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Best Famous Applaud Poems

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Written by Sylvia Plath | Create an image from this poem

Love Is A Parallax

 'Perspective betrays with its dichotomy:
train tracks always meet, not here, but only
 in the impossible mind's eye;
horizons beat a retreat as we embark
on sophist seas to overtake that mark
 where wave pretends to drench real sky.' 

'Well then, if we agree, it is not odd
that one man's devil is another's god
 or that the solar spectrum is
a multitude of shaded grays; suspense
on the quicksands of ambivalence
 is our life's whole nemesis. 

So we could rave on, darling, you and I,
until the stars tick out a lullaby
 about each cosmic pro and con;
nothing changes, for all the blazing of
our drastic jargon, but clock hands that move
 implacably from twelve to one. 

We raise our arguments like sitting ducks
to knock them down with logic or with luck
 and contradict ourselves for fun;
the waitress holds our coats and we put on
the raw wind like a scarf; love is a faun
 who insists his playmates run. 

Now you, my intellectual leprechaun,
would have me swallow the entire sun
 like an enormous oyster, down
the ocean in one gulp: you say a mark
of comet hara-kiri through the dark
 should inflame the sleeping town. 

So kiss: the drunks upon the curb and dames
in dubious doorways forget their monday names,
 caper with candles in their heads;
the leaves applaud, and santa claus flies in
scattering candy from a zeppelin,
 playing his prodigal charades. 

The moon leans down to took; the tilting fish
in the rare river wink and laugh; we lavish
 blessings right and left and cry
hello, and then hello again in deaf
churchyard ears until the starlit stiff
 graves all carol in reply. 

Now kiss again: till our strict father leans
to call for curtain on our thousand scenes;
 brazen actors mock at him,
multiply pink harlequins and sing
in gay ventriloquy from wing to wing
 while footlights flare and houselights dim. 

Tell now, we taunq where black or white begins
and separate the flutes from violins:
 the algebra of absolutes
explodes in a kaleidoscope of shapes
that jar, while each polemic jackanapes
 joins his enemies' recruits. 

The paradox is that 'the play's the thing':
though prima donna pouts and critic stings,
 there burns throughout the line of words,
the cultivated act, a fierce brief fusion
which dreamers call real, and realists, illusion:
 an insight like the flight of birds: 

Arrows that lacerate the sky, while knowing
the secret of their ecstasy's in going;
 some day, moving, one will drop,
and, dropping, die, to trace a wound that heals
only to reopen as flesh congeals:
 cycling phoenix never stops. 

So we shall walk barefoot on walnut shells
of withered worlds, and stamp out puny hells
 and heavens till the spirits squeak
surrender: to build our bed as high as jack's
bold beanstalk; lie and love till sharp scythe hacks
 away our rationed days and weeks. 

Then jet the blue tent topple, stars rain down,
and god or void appall us till we drown
 in our own tears: today we start
to pay the piper with each breath, yet love
knows not of death nor calculus above
 the simple sum of heart plus heart.


Written by Robert Browning | Create an image from this poem

The Glove

 (PETER RONSARD _loquitur_.)

``Heigho!'' yawned one day King Francis,
``Distance all value enhances!
``When a man's busy, why, leisure
``Strikes him as wonderful pleasure:
`` 'Faith, and at leisure once is he?
``Straightway he wants to be busy.
``Here we've got peace; and aghast I'm
``Caught thinking war the true pastime.
``Is there a reason in metre?
``Give us your speech, master Peter!''
I who, if mortal dare say so,
Ne'er am at loss with my Naso,
``Sire,'' I replied, ``joys prove cloudlets:
``Men are the merest Ixions''---
Here the King whistled aloud, ``Let's
``---Heigho---go look at our lions!''
Such are the sorrowful chances
If you talk fine to King Francis.

