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Best Famous Anathema Poems

Here is a collection of the all-time best famous Anathema poems. This is a select list of the best famous Anathema poetry. Reading, writing, and enjoying famous Anathema poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of anathema poems.

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Written by Carl Sandburg | Create an image from this poem

The Four Brothers

 MAKE war songs out of these;
Make chants that repeat and weave.
Make rhythms up to the ragtime chatter of the machine guns; Make slow-booming psalms up to the boom of the big guns.
Make a marching song of swinging arms and swinging legs, Going along, Going along, On the roads from San Antonio to Athens, from Seattle to Bagdad— The boys and men in winding lines of khaki, the circling squares of bayonet points.
Cowpunchers, cornhuskers, shopmen, ready in khaki; Ballplayers, lumberjacks, ironworkers, ready in khaki; A million, ten million, singing, “I am ready.
” This the sun looks on between two seaboards, In the land of Lincoln, in the land of Grant and Lee.
I heard one say, “I am ready to be killed.
” I heard another say, “I am ready to be killed.
” O sunburned clear-eyed boys! I stand on sidewalks and you go by with drums and guns and bugles, You—and the flag! And my heart tightens, a fist of something feels my throat When you go by, You on the kaiser hunt, you and your faces saying, “I am ready to be killed.
” They are hunting death, Death for the one-armed mastoid kaiser.
They are after a Hohenzollern head: There is no man-hunt of men remembered like this.
The four big brothers are out to kill.
France, Russia, Britain, America— The four republics are sworn brothers to kill the kaiser.
Yes, this is the great man-hunt; And the sun has never seen till now Such a line of toothed and tusked man-killers, In the blue of the upper sky, In the green of the undersea, In the red of winter dawns.
Eating to kill, Sleeping to kill, Asked by their mothers to kill, Wished by four-fifths of the world to kill— To cut the kaiser’s throat, To hack the kaiser’s head, To hang the kaiser on a high-horizon gibbet.
And is it nothing else than this? Three times ten million men thirsting the blood Of a half-cracked one-armed child of the German kings? Three times ten million men asking the blood Of a child born with his head wrong-shaped, The blood of rotted kings in his veins? If this were all, O God, I would go to the far timbers And look on the gray wolves Tearing the throats of moose: I would ask a wilder drunk of blood.
Look! It is four brothers in joined hands together.
The people of bleeding France, The people of bleeding Russia, The people of Britain, the people of America— These are the four brothers, these are the four republics.
At first I said it in anger as one who clenches his fist in wrath to fling his knuckles into the face of some one taunting; Now I say it calmly as one who has thought it over and over again at night, among the mountains, by the seacombers in storm.
I say now, by God, only fighters to-day will save the world, nothing but fighters will keep alive the names of those who left red prints of bleeding feet at Valley Forge in Christmas snow.
On the cross of Jesus, the sword of Napoleon, the skull of Shakespeare, the pen of Tom Jefferson, the ashes of Abraham Lincoln, or any sign of the red and running life poured out by the mothers of the world, By the God of morning glories climbing blue the doors of quiet homes, by the God of tall hollyhocks laughing glad to children in peaceful valleys, by the God of new mothers wishing peace to sit at windows nursing babies, I swear only reckless men, ready to throw away their lives by hunger, deprivation, desperate clinging to a single purpose imperturbable and undaunted, men with the primitive guts of rebellion, Only fighters gaunt with the red brand of labor’s sorrow on their brows and labor’s terrible pride in their blood, men with souls asking danger—only these will save and keep the four big brothers.
Good-night is the word, good-night to the kings, to the czars, Good-night to the kaiser.
The breakdown and the fade-away begins.
The shadow of a great broom, ready to sweep out the trash, is here.
One finger is raised that counts the czar, The ghost who beckoned men who come no more— The czar gone to the winds on God’s great dustpan, The czar a pinch of nothing, The last of the gibbering Romanoffs.
Out and good-night— The ghosts of the summer palaces And the ghosts of the winter palaces! Out and out, good-night to the kings, the czars, the kaisers.
Another finger will speak, And the kaiser, the ghost who gestures a hundred million sleeping-waking ghosts, The kaiser will go onto God’s great dustpan— The last of the gibbering Hohenzollerns.
Look! God pities this trash, God waits with a broom and a dustpan, God knows a finger will speak and count them out.
It is written in the stars; It is spoken on the walls; It clicks in the fire-white zigzag of the Atlantic wireless; It mutters in the bastions of thousand-mile continents; It sings in a whistle on the midnight winds from Walla Walla to Mesopotamia: Out and good-night.
The millions slow in khaki, The millions learning Turkey in the Straw and John Brown’s Body, The millions remembering windrows of dead at Gettysburg, Chickamauga, and Spottsylvania Court House, The millions dreaming of the morning star of Appomattox, The millions easy and calm with guns and steel, planes and prows: There is a hammering, drumming hell to come.
The killing gangs are on the way.
God takes one year for a job.
God takes ten years or a million.
God knows when a doom is written.
God knows this job will be done and the words spoken: Out and good-night.
The red tubes will run, And the great price be paid, And the homes empty, And the wives wishing, And the mothers wishing.
There is only one way now, only the way of the red tubes and the great price.
Well… Maybe the morning sun is a five-cent yellow balloon, And the evening stars the joke of a God gone crazy.
Maybe the mothers of the world, And the life that pours from their torsal folds— Maybe it’s all a lie sworn by liars, And a God with a cackling laughter says: “I, the Almighty God, I have made all this, I have made it for kaisers, czars, and kings.
” Three times ten million men say: No.
Three times ten million men say: God is a God of the People.
And the God who made the world And fixed the morning sun, And flung the evening stars, And shaped the baby hands of life, This is the God of the Four Brothers; This is the God of bleeding France and bleeding Russia; This is the God of the people of Britain and America.
The graves from the Irish Sea to the Caucasus peaks are ten times a million.
The stubs and stumps of arms and legs, the eyesockets empty, the cripples, ten times a million.
The crimson thumb-print of this anathema is on the door panels of a hundred million homes.
Cows gone, mothers on sick-beds, children cry a hunger and no milk comes in the noon-time or at night.
The death-yells of it all, the torn throats of men in ditches calling for water, the shadows and the hacking lungs in dugouts, the steel paws that clutch and squeeze a scarlet drain day by day—the storm of it is hell.
But look! child! the storm is blowing for a clean air.
Look! the four brothers march And hurl their big shoulders And swear the job shall be done.
Out of the wild finger-writing north and south, east and west, over the blood-crossed, blood-dusty ball of earth, Out of it all a God who knows is sweeping clean, Out of it all a God who sees and pierces through, is breaking and cleaning out an old thousand years, is making ready for a new thousand years.
The four brothers shall be five and more.
Under the chimneys of the winter time the children of the world shall sing new songs.
Among the rocking restless cradles the mothers of the world shall sing new sleepy-time songs.


