Written by
Linda Pastan |
The gathering family
throws shadows around us,
it is the late afternoon
Of the family.
There is still enough light
to see all the way back,
but at the windows
that light is wasting away.
Soon we will be nothing
but silhouettes: the sons'
as harsh
as the fathers'.
Soon the daughters
will take off their aprons
as trees take off their leaves
for winter.
Let us eat quickly--
let us fill ourselves up.
the covers of the album are closing
behind us.
|
Written by
Carl Sandburg |
MANY things I might have said today.
And I kept my mouth shut.
So many times I was asked
To come and say the same things
Everybody was saying, no end
To the yes-yes, yes-yes, me-too, me-too.
The aprons of silence covered me.
A wire and hatch held my tongue.
I spit nails into an abyss and listened.
I shut off the gabble of Jones, Johnson, Smith.
All whose names take pages in the city directory.
I fixed up a padded cell and lugged it around.
I locked myself in and nobody knew it.
Only the keeper and the kept in the hoosegow
Knew it—on the streets, in the postoffice,
On the cars, into the railroad station
Where the caller was calling, “All a-board,
All a-board for .. Blaa-blaa .. Blaa-blaa,
Blaa-blaa .. and all points northwest .. all a-board.”
Here I took along my own hoosegow
And did business with my own thoughts.
Do you see? It must be the aprons of silence.
|
Written by
Philip Levine |
"I've been where it hurts." the Kid
He becomes Sierra Kid
I passed Slimgullion, Morgan Mine,
Camp Seco, and the rotting Lode.
Dark walls of sugar pine --,
And where I left the road
I left myself behind;
Talked to no one, thought
Of nothing. When my luck ran out
Lived on berries, nuts, bleached grass.
Driven by the wind
Through great Sonora pass,
I found an Indian's teeth;
Turned and climbed again
Without direction, compass, path,
Without a way of coming down,
Until I stopped somewhere
And gave the place a name.
I called the forests mine;
Whatever I could hear
I took to be a voice: a man
Was something I would never hear.
He faces his second winter in the Sierra
A hard brown bug, maybe a beetle,
Packing a ball of sparrow **** --
What shall I call it?
**** beetle? Why's it pushing here
At this great height in the thin air
With its ridiculous waddle
Up the hard side of Hard Luck Hill?
And the furred thing that frightened me --
Bobcat, coyote, wild dog --
Flat eyes in winter bush, stiff tail
Holding his ground, a rotted log.
Grass snakes that wouldn't die,
And night hawks hanging on the rim
Of what was mine. I know them now;
They have absorbed a mind
Which must endure the freezing snow
They endure and, freezing, find
A clear sustaining stream.
He learns to lose
She was afraid
Of everything,
The little Digger girl.
Pah Utes had killed
Her older brother
Who may have been her lover
The way she cried
Over his ring --
The heavy brass
On the heavy hand.
She carried it for weeks
Clenched in her fist
As if it might
Keep out the loneliness
Or the plain fact
That he was gone.
When the first snows
Began to fall
She stopped her crying, picked
Berries, sweet grass,
Mended her clothes
And sewed a patchwork shawl.
We slept together
But did not speak.
It may have been
The Pah Utes took
Her off, perhaps her kin.
I came back
To find her gone
With half the winter left
To face alone --
The slow grey dark
Moving along
The dark tipped grass
Between the numbed pines.
Night after night
For four long months
My face to her dark face
We two had lain
Till the first light.
Civilization comes to Sierra Kid
They levelled Tater Hill
And I was sick.
First sun, and the chain saws
Coming on; blue haze,
Dull blue exhaust
Rising, dust rising, and the smell.
Moving from their thatched huts
The crazed wood rats
By the thousand; grouse, spotted quail
Abandoning the hills
For the sparse trail
On which, exposed, I also packed.
Six weeks. I went back down
Through my own woods
Afraid of what I knew they'd done.
There, there, an A&P,
And not a tree
For Miles, and mammoth hills of goods.
Fat men in uniforms,
Young men in aprons
With one face shouting, "He is mad!"
I answered: "I am Lincoln,
Aaron Burr,
The aging son of Appleseed.
"I am American
And I am cold."
But not a one would hear me out.
Oh God, what have I seen
That was not sold!
They shot an old man in the gut.
Mad, dying, Sierra Kid enters the capital
What have I changed?
I unwound burdocks from my hair
And scalded stains
Of the black grape
And hid beneath long underwear
The yellowed tape.
Who will they find
In the dark woods of the dark mind
Now I have gone
Into the world?
Across the blazing civic lawn
A shadow's hurled
And I must follow.
Something slides beneath my vest
Like melted tallow,
Thick but thin,
Burning where it comes to rest
On what was skin.
Who will they find?
A man with no eyes in his head?
Or just a mind
Calm and alone?
Or just a mouth, silent, dead,
The lips half gone?
Will they presume
That someone once was half alive
And that the air
Was massive where
The sickening pyracanthus thrive
Staining his tomb?
I came to touch
The great heart of a dying state.
Here is the wound!
It makes no sound.
All that we learn we learn too late,
And it's not much.
|
Written by
Carl Sandburg |
GUNS on the battle lines have pounded now a year
between Brussels and Paris.