And so, to the courtyard proceeding,
Our company, Francis was leading,
Increased by new followers tenfold
Before be arrived at the penfold;
Lords, ladies, like clouds which bedizen
At sunset the western horizon.
And Sir De Lorge pressed 'mid the foremost
With the dame he professed to adore most.
Oh, what a face! One by fits eyed
Her, and the horrible pitside;
For the penfold surrounded a hollow
Which led where the eye scarce dared follow,
And shelved to the chamber secluded
Where Bluebeard, the great lion, brooded.
The King bailed his keeper, an Arab
As glossy and black as a scarab,*1
And bade him make sport and at once stir
Up and out of his den the old monster.
They opened a hole in the wire-work
Across it, and dropped there a firework,
And fled: one's heart's beating redoubled;
A pause, while the pit's mouth was troubled,
The blackness and silence so utter,
By the firework's slow sparkling and sputter;
Then earth in a sudden contortion
Gave out to our gaze her abortion.
Such a brute! Were I friend Clement Marot
(Whose experience of nature's but narrow,
And whose faculties move in no small mist
When he versifies David the Psalmist)
I should study that brute to describe you
_Illim Juda Leonem de Tribu_.
One's whole blood grew curdling and creepy
To see the black mane, vast and heapy,
The tail in the air stiff and straining,
The wide eyes, nor waxing nor waning,
As over the barrier which bounded
His platform, and us who surrounded
The barrier, they reached and they rested
On space that might stand him in best stead:
For who knew, he thought, what the amazement,
The eruption of clatter and blaze meant,
And if, in this minute of wonder,
No outlet, 'mid lightning and thunder,
Lay broad, and, his shackles all shivered,
The lion at last was delivered?
Ay, that was the open sky o'erhead!
And you saw by the flash on his forehead,
By the hope in those eyes wide and steady,
He was leagues in the desert already,
Driving the flocks up the mountain,
Or catlike couched hard by the fountain
To waylay the date-gathering negress:
So guarded he entrance or egress.
``How he stands!'' quoth the King: ``we may well swear,
(``No novice, we've won our spurs elsewhere
``And so can afford the confession,)
``We exercise wholesome discretion
``In keeping aloof from his threshold;
``Once hold you, those jaws want no fresh hold,
``Their first would too pleasantly purloin
``The visitor's brisket or surloin:
``But who's he would prove so fool-hardy?
``Not the best man of Marignan, pardie!''

The sentence no sooner was uttered,
Than over the rails a glove flattered,
Fell close to the lion, and rested:
The dame 'twas, who flung it and jested
With life so, De Lorge had been wooing
For months past; he sat there pursuing
His suit, weighing out with nonchalance
Fine speeches like gold from a balance.

Sound the trumpet, no true knight's a tarrier!
De Lorge made one leap at the barrier,
Walked straight to the glove,---while the lion
Neer moved, kept his far-reaching eye on
The palm-tree-edged desert-spring's sapphire,
And the musky oiled skin of the Kaffir,---
Picked it up, and as calmly retreated,
Leaped back where the lady was seated,
And full in the face of its owner
Flung the glove.

``Your heart's queen, you dethrone her?
``So should I!''---cried the King---``'twas mere vanity,
``Not love, set that task to humanity!''
Lords and ladies alike turned with loathing
From such a proved wolf in sheep's clothing.

Not so, I; for I caught an expression
In her brow's undisturbed self-possession
Amid the Court's scoffing and merriment,---
As if from no pleasing experiment
She rose, yet of pain not much heedful
So long as the process was needful,---
As if she had tried in a crucible,
To what ``speeches like gold'' were reducible,
And, finding the finest prove copper,
Felt the smoke in her face was but proper;
To know what she had _not_ to trust to,
Was worth all the ashes and dust too.
She went out 'mid hooting and laughter;
Clement Marot stayed; I followed after,
And asked, as a grace, what it all meant?
If she wished not the rash deed's recalment?
``For I''---so I spoke---``am a poet:
``Human nature,---behoves that I know it!''

