Written by
Christina Rossetti |
Why does the sea moan evermore?
Shut out from heaven it makes its moan,
It frets against the boundary shore;
All earth's full rivers cannot fill
The sea, that drinking thirsteth still.
Sheer miracles of loveliness
Lie hid in its unlooked-on bed:
Anemones, salt, passionless,
Blow flower-like; just enough alive
To blow and multiply and thrive.
Shells quaint with curve, or spot, or spike,
Encrusted live things argus-eyed,
All fair alike, yet all unlike,
Are born without a pang, and die
Without a pang, and so pass by.
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Written by
Federico García Lorca |
The men kept to themselves:
they were waiting for the swiftness of the last cyclists.
The women kept to themselves:
they were expecting the death of a boy on a Japanese schooner.
They all kept to themselves-
dreaming of the open beaks of dying birds,
the sharp parasol that punctures
a recently flattened toad,
beneath silence with a thousand ears
and tiny mouths of water
in the canyons that resist
the violent attack on the moon.
The boy on the schooner was crying and hearts were breaking
in anguish for the witness and vigilance of all things,
and because of the sky blue ground of black footprints,
obscure names, saliva, and chrome radios were still crying.
It doesn't matter if the boy grows silent when stuck with the last pin,
or if the breeze is defeated in cupped cotton flowers,
because there is a world of death whose perpetual sailors will appear in the arches and
freeze you from behind the trees.
It's useless to look for the bend
where night loses its way
and to wait in ambush for a silence that has no
torn clothes, no shells, and no tears,
because even the tiny banquet of a spider
is enough to upset the entire equilibrium of the sky.
There is no cure for the moaning from a Japanese schooner,
nor for those shadowy people who stumble on the curbs.
The countryside bites its own tail in order to gather a bunch of roots
and a ball of yarn looks anxiously in the grass for unrealized longitude.
The Moon! The police.
The foghorns of the ocean liners!
Facades of urine, of smoke, anemones, rubber gloves.
Everything is shattered in the night
that spread its legs on the terraces.
Everything is shatter in the tepid faucets
of a terrible silent fountain.
Oh, crowds! Loose women! Soldiers!
We will have to journey through the eyes of idiots,
open country where the docile cobras, coiled like wire, hiss,
landscapes full of graves that yield the freshest apples,
so that uncontrollable light will arrive
to frighten the rich behind their magnifying glasses-
the odor of a single corpse from the double source of lily and rat-
and so that fire will consume those crowds still able to piss around a moan
or on the crystals in which each inimitable wave is understood.
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Written by
Federico García Lorca |
The fat lady came out first,
tearing out roots and moistening drumskins.
The fat lady
who turns dying octopuses inside out.
The fat lady, the moon's antagonist,
was running through the streets and deserted buildings
and leaving tiny skulls of pigeons in the corners
and stirring up the furies of the last centuries' feasts
and summoning the demon of bread through the sky's clean-swept hills
and filtering a longing for light into subterranean tunnels.
The graveyards, yes the graveyards
and the sorrow of the kitchens buried in sand,
the dead, pheasants and apples of another era,
pushing it into our throat.
There were murmuring from the jungle of vomit
with the empty women, with hot wax children,
with fermented trees and tireless waiters
who serve platters of salt beneath harps of saliva.
There's no other way, my son, vomit! There's no other way.
It's not the vomit of hussars on the breasts of their whores,
nor the vomit of cats that inadvertently swallowed frogs,
but the dead who scratch with clay hands
on flint gates where clouds and desserts decay.
The fat lady came first
with the crowds from the ships, taverns, and parks.
Vomit was delicately shaking its drums
among a few little girls of blood
who were begging the moon for protection.
Who could imagine my sadness?
The look on my face was mine, but now isn't me,
the naked look on my face, trembling for alcohol
and launching incredible ships
through the anemones of the piers.
I protect myself with this look
that flows from waves where no dawn would go,
I, poet without arms, lost
in the vomiting multitude,
with no effusive horse to shear
the thick moss from my temples.
