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Best Famous Amethyst Poems

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Written by Sarojini Naidu | Create an image from this poem

Life

 CHILDREN, ye have not lived, to you it seems 
Life is a lovely stalactite of dreams, 
Or carnival of careless joys that leap 
About your hearts like billows on the deep 
In flames of amber and of amethyst.
Children, ye have not lived, ye but exist Till some resistless hour shall rise and move Your hearts to wake and hunger after love, And thirst with passionate longing for the things That burn your brows with blood-red sufferings.
Till ye have battled with great grief and fears, And borne the conflict of dream-shattering years, Wounded with fierce desire and worn with strife, Children, ye have not lived: for this is life.


Written by Duncan Campbell Scott | Create an image from this poem

The Harvest

 Sun on the mountain,
Shade in the valley,
Ripple and lightness
Leaping along the world,
Sun, like a gold sword
Plucked from the scabbard,
Striking the wheat-fields,
Splendid and lusty,
Close-standing, full-headed,
Toppling with plenty;
Shade, like a buckler
Kindly and ample,
Sweeping the wheat-fields
Darkening and tossing;
There on the world-rim
Winds break and gather
Heaping the mist
For the pyre of the sunset;
And still as a shadow,
In the dim westward,
A cloud sloop of amethyst
Moored to the world
With cables of rain.
Acres of gold wheat Stir in the sunshine, Rounding the hill-top, Crested with plenty, Filling the valley, Brimmed with abundance, Wind in the wheat-field Eddying and settling, Swaying it, sweeping it, Lifting the rich heads, Tossing them soothingly Twinkle and shimmer The lights and the shadowings, Nimble as moonlight Astir in the mere.
Laden with odors Of peace and of plenty, Soft comes the wind From the ranks of the wheat-field, Bearing a promise Of harvest and sickle-time, Opulent threshing-floors Dusty and dim With the whirl of the flail, And wagons of bread, Sown-laden and lumbering Through the gateways of cities.
When will the reapers Strike in their sickles, Bending and grasping, Shearing and spreading; When will the gleaners Searching the stubble Take the last wheat-heads Home in their arms ? Ask not the question! - Something tremendous Moves to the answer.
Hunger and poverty Heaped like the ocean Welters and mutters, Hold back the sickles! Millions of children Born to their mothers' womb, Starved at the nipple, cry,-- Ours is the harvest! Millions of women Learned in the tragical Secrets of poverty, Sweated and beaten, cry,-- Hold back the sickles! Millions of men With a vestige of manhood, Wild-eyed and gaunt-throated, Shout with a leonine Accent of anger, Leaves us the wheat-fields! When will the reapers Strike in their sickles? Ask not the question; Something tremendous Moves to the answer.
Long have they sharpened Their fiery, impetuous Sickles of carnage, Welded them aeons Ago in the mountains Of suffering and anguish; Hearts were their hammers Blood was their fire, Sorrow their anvil, (Trusty the sickle Tempered with tears;) Time they had plenty- Harvests and harvests Passed them in agony, Only a half-filled Ear for their lot; Man that has taken God for a master Made him a law, Mocked him and cursed him, Set up this hunger, Called it necessity, Put in the blameless mouth Juda's language: The poor ye have with you Always, unending.
But up from the impotent Anguish of children, Up from the labor Fruitless, unmeaning, Of millions of mothers, Hugely necessitous, Grew by a just law Stern and implacable, Art born of poverty, The making of sickles Meet for the harvest.
And now to the wheat-fields Come the weird reapers Armed with their sickles, Whipping them keenly In the fresh-air fields, Wild with the joy of them, Finding them trusty, Hilted with teen.
Swarming like ants, The Idea for captain, No banners, no bugles, Only a terrible Ground-bass of gathering Tempest and fury, Only a tossing Of arms and of garments; Sexless and featureless, (Only the children Different among them, Crawling between their feet, Borne on their shoulders;) Rolling their shaggy heads Wild with the unheard-of Drug of the sunshine; Tears that had eaten The half of their eyelids Dry on their cheeks; Blood in their stiffened hair Clouted and darkened; Down in their cavern hearts Hunger the tiger, Leaping, exulting; Sighs that had choked them Burst into triumphing; On they come, Victory! Up to the wheat-fields, Dreamed of in visions Bred by the hunger, Seen for the first time Splendid and golden; On they come fluctuant, Seething and breaking, Weltering like fire In the pit of the earthquake, Bursting in heaps With the sudden intractable Lust of the hunger: Then when they see them- The miles of the harvest White in the sunshine, Rushing and stumbling, With the mighty and clamorous Cry of a people Starved from creation, Hurl themselves onward, Deep in the wheat-fields, Weeping like children, After ages and ages, Back at the mother the earth.
Night in the valley, Gloom on the mountain, Wind in the wheat, Far to the southward The flutter of lightning, The shudder of thunder; But high at the zenith, A cluster of stars Glimmers and throbs In the gasp of the midnight, Steady and absolute, Ancient and sure
Written by Aleister Crowley | Create an image from this poem