She told me, ``Too long had I heard
``Of the deed proved alone by the word:
``For my love---what De Lorge would not dare!
``With my scorn---what De Lorge could compare!
``And the endless descriptions of death
``He would brave when my lip formed a breath,
``I must reckon as braved, or, of course,
``Doubt his word---and moreover, perforce,
``For such gifts as no lady could spurn,
``Must offer my love in return.
``When I looked on your lion, it brought
``All the dangers at once to my thought,
``Encountered by all sorts of men,
``Before he was lodged in his den,---
``From the poor slave whose club or bare hands
``Dug the trap, set the snare on the sands,
``With no King and no Court to applaud,
``By no shame, should he shrink, overawed,
``Yet to capture the creature made shift,
``That his rude boys might laugh at the gift,
``---To the page who last leaped o'er the fence
``Of the pit, on no greater pretence
``Than to get back the bonnet he dropped,
``Lest his pay for a week should be stopped.
``So, wiser I judged it to make
``One trial what `death for my sake'
``Really meant, while the power was yet mine,
``Than to wait until time should define
``Such a phrase not so simply as I,
``Who took it to mean just `to die.'
``The blow a glove gives is but weak:
``Does the mark yet discolour my cheek?
``But when the heart suffers a blow,
``Will the pain pass so soon, do you know?''

I looked, as away she was sweeping,
And saw a youth eagerly keeping
As close as he dared to the doorway.
No doubt that a noble should more weigh
His life than befits a plebeian;
And yet, had our brute been Nemean---
(I judge by a certain calm fervour
The youth stepped with, forward to serve her)
---He'd have scarce thought you did him the worst turn
If you whispered ``Friend, what you'd get, first earn!''
And when, shortly after, she carried
Her shame from the Court, and they married,
To that marriage some happiness, maugre
The voice of the Court, I dared augur.

For De Lorge, he made women with men vie,
Those in wonder and praise, these in envy;
And in short stood so plain a head taller
That he wooed and won ... how do you call her?
The beauty, that rose in the sequel
To the King's love, who loved her a week well.
And 'twas noticed he never would honour
De Lorge (who looked daggers upon her)
With the easy commission of stretching
His legs in the service, and fetching
His wife, from her chamber, those straying
Sad gloves she was always mislaying,
While the King took the closet to chat in,---
But of course this adventure came pat in.
And never the King told the story,
How bringing a glove brought such glory,
But the wife smiled---``His nerves are grown firmer:
``Mine he brings now and utters no murmur.''

_Venienti occurrite morbo!_
With which moral I drop my theorbo.

*1 A beetle.
Written by Edward Estlin (E E) Cummings | Create an image from this poem

Humanity i love you

Humanity i love you
because you would rather black the boots of
success than enquire whose soul dangles from his
watch-chain which would be embarrassing for both

parties and because you 
unflinchingly applaud all
songs containing the words country home and
mother when sung at the old howard

Humanity i love you because
when you're hard up you pawn your
intelligence to buy a drink and when
you're flush pride keeps 

you from the pawn shops and
because you are continually committing
nuisances but more
especially in your own house

Humanity i love you because you 
are perpetually putting the secret of
life in your pants and forgetting
it's there and sitting down

on it
and because you are 
forever making poems in the lap
of death Humanity

i hate you
Written by Alan Seeger | Create an image from this poem

The Wanderer

 To see the clouds his spirit yearned toward so 
Over new mountains piled and unploughed waves, 
Back of old-storied spires and architraves 
To watch Arcturus rise or Fomalhaut,

And roused by street-cries in strange tongues when day 
Flooded with gold some domed metropolis, 
Between new towers to waken and new bliss 
Spread on his pillow in a wondrous way:

These were his joys. Oft under bulging crates, 
Coming to market with his morning load, 
The peasant found him early on his road 
To greet the sunrise at the city-gates,---

There where the meadows waken in its rays, 
Golden with mist, and the great roads commence, 
And backward, where the chimney-tops are dense, 
Cathedral-arches glimmer through the haze.

White dunes that breaking show a strip of sea, 
A plowman and his team against the blue 
Swiss pastures musical with cowbells, too, 
And poplar-lined canals in Picardie,

And coast-towns where the vultures back and forth
Sail in the clear depths of the tropic sky,
And swallows in the sunset where they fly
Over gray Gothic cities in the north,

And the wine-cellar and the chorus there,
The dance-hall and a face among the crowd,---
Were all delights that made him sing aloud 
For joy to sojourn in a world so fair.

