Written by
Tristan Tzara |
Art is going to sleep for a new world to be born
"ART"-parrot word-replaced by DADA,
PLESIOSAURUS, or handkerchief
The talent THAT CAN BE LEARNED makes the
poet a druggist TODAY the criticism
of balances no longer challenges with resemblances
Hypertrophic painters hyperaes-
theticized and hypnotized by the hyacinths
of the hypocritical-looking muezzins
CONSOLIDATE THE HARVEST OF EX-
ACT CALCULATIONS
Hypodrome of immortal guarantees: there is
no such thing as importance there is no transparence
or appearance
MUSICIANS SMASH YOUR INSTRUMENTS
BLIND MEN take the stage
THE SYRINGE is only for my understanding.
I write because it is
natural exactly the way I piss the way I'm sick
ART NEEDS AN OPERATION
Art is a PRETENSION warmed by the
TIMIDITY of the urinary basin, the hysteria born
in THE STUDIO
We are in search of
the force that is direct pure sober
UNIQUE we are in search of NOTHING
we affirm the VITALITY of every IN-
STANT
the anti-philosophy of spontaneous acrobatics
At this moment I hate the man who whispers
before the intermission-eau de cologne-
sour theatre.
THE JOYOUS WIND
If each man says the opposite it is because he is
right
Get ready for the action of the geyser of our blood
-submarine formation of transchromatic aero-
planes, cellular metals numbered in
the flight of images
above the rules of the
and its control
BEAUTIFUL
It is not for the sawed-off imps
who still worship their navel
|
Written by
Jane Kenyon |
1FROM THE NURSERY
When I was born, you waited
behind a pile of linen in the nursery,
and when we were alone, you lay down
on top of me, pressing
the bile of desolation into every pore.
And from that day on
everything under the sun and moon
made me sad -- even the yellow
wooden beads that slid and spun
along a spindle on my crib.
You taught me to exist without gratitude.
You ruined my manners toward God:
"We're here simply to wait for death;
the pleasures of earth are overrated.
"
I only appeared to belong to my mother,
to live among blocks and cotton undershirts
with snaps; among red tin lunch boxes
and report cards in ugly brown slipcases.
I was already yours -- the anti-urge,
the mutilator of souls.
2BOTTLES
Elavil, Ludiomil, Doxepin,
Norpramin, Prozac, Lithium, Xanax,
Wellbutrin, Parnate, Nardil, Zoloft.
The coated ones smell sweet or have
no smell; the powdery ones smell
like the chemistry lab at school
that made me hold my breath.
3SUGGESTION FROM A FRIEND
You wouldn't be so depressed
if you really believed in God.
4OFTEN
Often I go to bed as soon after dinner
as seems adult
(I mean I try to wait for dark)
in order to push away
from the massive pain in sleep's
frail wicker coracle.
5ONCE THERE WAS LIGHT
Once, in my early thirties, I saw
that I was a speck of light in the great
river of light that undulates through time.
I was floating with the whole
human family.
We were all colors -- those
who are living now, those who have died,
those who are not yet born.
For a few
moments I floated, completely calm,
and I no longer hated having to exist.
Like a crow who smells hot blood
you came flying to pull me out
of the glowing stream.
"I'll hold you up.
I never let my dear
ones drown!" After that, I wept for days.
6IN AND OUT
The dog searches until he finds me
upstairs, lies down with a clatter
of elbows, puts his head on my foot.
Sometimes the sound of his breathing
saves my life -- in and out, in
and out; a pause, a long sigh.
.
.
.
7PARDON
A piece of burned meat
wears my clothes, speaks
in my voice, dispatches obligations
haltingly, or not at all.
It is tired of trying
to be stouthearted, tired
beyond measure.
We move on to the monoamine
oxidase inhibitors.
Day and night
I feel as if I had drunk six cups
of coffee, but the pain stops
abruptly.
With the wonder
and bitterness of someone pardoned
for a crime she did not commit
I come back to marriage and friends,
to pink fringed hollyhocks; come back
to my desk, books, and chair.
8CREDO
Pharmaceutical wonders are at work
but I believe only in this moment
of well-being.
Unholy ghost,
you are certain to come again.
Coarse, mean, you'll put your feet
on the coffee table, lean back,
and turn me into someone who can't
take the trouble to speak; someone
who can't sleep, or who does nothing
but sleep; can't read, or call
for an appointment for help.