The Wizard Way

 [Dedicated to General J.
C.
F.
Fuller] Velvet soft the night-star glowed Over the untrodden road, Through the giant glades of yew Where its ray fell light as dew Lighting up the shimmering veil Maiden pure and aery frail That the spiders wove to hide Blushes of the sylvan bride Earth, that trembled with delight At the male caress of Night.
Velvet soft the wizard trod To the Sabbath of his God.
With his naked feet he made Starry blossoms in the glade, Softly, softly, as he went To the sombre sacrament, Stealthy stepping to the tryst In his gown of amethyst.
Earlier yet his soul had come To the Hill of Martyrdom, Where the charred and crooked stake Like a black envenomed snake By the hangman's hands is thrust Through the wet and writhing dust, Never black and never dried Heart's blood of a suicide.
He had plucked the hazel rod From the rude and goatish god, Even as the curved moon's waning ray Stolen from the King of Day.
He had learnt the elvish sign; Given the Token of the Nine: Once to rave, and once to revel, Once to bow before the devil, Once to swing the thurible, Once to kiss the goat of hell, Once to dance the aspen spring, Once to croak, and once to sing, Once to oil the savoury thighs Of the witch with sea-green eyes With the unguents magical.
Oh the honey and the gall Of that black enchanter's lips As he croons to the eclipse Mingling that most puissant spell Of the giant gods of hell With the four ingredients Of the evil elements; Ambergris from golden spar, Musk of ox from Mongol jar, Civet from a box of jade, Mixed with fat of many a maid Slain by the inchauntments cold Of the witches wild and old.
He had crucified a toad In the basilisk abode, Muttering the Runes averse Mad with many a mocking curse.
He had traced the serpent sigil In his ghastly virgin vigil.
Sursum cor! the elfin hill, Where the wind blows deadly chill From the world that wails beneath Death's black throat and lipless teeth.
There he had stood - his bosom bare - Tracing Life upon the Air With the crook and with the flail Lashing forward on the gale, Till its blade that wavereth Like the flickering of Death Sank before his subtle fence To the starless sea of sense.
Now at last the man is come Haply to his halidom.
Surely as he waves his rod In a circle on the sod Springs the emerald chaste and clean From the duller paler green.
Surely in the circle millions Of immaculate pavilions Flash upon the trembling turf Like the sea-stars in the surf - Millions of bejewelled tents For the warrior sacraments.
Vaster, vaster, vaster, vaster, Grows the stature of the master; All the ringed encampment vies With the infinite galaxies.
In the midst a cubic stone With the Devil set thereon; Hath a lamb's virginal throat; Hath the body of a stoat; Hath the buttocks of a goat; Hath the sanguine face and rod Of a goddess and a god! Spell by spell and pace by pace! Mystic flashes swing and trace Velvet soft the sigils stepped By the silver-starred adept.
Back and front, and to and fro, Soul and body sway and flow In vertiginous caresses To imponderable recesses, Till at last the spell is woven, And the faery veil is cloven That was Sequence, Space, and Stress Of the soul-sick consciousness.
"Give thy body to the beasts! Give thy spirit to the priests! Break in twain the hazel rod On the virgin lips of God! Tear the Rosy Cross asunder! Shatter the black bolt of thunder! Suck the swart ensanguine kiss Of the resolute abyss!" Wonder-weft the wizard heard This intolerable word.
Smote the blasting hazel rod On the scarlet lips of God; Trampled Cross and rosy core; Brake the thunder-tool of Thor; Meek and holy acolyte Of the priestly hells of spite, Sleek and shameless catamite Of the beasts that prowl the night! Like a star that streams from heaven Through the virgin airs light-riven, From the lift there shot and fell An admirable miracle.
Carved minute and clean, a key Of purest lapis-lazuli More blue than the blind sky that aches (Wreathed with the stars, her torturing snakes), For the dead god's kiss that never wakes; Shot with golden specks of fire Like a virgin with desire.
Look, the levers! fern-frail fronds Of fantastic diamonds, Glimmering with ethereal azure In each exquisite embrasure.
On the shaft the letters laced, As if dryads lunar-chaste With the satyrs were embraced, Spelled the secret of the key: Sic pervenias.
And he Went his wizard way, inweaving Dreams of things beyond believing.
When he will, the weary world Of the senses closely curled Like a serpent round his heart Shakes herself and stands apart.
So the heart's blood flames, expanding, Strenuous, urgent, and commanding; And the key unlocks the door Where his love lives evermore.
She is of the faery blood; All smaragdine flows its flood.
Glowing in the amber sky To ensorcelled porphyry She hath eyes of glittering flake Like a cold grey water-snake.
She hath naked breasts of amber Jetting wine in her bed-chamber, Whereof whoso stoops and drinks Rees the riddle of the Sphinx.
She hath naked limbs of amber Whereupon her children clamber.
She hath five navels rosy-red From the five wounds of God that bled; Each wound that mothered her still bleeding, And on that blood her babes are feeding.
Oh! like a rose-winged pelican She hath bred blessed babes to Pan! Oh! like a lion-hued nightingale She hath torn her breast on thorns to avail The barren rose-tree to renew Her life with that disastrous dew, Building the rose o' the world alight With music out of the pale moonlight! O She is like the river of blood That broke from the lips of the bastard god, When he saw the sacred mother smile On the ibis that flew up the foam of Nile Bearing the limbs unblessed, unborn, That the lurking beast of Nile had torn! So (for the world is weary) I These dreadful souls of sense lay by.
I sacrifice these impure shoon To the cold ray of the waning moon.
I take the forked hazel staff, And the rose of no terrene graff, And the lamp of no olive oil With heart's blood that alone may boil.
With naked breast and feet unshod I follow the wizard way to God.
Wherever he leads my foot shall follow; Over the height, into the hollow, Up to the caves of pure cold breath, Down to the deeps of foul hot death, Across the seas, through the fires, Past the palace of desires; Where he will, whether he will or no, If I go, I care not whither I go.
For in me is the taint of the faery blood.
Fast, fast its emerald flood Leaps within me, violent rude Like a bestial faun's beatitude.
In me the faery blood runs hard: My sires were a druid, a devil, a bard, A beast, a wizard, a snake and a satyr; For - as my mother said - what does it matter? She was a fay, pure of the faery; Queen Morgan's daughter by an aery Demon that came to Orkney once To pay the Beetle his orisons.
So, it is I that writhe with the twitch Of the faery blood, and the wizard itch To attain a matter one may not utter Rather than sink in the greasy splutter Of Britons munching their bread and butter; Ailing boys and coarse-grained girls Grown to sloppy women and brutal churls.
So, I am off with staff in hand To the endless light of the nameless land.
Darkness spreads its sombre streams, Blotting out the elfin dreams.
I might haply be afraid, Were it not the Feather-maid Leads me softly by the hand, Whispers me to understand.
Now (when through the world of weeping Light at last starrily creeping Steals upon my babe-new sight, Light - O light that is not light!) On my mouth the lips of her Like a stone on my sepulchre Seal my speech with ecstasy, Till a babe is born of me That is silent more than I; For its inarticulate cry Hushes as its mouth is pressed To the pearl, her honey breast; While its breath divinely ripples The rose-petals of her nipples, And the jetted milk he laps From the soft delicious paps, Sweeter than the bee-sweet showers In the chalice of the flowers, More intoxicating than All the purple grapes of Pan.
Ah! my proper lips are stilled.
Only, all the world is filled With the Echo, that drips over Like the honey from the clover.
Passion, penitence, and pain Seek their mother's womb again, And are born the triple treasure, Peace and purity and pleasure.
- Hush, my child, and come aloft Where the stars are velvet soft!
Written by Amy Clampitt | Create an image from this poem