Written by Henry Wadsworth Longfellow | Create an image from this poem

The Jewish Cemetery at Newport

 How strange it seems! These Hebrews in their graves,
Close by the street of this fair seaport town,
Silent beside the never-silent waves,
At rest in all this moving up and down!

The trees are white with dust, that o'er their sleep
Wave their broad curtains in the southwind's breath,
While underneath these leafy tents they keep
The long, mysterious Exodus of Death.
And these sepulchral stones, so old and brown, That pave with level flags their burial-place, Seem like the tablets of the Law, thrown down And broken by Moses at the mountain's base.
The very names recorded here are strange, Of foreign accent, and of different climes; Alvares and Rivera interchange With Abraham and Jacob of old times.
"Blessed be God! for he created Death!" The mourner said, "and Death is rest and peace!" Then added, in the certainty of faith, "And giveth Life that nevermore shall cease.
" Closed are the portals of their Synagogue, No Psalms of David now the silence break, No Rabbi reads the ancient Decalogue In the grand dialect the Prophets spake.
Gone are the living, but the dead remain, And not neglected; for a hand unseen, Scattering its bounty, like a summer rain, Still keeps their graves and their remembrance green.
How came they here? What burst of Christian hate, What persecution, merciless and blind, Drove o'er the sea -that desert desolate - These Ishmaels and Hagars of mankind? They lived in narrow streets and lanes obscure, Ghetto and Judenstrass, in mirk and mire; Taught in the school of patience to endure The life of anguish and the death of fire.
All their lives long, with the unleavened bread And bitter herbs of exile and its fears, The wasting famine of the heart they fed, And slaked its thirst with marah of their tears.
Anathema maranatha! was the cry That rang from town to town, from street to street: At every gate the accursed Mordecai Was mocked and jeered, and spurned by Christian feet.
Pride and humiliation hand in hand Walked with them through the world where'er they went; Trampled and beaten were they as the sand, And yet unshaken as the continent.
For in the background figures vague and vast Of patriarchs and of prophets rose sublime, And all the great traditions of the Past They saw reflected in the coming time.
And thus forever with reverted look The mystic volume of the world they read, Spelling it backward, like a Hebrew book, Till life became a Legend of the Dead.
But ah! what once has been shall be no more! The groaning earth in travail and in pain Brings forth its races, but does not restore, And the dead nations never rise again.
Written by T Wignesan | Create an image from this poem

The Snake Charmer and the Hamadryad

For J.
C.
Alldridge Piccolo and been-throated pibroch Dilating dimpled hood Spreading photometric darkroom eyes Waxing waxing matching Venomous lip to music's piping lip O Queen of stung dragon mouthed Po Dancing girl of nuanceless ancient reliefs The apotheosis Brahman curling on the neck Must you now sink sink Dread watched Spineless Into the winding womb wickerwork Watching watching pipe-eyed watching Until you slip Over the sill of the pipe and the lip Anathema! Amorphous piteous anathema! Amulet of Siva! Licking the boneless air companionless Then slithering to lie on the trodden path Must you have this one last lick A lick that Stills the Unheeding Child astray Or ripple tailless In the reedy gust To the squat charmer's Hypnotical pibroch
Written by Carl Sandburg | Create an image from this poem

Whiffletree

 GIVE me your anathema.
Speak new damnations on my head.
The evening mist in the hills is soft.
The boulders on the road say communion.
The farm dogs look out of their eyes and keep thoughts from the corn cribs.
Dirt of the reeling earth holds horseshoes.
The rings in the whiffletree count their secrets.
Come on, you.

Book: Shattered Sighs