Written by
Rudyard Kipling |
March! The mud is cakin' good about our trousies.
Front! -- eyes front, an' watch the Colour-casin's drip.
Front! The faces of the women in the 'ouses
Ain't the kind o' things to take aboard the ship.
Cheer! An' we'll never march to victory.
Cheer! An' we'll never live to 'ear the cannon roar!
The Large Birds o' Prey
They will carry us away,
An' you'll never see your soldiers any more!
Wheel! Oh, keep your touch; we're goin' round a corner.
Time! -- mark time, an' let the men be'ind us close.
Lord! the transport's full, an' 'alf our lot not on 'er --
Cheer, O cheer! We're going off where no one knows.
March! The Devil's none so black as 'e is painted!
Cheer! We'll 'ave some fun before we're put away.
'Alt, an' 'and 'er out -- a woman's gone and fainted!
Cheer! Get on -- Gawd 'elp the married men to-day!
Hoi! Come up, you 'ungry beggars, to yer sorrow.
('Ear them say they want their tea, an' want it quick!)
You won't have no mind for slingers, not to-morrow --
No; you'll put the 'tween-decks stove out, bein' sick!
'Alt! The married kit 'as all to go before us!
'Course it's blocked the bloomin' gangway up again!
Cheer, O cheer the 'Orse Guards watchin' tender o'er us,
Keepin' us since eight this mornin' in the rain!
Stuck in 'eavy marchin'-order, sopped and wringin' --
Sick, before our time to watch 'er 'eave an' fall,
'Ere's your 'appy 'ome at last, an' stop your singin'.
'Alt! Fall in along the troop-deck! Silence all!
Cheer! For we'll never live to see no bloomin' victory!
Cheer! An' we'll never live to 'ear the cannon roar! (One cheer more!)
The jackal an' the kite
'Ave an 'ealthy appetite,
An' you'll never see your soldiers any more! ('Ip! Urroar!)
The eagle an' the crow
They are waitin' ever so,
An' you'll never see your soldiers any more! ('Ip! Urroar!)
Yes, the Large Birds o' Prey
They will carry us away,
An' you'll never see your soldiers any more!
|
Written by
Robert Browning |
1 It once might have been, once only:
2 We lodged in a street together,
3 You, a sparrow on the housetop lonely,
4 I, a lone she-bird of his feather.
5 Your trade was with sticks and clay,
6 You thumbed, thrust, patted and polished,
7 Then laughed 'They will see some day
8 Smith made, and Gibson demolished.'
9 My business was song, song, song;
10 I chirped, cheeped, trilled and twittered,
11 'Kate Brown's on the boards ere long,
12 And Grisi's existence embittered!'
13 I earned no more by a warble
14 Than you by a sketch in plaster;
15 You wanted a piece of marble,
16 I needed a music-master.
17 We studied hard in our styles,
18 Chipped each at a crust like Hindoos,
19 For air looked out on the tiles,
20 For fun watched each other's windows.
21 You lounged, like a boy of the South,
22 Cap and blouse--nay, a bit of beard too;
23 Or you got it, rubbing your mouth
24 With fingers the clay adhered to.
25 And I--soon managed to find
26 Weak points in the flower-fence facing,
27 Was forced to put up a blind
28 And be safe in my corset-lacing.
29 No harm! It was not my fault
30 If you never turned your eye's tail up
31 As I shook upon E in alt,
32 Or ran the chromatic scale up:
33 For spring bade the sparrows pair,
34 And the boys and girls gave guesses,
35 And stalls in our street looked rare
36 With bulrush and watercresses.
37 Why did not you pinch a flower
38 In a pellet of clay and fling it?
39 Why did not I put a power
40 Of thanks in a look, or sing it?
41 I did look, sharp as a lynx,
42 (And yet the memory rankles,)
