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Best Famous Aromas Poems

Here is a collection of the all-time best famous Aromas poems. This is a select list of the best famous Aromas poetry. Reading, writing, and enjoying famous Aromas poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of aromas poems.

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Written by Pablo Neruda | Create an image from this poem

If You Forget Me

 I want you to know
one thing.
You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me.
Well, now, if little by little you stop loving me I shall stop loving you little by little.
If suddenly you forget me do not look for me, for I shall already have forgotten you.
If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land.
But if each day, each hour, you feel that you are destined for me with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine


Written by Walt Whitman | Create an image from this poem

Spontaneous Me

 SPONTANEOUS me, Nature, 
The loving day, the mounting sun, the friend I am happy with, 
The arm of my friend hanging idly over my shoulder, 
The hill-side whiten’d with blossoms of the mountain ash, 
The same, late in autumn—the hues of red, yellow, drab, purple, and light and dark
 green,
The rich coverlid of the grass—animals and birds—the private untrimm’d
 bank—the primitive apples—the pebble-stones, 
Beautiful dripping fragments—the negligent list of one after another, as I happen to
 call them to me, or think of them, 
The real poems, (what we call poems being merely pictures,) 
The poems of the privacy of the night, and of men like me, 
This poem, drooping shy and unseen, that I always carry, and that all men carry,
(Know, once for all, avow’d on purpose, wherever are men like me, are our lusty,
 lurking, masculine poems;) 
Love-thoughts, love-juice, love-odor, love-yielding, love-climbers, and the climbing sap, 
Arms and hands of love—lips of love—phallic thumb of love—breasts of
 love—bellies press’d and glued together with love, 
Earth of chaste love—life that is only life after love, 
The body of my love—the body of the woman I love—the body of the man—the
 body of the earth,
Soft forenoon airs that blow from the south-west, 
The hairy wild-bee that murmurs and hankers up and down—that gripes the full-grown
 lady-flower, curves upon her with amorous firm legs, takes his will of her, and holds
 himself tremulous and tight till he is satisfied, 
The wet of woods through the early hours, 
Two sleepers at night lying close together as they sleep, one with an arm slanting down
 across and below the waist of the other, 
The smell of apples, aromas from crush’d sage-plant, mint, birch-bark,
The boy’s longings, the glow and pressure as he confides to me what he was dreaming, 
The dead leaf whirling its spiral whirl, and falling still and content to the ground, 
The no-form’d stings that sights, people, objects, sting me with, 
The hubb’d sting of myself, stinging me as much as it ever can any one, 
The sensitive, orbic, underlapp’d brothers, that only privileged feelers may be
 intimate where they are,
The curious roamer, the hand, roaming all over the body—the bashful withdrawing of
 flesh where the fingers soothingly pause and edge themselves, 
The limpid liquid within the young man, 
The vexed corrosion, so pensive and so painful, 
The torment—the irritable tide that will not be at rest, 
The like of the same I feel—the like of the same in others,
The young man that flushes and flushes, and the young woman that flushes and flushes, 
The young man that wakes, deep at night, the hot hand seeking to repress what would master
 him; 
The mystic amorous night—the strange half-welcome pangs, visions, sweats, 
The pulse pounding through palms and trembling encircling fingers—the young man all
 color’d, red, ashamed, angry; 
The souse upon me of my lover the sea, as I lie willing and naked,
The merriment of the twin-babes that crawl over the grass in the sun, the mother never
 turning her vigilant eyes from them, 
The walnut-trunk, the walnut-husks, and the ripening or ripen’d long-round walnuts; 
The continence of vegetables, birds, animals, 
The consequent meanness of me should I skulk or find myself indecent, while birds and
 animals never once skulk or find themselves indecent; 
The great chastity of paternity, to match the great chastity of maternity,
The oath of procreation I have sworn—my Adamic and fresh daughters, 
The greed that eats me day and night with hungry gnaw, till I saturate what shall produce
 boys to fill my place when I am through, 
The wholesome relief, repose, content; 
And this bunch, pluck’d at random from myself; 
It has done its work—I tossed it carelessly to fall where it may.
Written by Amy Levy | Create an image from this poem