Back of his footsteps as he journeyed fell 
Range after range; ahead blue hills emerged. 
Before him tireless to applaud it surged 
The sweet interminable spectacle.

And like the west behind a sundown sea 
Shone the past joys his memory retraced, 
And bright as the blue east he always faced 
Beckoned the loves and joys that were to be.

From every branch a blossom for his brow 
He gathered, singing down Life's flower-lined road, 
And youth impelled his spirit as he strode 
Like winged Victory on the galley's prow.

That Loveliness whose being sun and star,
Green Earth and dawn and amber evening robe,
That lamp whereof the opalescent globe
The season's emulative splendors are,

That veiled divinity whose beams transpire 
From every pore of universal space,
As the fair soul illumes the lovely face---
That was his guest, his passion, his desire.

His heart the love of Beauty held as hides 
One gem most pure a casket of pure gold. 
It was too rich a lesser thing to bold;
It was not large enough for aught besides.
Written by Ralph Waldo Emerson | Create an image from this poem

Celestial Love

 Higher far,
Upward, into the pure realm,
Over sun or star,
Over the flickering Dæmon film,
Thou must mount for love,—
Into vision which all form
In one only form dissolves;
In a region where the wheel,
On which all beings ride,
Visibly revolves;
Where the starred eternal worm
Girds the world with bound and term;
Where unlike things are like,
When good and ill,
And joy and moan,
Melt into one.
There Past, Present, Future, shoot
Triple blossoms from one root
Substances at base divided
In their summits are united,
There the holy Essence rolls,
One through separated souls,
And the sunny &Aelig;on sleeps
Folding nature in its deeps,
And every fair and every good
Known in part or known impure
To men below,
In their archetypes endure.

The race of gods,
Or those we erring own,
Are shadows flitting up and down
In the still abodes.
The circles of that sea are laws,
Which publish and which hide the Cause.
Pray for a beam
Out of that sphere
Thee to guide and to redeem.
O what a load
Of care and toil
By lying Use bestowed,
From his shoulders falls, who sees
The true astronomy,
The period of peace!
Counsel which the ages kept,
Shall the well-born soul accept.
As the overhanging trees
Fill the lake with images,
As garment draws the garment's hem
Men their fortunes bring with them;
By right or wrong,
Lands and goods go to the strong;
Property will brutely draw
Still to the proprietor,
Silver to silver creep and wind,
And kind to kind,
Nor less the eternal poles
Of tendency distribute souls.
There need no vows to bind
Whom not each other seek but find.
They give and take no pledge or oath,
Nature is the bond of both.
No prayer persuades, no flattery fawns,
Their noble meanings are their pawns.
Plain and cold is their address,
Power have they for tenderness,
And so thoroughly is known
Each others' purpose by his own,
They can parley without meeting,
Need is none of forms of greeting,
They can well communicate
In their innermost estate;
When each the other shall avoid,
Shall each by each be most enjoyed.
Not with scarfs or perfumed gloves
Do these celebrate their loves,
Not by jewels, feasts, and savors,
Not by ribbons or by favors,
But by the sun-spark on the sea,
And the cloud-shadow on the lea,
The soothing lapse of morn to mirk,
And the cheerful round of work.
Their cords of love so public are,
They intertwine the farthest star.
The throbbing sea, the quaking earth,
Yield sympathy and signs of mirth;
Is none so high, so mean is none,
But feels and seals this union.
Even the tell Furies are appeased,
The good applaud, the lost are eased.

Love's hearts are faithful, but not fond,
Bound for the just, but not beyond;
Not glad, as the low-loving herd,
Of self in others still preferred,
But they have heartily designed
The benefit of broad mankind.
And they serve men austerely,
After their own genius, clearly,
Without a false humility;
For this is love's nobility,
Not to scatter bread and gold,
Goods and raiment bought and sold,
But to hold fast his simple sense,
And speak the speech of innocence,
And with hand, and body, and blood,
To make his bosom-counsel good:
For he that feeds men, serveth few,
He serves all, who dares be true.