Beach Glass

 While you walk the water's edge,
turning over concepts
I can't envision, the honking buoy
serves notice that at any time
the wind may change,
the reef-bell clatters
its treble monotone, deaf as Cassandra
to any note but warning.
The ocean, cumbered by no business more urgent than keeping open old accounts that never balanced, goes on shuffling its millenniums of quartz, granite, and basalt.
It behaves toward the permutations of novelty— driftwood and shipwreck, last night's beer cans, spilt oil, the coughed-up residue of plastic—with random impartiality, playing catch or tag ot touch-last like a terrier, turning the same thing over and over, over and over.
For the ocean, nothing is beneath consideration.
The houses of so many mussels and periwinkles have been abandoned here, it's hopeless to know which to salvage.
Instead I keep a lookout for beach glass— amber of Budweiser, chrysoprase of Almadén and Gallo, lapis by way of (no getting around it, I'm afraid) Phillips' Milk of Magnesia, with now and then a rare translucent turquoise or blurred amethyst of no known origin.
The process goes on forever: they came from sand, they go back to gravel, along with treasuries of Murano, the buttressed astonishments of Chartres, which even now are readying for being turned over and over as gravely and gradually as an intellect engaged in the hazardous redefinition of structures no one has yet looked at.
Written by D. H. Lawrence | Create an image from this poem

