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Best Famous Architectural Poems

Here is a collection of the all-time best famous Architectural poems. This is a select list of the best famous Architectural poetry. Reading, writing, and enjoying famous Architectural poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of architectural poems.

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Written by John Greenleaf Whittier | Create an image from this poem

The Barefoot Boy

 Blessings on thee, little man,
Barefoot boy, with cheek of tan!
With thy turned-up pantaloons,
And thy merry whistled tunes;
With thy red lip, redder still
Kissed by strawberries on the hill;
With the sunshine on thy face,
Through thy torn brim's jaunty grace;
From my heart I give thee joy, -
I was once a barefoot boy!
Prince thou art, - the grown-up man
Only is republican.
Let the million-dollared ride! Barefoot, trudging at his side, Thou hast more than he can buy In the reach of ear and eye, - Outward sunshine, inward joy: Blessings on thee, barefoot boy! Oh for boyhood's painless play, Sleep that wakes in laughing day, Health that mocks the doctor's rules, Knowledge never learned of schools, Of the wild bee's morning chase, Of the wild-flower's time and place, Flight of fowl and habitude Of the tenants of the wood; How the tortoise bears his shell, How the woodchuck digs his cell, And the ground-mole sinks his well; How the robin feeds her young, How the oriole's nest is hung; Where the whitest lilies blow, Where the freshest berries grow, Where the ground-nut trails its vine, Where the wood-grape's clusters shine; Of the black wasp's cunning way, Mason of his walls of clay, And the architectural plans Of gray hornet artisans! For, eschewing books and tasks, Nature answers all he asks; Hand in hand with her he walks, Face to face with her he talks, Part and parcel of her joy, - Blessings on the barefoot boy! Oh for boyhood's time of June, Crowding years in one brief moon, When all things I heard or saw, Me, their master, waited for.
I was rich in flowers and trees, Humming-birds and honey-bees; For my sport the squirrel played, Plied the snouted mole his spade; For my taste the blackberry cone Purpled over hedge and stone; Laughed the brook for my delight Through the day and through the night, Whispering at the garden wall, Talked with me from fall to fall; Mine the sand-rimmed pickerel pond, Mine the walnut slopes beyond, Mine, on bending orchard trees, Apples of Hesperides! Still as my horizon grew, Larger grew my riches too; All the world I saw or knew Seemed a complex Chinese toy, Fashioned for a barefoot boy! Oh for festal dainties spread, Like my bowl of milk and bread; Pewter spoon and bowl of wood, On the door-stone, gray and rude! O'er me, like a regal tent, Cloudy-ribbed, the sunset bent, Purple-curtained, fringed with gold, Looped in many a wind-swung fold; While for music came the play Of the pied frogs' orchestra; And, to light the noisy choir, Lit the fly his lamp of fire.
I was monarch: pomp and joy Waited on the barefoot boy! Cheerily, then, my little man, Live and laugh, as boyhood can! Though the flinty slopes be hard, Stubble-speared the new-mown sward, Every morn shall lead thee through Fresh baptisms of the dew; Every evening from thy feet Shall the cool wind kiss the heat: All too soon these feet must hide In the prison cells of pride, Lose the freedom of the sod, Like a colt's for work be shod, Made to tread the mills of toil, Up and down in ceaseless moil: Happy if their track be found Never on forbidden ground; Happy if they sink not in Quick and treacherous sands of sin.
Ah! that thou couldst know thy joy, Ere it passes, barefoot boy!


Written by Joseph Brodsky | Create an image from this poem

Elegy

About a year has passed.
I've returned to the place of the battle to its birds that have learned their unfolding of wings from a subtle lift of a surprised eyebrow or perhaps from a razor blade - wings now the shade of early twilight now of state bad blood.
Now the place is abuzz with trading in your ankles's remanants bronzes of sunburnt breastplates dying laughter bruises rumors of fresh reserves memories of high treason laundered banners with imprints of the many who since have risen.
All's overgrown with people.
A ruin's a rather stubborn architectural style.
And the hearts's distinction from a pitch-black cavern isn't that great; not great enough to fear that we may collide again like blind eggs somewhere.
At sunrise when nobody stares at one's face I often set out on foot to a monument cast in molten lengthy bad dreams.
And it says on the plinth "commander in chief.
" But it reads "in grief " or "in brief " or "in going under.
" 1985 translated by the author.
Written by Thomas Hardy | Create an image from this poem

Architectural Masks

 I

There is a house with ivied walls, 
And mullioned windows worn and old, 
And the long dwellers in those halls 
Have souls that know but sordid calls, 
And dote on gold.
II In a blazing brick and plated show Not far away a 'villa' gleams, And here a family few may know, With book and pencil, viol and bow, Lead inner lives of dreams.
III The philosophic passers say, 'See that old mansion mossed and fair, Poetic souls therein are they: And O that gaudy box! Away, You vulgar people there.
'

Book: Reflection on the Important Things