43 When models arrived, some minx
44 Tripped up-stairs, she and her ankles.
45 But I think I gave you as good!
46 'That foreign fellow,--who can know
47 How she pays, in a playful mood,
48 For his tuning her that piano?'
49 Could you say so, and never say
50 'Suppose we join hands and fortunes,
51 And I fetch her from over the way,
52 Her, piano, and long tunes and short tunes?'
53 No, no: you would not be rash,
54 Nor I rasher and something over:
55 You've to settle yet Gibson's hash,
56 And Grisi yet lives in clover.
57 But you meet the Prince at the Board,
58 I'm queen myself at bals-par?,
59 I've married a rich old lord,
60 And you're dubbed knight and an R.A.
61 Each life unfulfilled, you see;
62 It hangs still, patchy and scrappy:
63 We have not sighed deep, laughed free,
64 Starved, feasted, despaired,--been happy.
65 And nobody calls you a dunce,
66 And people suppose me clever:
67 This could but have happened once,
68 And we missed it, lost it for ever.
|
Written by
Ben Jonson |
X. ? PRÆLUDIUM. For the more countenance to my active muse? Hercules ? Alas his bones are yet sore, With his old earthly labors : t' exact more, Of his dull godhead, were sin. I'll implore Phoebus. No, tend thy cart still. Envious day Shall not give out that I have made thee stay, And founder'd thy hot team, to tune my lay. Nor will I beg of thee, Lord of the vine, To raise my spirits with thy conjuring wine, In the green circle of thy ivy twine. Pallas, nor thee I call on, mankind maid, That at thy birth, mad'st the poor smith afraid, Who with his axe, thy father's midwife plaid. Go, cramp dull Mars, light Venus, when he snorts, Or, with thy tribade trine, invent new sports ; Thou nor thy looseness with my making sorts. Let the old boy, your son, ply his old task, Turn the stale prologue to some painted mask ; His absence in my verse, is all I ask. Hermes, the cheater, shall not mix with us, Though he would steal his sisters' Pegasus, And rifle him : or pawn his petasus. THE PHOENIX ANALYSED. Now, after all, let no man Receive it for a fable, If a bird so amiable Do turn into a woman. Or, by our Turtle's augure, That nature's fairest creature Prove of his mistress' feature But a bare type and figure. Nor all the ladies of the Thespian lake, (Though they were crushed into one form) could make A beauty of that merit, that should take.  Splendor ! O more than mortal For other forms come short all, Of her illustrious brightness As far as sin's from lightness. Her wit as quick and sprightful As fire, and more delightful Than the stolen sports of lovers, When night their meeting covers. Judgment, adorn'd with learning, Doth shine in her discerning, Clear as a naked vestal Closed in an orb of crystal. Her breath for sweet exceeding The phoenix' place of breeding, But mix'd with sound, transcending All nature of commending. Alas then whither wade I In thought to praise this lady, When seeking her renowning My self am so near drowning? Retire, and say her graces Are deeper than their faces, Yet she's not nice to show them, Nor takes she pride to know them. My muse up by commission ; no, I bring My own true fire : now my thought takes wing, And now an EPODE to deep ears I sing.
|
|
Written by
William Butler Yeats |
Man. In a cleft that's christened Alt
Under broken stone I halt
At the bottom of a pit
That broad noon has never lit,
And shout a secret to the stone.
All that I have said and done,
Now that I am old and ill,
Turns into a question till
I lie awake night after night
And never get the answers right.
Did that play of mine send out
Certain men the English shot?
Did words of mine put too great strain
On that woman's reeling brain?
Could my spoken words have checked
That whereby a house lay wrecked?
And all seems evil until I
Sleepless would lie down and die.
Echo. Lie down and die.
Man. That were to shirk
The spiritual intellect's great work,
And shirk it in vain. There is no release
In a bodkin or disease,
Nor can there be work so great
As that which cleans man's dirty slate.
While man can still his body keep
Wine or love drug him to sleep,
Waking he thanks the Lord that he
Has body and its stupidity,
But body gone he sleeps no more,
And till his intellect grows sure
That all's arranged in one clear view,
pursues the thoughts that I pursue,
Then stands in judgment on his soul,
And, all work done, dismisses all
Out of intellect and sight
And sinks at last into the night.
Echo. Into the night.
