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Best Famous Answers Poems

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Written by Elizabeth Jennings | Create an image from this poem

Answers

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Written by Henry Kendall | Create an image from this poem

Mountains

RIFTED mountains, clad with forests, girded round by gleaming pines, 
Where the morning, like an angel, robed in golden splendour shines; 
Shimmering mountains, throwing downward on the slopes a mazy glare 
Where the noonday glory sails through gulfs of calm and glittering air; 
Stately mountains, high and hoary, piled with blocks of amber cloud, 
Where the fading twilight lingers, when the winds are wailing loud; 

Grand old mountains, overbeetling brawling brooks and deep ravines, 
Where the moonshine, pale and mournful, flows on rocks and evergreens. 

Underneath these regal ridges - underneath the gnarly trees, 
I am sitting, lonely-hearted, listening to a lonely breeze! 
Sitting by an ancient casement, casting many a longing look 
Out across the hazy gloaming - out beyond the brawling brook! 
Over pathways leading skyward - over crag and swelling cone, 

Past long hillocks looking like to waves of ocean turned to stone; 
Yearning for a bliss unworldly, yearning for a brighter change, 
Yearning for the mystic Aidenn, built beyond this mountain range. 


Happy years, amongst these valleys, happy years have come and gone, 
And my youthful hopes and friendships withered with them one by one; 
Days and moments bearing onward many a bright and beauteous dream, 
All have passed me like to sunstreaks flying down a distant stream. 

Oh, the love returned by loved ones! Oh, the faces that I knew! 
Oh, the wrecks of fond affection! Oh, the hearts so warm and true! 
But their voices I remember, and a something lingers still, 
Like a dying echo roaming sadly round a far off hill. 


I would sojourn here contented, tranquil as I was of yore, 
And would never wish to clamber, seeking for an unknown shore; 
I have dwelt within this cottage twenty summers, and mine eyes 

Never wandered erewhile round in search of undiscovered skies; 
But a spirit sits beside me, veiled in robes of dazzling white, 
And a dear one's whisper wakens with the symphonies of night; 
And a low sad music cometh, borne along on windy wings, 
Like a strain familiar rising from a maze of slumbering springs. 


And the Spirit, by my window, speaketh to my restless soul, 
Telling of the clime she came from, where the silent moments roll; 

Telling of the bourne mysterious, where the sunny summers flee 
Cliffs and coasts, by man untrodden, ridging round a shipless sea. 

There the years of yore are blooming - there departed life-dreams dwell, 
There the faces beam with gladness that I loved in youth so well; 
There the songs of childhood travel, over wave-worn steep and strand - 
Over dale and upland stretching out behind this mountain land. 


``Lovely Being, can a mortal, weary of this changeless scene, 

Cross these cloudy summits to the land where man hath never been? 
Can he find a pathway leading through that wildering mass of pines, 
So that he shall reach the country where ethereal glory shines; 
So that he may glance at waters never dark with coming ships; 
Hearing round him gentle language floating from angelic lips; 
Casting off his earthly fetters, living there for evermore; 
All the blooms of Beauty near him, gleaming on that quiet shore? 


``Ere you quit this ancient casement, tell me, is it well to yearn 
For the evanescent visions, vanished never to return? 
Is it well that I should with to leave this dreary world behind, 
Seeking for your fair Utopia, which perchance I may not find? 
Passing through a gloomy forest, scaling steeps like prison walls, 
Where the scanty sunshine wavers and the moonlight seldom falls? 
Oh, the feelings re-awakened! Oh, the hopes of loftier range! 

Is it well, thou friendly Being, well to wish for such a change?'' 


