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Best Famous Alacrity Poems

Here is a collection of the all-time best famous Alacrity poems. This is a select list of the best famous Alacrity poetry. Reading, writing, and enjoying famous Alacrity poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of alacrity poems.

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Written by Rg Gregory | Create an image from this poem

from the Ansty Experience

 (a)
they seek to celebrate the word
not to bring their knives out on a poem
dissecting it to find a heart
whose beat lies naked on a table
not to score in triumph on a line
no sensitive would put a nostril to
but simply to receive it as an
offering glimpsing the sacred there

poem probes the poet's once-intention
but each time said budges its truth
afresh (leaving the poet's self
estranged from the once-intending man)
and six ears in the room have tuned
objectives sifting the coloured strands
the words have hidden from the poet
asking what world has come to light

people measured by their heartbeats
language can't flout that come-and-go
to touch the heartbeat in a poem
calls for the brain's surrender
a warm diffusion of the mind
a listening to an eery silence
the words both mimic and destroy
(no excuses slipping off the tongue)

and when a poem works the unknown
opens a timid shutter on a world
so familiar it's not been seen
before - and then it's gone bringing
a frisson to an altered room
and in a stuttering frenzy dusty
attributes are tried to resurrect
a glimpse of what it's like inside

a truth (the glow a glow-worm makes)
this is not (not much) what happens
there's serious concern and banter
there's opacity there's chit-chat
diversions and derailings from
a line some avalanche has blocked
(what a fine pass through the mountains)
poetry and fidgets are blood-brothers

it's within all these the cosmos calls
that makes these afternoons a rich
adventure through a common field
when three men moving towards death
(without alacrity but conscious of it)
find youth again and bubble with
its springs - opening worn valves
to give such flow their own direction

there's no need of competition
no wish to prove that one of us
holds keys the others don't to the
sacral chambers - no want to find
consensus in technique or drench 
the rites of words in orthodox 
belief - difference is essential
and delightful (integrity's all)

quality's a private quarrel
between the poem and the poet - taste
the private hang-up of receivers
mostly migrained by exposure
to opinions not their own - fed
from a culture no one bleeds in
sustained by reputations manured
by a few and spread by hearsay

(b)
these meetings are a modest vow
to let each poet speak uncluttered
from establishment's traditions
and conditions where passions rippling
from the marrow can choose a space
to innocent themselves and long-held
tastes for carlos williams gurney
poems to siva (to name a few)

can surface in a side-attempt 
to show unexpected lineage from
the source to present patterns
of the poet - but at the core
of every poem read and comment made
it's not the poem or the poet
being sifted to the seed but
poetry itself given the works

the most despised belittled
enervated creative cowcake
of them all in the public eye
prestigious when it doesn't matter
to the clapped-out powers and turned
away from when too awkward and 
impolitic to confront - ball
to be bounced from high art to low

when fights break out amongst the teachers
and shakespeare's wielded as a cane
as the rich old crusty clan reverts
to the days it hated him at school
but loved the beatings - loudhailer
broken-down old-banger any ram-it-
up-your-**** and suck-my-prick to those
who want to tear chintz curtains down

and shock the cosy populace to taste
life at its rawest (most obscene)
courtesan to fashion and today's 
ploy - advertisement's gold gimmick
slave of beat and rhythm - dead but
much loved donkey in the hearts of all
who learned di-dah di-dah at school
and have been stuck in the custard since

plaything political-tool pop-
star's goo - poetry's been made to garb
itself in all these rags and riches
this age applauds the eye - is one 
of outward exploration - the earth
(in life) and universe (in fiction)
are there for scurrying over - haste
is everything and the beat is all

fireworks feed the fancy - a great ah
rewards the enterprise that fills
night skies with flashing bountifuls
of way-out stars - poetry has to be
in service to this want (is fed
into the system gracelessly)
there can be no standing-still or
stopping-by no take a little time

and see what blossoms here - we're into
poetry in motion and all that ****
and i can accept it all - what stirs
the surface of the ocean ignores
the depths - what talks the hindlegs off
the day can't murder dreams - that's not
to say the depths and dreams aren't there
for those who need them - it's commonplace

they hold the keystones of our lives
i fear something else much deeper
the diabolical self-deceiving
(wilful destruction of the spirit)
by those loudspeaking themselves
as poetry's protectors - publishers
editors literature officers
poetry societies and centres

all all jumping on the flagship
competition's crock of gold
find the winners pick the famous
all the hopefuls cry please name us
aspiring poets search their wardrobes
for the wordy swimsuit likely
to catch the eyeful of the judges
(winners too in previous contests