Man. O Rocky Voice,
Shall we in that great night rejoice?
What do we know but that we face
One another in this place?
But hush, for I have lost the theme,
Its joy or night-seem but a dream;
Up there some hawk or owl has struck,
Dropping out of sky or rock,
A stricken rabbit is crying out,
And its cry distracts my thought.
|
Written by
Ben Jonson |
by Ben Jonson TO thee my way in epigrams seems new, When both it is the old way and the true. Thou sayst that cannot be, for thou hast seen Davies and Weever, and the best have been, And mine come nothing like. I hope so; yet As theirs did with thee, mine might credit get, If thou'dst but use thy faith, as thou didst then When thou wert wont t' admire, not censure men. Prithee believe still, and not judge so fast, Thy faith is all the knowledge that thou hast.
Source: Jonson, Ben. "To my mere English censurer." Poetry of the English Renaissance 1509-1660. J. William Hebel and Hoyt H. Hudson, eds. New York: F. S. Crofts & Co., 1941. 495.
Copyright ©1999 Anniina Jokinen. All Rights Reserved. Created by Anniina Jokinen on May 7, 1999. Last updated on September 4, 1999.
|
Written by
Paul Laurence Dunbar |
I has hyeahd o' people dancin' an' I 's hyeahd o' people singin'.
An' I 's been 'roun' lots of othahs dat could keep de banjo ringin';
But of all de whistlin' da'kies dat have lived an' died since Ham,
De whistlin'est I evah seed was ol' Ike Bates's Sam.
In de kitchen er de stable, in de fiel' er mowin' hay,
You could hyeah dat boy a-whistlin' pu'ty nigh a mile erway,—
Puck'rin' up his ugly features 'twell you could n't see his eyes,
Den you 'd hyeah a soun' lak dis un f'om dat awful puckah rise:
 When dey had revival meetin' an' de Lawd's good grace was flowin'
On de groun' dat needed wat'rin' whaih de seeds of good was growin',
While de othahs was a-singin' an' a-shoutin' right an' lef,
You could hyeah dat boy a-whistlin' kin' o' sof beneaf his bref:
[Pg 157] At de call fu' colo'ed soldiers, Sam enlisted 'mong de res'
Wid de blue o' Gawd's great ahmy wropped about his swellin' breas',
An' he laffed an' whistled loudah in his youfful joy an' glee
Dat de govament would let him he'p to mek his people free.
Daih was lots o' ties to bin' him, pappy, mammy, an' his Dinah,—
Dinah, min' you, was his sweet-hea't, an' dey was n't nary finah;
But he lef 'em all, I tell you, lak a king he ma'ched away,
Try'n' his level bes' to whistle, happy, solemn, choky, gay:
 To de front he went an' bravely fought de foe an' kep' his sperrit,
An' his comerds said his whistle made 'em strong when dey could hyeah it.
When a saber er a bullet cut some frien' o' his'n down,
An' de time 'u'd come to trench him an' de boys 'u'd gethah 'roun',
An' dey could n't sta't a hymn-tune, mebbe none o' dem 'u'd keer,
Sam 'u'd whistle "Sleep in Jesus," an' he knowed de Mastah 'd hyeah.
In de camp, all sad discouraged, he would cheer de hea'ts of all,
When above de soun' of labour dey could hyeah his whistle call:
 When de cruel wah was ovah an' de boys come ma'chin' back,
Dey was shouts an' cries an' blessin's all erlong dey happy track,
An' de da'kies all was happy; souls an' bodies bofe was freed.
Why, hit seemed lak de Redeemah mus' 'a' been on earf indeed.
Dey was gethahed all one evenin' jes' befo' de cabin do',
When dey hyeahd somebody whistlin' kin' o' sof' an' sweet an' low.
Dey could n't see de whistlah, but de hymn was cleah and ca'm,
An' dey all stood daih a-listenin' ontwell Dinah shouted, "Sam!"[Pg 158]
An' dey seed a little da'ky way off yandah thoo de trees
Wid his face all in a puckah mekin' jes' sich soun's ez dese:
|