But the Spirit answers nothing! and the dazzling mantle fades; 
And a wailing whisper wanders out from dismal seaside shades! 
``Lo, the trees are moaning loudly, underneath their hood-like shrouds, 
And the arch above us darkens, scarred with ragged thunder clouds!'' 
But the spirit answers nothing, and I linger all alone, 
Gazing through the moony vapours where the lovely Dream has flown; 

And my heart is beating sadly, and the music waxeth faint, 
Sailing up to holy Heaven, like the anthems of a Saint.
Written by Adrienne Rich | Create an image from this poem

Cartographies of Silence

 1.
A conversation begins with a lie.
and each speaker of the so-called common language feels the ice-floe split, the drift apart as if powerless, as if up against a force of nature A poem can being with a lie.
And be torn up.
A conversation has other laws recharges itself with its own false energy, Cannot be torn up.
Infiltrates our blood.
Repeats itself.
Inscribes with its unreturning stylus the isolation it denies.
2.
The classical music station playing hour upon hour in the apartment the picking up and picking up and again picking up the telephone The syllables uttering the old script over and over The loneliness of the liar living in the formal network of the lie twisting the dials to drown the terror beneath the unsaid word 3.
The technology of silence The rituals, etiquette the blurring of terms silence not absence of words or music or even raw sounds Silence can be a plan rigorously executed the blueprint of a life It is a presence it has a history a form Do not confuse it with any kind of absence 4.
How calm, how inoffensive these words begin to seem to me though begun in grief and anger Can I break through this film of the abstract without wounding myself or you there is enough pain here This is why the classical of the jazz music station plays? to give a ground of meaning to our pain? 5.
The silence strips bare: In Dreyer's Passion of Joan Falconetti's face, hair shorn, a great geography mutely surveyed by the camera If there were a poetry where this could happen not as blank space or as words stretched like skin over meaningsof a night through which two people have talked till dawn.
6.
The scream of an illegitimate voice It has ceased to hear itself, therefore it asks itself How do I exist? This was the silence I wanted to break in you I had questions but you would not answer I had answers but you could not use them The is useless to you and perhaps to others 7.
It was an old theme even for me: Language cannot do everything- chalk it on the walls where the dead poets lie in their mausoleums If at the will of the poet the poem could turn into a thing a granite flank laid bare, a lifted head alight with dew If it could simply look you in the face with naked eyeballs, not letting you turn till you, and I who long to make this thing, were finally clarified together in its stare 8.
No.
Let me have this dust, these pale clouds dourly lingering, these words moving with ferocious accuracy like the blind child's fingers or the newborn infant's mouth violent with hunger No one can give me, I have long ago taken this method whether of bran pouring from the loose-woven sack or of the bunsen-flame turned low and blue If from time to time I envy the pure annunciation to the eye the visio beatifica if from time to time I long to turn like the Eleusinian hierophant holding up a single ear of grain for the return to the concrete and everlasting world what in fact I keep choosing are these words, these whispers, conversations from which time after time the truth breaks moist and green.
Written by John Wilmot | Create an image from this poem