There is nothing I can do
against your coming.
When I awake, I am still with thee.
9WOOD THRUSH
High on Nardil and June light
I wake at four,
waiting greedily for the first
note of the wood thrush.
Easeful air
presses through the screen
with the wild, complex song
of the bird, and I am overcome
by ordinary contentment.
What hurt me so terribly
all my life until this moment?
How I love the small, swiftly
beating heart of the bird
singing in the great maples;
its bright, unequivocal eye.
|
Written by
Yehuda Amichai |
Hebrew writing and Arabic writing go from east to west,
Latin writing, from west to east.
Languages are like cats:
You must not stroke their hair the wrong way.
The clouds come from the sea, the hot wind from the desert,
The trees bend in the wind,
And stones fly from all four winds,
Into all four winds.
They throw stones,
Throw this land, one at the other,
But the land always falls back to the land.
They throw the land, want to get rid of it.
Its stones, its soil, but you can't get rid of it.
They throw stones, throw stones at me
In 1936, 1938, 1948, 1988,
Semites throw at Semites and anti-Semites at anti-Semites,
Evil men throw and just men throw,
Sinners throw and tempters throw,
Geologists throw and theologists throw,
Archaelogists throw and archhooligans throw,
Kidneys throw stones and gall bladders throw,
Head stones and forehead stones and the heart of a stone,
Stones shaped like a screaming mouth
And stones fitting your eyes
Like a pair of glasses,
The past throws stones at the future,
And all of them fall on the present.
Weeping stones and laughing gravel stones,
Even God in the Bible threw stones,
Even the Urim and Tumim were thrown
And got stuck in the beastplate of justice,
And Herod threw stones and what came out was a Temple.
Oh, the poem of stone sadness
Oh, the poem thrown on the stones
Oh, the poem of thrown stones.
Is there in this land
A stone that was never thrown
And never built and never overturned
And never uncovered and never discovered
And never screamed from a wall and never discarded by the builders
And never closed on top of a grave and never lay under lovers
And never turned into a cornerstone?
Please do not throw any more stones,
You are moving the land,
The holy, whole, open land,
You are moving it to the sea
And the sea doesn't want it
The sea says, not in me.
Please throw little stones,
Throw snail fossils, throw gravel,
Justice or injustice from the quarries of Migdal Tsedek,
Throw soft stones, throw sweet clods,
Throw limestone, throw clay,
Throw sand of the seashore,
Throw dust of the desert, throw rust,
Throw soil, throw wind,
Throw air, throw nothing
Until your hands are weary
And the war is weary
And even peace will be weary and will be.
|
Written by
Yevgeny Yevtushenko |
No monument stands over Babi Yar.
A drop sheer as a crude gravestone.
I am afraid.
Today I am as old in years
as all the Jewish people.
Now I seem to be
a Jew.
Here I plod through ancient Egypt.
Here I perish crucified, on the cross,
and to this day I bear the scars of nails.
I seem to be
Dreyfus.
The Philistine
is both informer and judge.
I am behind bars.
Beset on every side.
Hounded,
spat on,
slandered.
Squealing, dainty ladies in flounced Brussels lace
stick their parasols into my face.
I seem to be then
a young boy in Byelostok.
Blood runs, spilling over the floors.
The barroom rabble-rousers
give off a stench of vodka and onion.
A boot kicks me aside, helpless.
In vain I plead with these pogrom bullies.
While they jeer and shout,
"Beat the Yids.
Save Russia!"
some grain-marketeer beats up my mother.
0 my Russian people!
I know
you
are international to the core.
But those with unclean hands
have often made a jingle of your purest name.
I know the goodness of my land.
How vile these anti-Semites-
without a qualm
they pompously called themselves
the Union of the Russian People!
I seem to be
Anne Frank
transparent
as a branch in April.
And I love.
And have no need of phrases.
My need
is that we gaze into each other.
How little we can see
or smell!
We are denied the leaves,
we are denied the sky.
Yet we can do so much --
tenderly
embrace each other in a darkened room.
They're coming here?
Be not afraid.
Those are the booming
sounds of spring:
spring is coming here.
Come then to me.
Quick, give me your lips.
Are they smashing down the door?