Written by Christopher Smart | Create an image from this poem

The Pig

 In ev'ry age, and each profession, 
Men err the most by prepossession; 
But when the thing is clearly shown, 
And fairly stated, fully known, 
We soon applaud what we deride, 
And penitence succeeds to pride.-- 
A certain Baron on a day 
Having a mind to show away, 
Invited all the wits and wags, 
Foot, Massey, Shuter, Yates, and Skeggs, 
And built a large commodious stage, 
For the Choice Spirits of the age; 
But above all, among the rest, 
There came a Genius who profess'd 
To have a curious trick in store, 
Which never was perform'd before. 
Thro' all the town this soon got air, 
And the whole house was like a fair; 
But soon his entry as he made, 
Without a prompter, or parade, 
'Twas all expectance, all suspense, 
And silence gagg'd the audience. 
He hid his head behind his wig, 
With with such truth took off* a Pig, [imitated] 
All swore 'twas serious, and no joke, 
For doubtless underneath his cloak, 
He had conceal'd some grunting elf, 
Or was a real hog himself. 
A search was made, no pig was found-- 
With thund'ring claps the seats resound, 
And pit and box and galleries roar, 
With--"O rare! bravo!" and "Encore!" 
Old Roger Grouse, a country clown, 
Who yet knew something of the town, 
Beheld the mimic and his whim, 
And on the morrow challeng'd him. 
Declaring to each beau and bunter 
That he'd out-grunt th'egregious grunter. 
The morrow came--the crowd was greater-- 
But prejudice and rank ill-nature 
Usurp'd the minds of men and wenches, 
Who came to hiss, and break the benches. 
The mimic took his usual station, 
And squeak'd with general approbation. 
"Again, encore! encore!" they cry-- 
'Twas quite the thing--'twas very high; 
Old Grouse conceal'd, amidst the racket, 
A real Pig berneath his jacket-- 
Then forth he came--and with his nail 
He pinch'd the urchin by the tail. 
The tortur'd Pig from out his throat, 
Produc'd the genuine nat'ral note. 
All bellow'd out--"'Twas very sad! 
Sure never stuff was half so bad! 
That like a Pig!"--each cry'd in scoff, 
"Pshaw! Nonsense! Blockhead! Off! Off! Off!" 
The mimic was extoll'd, and Grouse 
Was hiss'd and catcall'd from the house.-- 
"Soft ye, a word before I go," 
Quoth honest Hodge--and stooping low 
Produc'd the Pig, and thus aloud 
Bespoke the stupid, partial crowd: 
"Behold, and learn from this poor creature, 
How much you Critics know of Nature."
Written by Matthew Arnold | Create an image from this poem

Growing Old

 What is it to grow old?
Is it to lose the glory of the form,
The lustre of the eye?
Is it for beauty to forego her wreath?
Yes, but not for this alone.

Is it to feel our strength— 
Not our bloom only, but our strength—decay?
Is it to feel each limb
Grow stiffer, every function less exact,
Each nerve more weakly strung?

Yes, this, and more! but not,
Ah, 'tis not what in youth we dreamed 'twould be!
'Tis not to have our life
Mellowed and softened as with sunset-glow,
A golden day's decline!

'Tis not to see the world
As from a height, with rapt prophetic eyes,
And heart profoundly stirred;
And weep, and feel the fulness of the past,
The years that are no more!

It is to spend long days
And not once feel that we were ever young.
It is to add, immured
In the hot prison of the present, month
To month with weary pain.

It is to suffer this,
And feel but half, and feebly, what we feel:
Deep in our hidden heart
Festers the dull remembrance of a change,
But no emotion—none.

It is—last stage of all— 
When we are frozen up within, and quite
The phantom of ourselves,
To hear the world applaud the hollow ghost
Which blamed the living man.
Written by Henry Lawson | Create an image from this poem

When Your Pants Begin to Go

 When you wear a cloudy collar and a shirt that isn't white, 
And you cannot sleep for thinking how you'll reach to-morrow night, 
You may be a man of sorrows, and on speaking terms with Care, 
And as yet be unacquainted with the Demon of Despair; 
For I rather think that nothing heaps the trouble on your mind 
Like the knowledge that your trousers badly need a patch behind. 