The fat lady went first
and the crowds kept looking for pharmacies
where the bitter tropics could be found.
Only when a flag went up and the first dogs arrived
did the entire city rush to the railings of the boardwalk.
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Written by
Henry Van Dyke |
I
When tulips bloom in Union Aquare,
And timid breaths of vernal air
Go wandering down the dusty town,
Like children lost in Vanity Fair;
When every long, unlovely row
Of westward houses stands aglow,
And leads the eyes to sunset skies
Beyond the hills where green trees grow;
Then wearly seems the street parade,
And weary books, and weary trade:
I'm only wishing to go a-fishing;
For this the month of May was made.
II
I guess the pussy-willows now
Are creeping out on every bough
Along the brook; and robins look
For early worms behind the plough.
The thistle-birds have changed their dun,
For yellow coats, to match the sun;
And in the same array of flame
The Dandelion Show's begun.
The flocks of young anemones
Are dancing round the budding trees:
Who can help wishing to go a-fishing
In days as full of joy as these?
III
I think the meadow-lark's clear sound
Leaks upward slowly from the ground,
While on the wing the bluebirds ring
Their wedding-bells to woods around.
The flirting chewink calls his dear
Behind the bush; and very near,
Where water flows, where green grass grows,
Song-sparrows gently sing, "Good cheer.
"
And, best of all, through twilight's calm
The hermit-thrush repeats his psalm.
How mush I'm wishing to go a-fishing
In days so sweet with music's balm!
IV
'Tis not a proud desire of mine;
I ask for nothing superfine;
No heavy weight, no salmon great,
To break the record, or my line.
Only an idle little stream,
Whose amber waters softly gleam,
Where I may wade, through woodland shade,
And cast the fly, and loaf, and dream:
Only a trout or two, to dart
>From foaming pools, and try my art:
'Tis all I'm wishing--old-fashioned fishing,
And just a day on Nature's heart.
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Written by
Stanley Kunitz |
Light splashed this morning
on the shell-pink anemones
swaying on their tall stems;
down blue-spiked veronica
light flowed in rivulets
over the humps of the honeybees;
this morning I saw light kiss
the silk of the roses
in their second flowering,
my late bloomers
flushed with their brandy.
A curious gladness shook me.
So I have shut the doors of my house,
so I have trudged downstairs to my cell,
so I am sitting in semi-dark
hunched over my desk
with nothing for a view
to tempt me
but a bloated compost heap,
steamy old stinkpile,
under my window;
and I pick my notebook up
and I start to read aloud
the still-wet words I scribbled
on the blotted page:
"Light splashed .
.
.
"
I can scarcely wait till tomorrow
when a new life begins for me,
as it does each day,
as it does each day.
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Written by
Rudyard Kipling |
They shut the road through the woods
Seventy years ago.
Weather and rain have undone it again,
And now you would never know
There was once a road through the woods
Before they planted the trees.
It is underneath the coppice and heath,
And the thin anemones.
Only the keeper sees
That, where the ring-dove broods,
And the badgers roll at ease,
There was once a road through the woods.
Yet, if you enter the woods
Of a summer evening late,
When the night-air cools on the trout-ringed pools
Where the otter whistles his mate.
(They fear not men in the woods,
Because they see so few)
You will hear the beat of a horse's feet,
And the swish of a skirt in the dew,
Steadily cantering through
The misty solitudes,
As though they perfectly knew
The old lost road through the woods.
.
.
.
But there is no road through the woods.
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Written by
Helen Hunt Jackson |
No days such honored days as these! While yet
Fair Aphrodite reigned, men seeking wide
For some fair thing which should forever bide
On earth, her beauteous memory to set
In fitting frame that no age could forget,
Her name in lovely April's name did hide,
And leave it there, eternally allied
To all the fairest flowers Spring did beget.
And when fair Aphrodite passed from earth,
Her shrines forgotten and her feasts of mirth,
A holier symbol still in seal and sign,
Sweet April took, of kingdom most divine,
When Christ ascended, in the time of birth
Of spring anemones, in Palestine.