A Satyre Against Mankind

 Were I - who to my cost already am
One of those strange, prodigious creatures, man -
A spirit free to choose for my own share
What sort of flesh and blood I pleased to wear,
I'd be a dog, a monkey, or a bear,
Or anything but that vain animal,
Who is so proud of being rational.
His senses are too gross; and he'll contrive A sixth, to contradict the other five; And before certain instinct will prefer Reason, which fifty times for one does err.
Reason, an ignis fatuus of the mind, Which leaving light of nature, sense, behind, Pathless and dangerous wand'ring ways it takes, Through Error's fenny bogs and thorny brakes; Whilst the misguided follower climbs with pain Mountains of whimsey's, heaped in his own brain; Stumbling from thought to thought, falls headlong down, Into Doubt's boundless sea where, like to drown, Books bear him up awhile, and make him try To swim with bladders of Philosophy; In hopes still to o'ertake the escaping light; The vapour dances, in his dancing sight, Till spent, it leaves him to eternal night.
Then old age and experience, hand in hand, Lead him to death, make him to understand, After a search so painful, and so long, That all his life he has been in the wrong: Huddled In dirt the reasoning engine lies, Who was so proud, so witty, and so wise.
Pride drew him in, as cheats their bubbles catch, And made him venture; to be made a wretch.
His wisdom did has happiness destroy, Aiming to know that world he should enjoy; And Wit was his vain, frivolous pretence Of pleasing others, at his own expense.
For wits are treated just like common whores, First they're enjoyed, and then kicked out of doors; The pleasure past, a threatening doubt remains, That frights th' enjoyer with succeeding pains: Women and men of wit are dangerous tools, And ever fatal to admiring fools.
Pleasure allures, and when the fops escape, 'Tis not that they're beloved, but fortunate, And therefore what they fear, at heart they hate: But now, methinks some formal band and beard Takes me to task; come on sir, I'm prepared: "Then by your Favour, anything that's writ Against this jibing, jingling knack called Wit Likes me abundantly: but you take care Upon this point not to be too severe.
Perhaps my Muse were fitter for this part, For I profess I can be very smart On Wit, which I abhor with all my heart; I long to lash it in some sharp essay, But your grand indiscretion bids me stay, And turns my tide of ink another way.
What rage Torments in your degenerate mind, To make you rail at reason, and mankind Blessed glorious man! To whom alone kind heaven An everlasting soul hath freely given; Whom his great maker took such care to make, That from himself he did the image take; And this fair frame in shining reason dressed, To dignify his nature above beast.
Reason, by whose aspiring influence We take a flight beyond material sense, Dive into mysteries, then soaring pierce The flaming limits of the universe, Search heaven and hell, Find out what's acted there, And give the world true grounds of hope and fear.
" Hold mighty man, I cry, all this we know, From the pathetic pen of Ingelo; From Patrlck's Pilgrim, Sibbes' Soliloquies, And 'tis this very reason I despise, This supernatural gift that makes a mite Think he's an image of the infinite; Comparing his short life, void of all rest, To the eternal, and the ever-blessed.
This busy, pushing stirrer-up of doubt, That frames deep mysteries, then finds them out; Filling with frantic crowds of thinking fools The reverend bedlam's, colleges and schools; Borne on whose wings each heavy sot can pierce The limits of the boundless universe; So charming ointments make an old witch fly, And bear a crippled carcass through the sky.
'Tis the exalted power whose business lies In nonsense and impossibilities.
This made a whimsical philosopher Before the spacious world his tub prefer, And we have modern cloistered coxcombs, who Retire to think 'cause they have nought to do.
But thoughts are given for action's government; Where action ceases, thought's impertinent: Our sphere of action is life's happiness, And he that thinks beyond thinks like an ass.
Thus, whilst against false reasoning I inveigh.
I own right reason, which I would obey: That reason which distinguishes by sense, And gives us rules of good and ill from thence; That bounds desires.
with a reforming will To keep 'em more in vigour, not to kill.
- Your reason hinders, mine helps to enjoy, Renewing appetites yours would destroy.
My reason is my friend, yours is a cheat, Hunger calls out, my reason bids me eat; Perversely.
yours your appetite does mock: This asks for food, that answers, 'what's o'clock' This plain distinction, sir, your doubt secures, 'Tis not true reason I despise, but yours.