Run to Death

 A True Incident of Pre-Revolutionary French History.
Now the lovely autumn morning breathes its freshness in earth's face, In the crowned castle courtyard the blithe horn proclaims the chase; And the ladies on the terrace smile adieux with rosy lips To the huntsmen disappearing down the cedar-shaded groves, Wafting delicate aromas from their scented finger tips, And the gallants wave in answer, with their gold-embroidered gloves.
On they rode, past bush and bramble, on they rode, past elm and oak; And the hounds, with anxious nostril, sniffed the heather-scented air, Till at last, within his stirrups, up Lord Gaston rose, and spoke-- He, the boldest and the bravest of the wealthy nobles there : 'Friends,' quoth he, 'the time hangs heavy, for it is not as we thought, And these woods, tho' fair and shady, will afford, I fear, no sport.
Shall we hence, then, worthy kinsmen, and desert the hunter's track For the chateau, where the wine cup and the dice cup tempt us back?' 'Ay,' the nobles shout in chorus ; 'Ay,' the powder'd lacquey cries; Then they stop with eager movement, reining in quite suddenly; Peering down with half contemptuous, half with wonder-opened eyes At a 'something' which is crawling, with slow step, from tree to tree.
Is't some shadow phantom ghastly ? No, a woman and a child, Swarthy woman, with the 'gipsy' written clear upon her face; Gazing round her with her wide eyes dark, and shadow-fringed, and wild, With the cowed suspicious glances of a persecuted race.
Then they all, with unasked question, in each other's faces peer, For a common thought has struck them, one their lips dare scarcely say,-- Till Lord Gaston cries, impatient, 'Why regret the stately deer When such sport as yonder offers? quick ! unleash the dogs--away!' Then they breath'd a shout of cheering, grey-haired man and stripling boy, And the gipsy, roused to terror, stayed her step, and turned her head-- Saw the faces of those huntsmen, lit with keenest cruel joy-- Sent a cry of grief to Heaven, closer clasped her child, and fled! * * * * * * * O ye nobles of the palace! O ye gallant-hearted lords! Who would stoop for Leila's kerchief, or for Clementina's gloves, Who would rise up all indignant, with your shining sheathless swords, At the breathing of dishonour to your languid lady loves! O, I tell you, daring nobles, with your beauty-loving stare, Who ne'er long the coy coquetting of the courtly dames withstood, Tho' a woman be the lowest, and the basest, and least fair, In your manliness forget not to respect her womanhood, And thou, gipsy, that hast often the pursuer fled before, That hast felt ere this the shadow of dark death upon thy brow, That hast hid among the mountains, that hast roamed the forest o'er, Bred to hiding, watching, fleeing, may thy speed avail thee now! * * * * * * * Still she flees, and ever fiercer tear the hungry hounds behind, Still she flees, and ever faster follow there the huntsmen on, Still she flees, her black hair streaming in a fury to the wind, Still she flees, tho' all the glimmer of a happy hope is gone.
'Eh? what? baffled by a woman! Ah, sapristi! she can run! Should she 'scape us, it would crown us with dishonour and disgrace; It is time' (Lord Gaston shouted) 'such a paltry chase were done!' And the fleeter grew her footsteps, so the hotter grew the chase-- Ha! at last! the dogs are on her! will she struggle ere she dies? See! she holds her child above her, all forgetful of her pain, While a hundred thousand curses shoot out darkly from her eyes, And a hundred thousand glances of the bitterest disdain.
Ha! the dogs are pressing closer! they have flung her to the ground; Yet her proud lips never open with the dying sinner's cry-- Till at last, unto the Heavens, just two fearful shrieks resound, When the soul is all forgotten in the body's agony! Let them rest there, child and mother, in the shadow of the oak, On the tender mother-bosom of that earth from which they came.
As they slow rode back those huntsmen neither laughed, nor sang, nor spoke, Hap, there lurked unowned within them throbbings of a secret shame.
But before the flow'ry terrace, where the ladies smiling sat, With their graceful nothings trifling all the weary time away, Low Lord Gaston bowed, and raising high his richly 'broider'd hat, 'Fairest ladies, give us welcome! 'Twas a famous hunt to-day.
'
Written by Laure-Anne Bosselaar | Create an image from this poem

English Flavors

  I love to lick English the way I licked the hard 
round licorice sticks the Belgian nuns gave me for six
good conduct points on Sundays after mass.
Love it when ‘plethora’, ‘indolence’, ‘damask’, or my new word: ‘lasciviousness,’ stain my tongue, thicken my saliva, sweet as those sticks — black and slick with every lick it took to make daggers out of them: sticky spikes I brandished straight up to the ebony crucifix in the dorm, with the pride of a child more often punished than praised.
‘Amuck,’ ‘awkward,’ or ‘knuckles,’ have jaw- breaker flavors; there’s honey in ‘hunter’s moon,’ hot pepper in ‘hunk,’ and ‘mellifluous’ has aromas of almonds and milk .
Those tastes of recompense still bitter-sweet today as I roll, bend and shape English in my mouth, repeating its syllables like acts of contrition, then sticking out my new tongue — flavored and sharp — to the ambiguities of meaning.

Book: Reflection on the Important Things