No, it's the ice breaking .
.
.
The wild grasses rustle over Babi Yar.
The trees look ominous,
like judges.
Here all things scream silently,
and, baring my head,
slowly I feel myself
turning gray.
And I myself
am one massive, soundless scream
above the thousand thousand buried here.
I am
each old man
here shot dead.
I am
every child
here shot dead.
Nothing in me
shall ever forget!
The "Internationale," let it
thunder
when the last anti-Semite on earth
is buried forever.
In my blood there is no Jewish blood.
In their callous rage, all anti-Semites
must hate me now as a Jew.
For that reason
I am a true Russian!
|
Written by
Alfred Lord Tennyson |
"Courage!" he said, and pointed toward the land,
"This mounting wave will roll us shoreward soon.
"
In the afternoon they came unto a land
In which it seemed always afternoon.
All round the coast the languid air did swoon,
Breathing like one that hath a weary dream.
Full-faced above the valley stood the moon;
And like a downward smoke, the slender stream
Along the cliff to fall and pause and fall did seem.
A land of streams! some, like a downward smoke,
Slow-dropping veils of thinnest lawn, did go;
And some thro' wavering lights and shadows broke,
Rolling a slumbrous sheet of foam below.
They saw the gleaming river seaward flow
From the inner land: far off, three mountain-tops,
Three silent pinnacles of aged snow,
Stood sunset-flush'd: and, dew'd with showery drops,
Up-clomb the shadowy pine above the woven copse.
The charmed sunset linger'd low adown
In the red West: thro' mountain clefts the dale
Was seen far inland, and the yellow down
Border'd with palm, and many a winding vale
And meadow, set with slender galingale;
A land where all things always seem'd the same!
And round about the keel with faces pale,
Dark faces pale against that rosy flame,
The mild-eyed melancholy Lotos-eaters came.
Branches they bore of that enchanted stem,
Laden with flower and fruit, whereof they gave
To each, but whoso did receive of them,
And taste, to him the gushing of the wave
Far far away did seem to mourn and rave
On alien shores; and if his fellow spake,
His voice was thin, as voices from the grave;
And deep-asleep he seem'd, yet all awake,
And music in his ears his beating heart did make.
They sat them down upon the yellow sand,
Between the sun and moon upon the shore;
And sweet it was to dream of Fatherland,
Of child, and wife, and slave; but evermore
Most weary seem'd the sea, weary the oar,
Weary the wandering fields of barren foam.
Then some one said, "We will return no more";
And all at once they sang, "Our island home
Is far beyond the wave; we will no longer roam.
"CHORIC SONGI
There is sweet music here that softer falls
Than petals from blown roses on the grass,
Or night-dews on still waters between walls
Of shadowy granite, in a gleaming pass;
Music that gentlier on the spirit lies,
Than tir'd eyelids upon tir'd eyes;
Music that brings sweet sleep down from the blissful skies.
Here are cool mosses deep,
And thro' the moss the ivies creep,
And in the stream the long-leaved flowers weep,
And from the craggy ledge the poppy hangs in sleep.
"II
Why are we weigh'd upon with heaviness,
And utterly consumed with sharp distress,
While all things else have rest from weariness?
All things have rest: why should we toil alone,
We only toil, who are the first of things,
And make perpetual moan,
Still from one sorrow to another thrown:
Nor ever fold our wings,
And cease from wanderings,
Nor steep our brows in slumber's holy balm;
Nor harken what the inner spirit sings,
"There is no joy but calm!"
Why should we only toil, the roof and crown of things?III
Lo! in the middle of the wood,
The folded leaf is woo'd from out the bud
With winds upon the branch, and there
Grows green and broad, and takes no care,
Sun-steep'd at noon, and in the moon
Nightly dew-fed; and turning yellow
Falls, and floats adown the air.
Lo! sweeten'd with the summer light,
The full-juiced apple, waxing over-mellow,
Drops in a silent autumn night.
All its allotted length of days
The flower ripens in its place,
Ripens and fades, and falls, and hath no toil,
Fast-rooted in the fruitful soil.
IV
Hateful is the dark-blue sky,
Vaulted o'er the dark-blue sea.
Death is the end of life; ah, why
Should life all labour be?
Let us alone.
Time driveth onward fast,
And in a little while our lips are dumb.