Thus I think reason righted, but for man, I'll ne'er recant, defend him if you can: For all his pride, and his philosophy, 'Tis evident: beasts are in their own degree As wise at least, and better far than he.
Those creatures are the wisest who attain.
- By surest means.
the ends at which they aim.
If therefore Jowler finds and kills the hares, Better than Meres supplies committee chairs; Though one's a statesman, th' other but a hound, Jowler in justice would be wiser found.
You see how far man's wisdom here extends.
Look next if human nature makes amends; Whose principles are most generous and just, - And to whose morals you would sooner trust: Be judge yourself, I'll bring it to the test, Which is the basest creature, man or beast Birds feed on birds, beasts on each other prey, But savage man alone does man betray: Pressed by necessity; they kill for food, Man undoes man, to do himself no good.
With teeth and claws, by nature armed, they hunt Nature's allowance, to supply their want.
But man, with smiles, embraces.
friendships.
Praise, Inhumanely his fellow's life betrays; With voluntary pains works his distress, Not through necessity, but wantonness.
For hunger or for love they bite, or tear, Whilst wretched man is still in arms for fear.
For fear he arms, and is of arms afraid: From fear, to fear, successively betrayed.
Base fear, the source whence his best passions came.
His boasted honour, and his dear-bought fame.
The lust of power, to whom he's such a slave, And for the which alone he dares be brave; To which his various projects are designed, Which makes him generous, affable, and kind.
For which he takes such pains to be thought wise, And screws his actions, in a forced disguise; Leads a most tedious life in misery, Under laborious, mean hypocrisy.
Look to the bottom of his vast design, Wherein man's wisdom, power, and glory join: The good he acts.
the ill he does endure.
'Tis all from fear, to make himself secure.
Merely for safety after fame they thirst, For all men would be cowards if they durst.
And honesty's against all common sense, Men must be knaves, 'tis in their own defence.
Mankind's dishonest: if you think it fair Among known cheats to play upon the square, You'll be undone.
Nor can weak truth your reputation save, The knaves will all agree to call you knave.
Wronged shall he live, insulted o'er, oppressed, Who dares be less a villain than the rest.
Thus sir, you see what human nature craves, Most men are cowards, all men should be knaves; The difference lies, as far as I can see.
Not in the thing itself, but the degree; And all the subject matter of debate Is only, who's a knave of the first rate All this with indignation have I hurled At the pretending part of the proud world, Who, swollen with selfish vanity, devise, False freedoms, holy cheats, and formal lies, Over their fellow slaves to tyrannise.
But if in Court so just a man there be, (In Court, a just man - yet unknown to me) Who does his needful flattery direct Not to oppress and ruin, but protect: Since flattery, which way soever laid, Is still a tax: on that unhappy trade.
If so upright a statesman you can find, Whose passions bend to his unbiased mind, Who does his arts and policies apply To raise his country, not his family; Nor while his pride owned avarice withstands, Receives close bribes, from friends corrupted hands.
Is there a churchman who on God relies Whose life, his faith and doctrine justifies Not one blown up, with vain prelatic pride, Who for reproofs of sins does man deride; Whose envious heart makes preaching a pretence With his obstreperous, saucy eloquence, To chide at kings, and rail at men of sense; Who from his pulpit vents more peevlsh lies, More bitter railings, scandals, calumnies, Than at a gossiping are thrown about When the good wives get drunk, and then fall out.
None of that sensual tribe, whose talents lie In avarice, pride, sloth, and gluttony.
Who hunt good livings; but abhor good lives, Whose lust exalted, to that height arrives, They act adultery with their own wives.
And ere a score of years completed be, Can from the loftiest pulpit proudly see, Half a large parish their own progeny.
Nor doting bishop, who would be adored For domineering at the Council board; A greater fop, in business at fourscore, Fonder of serious toys, affected more, Than the gay, glittering fool at twenty proves, With all his noise, his tawdry clothes and loves.
But a meek, humble man, of honest sense, Who preaching peace does practise continence; Whose pious life's a proof he does believe Mysterious truths which no man can conceive.
If upon Earth there dwell such god-like men, I'll here recant my paradox to them, Adores those shrines of virtue, homage pay, And with the rabble world their laws obey.
If such there are, yet grant me this at least, Man differs more from man than man from beast.
Written by Percy Bysshe Shelley | Create an image from this poem