I have noticed when misfortune strikes the hero of the play, 
That his clothes are worn and tattered in a most unlikely way; 
And the gods applaud and cheer him while he whines and loafs around, 
And they never seem to notice that his pants are mostly sound; 
But, of course, he cannot help it, for our mirth would mock his care, 
If the ceiling of his trousers showed the patches of repair. 

You are none the less a hero if you elevate your chin 
When you feel the pavement wearing through the leather, sock, and skin; 
You are rather more heroic than are ordinary folk 
If you scorn to fish for pity under cover of a joke; 
You will face the doubtful glances of the people that you know; 
But -- of course, you're bound to face them when your pants begin to go. 

If, when flush, you took your pleasures -- failed to make a god of Pelf, 
Some will say that for your troubles you can only thank yourself -- 
Some will swear you'll die a beggar, but you only laugh at that, 
While your garments hand together and you wear a decent hat; 
You may laugh at their predictions while your soles are wearing low, 
But -- a man's an awful coward when his pants begin to go. 

Though the present and the future may be anything but bright, 
It is best to tell the fellows that you're getting on all right, 
And a man prefers to say it -- 'tis a manly lie to tell, 
For the folks may be persuaded that you're doing very well; 
But it's hard to be a hero, and it's hard to wear a grin, 
When your most important garment is in places very thin. 

Get some sympathy and comfort from the chum who knows you best, 
That your sorrows won't run over in the presence of the rest; 
There's a chum that you can go to when you feel inclined to whine, 
He'll declare your coat is tidy, and he'll say: `Just look at mine!' 
Though you may be patched all over he will say it doesn't show, 
And he'll swear it can't be noticed when your pants begin to go. 

Brother mine, and of misfortune! times are hard, but do not fret, 
Keep your courage up and struggle, and we'll laugh at these things yet, 
Though there is no corn in Egypt, surely Africa has some -- 
Keep your smile in working order for the better days to come! 
We shall often laugh together at the hard times that we know, 
And get measured by the tailor when our pants begin to go. 

...... 

Now the lady of refinement, in the lap of comfort rocked, 
Chancing on these rugged verses, will pretend that she is shocked. 
Leave her to her smelling-bottle; 'tis the wealthy who decide 
That the world should hide its patches 'neath the cruel look of pride; 
And I think there's something noble, and I swear there's nothing low, 
In the pride of Human Nature when its pants begin to go.
Written by John Dryden | Create an image from this poem

Alexanders Feast; Or The Power Of Music

 'Twas at the royal feast for Persia won
By Philip's warlike son— 
Aloft in awful state
The godlike hero sate
On his imperial throne;
His valiant peers were placed around,
Their brows with roses and with myrtles bound
(So should desert in arms be crowned);
The lovely Thais by his side
Sate like a blooming eastern bride
In flower of youth and beauty's pride:— 
Happy, happy, happy pair!
None but the brave
None but the brave
None but the brave deserves the fair!

Timotheus placed on high
Amid the tuneful quire
With flying fingers touched the lyre;
The trembling notes ascend the sky
And heavenly joys inspire.
The song began from Jove
Who left his blissful seats above— 
Such is the power of mighty love!
A dragon's fiery form belied the god
Sublime on radiant spires he rode
When he to fair Olympia prest,
And while he sought her snowy breast,
Then round her slender waist he curled,
And stamped an image of himself, a sovereign of the world.
- The listening crowd admire the lofty sound!
A present deity! they shout around:
A present deity! the vaulted roofs rebound!
With ravished ears
The monarch hears,
Assumes the god,
Affects to nod,
And seems to shake the spheres.