Let us alone.
What is it that will last?
All things are taken from us, and become
Portions and parcels of the dreadful past.
Let us alone.
What pleasure can we have
To war with evil? Is there any peace
In ever climbing up the climbing wave?
All things have rest, and ripen toward the grave
In silence; ripen, fall and cease:
Give us long rest or death, dark death, or dreamful ease.
V
How sweet it were, hearing the downward stream,
With half-shut eyes ever to seem
Falling asleep in a half-dream!
To dream and dream, like yonder amber light,
Which will not leave the myrrh-bush on the height;
To hear each other's whisper'd speech;
Eating the Lotos day by day,
To watch the crisping ripples on the beach,
And tender curving lines of creamy spray;
To lend our hearts and spirits wholly
To the influence of mild-minded melancholy;
To muse and brood and live again in memory,
With those old faces of our infancy
Heap'd over with a mound of grass,
Two handfuls of white dust, shut in an urn of brass!VI
Dear is the memory of our wedded lives,
And dear the last embraces of our wives
And their warm tears: but all hath suffer'd change:
For surely now our household hearths are cold,
Our sons inherit us: our looks are strange:
And we should come like ghosts to trouble joy.
Or else the island princes over-bold
Have eat our substance, and the minstrel sings
Before them of the ten years' war in Troy,
And our great deeds, as half-forgotten things.
Is there confusion in the little isle?
Let what is broken so remain.
The Gods are hard to reconcile:
'Tis hard to settle order once again.
There is confusion worse than death,
Trouble on trouble, pain on pain,
Long labour unto aged breath,
Sore task to hearts worn out by many wars
And eyes grown dim with gazing on the pilot-stars.
VII
But, propt on beds of amaranth and moly,
How sweet (while warm airs lull us, blowing lowly)
With half-dropt eyelid still,
Beneath a heaven dark and holy,
To watch the long bright river drawing slowly
His waters from the purple hill--
To hear the dewy echoes calling
From cave to cave thro' the thick-twined vine--
To watch the emerald-colour'd water falling
Thro' many a wov'n acanthus-wreath divine!
Only to hear and see the far-off sparkling brine,
Only to hear were sweet, stretch'd out beneath the pine.
VIII
The Lotos blooms below the barren peak:
The Lotos blows by every winding creek:
All day the wind breathes low with mellower tone:
Thro' every hollow cave and alley lone
Round and round the spicy downs the yellow Lotos-dust is blown.
We have had enough of action, and of motion we,
Roll'd to starboard, roll'd to larboard, when the surge was seething free,
Where the wallowing monster spouted his foam-fountains in the sea.
Let us swear an oath, and keep it with an equal mind,
In the hollow Lotos-land to live and lie reclined
On the hills like Gods together, careless of mankind.
For they lie beside their nectar, and the bolts are hurl'd
Far below them in the valleys, and the clouds are lightly curl'd
Round their golden houses, girdled with the gleaming world:
Where they smile in secret, looking over wasted lands,
Blight and famine, plague and earthquake, roaring deeps and fiery sands,
Clanging fights, and flaming towns, and sinking ships, and praying hands.
But they smile, they find a music centred in a doleful song
Steaming up, a lamentation and an ancient tale of wrong,
Like a tale of little meaning tho' the words are strong;
Chanted from an ill-used race of men that cleave the soil,
Sow the seed, and reap the harvest with enduring toil,
Storing yearly little dues of wheat, and wine and oil;
Till they perish and they suffer--some, 'tis whisper'd--down in hell
Suffer endless anguish, others in Elysian valleys dwell,
Resting weary limbs at last on beds of asphodel.
Surely, surely, slumber is more sweet than toil, the shore
Than labour in the deep mid-ocean, wind and wave and oar;
O, rest ye, brother mariners, we will not wander more.
Credits and CopyrightTogether with the editors, the Department ofEnglish (University of Toronto), and the University of Toronto Press,the following individuals share copyright for the work that wentinto this edition:Screen Design (Electronic Edition): Sian Meikle (University ofToronto Library)Scanning: Sharine Leung (Centre for Computing in the Humanities)
Added: Mar 11 2005 | Viewed: 581 times | Comments (0)
Information about The Lotos-eaters
Poet: Alfred Lord Tennyson
Poem: The Lotos-eaters
Additional Information
Are you looking for more information on this poem? Perhaps you are trying to analyze it? The poem, The Lotos-eaters, has not yet been commented on.