To a Lady with a Guitar

ARIEL to Miranda:¡ªTake 
This slave of music for the sake 
Of him who is the slave of thee; 
And teach it all the harmony 
In which thou canst and only thou 5 
Make the delighted spirit glow  
Till joy denies itself again 
And too intense is turn'd to pain.
For by permission and command 
Of thine own Prince Ferdinand 10 
Poor Ariel sends this silent token 
Of more than ever can be spoken; 
Your guardian spirit Ariel who 
From life to life must still pursue 
Your happiness for thus alone 15 
Can Ariel ever find his own. 
From Prospero's enchanted cell  
As the mighty verses tell  
To the throne of Naples he 
Lit you o'er the trackless sea 20 
Flitting on your prow before  
Like a living meteor. 
When you die the silent Moon 
In her interlunar swoon 
Is not sadder in her cell 25 
Than deserted Ariel:¡ª 
When you live again on earth  
Like an unseen Star of birth 
Ariel guides you o'er the sea 
Of life from your nativity:¡ª 30 
Many changes have been run 
Since Ferdinand and you begun 
Your course of love and Ariel still 
Has track'd your steps and served your will. 
Now in humbler happier lot 35 
This is all remember'd not; 
And now alas the poor Sprite is 
Imprison'd for some fault of his 
In a body like a grave¡ª 
From you he only dares to crave 40 
For his service and his sorrow 
A smile to-day a song to-morrow. 

The artist who this viol wrought 
To echo all harmonious thought  
Fell'd a tree while on the steep 45 
The woods were in their winter sleep  
Rock'd in that repose divine 
On the wind-swept Apennine; 
And dreaming some of autumn past  
And some of spring approaching fast 50 
And some of April buds and showers  
And some of songs in July bowers  
And all of love; and so this tree ¡ª 
Oh that such our death may be!¡ª 
Died in sleep and felt no pain 55 
To live in happier form again: 
From which beneath heaven's fairest star  
The artist wrought this loved guitar; 
And taught it justly to reply 
To all who question skilfully 60 
In language gentle as thine own; 
Whispering in enamour'd tone 
Sweet oracles of woods and dells  
And summer winds in sylvan cells. 
For it had learnt all harmonies 65 
Of the plains and of the skies  
Of the forests and the mountains  
And the many-voic¨¨d fountains; 
The clearest echoes of the hills  
The softest notes of falling rills 70 
The melodies of birds and bees  
The murmuring of summer seas  
And pattering rain and breathing dew  
And airs of evening; and it knew 
That seldom-heard mysterious sound 75 
Which driven on its diurnal round  
As it floats through boundless day  
Our world enkindles on its way:¡ª 
All this it knows but will not tell 
To those who cannot question well 80 
The spirit that inhabits it: 
It talks according to the wit 
Of its companions; and no more 
Is heard than has been felt before 
By those who tempt it to betray 85 
These secrets of an elder day. 
But sweetly as its answers will 
Flatter hands of perfect skill  
It keeps its highest holiest tone 
For one beloved Friend alone. 90 