Snap-Dragon

 She bade me follow to her garden where 
The mellow sunlight stood as in a cup 
Between the old grey walls; I did not dare 
To raise my face, I did not dare look up 
Lest her bright eyes like sparrows should fly in 
My windows of discovery and shrill 'Sin!' 

So with a downcast mien and laughing voice 
I followed, followed the swing of her white dress 
That rocked in a lilt along: I watched the poise 
Of her feet as they flew for a space, then paused to press 
The grass deep down with the royal burden of her: 
And gladly I'd offered my breast to the tread of her.
'I like to see,' she said, and she crouched her down, She sunk into my sight like a settling bird; And her bosom crouched in the confines of her gown Like heavy birds at rest there, softly stirred By her measured breaths: 'I like to see,' said she, 'The snap-dragon put out his tongue at me.
' She laughed, she reached her hand out to the flower Closing its crimson throat: my own throat in her power Strangled, my heart swelled up so full As if it would burst its wineskin in my throat, Choke me in my own crimson; I watched her pull The gorge of the gaping flower, till the blood did float Over my eyes and I was blind -- Her large brown hand stretched over The windows of my mind, And in the dark I did discover Things I was out to find: My grail, a brown bowl twined With swollen veins that met in the wrist, Under whose brown the amethyst I longed to taste: and I longed to turn My heart's red measure in her cup, I longed to feel my hot blood burn With the lambent amethyst in her cup.
Then suddenly she looked up And I was blind in a tawny-gold day Till she took her eyes away.


Written by Amy Lowell | Create an image from this poem

An Aquarium

 Streaks of green and yellow iridescence,
Silver shiftings,
Rings veering out of rings,
Silver -- gold --
Grey-green opaqueness sliding down,
With sharp white bubbles
Shooting and dancing,
Flinging quickly outward.
Nosing the bubbles, Swallowing them, Fish.
Blue shadows against silver-saffron water, The light rippling over them In steel-bright tremors.
Outspread translucent fins Flute, fold, and relapse; The threaded light prints through them on the pebbles In scarcely tarnished twinklings.
Curving of spotted spines, Slow up-shifts, Lazy convolutions: Then a sudden swift straightening And darting below: Oblique grey shadows Athwart a pale casement.
Roped and curled, Green man-eating eels Slumber in undulate rhythms, With crests laid horizontal on their backs.
Barred fish, Striped fish, Uneven disks of fish, Slip, slide, whirl, turn, And never touch.
Metallic blue fish, With fins wide and yellow and swaying Like Oriental fans, Hold the sun in their bellies And glow with light: Blue brilliance cut by black bars.
An oblong pane of straw-coloured shimmer, Across it, in a tangent, A smear of rose, black, silver.
Short twists and upstartings, Rose-black, in a setting of bubbles: Sunshine playing between red and black flowers On a blue and gold lawn.
Shadows and polished surfaces, Facets of mauve and purple, A constant modulation of values.
Shaft-shaped, With green bead eyes; Thick-nosed, Heliotrope-coloured; Swift spots of chrysolite and coral; In the midst of green, pearl, amethyst irradiations.
Outside, A willow-tree flickers With little white jerks, And long blue waves Rise steadily beyond the outer islands.
Written by Percy Bysshe Shelley | Create an image from this poem