You can click here to be the first to post a comment about it.
Of course you can also always discuss poems by Alfred Lord Tennyson with others on the Poetry Connection discussion forum!
Poem Info
The Lotos-eaters
Last read:
2006-04-22 00:21:55
Viewed 581 times.
Added Mar 11 2005.
Tennyson Info
Biography
More Poems
(164 poems)
Copyright © 2003-2006 Gunnar Bengtsson, Poetry Connection.
All Rights Reserved.
Internet Advertising | Collectibles | Ringtones | Anti Aging Skin Care | Buy Anything On eBay
|
Written by
William Butler Yeats |
Hic.
On the grey sand beside the shallow stream
Under your old wind-beaten tower, where still
A lamp burns on beside the open book
That Michael Robartes left, you walk in the moon,
And, though you have passed the best of life, still trace,
Enthralled by the unconquerable delusion,
Magical shapes.
Ille.
By the help of an image
I call to my own opposite, summon all
That I have handled least, least looked upon.
Hic.
And I would find myself and not an image.
Ille.
That is our modern hope, and by its light
We have lit upon the gentle, sensitive mind
And lost the old nonchalance of the hand;
Whether we have chosen chisel, pen or brush,
We are but critics, or but half create,
Timid, entangled, empty and abashed,
Lacking the countenance of our friends.
Hic.
And yet
The chief imagination of Christendom,
Dante Alighieri, so utterly found himself
That he has made that hollow face of his
More plain to the mind's eye than any face
But that of Christ.
Ille.
And did he find himself
Or was the hunger that had made it hollow
A hunger for the apple on the bough
Most out of reach? and is that spectral image
The man that Lapo and that Guido knew?
I think he fashioned from his opposite
An image that might have been a stony face
Staring upon a Bedouin's horse-hair roof
From doored and windowed cliff, or half upturned
Among the coarse grass and the camel-dung.
He set his chisel to the hardest stone.
Being mocked by Guido for his lecherous life,
Derided and deriding, driven out
To climb that stair and eat that bitter bread,
He found the unpersuadable justice, he found
The most exalted lady loved by a man.
Hic.
Yet surely there are men who have made their art
Out of no tragic war, lovers of life,
Impulsive men that look for happiness
And sing when t"hey have found it.
Ille.
No, not sing,
For those that love the world serve it in action,
Grow rich, popular and full of influence,
And should they paint or write, still it is action:
The struggle of the fly in marmalade.
The rhetorician would deceive his neighbours,
The sentimentalist himself; while art
Is but a vision of reality.
What portion in the world can the artist have
Who has awakened from the common dream
But dissipation and despair?
Hic.
And yet
No one denies to Keats love of the world;
Remember his deliberate happiness.
Ille.
His art is happy, but who knows his mind?
I see a schoolboy when I think of him,
With face and nose pressed to a sweet-shop window,
For certainly he sank into his grave
His senses and his heart unsatisfied,
And made - being poor, ailing and ignorant,
Shut out from all the luxury of the world,
The coarse-bred son of a livery-stable keeper --
Luxuriant song.
Hic.
Why should you leave the lamp
Burning alone beside an open book,
And trace these characters upon the sands?
A style is found by sedentary toil
And by the imitation of great masters.
Ille.
Because I seek an image, not a book.
Those men that in their writings are most wise,
Own nothing but their blind, stupefied hearts.
I call to the mysterious one who yet
Shall walk the wet sands by the edge of the stream
And look most like me, being indeed my double,
And prove of all imaginable things
The most unlike, being my anti-self,
And, standing by these characters, disclose
All that I seek; and whisper it as though
He were afraid the birds, who cry aloud
Their momentary cries before it is dawn,
Would carry it away to blasphemous men.
|
Written by
Barry Tebb |
Alone in Sutton with Fynbos my orange cat
A long weekend of wind and rain drowning
The tumultuous flurry of mid-February blossom
A surfeit of letters to work through, a mountain
Of files to sort, some irritation at the thought
Of travelling to Kentish Town alone when
My mind was flooded with the mellifluous voice
Of Heath-Stubbs on tape reading ‘The Divided Ways’
In memory of Sidney Keyes.