The praise of Bacchus then the sweet musician sung,
Of Bacchus ever fair and ever young:
The jolly god in triumph comes!
Sound the trumpets, beat the drums!
Flushed with a purple grace
He shows his honest face:
Now give the hautboys breath; he comes, he comes!
Bacchus, ever fair and young,
Drinking joys did first ordain;
Bacchus' blessings are a treasure,
Drinking is the soldier's pleasure:
Rich the treasure,
Sweet the pleasure,
Sweet is pleasure after pain.

Soothed with the sound, the king grew vain;
Fought all his battles o'er again,
And thrice he routed all his foes, and thrice he slew the slain.
The master saw the madness rise,
His glowing cheeks, his ardent eyes;
And while he Heaven and Earth defied
Changed his hand and checked his pride.
He chose a mournful Muse
Soft pity to infuse:
He sung Darius great and good,
By too severe a fate
Fallen, fallen, fallen, fallen,
Fallen from his high estate,
And weltering in his blood;
Deserted, at his utmost need,
By those his former bounty fed;
On the bare earth exposed he lies
With not a friend to close his eyes.
- With downcast looks the joyless victor sate,
Revolving in his altered soul
The various turns of Chance below;
And now and then a sigh he stole,
And tears began to flow.

The mighty master smiled to see
That love was in the next degree;
'Twas but a kindred-sound to move,
For pity melts the mind to love.
Softly sweet, in Lydian measures
Soon he soothed his soul to pleasures.
War, he sung, is toil and trouble,
Honour but an empty bubble;
Never ending, still beginning,
Fighting still, and still destroying;
If the world be worth thy winning,
Think, O think, it worth enjoying:
Lovely Thais sits beside thee,
Take the good the gods provide thee!
- The many rend the skies with loud applause;
So Love was crowned, but Music won the cause.
The prince, unable to conceal his pain,
Gazed on the fair
Who caused his care,
And sighed and looked, sighed and looked,
Sighed and looked, and sighed again:
At length with love and wine at once opprest
The vanquished victor sunk upon her breast.

Now strike the golden lyre again:
A louder yet, and yet a louder strain!
Break his bands of sleep asunder

And rouse him like a rattling peal of thunder.
Hark, hark! the horrid sound
Has raised up his head:
As awaked from the dead
And amazed he stares around.
Revenge, revenge, Timotheus cries,
See the Furies arisel
See the snakes that they rear
How they hiss in their hair,
And the sparkles that flash from their eyes!
Behold a ghastly band,
Each a torch in his hand!
Those are Grecian ghosts, that in battle were slain
And unburied remain
Inglorious on the plain:
Give the vengeance due
To the valiant crew!
Behold how they toss their torches on high,
How they point to the Persian abodes
And glittering temples of their hostile gods.
- The princes applaud with a furious joy:
And the King seized a flambeau with zeal to destroy;
Thais led the way
To light him to his prey,
And like another Helen, fired another Troy!

- Thus, long ago,
Ere heaving bellows learned to blow,
While organs yet were mute,
Timotheus, to his breathing flute
And sounding lyre,
Could swell the soul to rage, or kindle soft desire.
At last divine Cecilia came,
Inventress of the vocal frame;
The sweet enthusiast from her sacred store
Enlarged the former narrow bounds,
And added length to solemn sounds,
With Nature's mother-wit, and arts unknown before.
- Let old Timotheus yield the prize
Or both divide the crown;
He raised a mortal to the skies;
She drew an angel down!
Written by Osip Mandelstam | Create an image from this poem

This

 self-congratulatory nonsense as the
famous gather to applaud their seeming
greatness
you
wonder where 
the real ones are
what 
giant cave
hides them
as
the deathly talentless
bow to
accolades
as
the fools are
fooled
again
you 
wonder where 
the real ones are
if there are
real ones.
this self-congratulatory nonsense
has lasted 
decades
and
with some exceptions
centuries.
this
is so dreary
is so absolutely pitiless
it
churns the gut to 
powder
shackles hope
it 
makes little things
like
pulling up a shade
or
putting on your shoes
or 
walking out on the street
more difficult
near 
damnable
as
the famous gather to
applaud their
seeming
greatness
as 
the fools are
fooled 
again
humanity 
you sick 
************.

Book: Reflection on the Important Things