Written among the Euganean Hills North Italy

MANY a green isle needs must be 
In the deep wide sea of Misery, 
Or the mariner, worn and wan, 
Never thus could voyage on 
Day and night, and night and day, 5 
Drifting on his dreary way, 
With the solid darkness black 
Closing round his vessel's track; 
Whilst above, the sunless sky 
Big with clouds, hangs heavily, 10 
And behind the tempest fleet 
Hurries on with lightning feet, 
Riving sail, and cord, and plank, 
Till the ship has almost drank 
Death from the o'er-brimming deep, 15 
And sinks down, down, like that sleep 
When the dreamer seems to be 
Weltering through eternity; 
And the dim low line before 
Of a dark and distant shore 20 
Still recedes, as ever still 
Longing with divided will, 
But no power to seek or shun, 
He is ever drifted on 
O'er the unreposing wave, 25 
To the haven of the grave.
Ay, many flowering islands lie In the waters of wide Agony: To such a one this morn was led My bark, by soft winds piloted.
30 ¡ª'Mid the mountains Euganean I stood listening to the p?an With which the legion'd rooks did hail The Sun's uprise majestical: Gathering round with wings all hoar, 35 Through the dewy mist they soar Like gray shades, till the eastern heaven Bursts; and then¡ªas clouds of even Fleck'd with fire and azure, lie In the unfathomable sky¡ª 40 So their plumes of purple grain Starr'd with drops of golden rain Gleam above the sunlight woods, As in silent multitudes On the morning's fitful gale 45 Through the broken mist they sail; And the vapours cloven and gleaming Follow down the dark steep streaming, Till all is bright, and clear, and still Round the solitary hill.
50 Beneath is spread like a green sea The waveless plain of Lombardy, Bounded by the vaporous air, Islanded by cities fair; Underneath day's azure eyes, 55 Ocean's nursling, Venice lies,¡ª A peopled labyrinth of walls, Amphitrite's destined halls, Which her hoary sire now paves With his blue and beaming waves.
60 Lo! the sun upsprings behind, Broad, red, radiant, half-reclined On the level quivering line Of the waters crystalline; And before that chasm of light, 65 As within a furnace bright, Column, tower, and dome, and spire, Shine like obelisks of fire, Pointing with inconstant motion From the altar of dark ocean 70 To the sapphire-tinted skies; As the flames of sacrifice From the marble shrines did rise As to pierce the dome of gold Where Apollo spoke of old.
75 Sun-girt City! thou hast been Ocean's child, and then his queen; Now is come a darker day, And thou soon must be his prey, If the power that raised thee here 80 Hallow so thy watery bier.
A less drear ruin then than now, With thy conquest-branded brow Stooping to the slave of slaves From thy throne among the waves 85 Wilt thou be¡ªwhen the sea-mew Flies, as once before it flew, O'er thine isles depopulate, And all is in its ancient state, Save where many a palace-gate 90 With green sea-flowers overgrown, Like a rock of ocean's own, Topples o'er the abandon'd sea As the tides change sullenly.
The fisher on his watery way, 95 Wandering at the close of day, Will spread his sail and seize his oar Till he pass the gloomy shore, Lest thy dead should, from their sleep, Bursting o'er the starlight deep, 100 Lead a rapid masque of death O'er the waters of his path.
Noon descends around me now: 'Tis the noon of autumn's glow, When a soft and purple mist 105 Like a vaporous amethyst, Or an air-dissolv¨¨d star Mingling light and fragrance, far From the curved horizon's bound To the point of heaven's profound, 110 Fills the overflowing sky, And the plains that silent lie Underneath; the leaves unsodden Where the infant Frost has trodden With his morning-wing¨¨d feet 115 Whose bright print is gleaming yet; And the red and golden vines Piercing with their trellised lines The rough, dark-skirted wilderness; The dun and bladed grass no less, 120 Pointing from this hoary tower In the windless air; the flower Glimmering at my feet; the line Of the olive-sandall'd Apennine In the south dimly islanded; 125 And the Alps, whose snows are spread High between the clouds and sun; And of living things each one; And my spirit, which so long Darken'd this swift stream of song,¡ª 130 Interpenetrated lie By the glory of the sky; Be it love, light, harmony, Odour, or the soul of all Which from heaven like dew doth fall, 135 Or the mind which feeds this verse, Peopling the lone universe.
Noon descends, and after noon Autumn's evening meets me soon, Leading the infantine moon 140 And that one star, which to her Almost seems to minister Half the crimson light she brings From the sunset's radiant springs: And the soft dreams of the morn 145 (Which like wing¨¨d winds had borne To that silent isle, which lies 'Mid remember'd agonies, The frail bark of this lone being), Pass, to other sufferers fleeing, 150 And its ancient pilot, Pain, Sits beside the helm again.
Other flowering isles must be In the sea of Life and Agony: Other spirits float and flee 155 O'er that gulf: ev'n now, perhaps, On some rock the wild wave wraps, With folding wings they waiting sit For my bark, to pilot it To some calm and blooming cove, 160 Where for me, and those I love, May a windless bower be built, Far from passion, pain, and guilt, In a dell 'mid lawny hills Which the wild sea-murmur fills, 165 And soft sunshine, and the sound Of old forests echoing round, And the light and smell divine Of all flowers that breathe and shine.
¡ªWe may live so happy there, 170 That the Spirits of the Air Envying us, may ev'n entice To our healing paradise The polluting multitude: But their rage would be subdued 175 By that clime divine and calm, And the winds whose wings rain balm On the uplifted soul, and leaves Under which the bright sea heaves; While each breathless interval 180 In their whisperings musical The inspir¨¨d soul supplies With its own deep melodies; And the Love which heals all strife Circling, like the breath of life, 185 All things in that sweet abode With its own mild brotherhood:¡ª They, not it, would change; and soon Every sprite beneath the moon Would repent its envy vain, 190 And the Earth grow young again!
Written by Obi Nwakanma | Create an image from this poem