“He has gone down into the dark cellar
To talk with the bright faced Spirit with silver hair
But I shall never know what word was spoken there.
”
The best reader of the century, if not the best poet.
Resonant, mesmeric, his verse the anti-type of mine,
Classical, not personal, Apollonian not Dionysian
And most unconfessional but nonetheless a poet
Deserving honour in his eighty-fifth year.
Thirty people crowded into a room
With stacked chairs like a Sunday School
A table of pamphlets looked over but not bought
A lacquered screen holding court, a century’s junk.
An ivory dial telephone, a bowl of early daffodils
To focus on.
I was the first to read, speaking of James Simmons’ death,
My anguish at the year long silence from his last letter
To the Christmas card in Gaelic Nollaig Shona -
With the message “Jimmy’s doing better than expected.
”
The difficulty I had in finding his publisher’s address -
Salmon Press, Cliffs of Moher, County Clare -
Then a soft sad Irish woman’s voice explained
“Jimmy’s had a massive stroke, phone Janice
At The Poet’s House.
”
I looked at the letter I would never end or send.
“Your poems have a strength and honesty so rare.
The ability to render character as deftly as a painter.
Your being out-of-fashion shows just how bad things are
Your poetry so easy to enjoy and difficult to forget.
Like Yeats.
‘The Dawning of the Day’ so sad
And eloquent and memorable: I read it aloud
And felt the hairs on the back of my neck prickle
An unflinching bitter rhetoric straight out
Hence the neglect.
Your poem about Harrison.
“He has to feel the Odeons sell
Tickets to damned souls, that Dante’s Hell
Is in that red-plush darkness.
”
Echoed in Roy Fisher's letter, “Once Harrison and I
Were best mates until fame went to his head.
”
James, your ‘Love Leads Me into Danger’
Set off my own despair but restored me
Just as quickly with your sense of beauty’s muted dance.
“passing Dalway’s Bawn
where the chestnuts are, the first trees to go rusty,
old admirals drowned in their own gold braid.
”
The scattered alliterations mimic so exquisitely
The random pattern of fallen conkers,
The sense of innocence not wholly clear
The guilt never entirely spent.
‘The Road to Clonbarra’, a poem for the homecoming
After a wedding, the breathlessness of new beginning.
Your own self questioning, “My fourth and last chance marriage,”
Your passionate confessions of failure and plea for absolution
“His thunder storms were in the late night bars.
Home was too hard too dry and far the stars.
”
You were so urgent to hear my thoughts on your book
And once too often you were out of luck,
Heath-Stubbs nodded his old sad head.
“Simmons was my friend.
I’d no idea he was dead.
”
Before I could finish the poem John Rety interrupted
“Can you hurry? There’s others waiting for their turn!”
I muttered to my self, but kept my temper, just.
.
.
Eventually Heath-Stubbs began - poet, teacher, wit, raconteur and man
Of letters - littering his poems with references
To three kinds of Arabic genie
The class system of ancient Egypt
The pub architecture of the Edwardian era.
From the back row I strained to see his face.
The craggy jaw, the mane of long white hair.
The bowl of daffodils I’d focused on before.
He spoke but could not read and
Like me had no single poem by heart.
In his stead a man and woman read:
I could forgive the man’s inability to pronounce ‘Dionysian’
But when he read ‘hover’ as ‘haver’
My temper began to frazzle
The woman simpered and ruined every line
As if by design, I took some amitryptilene
And let my mind float free.
‘For Barry, instead of a Christmas card, this elegy
I wrote last week.
Fond wishes.
Jeremy.
.
’
“So often, David, I still meet
Your benefactor from the time:
her speedwell-blue eyes, blue like yours,
with recollection, while we talk
through leaf-fall, with its mosaic
mottling the toad-spotted wet street.
”
I looked at Heath-Stubbs’ face, his sightless eyes,
And in a second understood what Gascoyne meant
“Now the light of a prism has flashed like a bird down the dark-blue,
At the end of which mountains of shadow pile up beyond sight
Oh radiant prism
A wing has been torn and its feathers drift scattered by flight.
”
|
Written by
Barry Tebb |
What ghosts haunt
These streets of perpetual night?