inured to the needle of success
but this time though now they are tops
totally pissed-off with the process
only here because the money's good)
winners' middle name is wordsworth
losers swallow a dose of shame
organisers rub their golden hands
pride themselves on their discernment

these jacks have found the beanstalk
castle harp and the golden egg
the stupid giant and his frightened wife
who let them steal their best possessions
whose ear for poetry's so poor
they think fum rhymes with englishman
and so of course they get no prizes
thief and trickster now come rich

poetry's purpose is to hit the jackpot
so great the lust for poetic fame
thousands without a ghost of winning
find poems like mothballs in their drawers
sprinkle them with twinkling stardust
post them off with copperplate cheques
the judges wipe their arses on them
the money's gone to a super cause

everyone knows it's just a joke
who gets taken - the foolish and vain
if they're daft enough and such bad poets
more money than sense the best advice 
is - keep it up grannies the cause
is noble and we'll take your cheque
again and again and again
it's the winners who fall in the bog

to win is to be preened - conceit
finds a little fluffy nest dear
to the feted heart and swells there
fed (for a foetal space) on all 
the praisiest worms but in the nest 
is a bloated thing that sucks (and chokes)
on hurt that has the knack of pecking
where there's malice - it grows two heads

winners by their nature soon become
winged and weighted - icarus begins
to prey upon their waking dreams 
prometheus gnawed by eagles 
the tight-shut box epimetheus
gave pandora about to burst
apart - yeats's centre cannot hold
being poets they know the references

and they learn the lesson quickly
climb upon others as they would
climb on you - in short be ruthless
or be dead they mostly fade away
being too intact or too weak-willed
to go the shining way with light-
ning bolts at every second bend 
agents breathing fire up their pants

those who withstand the course become
the poets of their day (and every one
naturally good as gold - exceptions
to the rule - out of the hearing
and the judgment of their rivals)
the media covet the heartache
and the bile - love the new meteor
can't wait to blast it from the heavens

universities will start the cult
with-it secondary teachers catch
the name on fast - magazines begin
to taste the honey on the plate
and soon another name is buzzing 
round the bars where literary pass-
ons meet to dole out bits of hem
i accept it all - it's not for me

above it all the literary lions
(jackals to each other) stand posed
upon their polystyrene mountains
constructed by their fans and foes
alike (they have such need of them)
disdaining what they see but terror-
stricken when newcomers climb up 
waving their thin bright books

for so long they've dubbed themselves
the intellectual cream - deigning
to hand out poems when they're asked
(for proper recompense in cash
or fawning) - but well beyond the risk
of letting others turn the bleeders
down so sure they are they're halfway
to the gods (yet still need preening)

a poem from one of them is like 
the loaves and fishes jesus touched
and rendered food for the five thousand
they too can walk on water in
their home - or so the reviewers say
poetry from their mouths is such a gift
if you don't read or understand it
you'll be damned - i accept all that

but what i can't accept is (all 
this while) the source and bed of what
is poetry to me as cracked and parched -
condemned ignored made mock of 
shoved in wilderness by those 
who've gone the gilded route (mapped out 
by ego and a driving need to claim
best prick with a capital pee)

it's being roomed with the said poem
coming back and back to the same
felt heartbeat having its way with words
absorbing the strains and promises
that make the language opt for paths
no other voice would go - shifting
a dull stone and knowing what bright
creature this instinct has bred there

it's trusting the poet with his own map
not wanting to tear it up before
the ink is dry because the symbols
he's been using don't suit your own
conception of terrain you've not
been born to - it's being pleased
to have connections made in ways
you couldn't dream of (wouldn't want to)