The Horsemen

for Christopher Okigbo 
Emrnanuel Ifeajuna & 
Chukwuma Nzeogwu

I

It was a room above the alcove
in a city renewed by junipers

And by desires.
.
.
Stripped of words, the moments recalled; where the tower, lo, was in sight: memories undaunted by sound or flames of the amethyst, spoke to me; spoke to me like the preacher from… I recall this moment staggering through the wind, when its breath hissed at the earth; as we leaned out of the window in that moment when the first light streaked, joyous, out of the unalterable street.
.
.
Then, tuned to the immanent choir of the grassland, untangling from the sea - Then, stripped to the last detail, from her sinewed skin, disheveled in the light, one aria from the immaculate concertina - before her rebirth a tongue licked through the core of my soul ii Strange men in dark garments riding in slow, weary steps, paces of a far and distant journey - in measured gestures The clatter of hooves on the stone of the street; wakened from the depths of their tombs, long dead ghosts, memories of a carnage - There was fear bred in that silence, nothing triumphant in their last march nothing triumphant where once a plot is weaved, a rider rides into anonymity: what is it that they seek - These silent riders? Glory? Memory? What is it that they want among those who have fallen from their swords? Piety? Ablution? Anonymity? It is not enough to bury the sword in the fold of the embrace; nor is it wise, even prudent, to seek meaning in past deeds when those deeds are immortal, or of an impure genealogy - What do they seek in the bowel of the tide; in that place, where Onishe, spirit-mother, swallowed the ravishers of her children? Graves? Graves in the tide? iii Theirs are troubled gestures full of potent wishes.
…are those wishes - for as they came, those riders, each hoof in the ascent; each eye veiled by remorse, or anger or a forlorn thought - for as they came, weighed down by ancient baggage, a skin of water, a measure of wheat, some penicillin, in case of epidemic a stretcher to fetch the dead; an hourglass, and then the gloved idol, the one that ordered the massacre - who rode ahead of the light; muttered a command: 'halt!'.
From The Horsemen and Other Poems
Written by Matthew Arnold | Create an image from this poem

The Strayed Reveller

 1 Faster, faster, 
2 O Circe, Goddess,
3 Let the wild, thronging train 
4 The bright procession 
5 Of eddying forms, 
6 Sweep through my soul! 