Written by Robert Frost | Create an image from this poem

Pauls Wife

 To drive Paul out of any lumber camp
All that was needed was to say to him,
"How is the wife, Paul?"--and he'd disappear.
Some said it was because be bad no wife, And hated to be twitted on the subject; Others because he'd come within a day Or so of having one, and then been Jilted; Others because he'd had one once, a good one, Who'd run away with someone else and left him; And others still because he had one now He only had to be reminded of-- He was all duty to her in a minute: He had to run right off to look her up, As if to say, "That's so, how is my wife? I hope she isn't getting into mischief.
" No one was anxious to get rid of Paul.
He'd been the hero of the mountain camps Ever since, just to show them, he bad slipped The bark of a whole tamarack off whole As clean as boys do off a willow twig To make a willow whistle on a Sunday April by subsiding meadow brooks.
They seemed to ask him just to see him go, "How is the wife, Paul?" and he always went.
He never stopped to murder anyone Who asked the question.
He just disappeared-- Nobody knew in what direction, Although it wasn't usually long Before they beard of him in some new camp, The same Paul at the same old feats of logging.
The question everywhere was why should Paul Object to being asked a civil question-- A man you could say almost anything to Short of a fighting word.
You have the answers.
And there was one more not so fair to Paul: That Paul had married a wife not his equal.
Paul was ashamed of her.
To match a hero She would have had to be a heroine; Instead of which she was some half-breed squaw.
But if the story Murphy told was true, She wasn't anything to be ashamed of.
You know Paul could do wonders.
Everyone's Heard how he thrashed the horses on a load That wouldn't budge, until they simply stretched Their rawhide harness from the load to camp.
Paul told the boss the load would be all right, "The sun will bring your load in"--and it did-- By shrinking the rawhide to natural length.
That's what is called a stretcher.
But I guess The one about his jumping so's to land With both his feet at once against the ceiling, And then land safely right side up again, Back on the floor, is fact or pretty near fact.
Well, this is such a yarn.
Paul sawed his wife Out of a white-pine log.
Murphy was there And, as you might say, saw the lady born.
Paul worked at anything in lumbering.
He'd been bard at it taking boards away For--I forget--the last ambitious sawyer To want to find out if he couldn't pile The lumber on Paul till Paul begged for mercy.
They'd sliced the first slab off a big butt log, And the sawyer had slammed the carriage back To slam end-on again against the saw teeth.
To judge them by the way they caught themselves When they saw what had happened to the log, They must have had a guilty expectation Something was going to go with their slambanging.
Something bad left a broad black streak of grease On the new wood the whole length of the log Except, perhaps, a foot at either end.
But when Paul put his finger in the grease, It wasn't grease at all, but a long slot.
The log was hollow.
They were sawing pine.
"First time I ever saw a hollow pine.
That comes of having Paul around the place.
Take it to bell for me," the sawyer said.
Everyone had to have a look at it And tell Paul what he ought to do about it.
(They treated it as his.
) "You take a jackknife, And spread the opening, and you've got a dugout All dug to go a-fishing in.
" To Paul The hollow looked too sound and clean and empty Ever to have housed birds or beasts or bees.
There was no entrance for them to get in by.
It looked to him like some new kind of hollow He thought he'd better take his jackknife to.
So after work that evening be came back And let enough light into it by cutting To see if it was empty.
He made out in there A slender length of pith, or was it pith? It might have been the skin a snake had cast And left stood up on end inside the tree The hundred years the tree must have been growing.
More cutting and he bad this in both hands, And looking from it to the pond nearby, Paul wondered how it would respond to water.
Not a breeze stirred, but just the breath of air He made in walking slowly to the beach Blew it once off his hands and almost broke it.
He laid it at the edge, where it could drink.
At the first drink it rustled and grew limp.
At the next drink it grew invisible.
Paul dragged the shallows for it with his fingers, And thought it must have melted.
It was gone.
And then beyond the open water, dim with midges, Where the log drive lay pressed against the boom, It slowly rose a person, rose a girl, Her wet hair heavy on her like a helmet, Who, leaning on a log, looked back at Paul.
And that made Paul in turn look back To see if it was anyone behind him That she was looking at instead of him.
(Murphy had been there watching all the time, But from a shed where neither of them could see him.
) There was a moment of suspense in birth When the girl seemed too waterlogged to live, Before she caught her first breath with a gasp And laughed.
Then she climbed slowly to her feet, And walked off, talking to herself or Paul, Across the logs like backs of alligators, Paul taking after her around the pond.
Next evening Murphy and some other fellows Got drunk, and tracked the pair up Catamount, From the bare top of which there is a view TO other hills across a kettle valley.
And there, well after dark, let Murphy tell it, They saw Paul and his creature keeping house.
It was the only glimpse that anyone Has had of Paul and her since Murphy saw them Falling in love across the twilight millpond.
More than a mile across the wilderness They sat together halfway up a cliff In a small niche let into it, the girl Brightly, as if a star played on the place, Paul darkly, like her shadow.
All the light Was from the girl herself, though, not from a star, As was apparent from what happened next.
All those great ruffians put their throats together, And let out a loud yell, and threw a bottle, As a brute tribute of respect to beauty.
Of course the bottle fell short by a mile, But the shout reached the girl and put her light out.
She went out like a firefly, and that was all.
So there were witnesses that Paul was married And not to anyone to be ashamed of Everyone had been wrong in judging Paul.
Murphy told me Paul put on all those airs About his wife to keep her to himself.
Paul was what's called a terrible possessor.
Owning a wife with him meant owning her.
She wasn't anybody else's business, Either to praise her or much as name her, And he'd thank people not to think of her.
Murphy's idea was that a man like Paul Wouldn't be spoken to about a wife In any way the world knew how to speak.
Written by Henry Wadsworth Longfellow | Create an image from this poem