Written by Robert Burns | Create an image from this poem

231. Epistle to Robert Graham Esq. of Fintry

 WHEN Nature her great master-piece design’d,
And fram’d her last, best work, the human mind,
Her eye intent on all the mazy plan,
She form’d of various parts the various Man.
Then first she calls the useful many forth; Plain plodding Industry, and sober Worth: Thence peasants, farmers, native sons of earth, And merchandise’ whole genus take their birth: Each prudent cit a warm existence finds, And all mechanics’ many-apron’d kinds.
Some other rarer sorts are wanted yet, The lead and buoy are needful to the net: The caput mortuum of gross desires Makes a material for mere knights and squires; The martial phosphorus is taught to flow, She kneads the lumpish philosophic dough, Then marks th’ unyielding mass with grave designs, Law, physic, politics, and deep divines; Last, she sublimes th’ Aurora of the poles, The flashing elements of female souls.
The order’d system fair before her stood, Nature, well pleas’d, pronounc’d it very good; But ere she gave creating labour o’er, Half-jest, she tried one curious labour more.
Some spumy, fiery, ignis fatuus matter, Such as the slightest breath of air might scatter; With arch-alacrity and conscious glee, (Nature may have her whim as well as we, Her Hogarth-art perhaps she meant to show it), She forms the thing and christens it—a Poet: Creature, tho’ oft the prey of care and sorrow, When blest to-day, unmindful of to-morrow; A being form’d t’ amuse his graver friends, Admir’d and prais’d-and there the homage ends; A mortal quite unfit for Fortune’s strife, Yet oft the sport of all the ills of life; Prone to enjoy each pleasure riches give, Yet haply wanting wherewithal to live; Longing to wipe each tear, to heal each groan, Yet frequent all unheeded in his own.
But honest Nature is not quite a Turk, She laugh’d at first, then felt for her poor work: Pitying the propless climber of mankind, She cast about a standard tree to find; And, to support his helpless woodbine state, Attach’d him to the generous, truly great: A title, and the only one I claim, To lay strong hold for help on bounteous Graham.
Pity the tuneful Muses’ hapless train, Weak, timid landsmen on life’s stormy main! Their hearts no selfish stern absorbent stuff, That never gives—tho’ humbly takes enough; The little fate allows, they share as soon, Unlike sage proverb’d Wisdom’s hard-wrung boon: The world were blest did bliss on them depend, Ah, that “the friendly e’er should want a friend!” Let Prudence number o’er each sturdy son, Who life and wisdom at one race begun, Who feel by reason and who give by rule, (Instinct’s a brute, and sentiment a fool!) Who make poor “will do” wait upon “I should”— We own they’re prudent, but who feels they’re good? Ye wise ones hence! ye hurt the social eye! God’s image rudely etch’d on base alloy! But come ye who the godlike pleasure know, Heaven’s attribute distinguished—to bestow! Whose arms of love would grasp the human race: Come thou who giv’st with all a courtier’s grace; FRIEND OF MY LIFE, true patron of my rhymes! Prop of my dearest hopes for future times.
Why shrinks my soul half blushing, half afraid, Backward, abash’d to ask thy friendly aid? I know my need, I know thy giving hand, I crave thy friendship at thy kind command; But there are such who court the tuneful Nine— Heavens! should the branded character be mine! Whose verse in manhood’s pride sublimely flows, Yet vilest reptiles in their begging prose.
Mark, how their lofty independent spirit Soars on the spurning wing of injured merit! Seek not the proofs in private life to find Pity the best of words should be but wind! So, to heaven’s gates the lark’s shrill song ascends, But grovelling on the earth the carol ends.
In all the clam’rous cry of starving want, They dun Benevolence with shameless front; Oblige them, patronise their tinsel lays— They persecute you all your future days! Ere my poor soul such deep damnation stain, My horny fist assume the plough again, The pie-bald jacket let me patch once more, On eighteenpence a week I’ve liv’d before.
Tho’, thanks to Heaven, I dare even that last shift, I trust, meantime, my boon is in thy gift: That, plac’d by thee upon the wish’d-for height, Where, man and nature fairer in her sight, My Muse may imp her wing for some sublimer flight.
Written by Emily Dickinson | Create an image from this poem

They put Us far apart

 They put Us far apart --
As separate as Sea
And Her unsown Peninsula --
We signified "These see" --

They took away our Eyes --
They thwarted Us with Guns --
"I see Thee" each responded straight
Through Telegraphic Signs --

With Dungeons -- They devised --
But through their thickest skill --
And their opaquest Adamant --
Our Souls saw -- just as well --

They summoned Us to die --
With sweet alacrity
We stood upon our stapled feet --
Condemned -- but just -- to see --

Permission to recant --
Permission to forget --
We turned our backs upon the Sun
For perjury of that --

Not Either -- noticed Death --
Of Paradise -- aware --
Each other's Face -- was all the Disc
Each other's setting -- saw --
Written by A S J Tessimond | Create an image from this poem

Quickstep

 Acknowledge the drum's whisper.
Yield to its velvet Nudge.
Cut a slow air- Curve.
Then dip (hip to hip): Sway, swing, pedantically Poise.
Now recover, Converting the coda To prelude of sway-swing- Recover.
Acknowledge The drum-crack's alacrity - Acrid exactitude - Catch it, then slacken, Then catch as cat catches Rat.
Trace your graph: Loop, ellipse.
Skirt an air-wall To bend it and break it - Thus - so - As the drum speaks!

Book: Shattered Sighs