And, William Morris, when I read your old chapter on
the great arches and naves and little whimsical
corners of the Churches of Northern France--Brr-rr!
I'm glad you're a dead man, William Morris, I'm glad
you're down in the damp and mouldy, only a memory
instead of a living man--I'm glad you're gone.
You never lied to us, William Morris, you loved the
shape of those stones piled and carved for you to
dream over and wonder because workmen got joy
of life into them,
Workmen in aprons singing while they hammered, and
praying, and putting their songs and prayers into
the walls and roofs, the bastions and cornerstones
and gargoyles--all their children and kisses of
women and wheat and roses growing.
I say, William Morris, I'm glad you're gone, I'm glad
you're a dead man.
Guns on the battle lines have pounded a year now between
Brussels and Paris.
|
Written by
Seamus Heaney |
'We were killing pigs when the
Yanks arrived.
A Tuesday morning, sunlight
and gutter-blood
Outside the slaughter house.
>From the main road
They would have heard the screaming,
Then heard it stop and had a view of us
In our gloves and aprons coming
down the hill.
Two lines of them, guns on their
shoulders, marching.
Armoured cars and tanks and open jeeps.
Sunburnt hands and arms.
Unarmed, in step,
Hosting for Normandy.
Not that we knew then
Where they were headed, standing
there like youngsters
As they tossed us gum and tubes of
coloured sweets'
|
Written by
Johann Wolfgang von Goethe |
WITHIN a town where parity
According to old form we see,--
That is to say, where Catholic
And Protestant no quarrels pick,
And where, as in his father's day,
Each worships God in his own way,
We Luth'ran children used to dwell,
By songs and sermons taught as well.
The Catholic clingclang in truth
Sounded more pleasing to our youth,
For all that we encounter'd there,
To us seem'd varied, joyous, fair.
As children, monkeys, and mankind
To ape each other are inclin'd,
We soon, the time to while away,
A game at priests resolved to play.
Their aprons all our sisters lent
For copes, which gave us great content;
And handkerchiefs, embroider'd o'er,
Instead of stoles we also wore;
Gold paper, whereon beasts were traced,
The bishop's brow as mitre graced.
Through house and garden thus in state
We strutted early, strutted late,
Repeating with all proper unction,
Incessantly each holy function.
The best was wanting to the game;
We knew that a sonorous ring
Was here a most important thing;
But Fortune to our rescue came,
For on the ground a halter lay;
We were delighted, and at once
Made it a bellrope for the nonce,
And kept it moving all the day;
In turns each sister and each brother
Acted as sexton to another;
All help'd to swell the joyous throng;
The whole proceeded swimmingly,
And since no actual bell had we,
We all in chorus sang, Ding dong!
* * * * *
Our guileless child's-sport long was hush'd
In memory's tomb, like some old lay;
And yet across my mind it rush'd
With pristine force the other day.
The New-Poetic Catholics
In ev'ry point its aptness fix!
1815.*
|
Written by
Emily Dickinson |
She sweeps with many-colored Brooms --
And leaves the Shreds behind --
Oh Housewife in the Evening West --
Come back, and dust the Pond!
You dropped a Purple Ravelling in --
You dropped an Amber thread --
And how you've littered all the East
With duds of Emerald!
And still, she plies her spotted Brooms,
And still the Aprons fly,
Till Brooms fade softly into stars --
And then I come away --
|
Written by
Barry Tebb |
We had a new house
And split the decorating.
You took the piled rolls of paper,
While I stacked the cans of gloss,
One to each corner-white-what else?
And when we began our slow labour
We did not even sigh except in some relief
In being there at last.
There were no spaces for our children’s visits
Nor for the children they would never bring.
All rooms sat square and small, but with
Every outside wall a window. There was light
Enough for a studio wherever you went,
And for the tiny hall you chose
A glazed blue bowl of your own making.
The house stood on a hill, just a little
Inaccessible but, in view of our age, others
Had to be near and there they were, paired like
Dominoes in black and white, or chequer board
Squares with a neat red pillar-box
Anchored on the corner.
All the day of the moving I longed to be alone
With you; for the men in their old-fashioned aprons
To finish and be off and make space for you to squat
And with your nimble fingers light the one real fire
We had been allowed, so I could sit in my winged
Windsor chair and decipher the text of the flames
And savour the smoke before the up-draft caught;
And for a few days there might seem little to say,
The clay wet in the bin, the canvases heaped in the studio,
And the faces in our children’s photographs stranger
Than strangers.
|
Written by
Rita Dove |
The first horn lifts its arm over the dew-lit grass
and in the slave quarters there is a rustling –
children are bundled into aprons, cornbread
and water gourds grabbed, a salt pork breakfast taken.
I watch them driven into the vague before-dawn
while their mistress sleeps like an ivory toothpick
and Massa dreams of asses, rum and slave funk.
I cannot fall asleep again. At the second horn,
the whip curls across the backs of the laggards –
sometimes my sister’s voice, unmistaken, among them.
“Oh! pray,” she cries. “Oh! pray!” Those days
I lit on my cot, shivering in the early heat,
and as the fields unfold to whiteness,
and they spill like bees among the fat flowers,
I weep. It is not yet daylight.
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