nor stars,
Nor heav'n, his full resemblance bears;
His beauties we can never trace,
Till we behold him face to face.
|
Written by
Rudyard Kipling |
The Celt in all his variants from Builth to Ballyhoo,
His mental processes are plain--one knows what he will do,
And can logically predicate his finish by his start;
But the English--ah, the English!--they are quite a race apart.
Their psychology is bovine, their outlook crude and raw.
They abandon vital matters to be tickled with a straw;
But the straw that they were tickled with-the chaff that they were fed with--
They convert into a weaver's beam to break their foeman's head with.
For undemocratic reasons and for motives not of State,
They arrive at their conclusions--largely inarticulate.
Being void of self-expression they confide their views to none;
But sometimes in a smoking-room, one learns why things were done.
Yes, sometimes in a smoking-room, through clouds of "Ers" an "Ums,"
Obliquely and by inference, illumination comes,
On some step that they have taken, or some action they approve
Embellished with the argot of the Upper Fourth Remove.
In telegraphic sentences half nodded to their friends,
They hint a matter's inwardness--and there the matter ends.
And while the Celt is talking from Valencia to Kirkwall,
The English--ah, the English!--don't say anything at all.
|