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Written by
Emily Dickinson |
If pain for peace prepares
Lo, what "Augustan" years
Our feet await!
If springs from winter rise,
Can the Anemones
Be reckoned up?
If night stands fast -- then noon
To gird us for the sun,
What gaze!
When from a thousand skies
On our developed eyes
Noons blaze!
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Written by
D. H. Lawrence |
At the open door of the room I stand and look at the night,
Hold my hand to catch the raindrops, that slant into sight,
Arriving grey from the darkness above suddenly into the light of the room.
I will escape from the hollow room, the box of light,
And be out in the bewildering darkness, which is always fecund, which might
Mate my hungry soul with a germ of its womb.
I will go out to the night, as a man goes down to the shore
To draw his net through the surf’s thin line, at the dawn before
The sun warms the sea, little, lonely and sad, sifting the sobbing tide.
I will sift the surf that edges the night, with my net, the four
Strands of my eyes and my lips and my hands and my feet, sifting the store
Of flotsam until my soul is tired or satisfied.
I will catch in my eyes’ quick net
The faces of all the women as they go past,
Bend over them with my soul, to cherish the wet
Cheeks and wet hair a moment, saying: “Is it you?”
Looking earnestly under the dark umbrellas, held fast
Against the wind; and if, where the lamplight blew
Its rainy swill about us, she answered me
With a laugh and a merry wildness that it was she
Who was seeking me, and had found me at last to free
Me now from the stunting bonds of my chastity,
How glad I should be!
Moving along in the mysterious ebb of the night
Pass the men whose eyes are shut like anemones in a dark pool;
Why don’t they open with vision and speak to me, what have they in sight?
Why do I wander aimless among them, desirous fool?
I can always linger over the huddled books on the stalls,
Always gladden my amorous fingers with the touch of their leaves,
Always kneel in courtship to the shelves in the doorways, where falls
The shadow, always offer myself to one mistress, who always receives.
But oh, it is not enough, it is all no good.
There is something I want to feel in my running blood,
Something I want to touch; I must hold my face to the rain,
I must hold my face to the wind, and let it explain
Me its life as it hurries in secret.
I will trail my hands again through the drenched, cold leaves
Till my hands are full of the chillness and touch of leaves,
Till at length they induce me to sleep, and to forget.
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Written by
D. H. Lawrence |
Round clouds roll in the arms of the wind,
The round earth rolls in a clasp of blue sky,
And see, where the budding hazels are thinned,
The wild anemones lie
In undulating shivers beneath the wind.
Over the blue of the waters ply
White ducks, a living flotilla of cloud;
And, look you, floating just thereby,
The blue-gleamed drake stems proud
Like Abraham, whose seed should multiply.
In the lustrous gleam of the water, there
Scramble seven toads across the silk, obscure leaves,
Seven toads that meet in the dusk to share
The darkness that interweaves
The sky and earth and water and live things everywhere.
Look now, through the woods where the beech-green spurts
Like a storm of emerald snow, look, see
A great bay stallion dances, skirts
The bushes sumptuously,
Going outward now in the spring to his brief deserts.
Ah love, with your rich, warm face aglow,
What sudden expectation opens you
So wide as you watch the catkins blow
Their dust from the birch on the blue
Lift of the pulsing wind—ah, tell me you know!
Ah, surely! Ah, sure from the golden sun
A quickening, masculine gleam floats in to all
Us creatures, people and flowers undone,
Lying open under his thrall,
As he begets the year in us.
What, then, would you shun?
Why, I should think that from the earth there fly
Fine thrills to the neighbour stars, fine yellow beams
Thrown lustily off from our full-blown, high
Bursting globe of dreams,
To quicken the spheres that are virgin still in the sky.
Do you not hear each morsel thrill
With joy at travelling to plant itself within
The expectant one, therein to instil
New rapture, new shape to win,
From the thick of life wake up another will?
Surely, and if that I would spill
The vivid, ah, the fiery surplus of life,
From off my brimming measure, to fill
You, and flush you rife
With increase, do you call it evil, and always evil?
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