The Fire of Drift-Wood

We sat within the farm-house old,
  Whose windows, looking o'er the bay,
Gave to the sea-breeze damp and cold,
  An easy entrance, night and day.
Not far away we saw the port, The strange, old-fashioned, silent town, The lighthouse, the dismantled fort, The wooden houses, quaint and brown.
We sat and talked until the night, Descending, filled the little room; Our faces faded from the sight, Our voices only broke the gloom.
We spake of many a vanished scene, Of what we once had thought and said, Of what had been, and might have been, And who was changed, and who was dead; And all that fills the hearts of friends, When first they feel, with secret pain, Their lives thenceforth have separate ends, And never can be one again; The first slight swerving of the heart, That words are powerless to express, And leave it still unsaid in part, Or say it in too great excess.
The very tones in which we spake Had something strange, I could but mark; The leaves of memory seemed to make A mournful rustling in the dark.
Oft died the words upon our lips, As suddenly, from out the fire Built of the wreck of stranded ships, The flames would leap and then expire.
And, as their splendor flashed and failed, We thought of wrecks upon the main, Of ships dismasted, that were hailed And sent no answer back again.
The windows, rattling in their frames, The ocean, roaring up the beach, The gusty blast, the bickering flames, All mingled vaguely in our speech; Until they made themselves a part Of fancies floating through the brain, The long-lost ventures of the heart, That send no answers back again.
O flames that glowed! O hearts that yearned! They were indeed too much akin, The drift-wood fire without that burned, The thoughts that burned and glowed within.
Written by Wendell Berry | Create an image from this poem

Manifesto: The Mad Farmer Liberation Front

 Love the quick profit, the annual raise,
vacation with pay.
Want more of everything ready-made.
Be afraid to know your neighbors and to die.
And you will have a window in your head.
Not even your future will be a mystery any more.
Your mind will be punched in a card and shut away in a little drawer.
When they want you to buy something they will call you.
When they want you to die for profit they will let you know.
So, friends, every day do something that won't compute.
Love the Lord.
Love the world.
Work for nothing.
Take all that you have and be poor.
Love someone who does not deserve it.
Denounce the government and embrace the flag.
Hope to live in that free republic for which it stands.
Give your approval to all you cannot understand.
Praise ignorance, for what man has not encountered he has not destroyed.
Ask the questions that have no answers.
Invest in the millenium.
Plant sequoias.
Say that your main crop is the forest that you did not plant, that you will not live to harvest.
Say that the leaves are harvested when they have rotted into the mold.
Call that profit.
Prophesy such returns.
Put your faith in the two inches of humus that will build under the trees every thousand years.
Listen to carrion -- put your ear close, and hear the faint chattering of the songs that are to come.
Expect the end of the world.
Laugh.
Laughter is immeasurable.
Be joyful though you have considered all the facts.
So long as women do not go cheap for power, please women more than men.
Ask yourself: Will this satisfy a woman satisfied to bear a child? Will this disturb the sleep of a woman near to giving birth? Go with your love to the fields.
Lie down in the shade.
Rest your head in her lap.
Swear allegiance to what is nighest your thoughts.
As soon as the generals and the politicos can predict the motions of your mind, lose it.
Leave it as a sign to mark the false trail, the way you didn't go.
Be like the fox who makes more tracks than necessary, some in the wrong direction.
Practice resurrection.
Written by Mark Twain | Create an image from this poem

A Sweltering Day In Australia

 The Bombola faints in the hot Bowral tree, 
Where fierce Mullengudgery's smothering fires 
Far from the breezes of Coolgardie 
Burn ghastly and blue as the day expires; 

And Murriwillumba complaineth in song 
For the garlanded bowers of Woolloomooloo, 
And the Ballarat Fly and the lone Wollongong 
They dream of the gardens of Jamberoo; 

