Written by
John Milton |
VI
Giovane piano, e semplicetto amante
Poi che fuggir me stesso in dubbio sono,
Madonna a voi del mio cuor l'humil dono
Faro divoto; io certo a prove tante
L'hebbi fedele, intrepido, costante,
De pensieri leggiadro, accorto, e buono;
Quando rugge il gran mondo, e scocca il tuono,
S 'arma di se, e d' intero diamante,
Tanto del forse, e d' invidia sicuro,
Di timori, e speranze al popol use
Quanto d'ingegno, e d' alto valor vago,
E di cetra sonora, e delle muse:
Sol troverete in tal parte men duro
Ove amor mise l 'insanabil ago.
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Written by
Eugene Field |
Away down East where I was reared amongst my Yankee kith,
There used to live a pretty girl whose name was Mary Smith;
And though it's many years since last I saw that pretty girl,
And though I feel I'm sadly worn by Western strife and whirl;
Still, oftentimes, I think about the old familiar place,
Which, someway, seemed the brighter for Miss Mary's pretty face,
And in my heart I feel once more revivified the glow
I used to feel in those old times when I was Mary's beau.
I saw her home from singing school--she warbled like a bird.
A sweeter voice than hers for song or speech I never heard.
She was soprano in the choir, and I a solemn bass,
And when we unisoned our voices filled that holy place;
The tenor and the alto never had the slightest chance,
For Mary's upper register made every heart-string dance;
And, as for me, I shall not brag, and yet I'd have you know
I sung a very likely bass when I was Mary's beau.
On Friday nights I'd drop around to make my weekly call,
And though I came to visit her, I'd have to see 'em all.
With Mary's mother sitting here and Mary's father there,
The conversation never flagged so far as I'm aware;
Sometimes I'd hold her worsted, sometimes we'd play at games,
Sometimes dissect the apples which we'd named each other's names.
Oh how I loathed the shrill-toned clock that told me when to go--
'Twas ten o'clock at half-past eight when I was Mary's beau.
Now there was Luther Baker--because he'd come of age
And thought himself some pumpkins because he drove the stage--
He fancied he could cut me out; but Mary was my friend--
Elsewise I'm sure the issue had had a tragic end.
For Luther Baker was a man I never could abide,
And, when it came to Mary, either he or I had died.
I merely cite this instance incidentally to show
That I was quite in earnest when I was Mary's beau.
How often now those sights, those pleasant sights, recur again:
The little township that was all the world I knew of then--
The meeting-house upon the hill, the tavern just beyond,
Old deacon Packard's general store, the sawmill by the pond,
The village elms I vainly sought to conquer in my quest
Of that surpassing trophy, the golden oriole's nest.
And, last of all those visions that come back from long ago,
The pretty face that thrilled my soul when I was Mary's beau.
Hush, gentle wife, there is no need a pang should vex your heart--
'T is many years since fate ordained that she and I should part;
To each a true, maturer love came in good time, and yet
It brought not with its nobler grace the power to forget.
And would you fain begrudge me now the sentimental joy
That comes of recollections of my sparkings when a boy?
I warrant me that, were your heart put to the rack,'t would show
That it had predilections when I was Mary's beau.
And, Mary, should these lines of mine seek out your biding place,
God grant they bring the old sweet smile back to your pretty face--
God grant they bring you thoughts of me, not as I am to-day,
With faltering step and brimming eyes and aspect grimly gray;
But thoughts that picture me as fair and full of life and glee
As we were in the olden times--as you shall always be.
Think of me ever, Mary, as the boy you used to know
When time was fleet, and life was sweet, and I was Mary's beau.
Dear hills of old New England, look down with tender eyes
Upon one little lonely grave that in your bosom lies;
For in that cradle sleeps a child who was so fair to see
God yearned to have unto Himself the joy she brought to me;
And bid your winds sing soft and low the song of other days,
When, hand in hand and heart to heart, we went our pleasant ways--
Ah me! but could I sing again that song of long ago,
Instead of this poor idle song of being Mary's beau.
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Written by
Florbela Espanca |
Ser poeta é ser mais alto, é ser maior
Do que os homens! Morder como quem beija!
É ser mendigo e dar como quem seja
Rei do Reino de Aquém e de Além Dor!
É ter de mil desejos o esplendor
E não saber sequer que se deseja!
É ter cá dentro um astro que flameja,
É ter garras e asas de condor!
É ter fome, é ter sede de Infinito!
Por elmo, as manhãs de oiro e de cetim...
É condensar o mundo num só grito!
E é amar-te, assim, perdidamente...
É seres alma, e sangue, e vida em mim
E dizê-lo cantando a toda a gente!
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Written by
Francesco Petrarch |
SONNET XLI. L' alto e novo miracol ch' a dì nostri. IT IS IMPOSSIBLE FOR HIM TO DESCRIBE HER EXCELLENCES. The wonder, high and new, that, in our days,Dawn'd on the world, yet would not there remain,Which heaven but show'd to us to snatch againBetter to blazon its own starry ways;That to far times I her should paint and praiseLove wills, who prompted first my passionate strain;But now wit, leisure, pen, page, ink in vainTo the fond task a thousand times he sways.My slow rhymes struggle not to life the while;I feel it, and whoe'er to-day below,Or speak or write of love will prove it so.Who justly deems the truth beyond all style,Here silent let him muse, and sighing say,Blessèd the eyes who saw her living day! Macgregor.
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Written by
Francesco Petrarch |
SONNET CCIII. L' alto signor, dinanzi a cui non vale. HIS SORROW FOR THE ILLNESS OF LAURA INCREASES, NOT LESSENS, HIS FLAME. The sovereign Lord, 'gainst whom of no availConcealment, or resistance is, or flight,My mind had kindled to a new delightBy his own amorous and ardent ail:[Pg 213]Though his first blow, transfixing my best mailWere mortal sure, to push his triumph quiteHe took a shaft of sorrow in his right,So my soft heart on both sides to assail.A burning wound the one shed fire and flame,The other tears, which ever grief distils,Through eyes for your weak health that are as rills.But no relief from either fountain cameMy bosom's conflagration to abate,Nay, passion grew by very pity great.
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Written by
Francesco Petrarch |
[Pg 81] SONNET LVIII. Quando giunse a Simon l' alto concetto. HE DESIRES ONLY THAT MEMMI HAD BEEN ABLE TO IMPART SPEECH TO HIS PORTRAIT OF LAURA. When, at my word, the high thought fired his mind,Within that master-hand which placed the pen,Had but the painter, in his fair work, thenLanguage and intellect to beauty join'd,Less 'neath its care my spirit since had pined,Which worthless held what still pleased other men;And yet so mild she seems that my fond kenOf peace sees promise in that aspect kind.When further communing I hold with herBenignantly she smiles, as if she heardAnd well could answer to mine every word:But far o'er mine thy pride and pleasure were,Bright, warm and young, Pygmalion, to have press'dThine image long and oft, while mine not once has blest. Macgregor. When Simon at my wish the proud designConceived, which in his hand the pencil placed,Had he, while loveliness his picture graced,But added speech and mind to charms divine;What sighs he then had spared this breast of mine:That bliss had given to higher bliss distaste:For, when such meekness in her look was traced,'Twould seem she soon to kindness might incline.But, urging converse with the portray'd fair,Methinks she deigns attention to my prayer,Though wanting to reply the power of voice.What praise thyself, Pygmalion, hast thou gain'd;Forming that image, whence thou hast obtain'dA thousand times what, once obtain'd, would me rejoice. Nott.
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