7 Thou standest, smiling
8 Down on me! thy right arm,
9 Lean'd up against the column there,
10 Props thy soft cheek;
11 Thy left holds, hanging loosely,
12 The deep cup, ivy-cinctured,
13 I held but now.
14 Is it, then, evening 15 So soon? I see, the night-dews, 16 Cluster'd in thick beads, dim 17 The agate brooch-stones 18 On thy white shoulder; 19 The cool night-wind, too, 20 Blows through the portico, 21 Stirs thy hair, Goddess, 22 Waves thy white robe! Circe.
23 Whence art thou, sleeper? The Youth.
24 When the white dawn first 25 Through the rough fir-planks 26 Of my hut, by the chestnuts, 27 Up at the valley-head, 28 Came breaking, Goddess! 29 I sprang up, I threw round me 30 My dappled fawn-skin; 31 Passing out, from the wet turf, 32 Where they lay, by the hut door, 33 I snatch'd up my vine-crown, my fir-staff, 34 All drench'd in dew- 35 Came swift down to join 36 The rout early gather'd 37 In the town, round the temple, 38 Iacchus' white fane 39 On yonder hill.
40 Quick I pass'd, following 41 The wood-cutters' cart-track 42 Down the dark valley;-I saw 43 On my left, through the beeches, 44 Thy palace, Goddess, 45 Smokeless, empty! 46 Trembling, I enter'd; beheld 47 The court all silent, 48 The lions sleeping, 49 On the altar this bowl.
50 I drank, Goddess! 51 And sank down here, sleeping, 52 On the steps of thy portico.
Circe.
53 Foolish boy! Why tremblest thou? 54 Thou lovest it, then, my wine? 55 Wouldst more of it? See, how glows, 56 Through the delicate, flush'd marble, 57 The red, creaming liquor, 58 Strown with dark seeds! 59 Drink, thee! I chide thee not, 60 Deny thee not my bowl.
61 Come, stretch forth thy hand, thee-so! 62 Drink-drink again! The Youth.
63 Thanks, gracious one! 64 Ah, the sweet fumes again! 65 More soft, ah me, 66 More subtle-winding 67 Than Pan's flute-music! 68 Faint-faint! Ah me, 69 Again the sweet sleep! Circe.
70 Hist! Thou-within there! 71 Come forth, Ulysses! 72 Art tired with hunting? 73 While we range the woodland, 74 See what the day brings.
Ulysses.
75 Ever new magic! 76 Hast thou then lured hither, 77 Wonderful Goddess, by thy art, 78 The young, languid-eyed Ampelus, 79 Iacchus' darling- 80 Or some youth beloved of Pan, 81 Of Pan and the Nymphs? 82 That he sits, bending downward 83 His white, delicate neck 84 To the ivy-wreathed marge 85 Of thy cup; the bright, glancing vine-leaves 86 That crown his hair, 87 Falling forward, mingling 88 With the dark ivy-plants-- 89 His fawn-skin, half untied, 90 Smear'd with red wine-stains? Who is he, 91 That he sits, overweigh'd 92 By fumes of wine and sleep, 93 So late, in thy portico? 94 What youth, Goddess,-what guest 95 Of Gods or mortals? Circe.
96 Hist! he wakes! 97 I lured him not hither, Ulysses.
98 Nay, ask him! The Youth.
99 Who speaks' Ah, who comes forth 100 To thy side, Goddess, from within? 101 How shall I name him? 102 This spare, dark-featured, 103 Quick-eyed stranger? 104 Ah, and I see too 105 His sailor's bonnet, 106 His short coat, travel-tarnish'd, 107 With one arm bare!-- 108 Art thou not he, whom fame 109 This long time rumours 110 The favour'd guest of Circe, brought by the waves? 111 Art thou he, stranger? 112 The wise Ulysses, 113 Laertes' son? Ulysses.
114 I am Ulysses.
115 And thou, too, sleeper? 116 Thy voice is sweet.
117 It may be thou hast follow'd 118 Through the islands some divine bard, 119 By age taught many things, 120 Age and the Muses; 121 And heard him delighting 122 The chiefs and people 123 In the banquet, and learn'd his songs.
124 Of Gods and Heroes, 125 Of war and arts, 126 And peopled cities, 127 Inland, or built 128 By the gray sea.
-If so, then hail! 129 I honour and welcome thee.
The Youth.
130 The Gods are happy.
131 They turn on all sides 132 Their shining eyes, 133 And see below them 134 The earth and men.
135 They see Tiresias 136 Sitting, staff in hand, 137 On the warm, grassy 138 Asopus bank, 139 His robe drawn over 140 His old sightless head, 141 Revolving inly 142 The doom of Thebes.
143 They see the Centaurs 144 In the upper glens 145 Of Pelion, in the streams, 146 Where red-berried ashes fringe 147 The clear-brown shallow pools, 148 With streaming flanks, and heads 149 Rear'd proudly, snuffing 150 The mountain wind.
151 They see the Indian 152 Drifting, knife in hand, 153 His frail boat moor'd to 154 A floating isle thick-matted 155 With large-leaved, low-creeping melon-plants 156 And the dark cucumber.
157 He reaps, and stows them, 158 Drifting--drifting;--round him, 159 Round his green harvest-plot, 160 Flow the cool lake-waves, 161 The mountains ring them.
162 They see the Scythian 163 On the wide stepp, unharnessing 164 His wheel'd house at noon.
165 He tethers his beast down, and makes his meal-- 166 Mares' milk, and bread 167 Baked on the embers;--all around 168 The boundless, waving grass-plains stretch, thick-starr'd 169 With saffron and the yellow hollyhock 170 And flag-leaved iris-flowers.