Riverbanks fractured with splinters of glass condominiums
For nouveam riche merchant bankers
Black-tied bouncers man clubland glitz casinos
Novotel, Valley Park Motel, the Hilton:
Hot tubs, saunas, swim spas, en suite
Satellite TV, conference rooms, disco dinners.
I knew Len, the tubby taxi man
With his retirement dreams of visiting
The world’s great galleries:
‘Titian, Leonardo, Goya,
I’ve lived all my life in the house I was born in
All my life I’ve saved for this trip’
The same house he was done to death in
Tortured by three fourteen year olds,
Made headlines for one night, another
Murder to add to Beeston’s five this year.
Yorkshire Forward advertises nation-wide
The north’s attractions for business expansion
Nothing fits together any more
Addicts in doorways trying to score
The new Porsches and the new poor
Air-conditioned thirty-foot limos, fibre-optic lit,
Uniformed chauffeurs fully trained in close protection
And anti-hijack techniques, simply the best –
See for yourself in mirrored ceilings.
See for yourself the screaming youth
Soaring psychotic one Sunday afternoon
Staggering round the new coach station
"I’ll beat him to death the day I see him next"
Fifty yards away Millgarth police station’s
Fifty foot banner proclaims ‘Let’s fight crime together’
I am no poet for this age
I cannot drain nostalgia from my blood
|
Written by
Barry Tebb |
O my beloved city,
How many times have I deserted you
For the sights and sounds of Babylon?
How often and from how far
Have I conjured your broad boulevards
O Quartier Latin, crowded street caf?s
With white and scarlet awnings, gold
Adornings on stone cupolas, Byzantine domes
And plinths of equine statuary before
The Gare du Nord, grumbling fading
Faience of the Gare de l’Est?
Often, O how often, did I mingle with your crowds
Crossing the Pont Mirabeau in their Sunday best,
Regretting my lost loves, watching the barges
Snail along the Seine, hearing the bells
Of the Angelus dawn?
II
Exiled in the south and in a new century,
I recall leisurely Sundays on the Grande Jatte;
The children in sun hats knelt by their boats
Unfurling handkerchiefs for sails and for supreme farewells
(Shall I return? Steamer with your poised masts
Raising anchor for exotic climes?)
III
The bells of Sacr? Coeur shake rickety tables
Where old men in blazers sport the L?gion d’Honneur.
Priests in birettas sip Green Chartreuse over their
Breviaries while Wilde and Gide stroll round P?re
Lachaise vying to outdo each other’s tinted
Memories of soft-skinned Moroccan boys.
Weary of their weariness and of my own, and of
Rimbaud and Verlaine’s battle of strophe and
Anti-strophe and rhetoric’s demise, I take a
Lacquered tram to the Bois de Boulogne, hoping
To catch Mistinguette’s last song.
|
Written by
Andrei Voznesensky |
There is Bukashkin, our neighbor,
in underpants of blotting paper,
and, like balloons, the Antiworlds
hang up above him in the vaults.
Up there, like a magic daemon,
he smartly rules the Universe,
Antibukashkin lies there giving
Lollobrigida a caress.
The Anti-great-academician
has got a blotting paper vision.
Long live creative Antiworlds,
great fantasy amidst daft words!
There are wise men and stupid peasants,
there are no trees without deserts.
There're Antimen and Antilorries,
Antimachines in woods and forests.
There's salt of earth, and there's a fake.
A falcon dies without a snake.
I like my dear critics best.
The greatest of them beats the rest
for on his shoulders there's no head,
he's got an Antihead instead.
At night I sleep with windows open
and hear the rings of falling stars,
From up above skyscrapers drop and,
like stalactites, look down on us.
High up above me upside down,
stuck like a fork into the ground,
my nice light-hearted butterfly,
my Antiworld, is getting by.
I wonder if it's wrong or right
that Antiworlds should date at night.
Why should they sit there side by side
watching TV all through the night?
They do not understand a word.
It's their last date in this world.
They sit and chat for hours, and
they will regret it in the end!
The two have burning ears and eyes,
resembling purple butterflies.
.
.
.
.
.
A lecturer once said to me:
"An Antiworld? It's loonacy!"
I'm half asleep, and I would sooner
believe than doubt the man's word.
.
.
My green-eyed kitty, like a tuner,
receives the signals of the world.
© Copyright Alec Vagapov's translation
|