The wallabi sighs for the Murrubidgee, 
For the velvety sod of the Munno Parah, 
Where the waters of healing from Muloowurtie 
Flow dim in the gloaming by Yaranyackah; 

The Koppio sorrows for lost Wolloway, 
And sigheth in secret for Murrurundi, 
The Whangeroo wombat lamenteth the day 
That made him an exile from Jerrilderie; 

The Teawamute Tumut from Wirrega's glade, 
The Nangkita swallow, the Wallaroo swan, 
They long for the peace of the Timaru shade 
And thy balmy soft airs, O sweet Mittagong! 

The Kooringa buffalo pants in the sun, 
The Kondoparinga lies gaping for breath, 
The Kongorong Camaum to the shadow has won, 
But the Goomeroo sinks in the slumber of death; 

In the weltering hell of the Moorooroo plain 
The Yatala Wangary withers and dies, 
And the Worrow Wanilla, demented with pain, 
To the Woolgoolga woodlands despairingly flies; 

Sweet Nangwarry's desolate, Coonamble wails, 
And Tungkillo Kuito in sables is drest, 
For the Whangerei winds fall asleep in the sails 
And the Booleroo life-breeze is dead in the west.
Mypongo, Kapunda, O slumber no more Yankalilla, Parawirra, be warned There's death in the air! Killanoola, wherefore Shall the prayer of Penola be scorned? Cootamundra, and Takee, and Wakatipu, Toowoomba, Kaikoura are lost From Onkaparinga to far Oamaru All burn in this hell's holocaust! Paramatta and Binnum are gone to their rest In the vale of Tapanni Taroom, Kawakawa, Deniliquin - all that was best In the earth are but graves and a tomb! Narrandera mourns, Cameron answers not When the roll of the scathless we cry Tongariro, Goondiwindi, Woolundunga, the spot Is mute and forlorn where ye lie.
Written by Michael Ondaatje | Create an image from this poem

To A Sad Daughter

 All night long the hockey pictures
gaze down at you
sleeping in your tracksuit.
Belligerent goalies are your ideal.
Threats of being traded cuts and wounds --all this pleases you.
O my god! you say at breakfast reading the sports page over the Alpen as another player breaks his ankle or assaults the coach.
When I thought of daughters I wasn't expecting this but I like this more.
I like all your faults even your purple moods when you retreat from everyone to sit in bed under a quilt.
And when I say 'like' I mean of course 'love' but that embarrasses you.
You who feel superior to black and white movies (coaxed for hours to see Casablanca) though you were moved by Creature from the Black Lagoon.
One day I'll come swimming beside your ship or someone will and if you hear the siren listen to it.
For if you close your ears only nothing happens.
You will never change.
I don't care if you risk your life to angry goalies creatures with webbed feet.
You can enter their caves and castles their glass laboratories.
Just don't be fooled by anyone but yourself.
This is the first lecture I've given you.
You're 'sweet sixteen' you said.
I'd rather be your closest friend than your father.
I'm not good at advice you know that, but ride the ceremonies until they grow dark.
Sometimes you are so busy discovering your friends I ache with loss --but that is greed.
And sometimes I've gone into my purple world and lost you.
One afternoon I stepped into your room.
You were sitting at the desk where I now write this.
Forsythia outside the window and sun spilled over you like a thick yellow miracle as if another planet was coaxing you out of the house --all those possible worlds!-- and you, meanwhile, busy with mathematics.
I cannot look at forsythia now without loss, or joy for you.
You step delicately into the wild world and your real prize will be the frantic search.
Want everything.
If you break break going out not in.
How you live your life I don't care but I'll sell my arms for you, hold your secrets forever.
If I speak of death which you fear now, greatly, it is without answers.
except that each one we know is in our blood.
Don't recall graves.
Memory is permanent.
Remember the afternoon's yellow suburban annunciation.
Your goalie in his frightening mask dreams perhaps of gentleness.

Book: Shattered Sighs