171 Sitting in his cart 172 He makes his meal; before him, for long miles, 173 Alive with bright green lizards, 174 And the springing bustard-fowl, 175 The track, a straight black line, 176 Furrows the rich soil; here and there 177 Cluster of lonely mounds 178 Topp'd with rough-hewn, 179 Gray, rain-blear'd statues, overpeer 180 The sunny waste.
181 They see the ferry 182 On the broad, clay-laden 183 Lone Chorasmian stream;--thereon, 184 With snort and strain, 185 Two horses, strongly swimming, tow 186 The ferry-boat, with woven ropes 187 To either bow 188 Firm harness'd by the mane; a chief 189 With shout and shaken spear, 190 Stands at the prow, and guides them; but astern 191 The cowering merchants, in long robes, 192 Sit pale beside their wealth 193 Of silk-bales and of balsam-drops, 194 Of gold and ivory, 195 Of turquoise-earth and amethyst, 196 Jasper and chalcedony, 197 And milk-barred onyx-stones.
198 The loaded boat swings groaning 199 In the yellow eddies; 200 The Gods behold him.
201 They see the Heroes 202 Sitting in the dark ship 203 On the foamless, long-heaving 204 Violet sea.
205 At sunset nearing 206 The Happy Islands.
207 These things, Ulysses, 208 The wise bards, also 209 Behold and sing.
210 But oh, what labour! 211 O prince, what pain! 212 They too can see 213 Tiresias;--but the Gods, 214 Who give them vision, 215 Added this law: 216 That they should bear too 217 His groping blindness, 218 His dark foreboding, 219 His scorn'd white hairs; 220 Bear Hera's anger 221 Through a life lengthen'd 222 To seven ages.
223 They see the Centaurs 224 On Pelion:--then they feel, 225 They too, the maddening wine 226 Swell their large veins to bursting; in wild pain 227 They feel the biting spears 228 Of the grim Lapith?, and Theseus, drive, 229 Drive crashing through their bones; they feel 230 High on a jutting rock in the red stream 231 Alcmena's dreadful son 232 Ply his bow;--such a price 233 The Gods exact for song: 234 To become what we sing.
235 They see the Indian 236 On his mountain lake; but squalls 237 Make their skiff reel, and worms 238 In the unkind spring have gnawn 239 Their melon-harvest to the heart.
--They see 240 The Scythian: but long frosts 241 Parch them in winter-time on the bare stepp, 242 Till they too fade like grass; they crawl 243 Like shadows forth in spring.
244 They see the merchants 245 On the Oxus stream;--but care 246 Must visit first them too, and make them pale.
247 Whether, through whirling sand, 248 A cloud of desert robber-horse have burst 249 Upon their caravan; or greedy kings, 250 In the wall'd cities the way passes through, 251 Crush'd them with tolls; or fever-airs, 252 On some great river's marge, 253 Mown them down, far from home.
254 They see the Heroes 255 Near harbour;--but they share 256 Their lives, and former violent toil in Thebes, 257 Seven-gated Thebes, or Troy; 258 Or where the echoing oars 259 Of Argo first 260 Startled the unknown sea.
261 The old Silenus 262 Came, lolling in the sunshine, 263 From the dewy forest-coverts, 264 This way at noon.
265 Sitting by me, while his Fauns 266 Down at the water-side 267 Sprinkled and smoothed 268 His drooping garland, 269 He told me these things.
270 But I, Ulysses, 271 Sitting on the warm steps, 272 Looking over the valley, 273 All day long, have seen, 274 Without pain, without labour, 275 Sometimes a wild-hair'd M?nad-- 276 Sometimes a Faun with torches-- 277 And sometimes, for a moment, 278 Passing through the dark stems 279 Flowing-robed, the beloved, 280 The desired, the divine, 281 Beloved Iacchus.
282 Ah, cool night-wind, tremulous stars! 283 Ah, glimmering water, 284 Fitful earth-murmur, 285 Dreaming woods! 286 Ah, golden-haired, strangely smiling Goddess, 287 And thou, proved, much enduring, 288 Wave-toss'd Wanderer! 289 Who can stand still? 290 Ye fade, ye swim, ye waver before me-- 291 The cup again! 292 Faster, faster, 293 O Circe, Goddess.
294 Let the wild, thronging train, 295 The bright procession 296 Of eddying forms, 297 Sweep through my soul!
Written by Dale Harcombe | Create an image from this poem

Brass Kaleidoscope

 My daughter raises the smooth
 brass kaleidoscope
 and watches as coloured glass slivers
 conspire together.
New worlds create themselves before her eyes.
Garnet spires flirt with sapphire and turquoise.
Topaz and amethyst meet in harmony, a selenic mystery.
A melody of stars singing a tune only she can hear.
Eclectic patterns shiver and shimmer then splinter, sparking off at tangents of tourmaline and jasper.
An image complete in itself.
I had a kaleidoscope once.
Sometimes I still see oblique patterns.
Slowly my daughter turns the wheel, finds a jewelled tapestry to her liking, and hands the kaleidoscope to me.
For a time I see the world she sees and it is good.
*First published LiNQ October 1990

Book: Shattered Sighs